20 Greatest Hits (The Beatles Album)
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20 Greatest Hits (The Beatles Album)
''20 Greatest Hits'' is a compilation album featuring a selection of songs by The Beatles that were number one singles in the UK and US. It was released on 11 October 1982 in the United States and 18 October in the United Kingdom and marked the 20th anniversary of The Beatles' first record release, "Love Me Do", in the UK in October 1962. ''20 Greatest Hits'' was the last Beatles album to be released with variations between the U.S. and UK versions (some Beatles hits in the US were not released as singles in the UK, such as "Eight Days a Week" and " Yesterday"). There is an extremely rare 8 track tape version of this album, which approximately 10 to 15 copies still exist today. Legend has it that Capitol Records decided to pull the plug on the release at the last minute, as 8 tracks were not selling well in late 1982, and all copies were to be destroyed. However, there were a few that survived. Releases UK edition The UK version of the album comprised all 19 tracks from the ...
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The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ...
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Eight Days A Week (song)
"Eight Days a Week" is a song by the English rock band the Beatles. It was written by Paul McCartney and John Lennon based on McCartney's original idea. The song was released in the United Kingdom in December 1964 on the album ''Beatles for Sale''. In the United States, it was first issued as a single in February 1965 before appearing on the North American release ''Beatles VI''. The song was the band's seventh number 1 single on the ''Billboard'' Hot 100, a run of US chart success achieved in just over a year. The single was also number 1 in Canada, Belgium and the Netherlands. The Beatles recorded "Eight Days a Week" at EMI Studios in London in October 1964. The track opens with a fade-in, marking the first time that this technique had been used on a pop studio recording. The song was reissued worldwide in 2000 on the Beatles compilation album '' 1''. It also provided the title for director Ron Howard's 2016 documentary film on the band's years as live performers, '' The Beat ...
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1 (The Beatles Album)
''1'' is a compilation album of the English rock band the Beatles, originally released on 13 November 2000. The album features virtually every number-one single the band achieved in the United Kingdom or United States from 1962 to 1970. Issued on the 30th anniversary of the band's break-up, it was their first compilation available on only one CD. ''1'' was a commercial success and topped charts worldwide. It has sold over 31 million copies. Since Nielsen SoundScan began tracking US album sales in January 1991, ''1'' is the fourth best-selling album in the US, the best-selling album of the 2000s decade in the US, as well as the best-selling album of the decade worldwide. ''1'' was remastered and reissued in September 2011. It was remixed and reissued again in several different deluxe editions in November 2015, the most comprehensive of which is a three-disc set entitled ''1+'', which includes video discs of Beatles promotional films. As of June 2015, ''1'' was the sixth ...
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Please Please Me (song)
"Please Please Me" is a song released by the English rock band the Beatles. It was their second single in the United Kingdom, and their first in the United States. It is also the title track of their first LP, which was recorded to capitalise on the success of the single. It is a John Lennon composition (credited to Lennon–McCartney), although its ultimate form was significantly influenced by producer George Martin. The single was released in the UK on 11 January 1963 and reached No. 1 on the ''New Musical Express'' and ''Melody Maker'' charts. However, it only reached No. 2 on the ''Record Retailer'' chart, which subsequently evolved into the UK Singles Chart. Because of this, it was not included on the Beatles' number ones compilation, '' 1''. The single, as initially released with "Ask Me Why" on the B-side, failed to make much impact in the US in February 1963, but when re-released there on 3 January 1964 (this time with "From Me to You" on the B-side), it reached No. 3 ...
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I Feel Fine
"I Feel Fine" is a song by the English rock band the Beatles that was released in November 1964 as the A-side of their eighth single. It was written by John Lennon and credited to the Lennon–McCartney partnership. The recording includes one of the earliest uses of guitar feedback in popular music. The single topped charts in the United Kingdom, the United States, Canada, Ireland, the Netherlands, New Zealand, Norway and Sweden. In the UK, it was the fifth-highest-selling single of the 1960s. Origin Lennon wrote the song's guitar riff while the Beatles were in the studio recording "Eight Days a Week" in October 1964, and kept playing it between takes. He later recalled: "I told them I'd write a song specially for the riff. So they said, 'Yes. You go away and do that', knowing that we'd almost finished the album ''Beatles for Sale''. Anyway, going into the studio one morning, I said to Ringo, 'I've written this song but it's lousy'. But we tried it, complete with riff, and it ...
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1962–1966
''1962–1966'', also known as the Red Album, is a compilation album of hit songs by the English rock band the Beatles, spanning the years indicated in the title. Released with its counterpart '' 1967–1970'' (the "Blue Album") in 1973, the double LP peaked at number 3 in the United Kingdom. In the United States, it topped the ''Cash Box'' albums chart and peaked at number 3 on the ''Billboard'' Top LPs & Tape chart while ''1967–1970'' reached the top spot. The album was re-released in September 1993 on compact disc, charting at number 3 in the UK. The album was instigated by Apple Records manager Allen Klein shortly before he was dismissed from his position. Even though the group had success with cover versions of songs, particularly "Twist and Shout", ''1962–1966'' contains only songs composed by the Beatles. The album omits any George Harrison compositions from the era, such as "Taxman", as the content is entirely Lennon–McCartney originals. As with ''1967–1970'', ...
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Duophonic
Duophonic sound was a trade name for a type of audio signal processing used by Capitol Records on certain releases and re-releases of mono recordings issued during the 1960s and 1970s. In this process monaural recordings were reprocessed into a type of artificial stereo. Generically, the sound is commonly known as fake stereo or mock stereo. This was done by splitting the mono signal into two channels, then delaying one channel's signal by means of delay lines and other circuits, i.e. desynchronizing the two channels by fractions of a second, and cutting the bass frequencies in one channel with a high-pass filter, then cutting the treble frequencies in the other channel with a low-pass filter. The result was an artificial stereo effect, without giving the listener the true directional sound characteristics of real stereo. In some cases, the effect was enhanced with reverberation and other technical tricks, sometimes adding stereo echo to mono tracks in an attempt to fool the lis ...
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Eleanor Rigby
"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album ''Revolver''. It was also issued on a double A-side single, paired with " Yellow Submarine". The song was written primarily by Paul McCartney and credited to Lennon–McCartney. "Eleanor Rigby" continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. The song topped singles charts in Australia, Belgium, Canada and New Zealand. Background and inspiration Paul McCartney came up with the melody for "Eleanor Rigby" as he experimented on his piano. Donovan recalled hearing McCartney play an early version of the song on guitar, where the character was named Ola Na Tungee. At this point, the song reflected an Indian musical influence and its ...
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Yellow Submarine (song)
"Yellow Submarine" is a song by the English rock band the Beatles from their 1966 album ''Revolver''. It was also issued on a double A-side single, paired with "Eleanor Rigby". Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. The single went to number one on charts in the United Kingdom and several other European countries, and in Australia, Canada and New Zealand. It won an Ivor Novello Award for the highest certified sales of any single written by a British songwriter and issued in the UK in 1966. In the US, the song peaked at number two on the ''Billboard'' Hot 100 chart. The Beatles recorded "Yellow Submarine" during a period characterised by experimentation in the recording studio. After taping the basic track and vocals in late May 1966, they held a session to overdub nautical sound effects, party ambience and chorus singing, recalling producer George Martin's previous work with members of the Goons. As ...
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We Can Work It Out
"We Can Work It Out" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It was first issued as a double A-side single with "Day Tripper" in December 1965. It also appeared on the 1966 US release '' Yesterday and Today''. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides. The song was recorded during the sessions for the band's ''Rubber Soul'' album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s. "We Can Work It Out" is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, " A Day in the Life", "Baby, You're a Rich Ma ...
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Day Tripper
"Day Tripper" is a song by the English rock band the Beatles that was released as a double A-side single with "We Can Work It Out" in December 1965. The song was written primarily by John Lennon with some contributions from Paul McCartney and was credited to the Lennon–McCartney partnership. Both songs were recorded during the sessions for the band's ''Rubber Soul'' album. The single topped charts in Britain, Ireland, the Netherlands and Norway. In the United States, "Day Tripper" peaked at number five on the ''Billboard'' Hot 100 chart and "We Can Work It Out" held the top position. "Day Tripper" is a rock song based around an electric guitar riff and drawing on the influence of American soul music. The Beatles included it in their concert set-list until their retirement from live performances in late August 1966. The single was the first example of a double A-side in Britain. Its success popularised the format and, in giving equal treatment to two songs, allowed recording ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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