Lubin Baugin
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Lubin Baugin (c. 1612 – July 11, 1663) was a French painter known for a small number of still lifes, and for religious and mythological paintings. He was born in
Pithiviers Pithiviers () is a commune in the Loiret department, north central France. It is one of the subprefectures of Loiret. It is twinned with Ashby-de-la-Zouch in Leicestershire, England and Burglengenfeld in Bavaria, Germany. Its attractions incl ...
to a prosperous family. Although it is not known to whom he was apprenticed, he received his artistic training from 1622 to 1628, and entered the
guild A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes ...
of St.-Germaine-des-Prés as a master painter on May 23, 1629.Bénézit et al. 2006, p. 1348. His earliest surviving paintings are still lifes. Around 1632–33 he traveled to Italy, where he settled in Rome. After 1641 he worked in
Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), ma ...
, where he died in 1663. Most of his surviving subject pictures are religious works, including numerous small paintings representing the ''Virgin and Child'' or the ''Holy Family''.Turner 1996, v3: p. 399. No painted portraits by his hand are known to have survived, although several are known through engravings. None of his works are dated. The divergence of style between Baugin's still lifes and his religious paintings is, according to the art historian Arnaud Brejon de Lavergnée, "one of the great paradoxes of seventeenth-century French art: that one and the same artist ... should have produced still-life paintings controlled by a subtly rigorous construction and learned use of rules, as well as religious and mythological subject pictures with an evidently decorative character; compounding the enigma is the fact that the still lifes are signed while the subject paintings are not."de Lavergnée 2002. During the twentieth century, some scholars speculated that there were two painters with the same name.Winkfield 2014, p. 9. The four still lifes securely attributed to Baugin—''Still life with Apricots'', ''Still life with Candlestick'', ''Still life with Chessboard'' (also known as ''The Five Senses''), and ''Still life with Water Wafers''—were completed before the artist was twenty years of age. Trevor Winkfield calls Baugin "one of the most innovative of all French still life painters", and says the off-balance perspective of the ''Still life with Chessboard'' produces a "topographical alienation" reminiscent of the
metaphysical art Metaphysical painting ( it, pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contra ...
of
Giorgio de Chirico Giuseppe Maria Alberto Giorgio de Chirico ( , ; 10 July 1888 – 20 November 1978) was an Italian artist and writer born in Greece. In the years before World War I, he founded the '' scuola metafisica'' art movement, which profoundly influ ...
.Winkfield 2014, p. 15. In contrast to the precise observation of Baugin's still lifes, his religious and historical paintings are stylized and graceful, showing the influence of
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual a ...
and
Parmigianino Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, B ...
. He often painted several versions of a composition using different techniques, so that one may be thinly painted in broad, opaque tones while another is painted using enamel-like glazes.


Notes


References

*Bénézit, E., Busse, J., Dorny, C., Murray, C. J., & Beaulah, K. (2006). ''Dictionary of Artists''. Paris: Gründ. *De Lavergnée, A. (2002). "Lubin Baugin. Orléans and Toulouse". ''The Burlington Magazine'', 144(1191), 375-377. *Turner, J. (1996). ''The Dictionary of Art''. New York: Grove. *Winkfield, T. (2014). ''Georges Braque and Others: The Selected Art Writings of Trevor Winkfield (1990-2009)''. New York: Song Cave. .


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Biography
{{DEFAULTSORT:Baugin, Lubin 1610s births 1663 deaths 17th-century French painters French male painters People from Pithiviers