Lidia Zielińska (born 9 October 1953) is a

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composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...

and

music educator Music education is a field of practice in which educators are trained for careers as elementary or secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original ...

Biography

Lidia Zielińska was born in Poznań, Poland. She graduated from the State Higher School of Music in Poznań in 1979 after studying composition under Andrzej Koszewski. She also studied composition and electronic music in Poland and at 'Musicultura' in

Breukelen Breukelen () is a town and former municipality in the Netherlands, in the province of Utrecht. It is situated to the north west of Utrecht, along the river Vecht and close to the lakes of the Loosdrechtse Plassen, an area of natural and tourist ...

, the M. Deutsch Symphonic Workshop in Paris, IRCAM courses in Kraków and the Polish Society for Contemporary Music courses in

Rydzyna Rydzyna (pronounced , german: Reisen) is a historic town in western Poland, located in the southern part of the Greater Poland Voivodeship, 10 km south of Leszno, in the Leszno County, close to the main Poznań - Wrocław highway S5. The ...

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Wzdów Wzdów is a village in the administrative district of Gmina Haczów, within Brzozów County, Subcarpathian Voivodeship, in south-eastern Poland. It lies approximately south-east of Haczów, south of Brzozów, and south of the regional capital R ...

. Zielińska took a position as professor of composition at the Poznań Academy of Music, and worked as a violinist in the Poznań Philharmonic Orchestra and the Agnieszka Duczmal Chamber Orchestra. She also taught at the State Higher School of Visual Arts, Wrocław Academy of Music, and was a guest lecturer for summer courses in Poland, France, the Netherlands, Germany,

Switzerland ). Swiss law does not designate a ''capital'' as such, but the federal parliament and government are installed in Bern, while other federal institutions, such as the federal courts, are in other cities (Bellinzona, Lausanne, Luzern, Neuchâtel ...

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, Belarus and Moldova. Zielińska received a number of prizes for her compositions in Poland, Yugoslavia, Germany,

and France. In 1993/94, she worked with the EuroMusicTheater project, and in 1994/95 was part of the Donau Ballet project. In 1995/96 she was the composer-in-residence at the Electronic Music Studio in

Stockholm Stockholm () is the Capital city, capital and List of urban areas in Sweden by population, largest city of Sweden as well as the List of urban areas in the Nordic countries, largest urban area in Scandinavia. Approximately 980,000 people liv ...

. She has also worked with the Eighth Day Theatre with Izabella Gustowska,

Jan Berdyszak Jan Berdyszak (15 June 1934 –18 September 2014) was a Polish artist. From 1952 to 1958, he studied at the Sculpture Department of the State College of Fine Arts in Poznań (now Fine Arts Academy), where he eventually returned as a lecturer. He ...

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Aleksandra Korejwo Alexandra () is the feminine form of the given name Alexander (, ). Etymologically, the name is a compound of the Greek verb (; meaning 'to defend') and (; GEN , ; meaning 'man'). Thus it may be roughly translated as "defender of man" or "pr ...

. From 1982 to 1992, Zielińska was artistic director of the "Poznań Music Spring" festival. She has been a board member of the Polish Society for Contemporary Music, secretary of the Coordination Committee for Creative and Visual Art Circles, a member of the Polish Composers' Union, and a member of the "Warsaw Autumn" repertoire committee. She has been president of the "House of World Rhythms" foundation, and is co-founder of the Brevis music editions and '' Monochord'' quarterly.

Works

Zielińska has composed for chamber ensembles, stage, orchestra, voice and solo instrument. She has also composed theatre and film music. Selected works include: ;Stage *Listen, Joe, monodrama for mime, tape and orchestra based on Samuel *Beckett – 1978 *Mrs. Koch, tragicomedy for solo voices, tape recorders, vocal and instrumental ensembles – 1981 *Cascando, for actors and double mixed choir to a text by Samuel *Beckett – 1983/91 *Huit heures de la vie des femmes, musical theatre for 9 performers – 1988 *The Same, performance – 1988 *In the Field, minispectacle – 1990 *Voices, performance – 1992 *Zeitschlingen, sound spectacle – 1994 *Venture Unknown, ballet – 1995 ;Orchestral *Violin Concerto – 1979 *Farewell to Toorope for orchestra – 1981 *Epitaph in memoriam Poznan June 1956 for orchestra – 1981 *Fiction for orchestra – 1986 *Little Atrophic Symphony for orchestra – 1988 ;Chamber music *Litany for string quartet – 1979 *Minuten – Sonate for optional instrument – 1981 *Two Dances for strings – 1981 *Treaty for oboe quartet – 1982 *Sonnet on the Tatras for 5 musicians – 1985 *Pleonasmus for oboe, violin and string orchestra – 1986 *String Quartet – 1988 *Jacquard for 14 musicians – 1991 *La Vetrata for young string orchestra – 1996 ;Solo instruments *Gagaku Lullaby for double bass – 1984 *''Glossa'' for violin or viola solo (1986) ;Vocal *Concrete Music for choir and orchestra – 1987 *Music for Holy Week for mixed choir and percussion – 1988 *TOGO Unit for male choir and piano – 1995* ;Electroacoustic *Artificial Cult for tape, video tape, neons and visual objects – 1985 Heldenleben. *Overheard and Spied on for audio tape, video tape and shadowgraph – 1986 *Polish Dances According to Priest Baka for tape – 1986 *Feature Piece for saxophone and tape – 1987 *Musica humana or How Symphonies Are Born radio piece (Horspiel) – 1989 *Graphic 2 for 10 instruments and live electronics – 1991 *Fago for bassoon, double-bass, accordion and electronic keyboard – 1992 *Short piece for flute and computer or computer and tape – 1992 *Like These White Mice, radio piece – 1996 *Expandata for percussion and tape – 1997 ;Mixed media *AKO, cartoon (together with Aleksandra Korejwo) – 1986 ;Music for children *Kaleidoscope – Passacaglia for percussion, slides and clapping hands, for children – 1987 *Piece about Everything for percussion and children audience – 1988 *Sound Museum, "live" installation for children – 1988 *Soaked Music, with children audience, narrator, conductor and tape – 1993

References

{{DEFAULTSORT:Zielinska, Lidia 1953 births Living people 20th-century classical composers Polish classical composers Polish women classical composers Musicians from Poznań 20th-century women composers Polish music educators Polish women music educators