Matilda Smith (1854–1926) was a
botanical artist
Botanical illustration is the art of depicting the form, color, and details of plant species, frequently in watercolor paintings. They must be scientifically accurate but often also have an artistic component and may be printed with a botanical ...
whose work appeared in ''
Curtis's Botanical Magazine
''The Botanical Magazine; or Flower-Garden Displayed'', is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name ''Curtis's Botanical Magazine''.
Each of the issue ...
'' for over forty years.
[ She became the first artist to depict New Zealand's flora in depth, the first official artist of the ]Royal Botanic Gardens at Kew
Royal Botanic Gardens, Kew is a non-departmental public body in the United Kingdom sponsored by the Department for Environment, Food and Rural Affairs. An internationally important botany, botanical research and education institution, it employ ...
, and the second woman to become an associate of the Linnaean Society
The Linnean Society of London is a learned society dedicated to the study and dissemination of information concerning natural history, evolution, and taxonomy. It possesses several important biological specimen, manuscript and literature colle ...
.[
]
Biography
Matilda Smith was born in Bombay, India, on 30 July 1854, but her family emigrated to England when she was a small child.[ Her interests in botany and botanical art were fostered by her second cousin ]Joseph Dalton Hooker
Sir Joseph Dalton Hooker (30 June 1817 – 10 December 1911) was a British botanist and explorer in the 19th century. He was a founder of geographical botany and Charles Darwin's closest friend. For twenty years he served as director of t ...
,[ whose daughter Harriet would also go on to become a ]botanical illustrator
Botanical illustration is the art of depicting the form, color, and details of plant species, frequently in watercolor paintings. They must be scientifically accurate but often also have an artistic component and may be printed with a botanical ...
.[ Hooker was then the director of ]Kew Gardens
Kew Gardens is a botanical garden, botanic garden in southwest London that houses the "largest and most diverse botany, botanical and mycology, mycological collections in the world". Founded in 1840, from the exotic garden at Kew Park, its li ...
and a talented draughtsman in his own right, and he brought Smith into the Gardens to train as an illustrator.
Smith especially admired the work of Walter Hood Fitch
Walter Hood Fitch (28 February 1817 – 1892) was a botanical illustrator, born in Glasgow, Scotland, who executed some 10,000 drawings for various publications.
His work in colour lithograph, including 2700 illustrations for ''Curtis's Bot ...
, who was then the lead artist for ''Curtis's Botanical Magazine''.[ Despite her limited artistic training, Hooker encouraged her to show the magazine her own work, and in 1878 it first published one of her drawings.][ A dispute over pay between Fitch and Hooker—for whom Fitch had been preparing illustrations for several books—led to Fitch's leaving the long-running magazine in 1877. One consequence was that Smith rapidly became a key illustrator at the magazine, at first working alongside Harriet Anne Thiselton-Dyer.][ In the period 1879–1881, each issue included some 20 of her drawings, and by 1887 she was almost the sole illustrator for the magazine.][ In 1898, she was appointed the magazine's sole official artist.][ Over the forty-odd years between 1878 and 1923, Smith drew more than 2,300 plates for the magazine—only 600 fewer than Fitch, although she received much less recognition for this achievement in her own lifetime.][ As late as the mid 20th century, art teacher ]Wilfrid Blunt
Wilfrid Scawen Blunt (17 August 1840 – 10 September 1922), sometimes spelt Wilfred, was an English poet and writer. He and his wife Lady Anne Blunt travelled in the Middle East and were instrumental in preserving the Arabian horse bloodlines ...
, in his book ''The Art of Botanical Illustration'', dismissed her as an artist of inferior skills, praising her faintly for her charm, her work ethic, and her usefulness in creating a record of otherwise unpictured plants.[ In this he follows a pattern first noticeable in the Victorian era of progressively devaluing botany and botanical art as women entered the field professionally.][ Other authors, however, both now and in her own day, have admired the clarity and precision of her drawing, and her four decades of employment at the center of the British botanical world testifies to a continuing value for her skills.][
In the course of Smith's long association with Kew Gardens, she created 1,500 plates for volumes of '']Icones Plantarum
''Icones Plantarum'' is an extensive series of published volumes of botanical illustration, initiated by Sir William Jackson Hooker. The Latin name of the work means "Illustrations of Plants". The illustrations are drawn from herbarium specimens o ...
'', a monumental survey of Kew's plants then being edited by Hooker.[ Beginning with Plate 1354, she was the sole artist for this series, with funds being provided to keep her in this role for as long as she chose to do it.][ She also made reproductions of plates missing from incomplete volumes in Kew's library, and she became the first botanical artist to extensively depict the flora of New Zealand.][ She was especially admired for her ability to create credible illustrations from dried, flattened, and sometimes imperfect specimens.][ Her exceptional contributions to Kew Gardens led to her being designated the first official botanical artist of Kew Gardens in 1898. In 1921, the year she retired from Kew, she was named an associate of the Linnean Society—only the second woman to have achieved this honor.][ She was also awarded the Silver Veitch Memorial Medal of the Royal Horticultural Society for her botanical draughtsmanship generally and for her contributions to '']Curtis's Botanical Magazine
''The Botanical Magazine; or Flower-Garden Displayed'', is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name ''Curtis's Botanical Magazine''.
Each of the issue ...
'' in particular.[
The plant genera ''Smithiantha'' (in the family ]Gesneriaceae
Gesneriaceae, the gesneriad family, is a family of flowering plants consisting of about 152 genera and ca. 3,540 species in the tropics and subtropics of the Old World (almost all Didymocarpoideae) and the New World (most Gesnerioideae), with ...
) and ''Smithiella'' (viz. ''Smithiella myriantha'', a synonym of '' Pilea myriantha'') were named in her honor. The Matilda Smith Memorial Prize sponsored by the Kew Guild in her memory is given to the best practical student.[
Smith died on 29 December 1926 at Gloucester Road, ]Kew
Kew () is a district in the London Borough of Richmond upon Thames. Its population at the 2011 census was 11,436. Kew is the location of the Royal Botanic Gardens ("Kew Gardens"), now a World Heritage Site, which includes Kew Palace. Kew is a ...
, and is buried in Richmond Cemetery
Richmond Cemetery is a cemetery on Lower Grove Road in Richmond in the London Borough of Richmond upon Thames, England. The cemetery opened in 1786 on a plot of land granted by an Act of Parliament the previous year. The cemetery has been expande ...
.[
]
Publications illustrated by Smith
* Cheeseman, T. F. (1914
''Illustrations of the New Zealand flora''
Wellington, John Mackay.
References
External links
A gallery of 4663 plant illustrations by Smith
Further reading
Tucson Cactus and Succulent Society Newsletter January 2018.
{{DEFAULTSORT:Smith, Matilda
Botanical illustrators
1854 births
1926 deaths
19th-century British painters
19th-century British women artists
20th-century British painters
20th-century British women artists