Lodovico Bellanda
   HOME

TheInfoList



OR:

Lodovico Bellanda (c. 1575 – after 1613) was an Italian
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...
and
organist An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental ...
who lived in the transition period between the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
and
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
eras. He was born and worked most of his life in
Verona Verona ( , ; vec, Verona or ) is a city on the Adige River in Veneto, Northern Italy, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city Comune, municipality in the region and the ...
, for which reason he was also known as Lodovico Veronese.


Works

His earliest known volume, ''Canzonette'' (1593), contains 19 brief pieces in two repeated sections. ''Canzonette spirituali'' (1599) includes eight duets for soprano and tenor and two organ compositions. ''Il primo libro de madrigali'' (1602) contains 14 madrigals for five voices and one for eight; one copy of it has been in the
Accademia Filarmonica di Verona The Accademia Filarmonica di Verona is an academy dedicated to the performance and study of music, founded in 1543 in Verona, Italy. At its founding it consisted of a group of young noblemen with humanistic and literary inclinations, who were also ...
since his lifetime. ''Sacrae cantiones'' (1604) contains 19 motets by Bellanda and one by Giuliano Corsini. One of the motets, ''O gloriosa domina'' is noteworthy for its dynamic markings for echo effects. Bellanda's last three publications are primarily for solo voice and continuo, in line with the newest developments in Italian music. The two volumes of ''Musiche'' (1607 and 1610) comprise 30 madrigals, five arias and four dialogues. The madrigals include some striking harmonic and melodic progressions in response to emotive texts. One of the dialogues, ''Anima mia che pensi'', uses a segment of text from Cavalieri's
Rappresentatione di Anima, et di Corpo ''Rappresentatione di anima et di corpo'' (Portrayal of the Soul and the Body) is a musical work by Emilio de' Cavalieri to a libretto by Agostino Manni (1548-1618). With it, Cavalieri regarded himself as the composer of the first opera or oratori ...
(Act 1 scene iv). Lastly, ''Sacre laudi'' (1613) contains 23 monodies with Latin texts.


Publications

* ''Canzonette'', 3vv (1593) * ''Canzonette spirituali'', 2vv, insts (1599) * ''Il primo libro de madrigali'', 5, 8vv (1602) * ''Sacrae cantiones'', 3–5vv (1604) * ''Musiche … per cantare'', 1, 2vv, chit, hpd (1607) * ''Le musiche … per cantarsi, libro secondo'', 1, 2vv, lute, hpd, other insts (1610) * ''Sacre laudi'', 1v, org/chit/other inst (1613)


Bibliography

* G. Turrini: ''L'Accademia Filarmonica di Verona dalla Fondazione (maggio 1543) al 1600 e il suo patrimonio musicale antico'' (Verona, 1941), esp. 179, 197, 204, 210 * A. Gajoni-Berti: ''Dizionario dei musicisti e cantanti veronesi (1400–1966)'' (Verona, 1966) * E. Paganuzzi: ''‘Documenti veronesi su musicisti del XVI e XVII secolo’, Scritti in onore di Mons. Giuseppe Turrini'' (Verona, 1973), 547–75, esp. 547 * E. Paganuzzi and others: ''La musica a Verona'' (Verona, 1976)


External links

* * {{DEFAULTSORT:Bellanda, Lodovico 1570s births Year of death unknown Musicians from Verona Italian Renaissance composers Italian Baroque composers 17th-century Italian composers