Lady Madonna

"Lady Madonna" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. In March 1968, it was released as a mono single, backed with " The Inner Light". The song was recorded on 3 and 6 February 1968 before the Beatles left for India, and its boogie-woogie style signalled a more conventional approach to writing and recording for the group following the psychedelic experimentation of the previous two years.

This single was the last release by the band on Parlophone in the United Kingdom, where it reached number 1 for the two weeks beginning 27 March, and Capitol Records in the United States, where it debuted at number 23 on the ''Billboard'' Hot 100 for the week ending 23 March and reached number 4 from the week ending 20 April through the week ending 4 May. Subsequent releases, starting with "Hey Jude" in August 1968, were released on their own label, Apple Records, under EMI distribution, until the late 1970s, when Capitol and Parlophone re-released old material. The song's first album appearance in stereo was on the 1970 collection ''Hey Jude''.

Inspiration

In the description of musicologist Walter Everett, "Lady Madonna" is a "raucous rock and roll" song. As such, it heralded the Beatles' return to a more standard form of songwriting after their recent psychedelic productions, a back-to-basics approach that many other artists pursued throughout 1968. According to one of Paul McCartney's neighbours at his farm in Scotland, McCartney previewed the song on a piano during a visit he and Jane Asher made from London in early December 1967. Author Jonathan Gould views the timing as propitious, since the British music press in early 1968 "eganto tout the idea of a 'rock-and-roll revival' as a corrective to the excesses of psychedelia".

McCartney based his piano part for the song on Humphrey Lyttelton's trad jazz rendition of "Bad Penny Blues", which was released on the Parlophone record label in 1956, soon after George Martin, the Beatles' producer, had taken over as head of the label. McCartney recalled: "'Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing ... It reminded me of Fats Domino for some reason, so I started singing a Fats Domino impression. It took my other voice to a very odd place." Domino's 1956 hit " Blue Monday" conveys the plight of a working man through each day of the week, while "Lady Madonna" does the same from a female perspective.

John Lennon helped write the lyrics, which give an account of an overworked, exhausted (possibly single) mother, facing a new problem each day of the week. McCartney explained the song by saying: "'Lady Madonna' started off as the Virgin Mary, then it was a working-class woman, of which obviously there's millions in Liverpool. There are a lot of Catholics in Liverpool because of the Irish connection." The lyrics include each day of the week except Saturday, which McCartney only noticed many years later: "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday... So I figured it must have been a real night out." McCartney said his inspiration for the song came after seeing a photograph in ''National Geographic'' magazine of a woman breastfeeding, titled "Mountain Madonna".

Speaking later about "Lady Madonna", Lennon said, "Good piano lick, but the song never really went anywhere", adding: "Maybe I helped him on some of the lyrics, but I'm not proud of them either way." Author Howard Sounes identifies both a relevance to McCartney's Catholic upbringing, and an autobiographical quality that belies the song's upbeat melody and delivery. He writes: "the lyric is also tender and personal, evoking the image of Mary McCartney as midwife, tending mothers and their babies in Liverpool as she had during Paul's childhood. The phrase 'Lady Madonna' also has a clear Christian meaning, of course, conflating Paul's memory of his mother with the Virgin Mary in what is a boogie-woogie hymn."

Recording

The Beatles decided to record "Lady Madonna" for their first single of 1968. The release was intended to cover the group's absence while they attended a Transcendental Meditation course in India under the guidance of Maharishi Mahesh Yogi. The sessions took place on 3 and 6 February at EMI Studios (subsequently Abbey Road Studios) in London.

Although the song was a return to the Beatles' musical roots, this aesthetic was not carried over to the band taping the basic track as an ensemble. McCartney first recorded his piano part, using EMI's "Mrs Mills" Steinway Vertegrand upright, accompanied by Ringo Starr playing a snare drum with brushes. Starr recalled that when recording the track the Beatles consulted Martin on how to re-create the sound that Lyttelton had achieved on "Bad Penny Blues". George Harrison and Lennon added the song's distorted guitar riffs, playing identical lines through the same amplifier; McCartney overdubbed bass guitar and Starr added more drums, played on a full drum kit. McCartney sang his lead vocal in a style that author Ian MacDonald terms Presleyesque, while Lennon, McCartney and Harrison contributed backing vocals, part of which consisted of the singers imitating brass instruments over the song's instrumental break. Music journalist John Harris highlights the significance of McCartney's "salute" to Elvis Presley, who would make his comeback later in 1968 with a return to his formative, rock 'n' roll style. Harris also identifies the influence of the Mills Brothers, whose act included the four singers mimicking brass instruments, in the Beatles' " scat harmonies" on "Lady Madonna". Early mixes of the song indicate that Mellotron and tambourine were cut from the completed track, along with extraneous vocals and dialogue that reveal the band in high spirits during the sessions.

The overdubbing session for the four-piece horn section took place on 6 February. The tenor saxophone solo on the track was played by British jazz musician and club owner Ronnie Scott. Harry Klein, who played baritone saxophone on the track, recalled that the session was organised at the last minute, while Bill Povey, the second tenor saxophonist, said that no music had been written out for the musicians to follow and McCartney offered them only vague instructions. The second baritone saxophone was played by Bill Jackman. In his book ''Revolution in the Head'', MacDonald writes that Scott's "audibly exasperated" solo was prompted by McCartney's "unprofessional" failure to provide the players with a proper horn arrangement.

The song's selection as the single's A-side came at the expense of Lennon's "Across the Universe", which Lennon also withdrew from contention as the B-side, since he was dissatisfied with the musical arrangement. As a result, Harrison gained his first Beatles B-side as a songwriter, with " The Inner Light", the backing track of which he had recorded with several Indian classical musicians in Bombay, in January.

Promotional films

The Beatles made two promotional films for "Lady Madonna", which were syndicated to television broadcasting companies. The material was shot on 11 February 1968 at EMI Studios and was distributed by NEMS Enterprises to US and UK TV stations. Tony Bramwell directed the two films.

Although the intention had been to show the Beatles miming to the single, the band decided they wanted to use the time to record a new song. The footage therefore consisted of the Beatles recording Lennon's "Hey Bulldog", which became the last of the four new songs they supplied United Artists for use in the '' Yellow Submarine'' animated film. Little attempt was made to marry up the footage of the Beatles' playing and singing with the audio of "Lady Madonna"; in the second of the two clips, Harrison is shown eating a plate of beans, while both clips show Starr listening to a playback and the Beatles playing alternative instruments from those heard on the song. The promos also included footage of McCartney at Chappell Studios in November 1967, from a session he produced for Cilla Black's single "Step Inside Love".

A new edit of this footage, together with footage from the band's July 1968 rehearsals of "Hey Jude", was assembled for "Lady Madonna"'s segment in ''The Beatles Anthology'' in 1995. In 1999, the material was re-edited by Apple to create a new clip for "Hey Bulldog", to help promote the reissue of the ''Yellow Submarine'' film.

Release and reception

In Britain, Parlophone issued "Lady Madonna" backed by "The Inner Light" on 15 March 1968, with the catalogue number R 5675. The single was released three days later in the United States, as Capitol 2138. One of the promo clips was aired by the BBC
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