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Botanical Artist
Botanical illustration is the art of depicting the form, color, and details of plant species, frequently in watercolor paintings. They must be scientifically accurate but often also have an artistic component and may be printed with a botanical description in books, magazines, and other media or sold as a work of art. Often composed by a botanical illustrator in consultation with a scientific author, their creation requires an understanding of plant morphology and access to specimens and references. Typical illustrations are in watercolour, but may also be in oils, ink or pencil, or a combination of these. The image may be life size or not, the scale is often shown, and may show the habit and habitat of the plant, the upper and reverse sides of leaves, and details of flowers, bud, seed and root system. Botanical illustration is sometimes used as a type for attribution of a botanical name to a taxon. The inability of botanists to conserve certain dried specimens, or restrictio ...
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Botanical Illustration Of Lilium Superbum
Botany, also called , plant biology or phytology, is the science of plant life and a branch of biology. A botanist, plant scientist or phytologist is a scientist who specialises in this field. The term "botany" comes from the Ancient Greek word (''botanē'') meaning "pasture", "herbs" "Poaceae, grass", or "fodder"; is in turn derived from (), "to feed" or "to Grazing, graze". Traditionally, botany has also included the study of fungi and algae by mycologists and phycologists respectively, with the study of these three groups of organisms remaining within the sphere of interest of the International Botanical Congress. Nowadays, botanists (in the strict sense) study approximately 410,000 species of Embryophyte, land plants of which some 391,000 species are vascular plants (including approximately 369,000 species of flowering plants), and approximately 20,000 are bryophytes. Botany originated in prehistory as herbalism with the efforts of early humans to identify – and late ...
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Franz Bauer
__NOTOC__ Franz Andreas Bauer (later Francis) (14 March 1758 – 11 December 1840) was an Austrian microscopist and botanical artist. Born in Feldsberg, Lower Austria (now Valtice, Czech Republic), he was the son of Lucas Bauer (died 1761), court painter to the Prince of Liechtenstein, and brother of the painters Josef Anton (1756–1830) and Ferdinand Bauer (1760–1826). After Lucas Bauer's death, his wife, Therese continued to give her three sons lessons in art and illustration. Josef succeeded his father as court painter and eventually became keeper of the gallery in Vienna. Francis and Ferdinand acquired their first experience of botanical illustration with the arrival of Father Norbert Boccius, Abbot of Feldsberg, in 1763, and produced over 2000 watercolour drawings of plant specimens under his guidance. They were then employed by Count Dietrichstein as flower painters in Vienna - Franz illustrated works by the Baron Nikolaus Joseph von Jacquin and his son Baron Joseph F ...
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Matilda Smith
Matilda Smith (1854–1926) was a botanical artist whose work appeared in ''Curtis's Botanical Magazine'' for over forty years. She became the first artist to depict New Zealand's flora in depth, the first official artist of the Royal Botanic Gardens at Kew, and the second woman to become an associate of the Linnaean Society. Biography Matilda Smith was born in Bombay, India, on 30 July 1854, but her family emigrated to England when she was a small child. Her interests in botany and botanical art were fostered by her second cousin Joseph Dalton Hooker, whose daughter Harriet would also go on to become a botanical illustrator. Hooker was then the director of Kew Gardens and a talented draughtsman in his own right, and he brought Smith into the Gardens to train as an illustrator. Smith especially admired the work of Walter Hood Fitch, who was then the lead artist for ''Curtis's Botanical Magazine''. Despite her limited artistic training, Hooker encouraged her to show the ma ...
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Banksia Rosserae
''Banksia rosserae'' is a recently described species of ''Banksia''. Endemic to inland Western Australia, it is the only ''Banksia'' species to occur solely within the arid zone. Description ''B. rosserae'' grows as a multi-stemmed shrub high, and wide. The trunks are from in diameter. Unusually for ''Banksia'' species, the grey bark is papery and flaky. The leaves are dark green, long and wide, with serrated margins. Flowers are yellow and occur in ''Banksias distinctive flower spikes; these are approximately spherical, with a diameter of about . The "cones" have a hairy appearance due to the retention of old flower parts. They typically contain from twelve to twenty follicles, most of which do not open until stimulated to do so by fire. Taxonomy Taxonomic history Reports of who first discovered ''B. rosserae'' are somewhat contradictory. Peter Olde and Neil Marriott acknowledge Ann Pilkington of Kirkalocka, "who discovered ''Banksia rosserae'' and who drew ...
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Celia Rosser
Celia Elizabeth Rosser (born 1930) is an Australian botanical illustrator, best known for having published ''The Banksias'', a three-volume series of monographs containing watercolour paintings of every ''Banksia'' species. Born Celia Elizabeth Prince, she began painting Australian wildflowers early in her artistic career. She first began painting ''Banksia''s after seeing a ''Banksia serrata'' near her home in Orbost, Victoria. Her first exhibition was at Leveson Gallery in Melbourne in 1965, and included three watercolours of ''Banksia'' species. Two years later she published ''Wildflowers of Victoria''. In 1970, Rosser was appointed Science Faculty Artist at Monash University. She illustrated Peter Bridgewater's ''The Saltmarsh Plants of Southern Australia'' and ''The Mosses of Southern Australia'' by George Scott and Ilma Grace Stone. In 1974 she was appointed University Botanical Artist, and began the project of painting every ''Banksia'' species. The project took over ...
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Kew Gardens
Kew Gardens is a botanical garden, botanic garden in southwest London that houses the "largest and most diverse botany, botanical and mycology, mycological collections in the world". Founded in 1840, from the exotic garden at Kew Park, its living collections include some of the 27,000 taxa curated by Royal Botanic Gardens, Kew, while the herbarium, one of the largest in the world, has over preserved plant and fungal specimens. The library contains more than 750,000 volumes, and the illustrations collection contains more than 175,000 prints and drawings of plants. It is one of London's top tourist attractions and is a World Heritage Sites, World Heritage Site. Kew Gardens, together with the botanic gardens at Wakehurst Place, Wakehurst in Sussex, are managed by the Royal Botanic Gardens, Kew, an internationally important botany, botanical research and education institution that employs over 1,100 staff and is a non-departmental public body sponsored by the Department for Envir ...
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Linnaean Society
The Linnean Society of London is a learned society dedicated to the study and dissemination of information concerning natural history, evolution, and taxonomy. It possesses several important biological specimen, manuscript and literature collections, and publishes academic journals and books on plant and animal biology. The society also awards a number of prestigious medals and prizes. A product of the 18th-century enlightenment, the Society is the oldest extant biological society in the world and is historically important as the venue for the first public presentation of the theory of evolution by natural selection on 1 July 1858. The patron of the society was Queen Elizabeth II. Honorary members include: King Charles III of Great Britain, Emeritus Emperor Akihito of Japan, King Carl XVI Gustaf of Sweden (both of latter have active interests in natural history), and the eminent naturalist and broadcaster Sir David Attenborough. History Founding The Linnean Society wa ...
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Curtis's Botanical Magazine
''The Botanical Magazine; or Flower-Garden Displayed'', is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name ''Curtis's Botanical Magazine''. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. History and profile The first issue, published on 1 February 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) ''Flora Londinensis'' a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given ...
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The Cactaceae
''The Cactaceae'' is a monograph on plants of the cactus family written by the American botanists Nathaniel Lord Britton and Joseph Nelson Rose and published in multiple volumes between 1919 and 1923. It was landmark study that extensively reorganized cactus taxonomy and is still considered a cornerstone of the field. It was illustrated with drawings and color plates principally by the British botanical artist Mary Emily Eaton as well as with black-and-white photographs. History Nathaniel Lord Britton was a Columbia University geology and biology professor who left the university in 1895 to become the founding director of the New York Botanical Garden. Much of his own field work was done in the Caribbean. Joseph Nelson Rose was an authority on several plant families, including parsley (Apiaceae) and cacti (Cactaceae). He had been a plant curator at the Smithsonian since 1896, and while working there he made several field trips to Mexico, collecting specimens for the Smithsonian ...
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The Banksias
''The Banksias'', by Celia Rosser, is a three-volume series of monographs containing paintings of every ''Banksia'' species. Its publication represented the first time such a large genus had been entirely painted by a single botanical artist. It has been described as "one of the outstanding botanical works of this century." The paintings themselves are watercolours on Arches rag paper. The three volumes comprise plates reproduced using offset printing, and bound in green leather. Alex George wrote the accompanying text. Rosser began working on the series in 1974. Volume I of ''The Banksias'', containing 24 plates, was published in 1981. The edition comprised 730 books and 100 portfolios. Volume II, published in 1988, also contained 24 plates and was also released in an edition of 730 books and 100 portfolios. Volume III, completed in 2000, contained 28 plates, and was released in an edition of 530 books and 300 portfolios. Since the publication of Volume III, a new ''Banksia'', ...
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Flora Graeca
''Flora Graeca'' is a publication of the plants of Greece in the late 18th century, resulting from a survey by John Sibthorp and Ferdinand Bauer. The botanical descriptions and illustrations became highly valued by the English audience; the finely crafted and illustrated work was of both scientific and horticultural interest. Sibthorp met the botanical illustrator Bauer in Vienna, where he had made a voyage to study a copy of Dioscorides' early botanical work, the renowned ''Vienna Dioscurides''. This was the first part of a journey, to identify medicinal plants used in Greece; Bauer was to join the expedition as the illustrator. They were to record and collect a large number of novel specimens; their publication introduced these to an English audience. From March 1786 to December 1787 they surveyed the plants and animals of the eastern Mediterranean, Sibthorp collecting and describing, Bauer making dried specimens and producing colour-coded sketches. Bauer's work, including ar ...
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Vienna Dioscurides
The Vienna Dioscurides or Vienna Dioscorides is an early 6th-century Byzantine Greek illuminated manuscript of an even earlier 1st century AD work, ''De materia medica'' (Περὶ ὕλης ἰατρικῆς : Perì hylēs iatrikēs in the original Greek) by Pedanius Dioscorides in uncial script. It is an important and rare example of a late antique scientific text. After residing in Constantinople for just over a thousand years, the text passed to the Holy Roman Emperor in Vienna in the 1500s, a century after the city fell to the Ottomans. The 491 vellum folios measure 37 by 30 cm and contain more than 400 pictures of animals and plants, most done in a naturalistic style. In addition to the text by Dioscorides, the manuscript has appended to it, the ''Carmen de herbis'' attributed to Rufus, a paraphrase of an ornithological treatise by a certain Dionysius, usually identified with Dionysius of Philadelphia, and a paraphrase of Nicander's treatise on the treatment of snake b ...
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