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Rappresentatione Di Anima, Et Di Corpo
''Rappresentatione di anima et di corpo'' (Portrayal of the Soul and the Body) is a musical work by Emilio de' Cavalieri to a libretto by Agostino Manni (1548-1618). With it, Cavalieri regarded himself as the composer of the first opera or oratorio. Whether he was actually the first is subject to some academic debate, as is whether the work is better categorized as an opera or an oratorio. It was first performed in Rome in February 1600 in the Oratorio dei Filippini adjacent to the church of Santa Maria in Vallicella.Clements, Andrew (4 February 2005)"CD Review: Cavalieri: ''La Rappresentatione di Anima''" ''The Guardian''. Retrieved 4 June 2017 The first opera It was imagined during the Renaissance, almost certainly incorrectly, that Greek drama was sung, not declaimed, and that therefore opera was a revival of ancient practice. On 10 November 1600 Emilio de Cavalieri wrote a letter arguing that he, not Jacopo Peri, was the true reviver of Greek style acting with singing, i.e. ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio De' Cavalieri
Emilio de' Cavalieri (c. 155011 March 1602), or Emilio dei Cavalieri, the spellings "del" and "Cavaliere" are contemporary typographical errors, was an Italian composer, producer, organist, diplomat, choreographer and dancer at the end of the Renaissance era. His work, along with that of other composers active in Rome, Florence and Venice, was critical in defining the beginning of the musical Baroque era. A member of the Roman School of composers, he was an influential early composer of monody, and wrote what is usually considered to be the first oratorio. Life Cavalieri was born in Rome of an aristocratic and musical family. He was the son of Tommaso de' Cavalieri (c. 1509–1587), a close friend of Michelangelo. He probably received his early training there, and was working as an organist and music director in the period from 1578 to 1584. He spent much of his time in Rome as an organiser of Lenten oratorios. While in Rome he became associated with Cardinal Ferdinan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergio Vartolo
Sergio Vartolo (Bologna, 1944) is an Italian harpsichordist, organist, musicologist and conductor; in past also active as countertenor. In 1996 he was appointed maestro de capella of the Cappella Musicale di San Petronio di Bologna founded in 1436. He has an extensive discography, both as a harpsichordist - the complete works of Girolamo Frescobaldi, and as a conductor - particularly works by Giovanni Paolo Colonna and Giacomo Antonio Perti associated with San Petronio, but also operas by Claudio Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered ... and others. References {{DEFAULTSORT:Vartolo, Sergio Living people Italian harpsichordists Year of birth missing (living people) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Emilio De Cavalieri
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1600 Operas
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by High ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Shchetynsky
Alexander Shchetynsky (Shchetinsky) ( uk, Олекса́ндр Степа́нович Щети́нський; russian: Алекса́ндр Степа́нович Щети́нский; Aleksandr Stepanovich Shchetins'kiy) is a Ukrainian composer. Born on 22 June 1960 in Kharkiv, in the Ukrainian SSR of the Soviet Union. His work list includes compositions in various forms ranging from solo instrumental to orchestral, choral pieces and operas. Education and influences Shchetynsky graduated from the Kharkiv Art Institute in 1983. Although he studied composition officially with Valentyn Borysov, another Ukrainian composer, Valentyn Bibik, strongly influenced him in those formative years. Another important source of inspiration was so called Soviet musical avant-garde: Edison Denisov, Alfred Schnittke, Arvo Pärt, Sofia Gubaidulina, Valentin Silvestrov. Later Shchetynsky participated in master classes with Edison Denisov and Poul Ruders in Denmark, and summer courses in Poland, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teodor Currentzis
Teodor Currentzis ( el, Θεόδωρος Κουρεντζής ; born 24 February 1972) is a Greek-Russian conductor, musician and actor. Biography Currentzis was born in Athens, and at age 4 began to take piano lessons. At age 7, he began violin lessons. He entered the National Conservatory, Athens at the age of 12, in the violin department. In 1987, aged 15, he began composition studies under Professor George Hadjinikos, and then in 1989 under Professor B. Shreck. From 1994 to 1999, Currentzis studied conducting supported by a scholarship from the Alexander S. Onassis Public Benefit Foundation in the St. Petersburg State Conservatory with Ilya Musin. From 2004 to 2010, Currentzis served as principal conductor of the Novosibirsk Opera and Ballet Theatre, where in 2004 he founded the Orchestra MusicAeterna and later the Chorus MusicAeterna. In 2009, Currentzis acted in Ilya Khrzhanovsky's film '' Dau'' (''russian: Дау'') based on the biography of the physicist Lev Lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christina Pluhar
Christina Pluhar (Graz, 1965) is an Austrian theorbist, harpist, conductor, and director of L'Arpeggiata ensemble.Herz Europas "Christina Pluhar ist eine der innovativsten Musikerinnen der Alte-Musik-Szene, die in ihren Projekten die Grenzen der Musikstile überschreitet und damit wie kaum ein anderer Künstler überzeugt." After studies at the University of Graz, Christina Pluhar recognised her passion for ancient music. From then on, she devoted herself to playing the lute, theorbo and baroque guitar. She gained her knowledge at the Royal Conservatory of The Hague and at the Schola Cantorum Basiliensis. Her teachers included Toyohiko Satoh, Eugen Dombois, Hopkinson Smith, Paul O'Dette, Pat O'Brian and Jesper Bøje Christensen. She learned to play the baroque Arpa Doppia at the Scuola Civica di Milano with Mara Galassi. In 1992, as a member of the Ensemble La Fenice, she received the first prize at the Festival of Early Music in Malmö. Since then she has been living in Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Arpeggiata
L'Arpeggiata is a European early music group led by Christina Pluhar, and founded by her in 2000. The group has presented both traditional early music and also several collaged and themed performances and recordings. The group focuses on Italian, French and English music from the 17th century. In their music, they often use instrumental improvisations, in which they work together not only with baroque musicians, but also with jazz musicians. Regular members of the group are: * Christina Pluhar, theorbo * Doron David Sherwin, cornetto * Veronika Skuplik, baroque violin * David Mayoral, percussion * Marcello Vitale, baroque guitar * Boris Schmidt, double bass * Eero Palviainen, archlute and baroque guitar * Sarah Louise Ridy, baroque harp * Margit Übellacker, psalterium * Haru Kitamika, harpsichord and organ * Mira Glodeanu, baroque violin * Rodney Prada, viola da gamba * Josetxu Obregón, baroque cello Discography * Kapsberger: ''La Villanella'' Johannette Zomer, Pino de Vitto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Institute Of Musicology
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. Among the series it produces are the ''Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rameau. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio Dei Filippini
The Oratorio dei Filippini (Oratory of Saint Philip Neri) is a building located in Rome and erected between 1637 and 1650 under the supervision of architect Francesco Borromini - in his distinctive style. The oratory is adjacent to the Chiesa Nuova Santa Maria in Vallicella, the mother church of the congregation. In front of the two sides was a small closed square, now integrated in the Corso Vittorio Emanuele II. History The congregation of the Filippini already had one of the most well-decorated Baroque churches in Rome, and the order had planned to build an oratory, as well as residential quarters, adjacent to the church of Santa Maria in Vallicella (Chiesa Nuova) located in crowded central Rome. Originally, Ortario dei Filippini was also meant to be a place for the Filippini to practice their own, unique, inventive style of prayer. Borromini won a competition for designing the structure against many including Paolo Maruscelli. He was employed in the task for 13 years, often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euridice (Peri)
''Euridice'' (also ''Erudice'' or ''Eurydice'') is an opera by Jacopo Peri, with additional music by Giulio Caccini. It is the earliest surviving opera, Peri's earlier ''Dafne'' being lost. (Caccini wrote his own " Euridice" even as he supplied music to Peri's opera, published this version before Peri's was performed, in 1600, and got it staged two years later.) The libretto by Ottavio Rinuccini is based on books X and XI of Ovid's ''Metamorphoses'' which recount the story of the legendary musician Orpheus and his wife Euridice. The opera was first performed in Florence on 6 October 1600 at the Palazzo Pitti with Peri himself singing the role of Orfeo. Composition history ''Euridice'' was created for the marriage of King Henry IV of France and Maria de Medici. The composition is typically considered to be the second work of modern opera, and the first such musical drama to survive to the present day. (The first, ''Dafne'', was written by the same authors in 1597.) Since both t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
