Lluís Vicenç Gargallo
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Lluís Vicenç Gargallo otherwise Luis Vicente Gargallo (''circa'' 1636 — 19 February 1682) was a musician and composer from the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
period.


Biography

Gargallo was born most probably in the
Valencian Community The Valencian Community ( ca-valencia, Comunitat Valenciana, es, Comunidad Valenciana) is an autonomous community of Spain. It is the fourth most populous Spanish autonomous community after Andalusia, Catalonia and the Community of Madrid with ...
. He entered as a child in the choir of the
Valencia Cathedral Valencia Cathedral, at greater length the Metropolitan Cathedral–Basilica of the Assumption of Our Lady of Valencia ( es, Iglesia Catedral-Basílica Metropolitana de la Asunción de Nuestra Señora de Valencia, ca-valencia, Església Cated ...
towards 1648-1649 and stayed there until 1651 or 1652. There he received his first musical training given by the mestres de capella Francesc Navarro (until 1650) and Dídac Pontac. On 7 June 1659, Gargallo succeeded the mestre de capella of the
Huesca Cathedral The Holy Cathedral of the Transfiguration of the Lord, also known as the Cathedral of Saint Mary of Huesca,The name of Saint Mary of Huesca is widespread. See, for example, arteguias.co("The project of building the Saint Mary of Huesca cathedral w ...
, a position where Vargas i Babán had preceded him. He resigned to the place on 15 November 1667 to join two days later in the
Barcelona Cathedral The Cathedral of the Holy Cross and Saint Eulalia ( ca, Catedral de la Santa Creu i Santa Eulàlia), also known as Barcelona Cathedral, is the Gothic cathedral and seat of the Archbishop of Barcelona, Catalonia, Spain. The cathedral was constr ...
in the same position. As usual, he entered temporarily until the death of the holder, Marcià Albareda (21 August 1673), replacing him after that. Among his disciples in Barcelona, there were the future mestres de capella and composers and Isidre Serrada. Gargallo died on 19 February 1682 in Barcelona, and was replaced temporarily by Jaume Riera, until took on the position on 13 July 1682. Of his compositional production, extensive as it would be expected from a mestre de capella, a minimum of 74 different compositions have been preserved, distributed mainly in six archives: in the
Library of Catalonia The Library of Catalonia ( ca, Biblioteca de Catalunya, ) is the Catalan national library, located in Barcelona, Catalonia, Spain. The primary mission of the Library of Catalonia is to collect, preserve, and spread Catalan bibliographic producti ...
, in the cathedrals of
Girona Girona (officially and in Catalan language, Catalan , Spanish: ''Gerona'' ) is a city in northern Catalonia, Spain, at the confluence of the Ter River, Ter, Onyar, Galligants, and Güell rivers. The city had an official population of 103,369 in ...
and
Zaragoza Zaragoza, also known in English as Saragossa,''Encyclopædia Britannica'"Zaragoza (conventional Saragossa)" is the capital city of the Zaragoza Province and of the autonomous community of Aragon, Spain. It lies by the Ebro river and its tributari ...
, in the chapel of the
Real Colegio Seminario del Corpus Christi The Real Colegio Seminario del Corpus Christi (Royal College and Seminary of Corpus Christi) is a former Roman Catholic school and seminary founded in 1583 in the Spanish city of Valencia. It is located in calle de la Nau in the old city, opposite ...
, in Valencia, and the churches of and . Its conserved liturgical production includes 32 works: eight for 4 to 16 voices, a
mass for the dead A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, ...
, four masses from 5 to 8 voices and a requiem for two choirs; In addition, he made two
oratorio An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
s, twenty five villancetes and fifteen
tonos Greek orthography has used a variety of diacritics starting in the Hellenistic period. The more complex polytonic orthography ( el, πολυτονικό σύστημα γραφής, translit=polytonikó sýstīma grafī́s), which includes fiv ...
. He was the first known Catalan composer to cultivate the oratorio, a typically Baroque musical form.


Works


Liturgic works

* ''Benedictus Dominus Israel'' * 2 ''Cum invocarem'' * 3 ''Dies irae'' * ''Dixit Dominus'' * ''Fratres, sobrii estote et vigilate'', for 16 voices * 2 ''In te Domine speravi'' * 2 ''Laudate Dominum'' * ''Libera me Domine'', for 8 voices * 2 ''Magnificat'' * ''Memento Domine David'' * ''Miserere a 8'' * 3 ''Missa'' * ''Missa de Batalla a 8'' * ''Missa de Difunts'', for 8 voices * 5 ''Nunc dimittis'' * ''O bone pastor'' * 2 ''Qui habitat'' * ''Responde mihi'', lliçó de Difunts, for 8 voices


Other sacred and secular works

* ''A las fiestas que el cielo, a 4'', tono * ''Aguas suspended, parad'', tono * ''Ah de la guarda, a 5'', villancete * ''Alegría pecadores, a 10'', villancete * ''Aquí de la fe'' (in the 1670s), oratory for 10 voices, organ and continuo * ''Aurora soberana, a 10'', villancete * ''Ay que se quema, a 4'', tono * ''Cuanto más la pierdo de vista, a 5'', tono * ''Detente, pasajero, a 4'', tono * ''El fuego i el aire, a 4'', tono * ''Historia de Joseph'' (in the 1670s), oratory * ''Oiga todo pecador, a 8'', villancete * ''Oigan qué de quebrados, a 8'', villancete * ''Olé, que jacarilla que traigo, a 8'', villancete * ''Para una fiesta, a 11'', villancete * ''Por celebrar amorosos, a 10'', villancete * ''Principes persecuti sunt, a 8'', villancete * ''Que prisión, a 4'', tono * ''Salve, divina aurora, a 12'', tono * ''Válgame Dios, qué será, a 12'', villancete


Bibliography

* Francesc Bonastre ''"Aquí de la fe", oratori de Lluis Vicenç Gargallo (ca. 1636-1682). Estudi i edició'', article a ''Recerca Musicològica'' 6-7 (1986-1987), p. 77-147 * Francesc Bonastre ''"Historia de Joseph", oratori de Lluis Vicenç Gargallo (ca. 1636-1682). Estudi i transcripció'' Barcelona: Biblioteca de Catalunya, 1986


External links

* {{DEFAULTSORT:Gargallo, Lluís Vicenç Composers from the Valencian Community Baroque composers from Catalonia 1630s births 1682 deaths