This is a list of compositions by Vincent d'Indy.

Works with opus number

*Op. 1, Piano Sonata in C minor (1869) *Op. 2, ''La chanson des aventuriers de la mer'' for male voices, piano, and string quintet after

Victor Hugo Victor-Marie Hugo (; 26 February 1802 – 22 May 1885) was a French Romantic writer and politician. During a literary career that spanned more than sixty years, he wrote in a variety of genres and forms. He is considered to be one of the great ...

(1872) *Op. 3, ''Attente'', song for voice and piano after Hugo (1871) *Op. 4, ''Madrigal'', song for voice and piano after

Robert de Bonnières Robert de Wierre de Bonnières (7 April 1850, in Paris – 7 April 1905) was a French poet, composer, novelist, travel writer, journalist at Le Figaro and Le Gaulois, and literary critic. He was well acquainted with all literary figures of the perio ...

(1872) *Op. 5, ''Jean Hundaye'',

symphony A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning com ...

(1874-5) f. John Hunyadi">John_Hunyadi.html" ;"title="f. John Hunyadi">f. John Hunyadi(rejected by composer) *Op. 6, ''Antoine et Cléopâtre'', overture after William Shakespeare (1876) *Op. 7, Piano Quartet in A minor (1878–88) *Op. 8, ''La Forêt enchantée'' (Harald), symphonic legend after Ludwig Uhland, Uhland (1878) *Op. 9, ''Petite sonate dans la forme classique'' for piano (1880) *Op. 10, ''Plainte de Thécla'', song after de Bonnières and

Friedrich Schiller Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friends ...

(1880) *Op. 11, ''Au galop'' (''Melodie espagnole''), song after de Bonnières (1876-9) *Op. 12, ''Wallenstein'', three symphonic overtures after Schiller's '' Wallenstein'' (1870–81) **No. 1 ''Le camp'' **No. 2 ''Les piccolomini'' **No. 3 ''La mort de Wallenstein'' *Op. 13, ''Clair de lune'', song for soprano and piano after Victor Hugo (1872), orch. (1881) *Op. 14, ''Attendez-moi sous l'orme'', opéra-comique in one act after J. Prével (1876–82) *Op. 15, ''Poème des montagnes'',

symphonic poem A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''T ...

for piano (1881) *Op. 16, ''Quatre pièces'' for piano (1882) *Op. 17, ''Helvétia'', three waltzes for piano (1882) *Op. 18, ''Le chant de la cloche'', ''legend dramatique'' with prologue and seven scenes, text by d'Indy after Schiller, for solo voices, double chorus, and orchestra (1879–83), also adapted for stage *Op. 19, ''Lied'' for cello/viola and orchestra (1884) *Op. 20, ''L'amour et la crane'', song for voice and piano after

Charles Baudelaire Charles Pierre Baudelaire (, ; ; 9 April 1821 – 31 August 1867) was a French poetry, French poet who also produced notable work as an essayist and art critic. His poems exhibit mastery in the handling of rhyme and rhythm, contain an exoticis ...

(1884) *Op. 21, ''Saugefleurie'', legend for orchestra after de Bonnières (1884) *Op. 22, ''Cantate Domino'', canticle for three voices and organ (1885) *Op. 23, ''Sainte Marie-Madeleine'',

cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of ...

for soprano, female voices, piano, and harmonium (1885) *Op. 24, ''Suite dans le style ancien'' in D for trumpet, two flutes, and string quartet ''with Bass ad libitum'' (1886) *Op. 25, '' Symphonie sur un chant montagnard français'' (''Symphonie cévenole'') for piano and orchestra (1886) *Op. 26, ''Nocturne'' for piano (1886) *Op. 27, ''Promenade'' for piano (1887) *Op. 28, ''Sérénade et valse'' for orchestra (1885) *Op. 29, Trio in B flat for clarinet/violin, cello, and piano (1887) *Op. 30, ''Schumanniana'', three songs without words for piano (1887) *Op. 31, ''Fantaisie sur des thèmes populaires français'' for oboe and orchestra (1888) *Op. 32, ''Sur la mer'', for female voices (1888) *Op. 33, ''Tableaux de voyage'', thirteen pieces for piano (1889) *Op. 34, ''Karadec'', incidental music after A. Alexandre (1890) *Op. 35, String Quartet No. 1 in D (1890) *Op. 36, ''Tableaux de voyage'' (orch. 1892 after piano works Op. 33/1. 2. 5. 4, 6, 13) *Op. 37, ''Cantate de fête pour l'inauguration d'une statue'' for baritone, voices, and orchestra after E. Augier (1893) *Op. 38, ''Prélude et petit canon à trois parties'' for organ (1893) *Op. 39, ''L'art et le peuple'', for four male voices after Hugo (1894), orch. (1918) *Op. 40, ''

Fervaal ''Fervaal'', Op. 40, is an opera (''action musicale'' or lyric drama) in three acts with a prologue by the French composer Vincent d'Indy. The composer wrote his own libretto, based in part on the lyric poem ''Axel'' by the Swedish author Esaias ...

'', action musicale with prologue and three acts (1889–93) *Op. 41, ''Deus Israel conjungat vos'',

motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...

for four to six voices (1896) *Op. 42, ''Istar'', symphonic variations (1896) *Op. 43, ''Lied maritime'', song for voice and piano (1896) *Op. 44, ''Ode à Valence'', for soprano, male voices, and orchestra after Genest (1897) *Op. 45, String Quartet No. 2 in E (1897) *Op. 46, ''Les noces d'or du sacerdoce'', canticle for voice and harmonium after P. Delaporte (1898) *Op. 47, ''Médée'', incidental music after C. Mendès (1898) *Op. 48, ''La première dent'', song for voice and piano after J. de La Laurencie (1898) *Op. 49, ''Sancta Maria, succure miseris'', motet for two equal voices and organ (1898) *Op. 50, ''Chansons et danses'' for wind instruments (1898) *Op. 51, ''Vêpres du commun des martyrs'' for organ (1899) *Op. 52, ''Quatre-vingt-huit chansons populaires du Vivarais'' (1900) *Op. 53, ''L'étranger'', action musicale in two acts (1898–1901) *Op. 54, ''Marche du 76ème régiment d'infanterie'' for military band (1903) *Op. 55, ''Choral varié'', for saxophone/viola and orchestra (1903) *Op. 56, ''Mirage'', song for voice and piano after P. Gravollet (1903) *Op. 57, Symphony No. 2 in B flat (1902-3) *Op. 58, ''Les yeux de l'aimée'', song for voice and piano (1904) *Op. 59, Violin Sonata in C (1903-4) *Op. 60, ''Petite chanson grégorienne'' for piano four hands (1904) *Op. 61, ''Jour d'été à la montagne'', symphonic triptych (1905) *Op. 62, ''Souvenirs'', poem for orchestra (1906) *Op. 63, Piano Sonata in E (1907) *Op. 64, Vocalise, song for voice and piano (1907) *Op. 65, '' Menuet sur le nom de Haydn'' for piano (1909) *Op. 66, ''Pièce'' in E flat for harmonium (1911), pub. for organ (1912) and as ''Prélude'' (1913) *Op. 67, ''La légende de Saint Christophe'', drame sacré in three acts (1908–15), libretto by d'Indy after J. de Voragine's '' Legende aurea'' *Op. 68, ''Treize pièces brèves'' for piano (1908–15) *Op. 69, ''Douze pièces brèves faciles dans le style classique de la fin du XVIIIe siècle'' for piano (1908–15) *Op. 70, Symphony No. 3 ''Sinfonia brevis de bello gallico'' (1916–18) *Op. 71, ''Cent thèmes d'harmonie et réalisations'' (1907–18) *Op. 72, ''Sarabande et menuet'' for wind quintet and piano (1918), arr. from Op. 24 *Op. 73, ''Sept chants de terroir'' for piano four hands (1918) *Op. 74, ''Pour les enfants de tous les âges'', twenty-four pieces for piano (1919) *Op. 75, ''Pentecosten'', twenty-four popular Gregorian canticles, for voice, union voices, and organ (1919) *Op. 76, ''Veronica'', incidental music after C. Gos (1919–20) *Op. 77, ''Poèmes des rivages'', symphonic suite (1919–21) *Op. 78, Two Scholars' Songs for two voices after anon. (1921) *Op. 79, ''Ave, regina coelorum'', motet for four voices (1922) *Op. 80, Le rêve de Cinyras, comédie musicale in three acts after X. de Courville (1922) *Op. 81, Piano Quintet in G minor (1924) *Op. 82, ''Trois chansons populaires françaises'' for four voices (1924) *Op. 83, ''Deux motets en l'honneur de la canonisation de Saint Jean Eudes'' for four voices (1925) *Op. 84, Cello Sonata in D (1924-5) *Op. 85, ''Thème varié'', fugue and chorale for piano (1925) *Op. 86, ''Contes de fées'', five pieces for piano (1925) *Op. 87, ''Diptyque méditerranéen'' for orchestra (1925-6) *Op. 88, ''O dominea mea'', motet for two equal voices and organ (1926) *Op. 89, Concert for piano, flute and cello with string orchestra (1926) *Op. 90, ''Six chants populaires français'' (1927) *Op. 91, Suite for flute, string trio, and harp (1927) *Op. 92, Sextet in B flat for two violins, two violas, and two cellos (1927) *Op. 93, ''Le bouquet de printemps'' for three female voices after anon. (1928) *Op. 94, ''Madrigal à deux voix'', song for soprano and cello after Charles d'Orléans (1928) *Op. 95, ''Six paraphrases sur des chansons enfantines de France'' (1928) *Op. 96, String Quartet No. 3 in D flat (1928-9) *Op. 97, ''Les trois fileuses'', for three equal voices after M. Chevais (1929) *Op. 98, Piano Trio in G (1929) *Op. 99, ''Fantaisie sur un vieil air de ronde française'' for piano (1930) *Op. 100, ''Six chants populaires français'' for four voices (1930) *Op. 101, ''Cinquante chansons populaires du Vivarais'' (1930) *Op. 102, ''Chanson en forme de canon à l'octave'' for soprano and baritone (1931) *Op. 103, ''Chant de nourrice'' for three equal voices after J. Aicard (1931) *Op. 104, ''Le forgeron'' for three voices and string quartet after Aicard (1931) *Op. 105, ''La vengeance du mari'' for soprano and two tenors, four voices, and small wind band/piano (1931), pub. as Op. 104

Works without opus number

Orchestral *Symphony No. 1 in A ''Symphonie italienne'' (1870–72) *''La divine comédie'', symphonic poem after Dante (1871) Chamber *Scherzo in D for piano quartet (1871) *''Mosaïque sur Fervaal'' for military band (1897) *''Trois petites pièces'' (1907–15) **No. 1 in D for flute and piano **No. 2 in B flat for clarinet and piano **No. 3 in F for horn and piano *Rondino for four trumpets (1911) *String Quartet No.4 (1931, incomplete) Piano *''Quatre romances sans paroles'' (1870) Secular vocal *''O gai soleil'' for two voices (1909) *''Vive Henry quatre'' for four voices and wind band/piano (1909), harmonization of song by anon. Songs for voice and piano *''L'Académie Française nous a nommés tous trois'', authorship of lyrics doubtful, possibly d'Indy (1888) *''Vingt-neuf chansons populaires du Vivarais et du Vercors'' (1892) *''Deux chansons enfantines'' (1896) *''Six chansons anciennes du Vivarais'' (1926) *''Ariette pour Tina'' (1927) *''Cinq chansons folkloriques et deux rigaudons à une voix'' (c. 1931)

References

{{reflist *Adapted from Andrew Thomson and Robert Orledge, 'Vincent d'Indy', ''The New

Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...

'', ed. S. Sadie and J. Tyrrell (London: Macmillan, 2001) Indy, Vincent d', compositions by *