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Fervaal
''Fervaal'', Op. 40, is an opera (''action musicale'' or lyric drama) in three acts with a prologue by the French composer Vincent d'Indy. The composer wrote his own libretto, based in part on the lyric poem ''Axel'' by the Swedish author Esaias Tegnér. D'Indy worked on the opera during the years 1889 to 1895, and the score was published in 1895. Background ''Fervaal'' premiered at the Théâtre de la Monnaie in Brussels on 12 March 1897. It was subsequently produced in Paris in 1898, and again in that city in 1912. The first of 13 performances by the Opéra-Comique company (at the Théâtre du Châtelet), on 10 May 1898 was conducted by André Messager and included in the cast Raunay and Imbart de la Tour from the Brussels premiere, along with Gaston Beyle, Ernest Carbonne and André Gresse. It was last performed on stage in 1912/13 (at the Paris Palais Garnier, again with Messager conducting). In concert, it was presented by RTF in 1962. The Bern Opera House presented ...
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Vincent D'Indy
Paul Marie Théodore Vincent d'Indy (; 27 March 18512 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter. D'Indy studied under composer César Franck, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the Franco-Prussian War of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence. Life Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer."Indy, ...
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Manuela Schwartz
Manuela Schwartz (born in 1964) is a German musicologist. Life Schwartz was born in Pirmasens. She completed her master's degree in musicology, history and German studies at the Johannes Gutenberg University Mainz and the Technical University Berlin. After completing her doctorate in 1995 at the Technical University of Berlin ( Summa cum laude), she worked at the State Institute for Music Research (Prussian Cultural Heritage Foundation Berlin); in 1996 she joined the DFG-Project ''Music in Exile 1933-1949: Pilot Project California'' at the Folkwang University of the Arts as a research assistant in Essen (cond. Horst Weber). Since 2000 she has been Professor of Historical Musicology at the . Schwartz publishes on a wide range of topics from the 19th and 20th centuries. She was a member of the German-French research network ''La vie musicale sous Vichy'' (Ltg. Myriam Chimenes, 1992–1999) as well as in the DFG network ''Hörwissen im Wandel'' (2013-2017). Ihre Publikationen entha ...
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James Ross (conductor)
James Ross is a British conductor and author. Career Ross studied at Harrow School, and later at Christ Church, Oxford from where he received an MA in Modern History (1993), an MSt in Music (1994), and a DPhil in French opera (1998) awarded the Donald Tovey Prize. He studied with conductors including Sir Charles Mackerras, Ernst Schelle, Victor Feldbrill and Alan Hazeldine, and was a finalist in the 1998 BBC Philharmonic Conducting Competition."James Ross"
, Sidcup Symphony Orchestra. Retrieved 19 July 2011
Since graduating he has conducted over 1,000 works in nineteen countries throughou ...
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Théâtre De La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 198 ...
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Avery Fisher Hall
David Geffen Hall is a concert hall in New York City's Lincoln Center for the Performing Arts complex on Manhattan's Upper West Side. The 2,200-seat auditorium opened in 1962, and is the home of the New York Philharmonic. The facility, designed by Max Abramovitz, was originally named Philharmonic Hall and was renamed Avery Fisher Hall in honor of philanthropist Avery Fisher, who donated $10.5 million ($ million today) to the orchestra in 1973. In November 2014, Lincoln Center officials announced Fisher's name would be removed from the Hall so that naming rights could be sold to the highest bidder as part of a $500 million fund-raising campaign to refurbish the Hall. In 2015, the Hall acquired its present name after David Geffen donated $100 million to the Lincoln Center. Renovations 20th-century renovations The Hall underwent extensive renovations in 1976, to address acoustical problems that had been present since its opening. Another, smaller renovation attempted to ad ...
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Michel Dimitri Calvocoressi
Michel-Dimitri Calvocoressi (2 October 1877 – 1 February 1944) was a French-born music critic and musicologist of Greek descent who was an English citizen and resident from 1914 onwards. He often promoted Russian composers, particularly Modest Mussorgsky, about whom he wrote three book-length studies. Life Michel-Dimitri Calvocoressi was born in Marseille, France on 2 October 1877 to Greek parents. In his earliest years he learned Greek, Italian, English and later German; he noted that "I read far more English books than French." At the Ecole Monge high school of Paris, he developed a lifelong interest in geology and mineralogy. At first, he studied law at the Lycée Janson de Sailly, and then studied music at the Conservatoire de Paris with Xavier Leroux. He became friends with Maurice Ravel who later dedicated "Alborada del gracioso" from the piano suite ''Miroirs'' to Calvocoressi. As a talented polyglot, Calvocoressi began a career in 1902 as a music critic and correspon ...
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19th-Century Music
''19th-Century Music'' is a triennial academic journal that "covers all aspects of Western art music composed in, leading to, or pointing beyond the "long century" extending roughly from the 1780s to the 1930s." The Journal is "interested equally in the music that belongs to the era and in the impact of the era's music on later times, media, and technologies." It is published by University of California Press and was established in 1977. The editor-in-chief is Lawrence Kramer. Abstracting and indexing The journal is indexed in: *Scopus *Arts and Humanities Citation Index *Current Contents ''Current Contents'' is a rapid alerting service database from Clarivate Analytics, formerly the Institute for Scientific Information and Thomson Reuters. It is published online and in several different printed subject sections. History ''Cur .../Arts & Humanities * EBSCO databases * ProQuest databases References External links * Publications established in 1977 Triannual journals ...
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Music & Letters
''Music & Letters'' is an academic journal published quarterly by Oxford University Press with a focus on musicology. The journal sponsors the Music & Letters Trust, twice-yearly cash awards of variable amounts to support research in the music field. A. H. Fox Strangways established the journal in 1920 and served as editor-in-chief until 1937. Eric Blom served as editor from 1937 to 1950 and again from 1954 to 1959. Other editors-in-chief have included Richard Capell, J.A. Westrup, Denis Arnold, Edward Olleson, Nigel Fortune, John Whenham John Whenham is an English musicologist and academic who specializes in early Italian baroque music. He earned both a Bachelor of Music and a Master of Music from the University of Nottingham, and a Doctor of Philosophy from the University of Oxfor ..., and Tim Carter. References External links * {{DEFAULTSORT:Music and Letters Music journals Oxford University Press academic journals Publications established in 1920 ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ...
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Diapason (magazine)
''Diapason'' is a monthly magazine, published in French by Italian media group Mondadori. The magazine focuses on classical music, especially classical music recordings and hi-fi. The magazine was created by Georges Chérière in Angers, France under the title ''Diapason donne le ton dans l'Ouest'' (''Tuning Fork Sets the Tone in the West'') and the first issue was published in Paris, 1956. The critics of ''Diapason'' review internationally released classical CDs and DVDs each month, and the best ten albums are awarded by the prestigious Diapason d'Or. The award is comparable with those given by the ''BBC Music Magazine'' and '' Gramophone''. ''Diapason'' provides information online via two websites. The principal French language alternative to ''Diapason'' was ''Le Monde de la musique'', but that magazine ceased publication in 2009. Much of its readership then transferred to ''Diapason'', increasing the circulation there.
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