This is a list of compositions by
Alan Hovhaness
Alan Hovhaness (; March 8, 1911 – June 21, 2000) was an American-Armenian composer. He was one of the most prolific 20th-century composers, with his official catalog comprising 67 numbered symphonies (surviving manuscripts indicate over 70) and ...
(1911–2000), ordered by
opus number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositio ...
. Composition dates shown in Roman font are as given at Hovhaness.com,
[Anon., "The Alan Hovhaness Web Site: The Online Resource for the American Composer": Alan Hovhaness List of Works: Opus Catalog (online edition at http://www.hovhaness.com/hovhaness_works.html).] while conflicting dates from Kunze
[Kunze, Eric (comp.), ''Alan Hovhaness: A Discography (8 March 1911 – 21 June 2000: In Memoriam)''. Victoria, British Columbia: University of Victoria, 2010. (Online edition at https://hovhaness.com/HovDiscog_2018.pdf).] or ''New Grove''
[Arnold Rosner and Vance Wolverton. "Hovhaness ovaness Alan hakmakjian, Alan Hovhaness. ''The New Grove Dictionary of Music and Musicians'', second edition, edited by ]Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
and John Tyrrell. London: Macmillan Publishers. are shown in italics. Similarly, instrumentation shown in Roman font is as given at the Hovhaness.com website. Several place names and other names in composition titles are linked to disambiguation pages rather than to specific Wikipedia articles, because Hovhaness did not specify which "
Wildcat Mountain", for instance, had been intended.
*Op. 1, No. 1: ''Oror''
ullaby(violin and piano) (1922?; rev 1926)
*Op. 1, No. 2:
Suite for violin and piano (1927)
*Op. 2, No. 1: ''Monadnock''
antasy for orchestra([
2222 4331, timpani, strings) (1936; ''1935, rev. 1938 per Kunze; 1935, rev. 1936 per New Grove'')
*Op. 2, No. 2: ''Storm on Mt. Wildcat'' (originally titled ''Boreas and Mt. Wildcat'')
antasy for orchestra(2222 4331, timpani, percussion, strings) (1931, rev. 1936; ''1931 only, per Kunze'')
*Op. 3: Trio No. 1 in E Minor (for violin, cello, piano) (1935)
*Op. 4:
Missa Brevis
Missa brevis (plural: Missae breves) is . The term usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out, or because its execution time is relati ...
(bass,
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass.
Choral music
Four-part harm ...
choir, strings, organ) (1936; ''1935 per Kunze'')
*Op. 5: ''Three Odes of Solomon'' (medium voice and piano) (1937; ''1935 per Kunze'')
*Op. 6, No. 1:
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuo ...
and
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the c ...
(piano solo) (Toccata 1969, Fugue 1935; ''1935, Toccata rev. 1970 per New Grove'')
*Op. 6, No. 2: Toccata and Fugue on a Kabardin Tune (piano solo) (1951)
*Op. 7: ''How I Adore Thee'' (medium voice and piano) (1936)
*Op. 8: String Quartet No. 1
'Jupiter''(1936)
*Op. 9: Piano Quintet No. 1 (1926, rev. 1962) (''New Grove also assigns op. 9 to the first of Two Suites for piano, 1936'')
*Op. 10: Three Preludes and Fugues (piano solo) (1935)
riginally published as Op. 5*Op. 11: Sonata for violin and piano (1937)
*Op. 12: Sonata
Ricercare
A ricercar ( , ) or ricercare ( , ) is a type of late Renaissance and mostly early Baroque instrumental composition. The term ''ricercar'' derives from the Italian verb which means 'to search out; to seek'; many ricercars serve a preludial funct ...
(piano solo) (1935)
*Op. 13:
Prelude and Fugue in A Minor (oboe (or flute) and bassoon) (1935, rev. 1959; ''rev. 1957 per Kunze'')
*Op. 14: ''Tapor'' [
Procession
A procession is an organized body of people walking in a formal or ceremonial manner.
History
Processions have in all peoples and at all times been a natural form of public celebration, as forming an orderly and impressive ceremony. Religious ...
al for band] (1948) (''New Grove gives title Tapor No. 1, and also assigns op. 14 to the second of Two Suites for piano, 1936'')
*Op. 15: Suite for band (1948) (''New Grove says 1949, but also assigns op. 15 to a Fantasy for piano, 1936'')
*Op. 16: Fantasy for piano (1952) (''New Grove says 1953'')
*Op. 17, No. 1: Cello Concerto (cello, orchestra
222 4330, timpani, harp, strings (1937; ''1936/70 per Kunze'')
riginally published as Op. 27*Op. 17, No. 2:
Symphony No. 1 ''Exile Symphony'' (orchestra 2222 4331, timpani, harp, strings]) (1937; ''1936/72 per Kunze'')
*Op. 18: Variations and Fugue (orchestra
322 4331, timpani, percussion, harp, glockenspiel, strings (1963; ''"or 1964" per New Grove'')
*Op. 19: ''Angelic Song'' (cantata for soprano (or tenor), horn, strings) (1934/1947; later incorporated into Op. 425)
*Op. 20, No. 1:
Nocturne
A nocturne is a musical composition that is inspired by, or evocative of, the night.
History
The term ''nocturne'' (from French '' nocturne'' 'of the night') was first applied to musical pieces in the 18th century, when it indicated an ensembl ...
(harp solo) (1937, rev. 1961)
*Op. 20, No. 2: Nocturne (flute and harp) (1956)
*Op. 20a: Lament (voice and piano) (1936) (''Only New Grove includes this'')
*Op. 20b: Lament (piano) (1937) (''Only New Grove includes this'')
*Op. 21: Suite in D Minor (English horn and bassoon) (1933)
*Op. 22: ''Mystic Flute'' (piano solo) (1937)
*Op. 23: ''Makiko Suite'' (oboe and bassoon) (1949)
*Op. 24, No. 1: ''Yar Nazani'' (''The Lover Who Desired to Please'') (voice and piano) (1938)
*Op. 24, No. 2: ''Vaspooragan'' (voice and piano) (1938)
*Op. 25:
Lament
A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret, or mourning. Laments can also be expressed in a verbal manner in which participants lament about somethin ...
(clarinet solo) (1935)
*Op. 26: ''Behold, God is My Help'' (SATB chorus and organ (or piano) (undated)
*Op. 27: ''O Lord God of Hosts'' (SATB choir, organ (or piano), and 2 trumpets, 2 trombones ad lib.) (undated; ''1968 per Kunze'')
*Op. 28: ''O Lord, Rebuke Me Not'' (SATB choir and organ (or piano)) (undated; ''1968 per Kunze'')
*Op. 29: ''Layla'' (medium voice and piano) (1935)
*Op. 30:
Bagatelles
Bagatelle (from the Château de Bagatelle) is a billiards-derived indoor table game, the object of which is to get a number of balls (set at nine in the 19th century) past wooden pins (which act as obstacles) into holes that are guarded by wooden ...
4 Bagatelles for string quartet"(1966)
*Op. 31: ''Two Shakespeare Sonnets'' (voice and piano) (1939; ''rev. 1942 per Kunze'')
*Op. 32, No. 1: ''Starlight of Noon'' (voice and piano) (1947)
*Op. 32, No. 2: ''O World'' (bass voice (or tenor or baritone or trombone) and piano) (1960)
*Op. 33: ''Love Songs of
Hafiz'' (medium voice and piano) (1936/67)
*Op. 34: ''Watchman, Tell Us of the Night''
Christmas Song"(soprano and organ (or piano); or bass voice, SATB chorus, organ (or piano); or bass voice, SATB chorus, oboe, clarinet, strings) (1927, rev. 1962)
*Op. 35: ''The Lord's Prayer'' (SATB chorus and organ (or piano)) (1962)
*Op. 36: Two
Ghazals
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a p ...
(piano solo) (1933, rev. 1966; ''1931
n error, rev. 1966 per Kunze''
*Op. 37: ''Vijag'' (2 pianos) (1946)
*Op. 38: ''Mazert Nman Rehan'' (''Thy Hair is Like Basil Leaf'') (piano solo) (1944)
*Op. 39: ''Artinis'' (''
Urarduan: Sun God'') (piano solo) (1945)
*Op. 40a: Psalm and Fugue (strings) (1940)
*Op. 40b:
Alleluia
Alleluia (derived from the Hebrew ''Hallelujah'', meaning "Praise Yahweh") is a Latin phrase in Christianity used to give praise to God. In Christian worship, Alleluia is used as a liturgical chant in which that word is combined with verses of ...
and Fugue (strings) (1940)
*Op. 41: ''Protest and Prayer'' (tenor,
TTBB In musical choral notation, TTBB denotes a four-part lower-voice choir. Its configuration is Tenor 1, Tenor 2, Bass 1 (Baritone), Bass 2.
The Tanunda Liedertafel employs this method of notation in their music.
Typically (but not always) the 1st ...
chorus, organ (or piano)) (1967)
*Op. 42: ''I will Rejoice in the Lord'' (SATB chorus and organ (or piano) (undated)
*Op. 43: 12 Armenian Folk Songs (piano solo) (1943)
*Op. 44: ''Celestial Fantasy'' (strings) (1935/44)
*Op. 45: Armenian Rhapsody No. 1 (percussion and strings) (1944)
*Op. 46: ''Let Us Love One Another'' (SATB chorus, tenor (or baritone) ad lib., and organ (or piano)) (1941/62)
*Op. 47a: ''Varak'' (violin and piano) (1944)
*Op. 47b: ''Arshalouis''
'Arshalouis (Dawn)''(violin and piano) (1939–43)
*Op. 48: ''
Lousadzak
''Lousadzak'' (The Coming of Light), Op. 48, is a 1944 concerto for piano and string orchestra by the American-Armenian composer Alan Hovhaness. The work is known for its use of aleatory that is said to have impressed fellow composers Lou Harrison ...
''
'Coming of Light/Dawn of Light''(concerto for piano and strings) (1944)
*Op. 49: ''Khrimian Hairig'' (trumpet and strings) (1944, rev. 1948)
*Op. 50: ''Elibris''
Urardu''.html"_;"title="Urartu.html"_;"title="'God_of_Dawn_of_Urartu">Urardu''">Urartu.html"_;"title="'God_of_Dawn_of_Urartu">Urardu''(concerto_for_flute_and_strings)_(1944)
*Op._51:_Armenian_Rhapsody_No._2_(Op._51).html" ;"title="Urartu">Urardu''.html" ;"title="Urartu.html" ;"title="'God of Dawn of Urartu">Urardu''">Urartu.html" ;"title="'God of Dawn of Urartu">Urardu''(concerto for flute and strings) (1944)
*Op. 51: Armenian Rhapsody No. 2 (Op. 51)">Armenian Rhapsody No. 2 (strings) (1944)
*Op. 52, No. 1: ''Lousnag Kisher'' [''Moonlit Night''] (piano solo) (1943)
*Op. 52, No. 2: Lullaby [aka ''Slumber Song''] (piano solo) (1951; ''1956 per Kunze'')
*Op. 53, No. 1: ''Jesus, Lover of My Soul'' (voice, SATB chorus, organ (or piano)) (1922/35)
*Op. 53, No. 2: ''Tzaikerk''
'Evening Song''(flute, violin, drums, strings) (1945; ''1944 per Kunze'')
*Op. 54, No. 1: ''Invocations to
Vahakn'' (piano and percussion) (1945)
*Op. 54, No. 2: ''Hakhpat'' (sonata for piano and percussion) (1946/51)
*Op. 55, No. 1: ''Vanadour''
'Armenian God of Hospitality''(piano solo) (1945)
*Op. 55, No. 2: ''Farewell to the Mountains'' (piano solo) (1946)
*Op. 56, No. 1: ''Chahagir''
'Torch-Bearer''(viola solo) (1944)
*Op. 56, No. 2: ''Yeraz''
'The Dream''(violin solo) (undated; ''1946 per Kunze'')
*Op. 56, No. 3: ''Hercules'' (soprano and violin) (1959)
*Op. 57, No. 1: ''Anahid: The Mother Goddess''
antasy(flute, English horn, trumpet, timpani, percussion, strings) (1944–45; ''1944 per Kunze'')
*Op. 57, No. 2: ''Vosdan'' (flute, trumpet, timpani, strings) (1945, rev. 1948)
*Op. 58: ''Sharagan and Fugue'' (brass choir) (1947)
*Op. 59: ''Is There Survival?''
King_Vahaken''_(ballet_suite).html" ;"title="Vahagn.html" ;"title="'
King_Vahaken''_(ballet_suite)">Vahagn.html"_;"title="'Vahagn">King_Vahaken''_(ballet_suite)(0040_a_sax_0400,_timpani,_3_percussion)_(1949)
*Op._60:_''Mihr''_(2_pianos)_(1945)
*Op._61:_Divertimento_[''Vahagn.html" ;"title="Vahagn">King Vahaken'' (ballet suite)">Vahagn.html" ;"title="'Vahagn">King Vahaken'' (ballet suite)(0040 a sax 0400, timpani, 3 percussion) (1949)
*Op. 60: ''Mihr'' (2 pianos) (1945)
*Op. 61: Divertimento [''Vahagn">Vahan''] (oboe, clarinet, bassoon, horn (or 4 clarinets)) (1947)
*Op. 62: ''Etchmiadzin'' (opera for 4 sopranos and 3 baritones soli, 2 SA choruses, SABar chorus, orchestra [flute, English horn, trumpet, 2 Chinese drums, 4 Burmese gongs,
sistrum
A sistrum (plural: sistra or Latin sistra; from the Greek ''seistron'' of the same meaning; literally "that which is being shaken", from ''seiein'', "to shake") is a musical instrument of the percussion family, chiefly associated with ancient ...
of tiny bells, strings]) (1946)
*Op. 62b: ''Prayer of
Saint Gregory
Pope Gregory I ( la, Gregorius I; – 12 March 604), commonly known as Saint Gregory the Great, was the bishop of Rome from 3 September 590 to his death. He is known for instigating the first recorded large-scale mission from Rome, the Gregoria ...
''
ntermezzo from the opera ''Etchmiadzin''(trumpet and strings (or trumpet with band, piano, or organ, or organ solo)) (1946)
*Op. 63: Greek Rhapsody No. 1 (piano solo) (1944)
*Op. 64: ''Achtamar'' (piano solo) (1947; ''1948 per Kunze'')
*Op. 65: ''Avak the Healer'' (cantata for soprano, trumpet, strings) (1945–46)
*Op. 66, No. 1: ''Kohar'' (flute, English horn, timpani, strings) (1946)
*Op. 66, No. 2: ''Agori'' (flute, English horn, bassoon, trumpet, timpani, strings: concerto based on material from the opera ''Etchmiadzin'', Op. 62) (1946)
*Op. 67: ''Saris'' (violin and piano) (1946)
*Op. 68: ''Sing Aloud'' (SATB chorus) (1951)
*Op. 69: ''Sanahin'' (
partita
Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann ...
for organ) (1951–66)
*Op. 70: Five Fantasies for brass choir (1967)
*Op. 71: ''Haroutiun''
'Resurrection''(trumpet and strings) (1948)
*Op. 71a: ''Haroutiun''
'Resurrection''(trumpet and piano) (1948)
*Op. 72: ''
Canzona
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone ...
and Fugue'' (horn, 2 trumpets, trombone (or tuba) (1967)
*Op. 73, No. 1: ''Khirgiz Suite'' (violin and piano) (1951)
*Op. 73, No. 2: ''Shatakh''
atak(violin and piano) (1947)
*Op. 74, No. 1:
[Op. 74: The Hovhaness website makes no reference to Nos. 2, 3, 6, 7, or further numbers, or to an overall title; however, Kunze labels Op. 74 as ''Demilune (9 Songs)'', listing these same four as Nos. 1–4.] ''Pagan Saint'' (voice and piano) (1947; ''1948 per Kunze'')
*Op. 74, No. 4:
''Lullaby of the Lake'' (voice and piano) (1947; ''1948 per Kunze'')
*Op. 74, No. 5:
''I Heard Thee Singing'' (voice and piano) (1947; ''undated by Kunze'')
*Op. 74, No. 8:
''Raven River'' (low voice, piano, gong) (1947; ''undated by Kunze'')
*Op. 75: ''Sosi – Forest of Prophetic Sounds'' (violin, piano, horn, timpani, giant tam-tam, strings) (1948)
*Op. 76: ''Thirtieth Ode of Solomon'' (cantata for baritone, SATB chorus, trumpet, trombone, strings) (1948)
*Op. 77: ''Zartik Parkim''
'Awake, My Glory''(concerto for piano and chamber orchestra
010 2100, timpani, percussion, strings (1948)
*Op. 78: ''Artik'' (concerto for horn and strings) (1948)
*Op. 78a: ''Artik'' (horn and piano) (1948)
*Op. 79: Six Dances (horn, 2 trumpets, trombone, tuba) (1967)
*Op. 80: ''I have Seen the Lord'' (soprano, SATB chorus, trumpet, organ (or piano)) (1962)
*Op. 81: ''Janabar''
'Journey: 5 Hymns of Serenity''(trumpet, piano, violin solo, strings) (1949)
*Op. 82: ''Transfiguration'' (cantata for tenor and SATB chorus) (1956). Based on bible text Mark 9:2-9. Movements/numbers 13-16 of this work, based on Mark 9:9, was extracted and published by C. F. Peters as a separate work "''And As They Came Down From The Mountain"''. Peters erroneously labels this extracted work as Opus 18.
*Op. 83: ''Hymn to
Yerevan
Yerevan ( , , hy, Երևան , sometimes spelled Erevan) is the capital and largest city of Armenia and one of the world's List of oldest continuously inhabited cities, oldest continuously inhabited cities. Situated along the Hrazdan River, Y ...
'' (for full band) (undated; ''1969 per Kunze'')
*Op. 84, No. 1: ''Black Pool of Cat'' (voice and piano) (1950)
*Op. 84, No. 2: ''Innisfallen'' (voice and piano) (1950)
*Op. 85: ''Fantasy on an
Ossetin Tune'' (piano solo) (1951)
*Op. 86: ''Make Haste'' (
motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...
for SATB chorus) (1951)
*Op. 87: Four Motets (for SATB chorus) (1951)
*Op. 88: Concerto No. 1
'Arevakal''(for orchestra
222 2200, timpani, percussion, harp, strings (1951)
*Op. 89, No. 1: Concerto No. 2 (for violin and strings) (1951/57)
'no further Nos. are mentioned''*Op. 90, No. 1: ''Upon Enchanted Ground'' (flute, cello, harp, tam-tam) (1951)
'no further Nos. are mentioned''*Op. 91: ''Khaldis'' (concerto for 4 (or any multiple thereof) trumpets, piano, percussion) (1951; ''rev. 1954 per Kunze'')
*Op. 92: ''Orbit No. 1'' (flute, harp, celesta, tam-tam) (1952)
*Op. 93, No. 1: ''Talin'' (concerto for viola and strings) (1951–52; ''1951 per Kunze'')
*Op. 93, No. 2: ''I will Lift up Mine Eyes'' (cantata for SATB chorus, boys' chorus, bass ad lib., organ and harp (or piano), ad lib.) (1967)
*Op. 94: Concerto No. 3
'Diran_(the_Religious_Singer)''.html" ;"title="Diran.html" ;"title="'Diran">'Diran (the Religious Singer)''">Diran.html" ;"title="'Diran">'Diran (the Religious Singer)''(baritone horn (or trombone), strings) (1948)
*Op. 95: Three Songs (voice and piano) (1950)
*Op. 96: Suite for piano (1954/1967)
*Op. 97: Quartet No. 1 (flute, oboe, cello, harpsichord (or piano)) (1936/1952)
*Op. 98, No. 1: Partita [for piano and strings] (undated; ''1950s per Kunze'')
*Op. 98, No. 2: Concerto No. 4 [''Amarna, Tel El Armarna''] (orchestra [322(eh)2 4231, timpani, harp, strings]) (1952)
*Op. 98, No. 3: Concerto No. 5 [for piano and strings] (undated; ''1950s per Kunze'')
*Op. 99: Suite for violin, piano and percussion (1950; ''1951 per Kunze'')
*Op. 100,
[Op. 100: Although both Hovhaness.com and Kunze give an overall name of '']Triptych
A triptych ( ; from the Greek language, Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) t ...
'', meaning "three-fold" or "in three parts" to Op. 100, the website lists four parts, and Kunze lists a total of five. No. 1: ''
Ave Maria
The Hail Mary ( la, Ave Maria) is a traditional Christian prayer addressing Mary, the mother of Jesus. The prayer is based on two biblical passages featured in the Gospel of Luke: the Angel Gabriel's visit to Mary (the Annunciation) and Mary's s ...
'' (boys' (or women's SSAA) voices, 2 oboes (or trumpets or clarinets), 2 horns (or trombones), harp (or piano)) (1955)
*Op. 100,
No. 2: ''Christmas Ode''
'As on the Night''(soprano, celesta, strings) (1952)
*Op. 100,
No. 3: ''The Beatitudes'' (SATB chorus, 2 oboes, 2 horns, harp, celesta, strings) (1955)
*Op. 100,
No. 4: ''Easter Cantata'' (soprano, SATB chorus, 2 oboes, 2 horns, 3 trumpets, tam-tam, harp, celesta, strings) (1953)
*Op. 101: ''Hanna'' (2 clarinets and 2 pianos) (1951)
*Op. 102: ''Orbit No. 2'' (piano (or alto recorder and piano)) (1952)
*Op. 103: ''Jhala'' (piano solo) (1951)
*Op. 104: Allegro on a Pakistan
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.
More specifically, the term "lute" can ref ...
Tune (piano solo) (1952)
*Op. 105: ''Make a Joyful Noise'' (cantata for baritone (or tenor), SATB chorus, 2 trumpets, 2 trombones, organ (or piano)) (1966)
*Op. 106: ''Gamelan and Jhala'' (
carillon
A carillon ( , ) is a pitched percussion instrument that is played with a keyboard and consists of at least 23 cast-bronze bells. The bells are hung in fixed suspension and tuned in chromatic order so that they can be sounded harmoniou ...
) (1951)
*Op. 107: ''Island Sunrise'' (orchestra
3(eh)3(bcl)3 4331, timpani, 6 percussion, 2 pianos, celesta, strings (1964; ''1965 per New Grove'')
*Op. 108: Sextet (violin and 5 percussion) (1966)
*Op. 109: Piano Quintet No. 2 (piano and string quartet) (1964)
*Op. 110: Two Sonatas (for
koto
Koto may refer to:
* Koto (band), an Italian synth pop group
* Koto (instrument), a Japanese musical instrument
* Koto (kana), a ligature of two Japanese katakana
* Koto (traditional clothing), a traditional dress made by Afro-Surinamese women
* K ...
(or harp)) (1962)
*Op. 111, No. 1:
Pastorale
Pastorale refers to something of a pastoral nature in music, whether in form or in mood.
In Baroque music, a pastorale is a movement of a melody in thirds over a drone bass, recalling the Christmas music of ''pifferari'', players of the traditi ...
No. 1 (piano solo) (1952)
*Op. 111, No. 2: ''Hymn to a Celestial Musician'' (piano solo) (1951)
*Op. 112: Quartet No. 2 (flute, oboe, cello, piano) (1950)
*Op. 113: Three Haikus (piano solo) (1965)
*Op. 114: Concerto No. 6
armonica Concerto(harmonica (or flute or oboe) and strings) (1953)
*Op. 114a: Concerto No. 6
armonica Concerto(harmonica and piano) (1953)
*Op. 115:
Canticle
A canticle (from the Latin ''canticulum'', a diminutive of ''canticum'', "song") is a hymn, psalm or other Christianity, Christian song of praise with lyrics usually taken from biblical or holy texts. Canticles are used in Christian liturgy.
Ca ...
(soprano, oboe, xylophone, harp, celesta, strings) (1953)
*Op. 116: Concerto No. 7
for orchestra"(2222 4231, timpani, percussion, harp, celesta, strings) (1953)
*Op. 117: Concerto No. 8
for orchestra"(2222 2210, timpani, percussion, harp, strings) (1957)
*Op. 118: Sonata No. 1 for flute (solo) (1964)
*Op. 119: ''Mountain Idylls''
3 easy pieces for piano"(1931/49/55)
*Op. 120: Sonatina (for piano solo) (1962)
*Op. 121: Sonata for
ryuteki and
sho
Sho, Shō or SHO may refer to:
Music
* ''Shō'' (instrument) (笙), a Japanese wind instrument
* ''Kane'' (instrument) (鉦), a Japanese percussion instrument
* Sho?, a Dubai rock band
People
* Shō (given name), including ''Sho''
* Shō (su ...
(ryuteki (or flute), and sho (or organ)) (undated; ''1968 per Kunze'')
*Op. 122: Duet (for violin and harpsichord) (1957; ''1954 per Kunze'')
*Op. 123: ''Vision from
High Rock'' (orchestra
222 2200, timpani, percussion, harp, celesta, strings (1954)
*Op. 123, No. 3:
[Op. 123, No. 3 was originally ''cataloged'' as Op. 123, No. 2; it was then later ''reclassified'' as Symphony No. 45, Op. 342.] Concerto No. 10
for 2 pianos"(orchestra
222 4230, timpani, percussion, 2 pianos, strings (1954)
'see Op. 342, Symphony No. 45''*Op. 124: ''Glory to God'' (soprano, alto, SATB chorus, orchestra
000 a saxophone 4400, timpani, 2 percussion, organ (or piano) (1954)
*Op. 125: ''The Flowering Peach'' (clarinet, saxophone, timpani, tam-tam, vibraphone, glockenspiel, harp, celesta) (1954)
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*Op. 126: ''The Stars'' (soprano, SATB chorus, English horn, harp, celesta, strings) (1955)
*Op. 127: Sonata for harp (harp solo) (1954; ''1975 per Kunze'')
*Op. 128: Prelude and Quadruple Fugue (orchestra
222 4230, timpani, strings (1936, rev. 1954)
*Op. 129: ''Tower Music'' (suite, for 9 winds
111 2111 (1955)
*Op. 130: Sonata for 2 oboes and organ (1963–64)
*Op. 131: ''The Brightness of Our Noon'' (
madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number o ...
for SATB chorus) (1954)
*Op. 132:
Symphony No. 2, ''Mysterious Mountain'' (orchestra
333 5331, timpani, harp, celesta, strings (1955)
*Op. 133, No. 1: ''The World Beneath the Sea No. 1'' (alto saxophone, harp, vibraphone, timpani, gong) (1954)
*Op. 133, No. 2: ''The World Beneath the Sea No. 2'' (clarinet, timpani, bells (chimes or glockenspiel), harp, double bass) (1963)
*Op. 134: ''Immortality'' (soprano, SATB choir, organ (or piano)) (undated; ''1962 per Kunze'')
*Op. 135: ''October Mountain'' (suite, for percussion sextet) (1942, rev. 1953)
*Op. 136: ''Ko-ola-u'' (for 2 pianos, 4 hands) (1962)
*Op. 137: ''O God Our Help in Ages Past'' (SATB choir and organ (or piano)) (1928; rev. 1963?; ''1958 per Kunze'')
*Op. 138: ''Dawn Hymn'' (organ) (1953)
*Op. 139: ''O Lady Moon'' (soprano (or SSA chorus), clarinet, piano) (1953)
*Op. 140: ''The God of Glory Thundereth'' (tenor (or soprano), SATB chorus, organ (or piano)) (1935, rev. 1960)
*Op. 141: ''Anabasis'' (speaker, soprano, bass, SATB chorus, orchestra
2(eh)10 2100, timpani, percussion, harp, strings (1955)
*Op. 142: ''Out of the Depths'' (voice and organ (or piano), (or soprano, SATB choir, organ)) (1938, rev. 1959)
*Op. 143: ''Ad Lyram'' (SATB soli, SATB double chorus, orchestra
3(eh)3(bcl)3(cbsn) 5331, timpani, percussion, harp, strings (1956)
*Op. 144
ka Op. 144a[Opp. 144 ka Op. 144a(for piano), 144a (for orchestra), 144b (for piano): These are three entirely different compositions, of differing durations. The two works ''for piano'' are frequently played and recorded together, usually referring to them as Op. 144a and Op. 144b, respectively.] ''Macedonian Mountain Dance'' (piano solo) (1937)
*Op. 144a:
''Macedonian Mountain Dance'' (orchestra
222 4331, timpani, percussion, strings (1964?)
*Op. 144b:
''Mountain Dance No. 2'' (piano solo) (1937, rev. 1962)
*Op. 145: Sonata for piano (1956)
*Op. 146: ''To the God Who is in the Fire'' (tenor, TTBB chorus, 6 percussion) (1955, rev. 1966; ''rev. 1965 per Kunze'')
*Op. 147: String Quartet No. 2
'Adanad_Suite''.html" ;"title="Adana.html" ;"title="'Adana">'Adanad Suite''">Adana.html" ;"title="'Adana">'Adanad Suite''(1950)
*Op. 148: Symphony No. 3 (orchestra [3333 5331, timpani, percussion, harp, strings]) (1956)
*Op. 149: ''Hear My Prayer, O Lord'' (SSATBB chorus with optional organ (or piano) (1936/59)
*Op. 150: Seven Greek Folk Dances (harmonica and strings (or piano)) (1956)
*Op. 150, No. 2: Three Greek Folk Dances (orchestra
222 4331, timpani, 3 percussion, harp, strings (1956)
rrangements of three movements from Op. 150*Op. 151: ''O Goddess of the Sea'' (low voice and piano) (1957)
*Op. 152: ''Do You Remember the Last Silence?'' (piano solo) (1957)
*Op. 153: ''Dawn at Laona'' (low voice and piano) (1967)
*Op. 154: ''Persephone'' (low voice and piano) (1957)
*Op. 155: ''Meditation on
Orpheus
Orpheus (; Ancient Greek: Ὀρφεύς, classical pronunciation: ; french: Orphée) is a Thracian bard, legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with Jaso ...
'' (orchestra
333 4331, timpani, percussion, harp, celesta, strings (1957–58, rev. )
*Op. 156: ''The Moon has a Face'' (medium voice and piano) (1932)
*Op. 157:
Magnificat
The Magnificat (Latin for "y soul
Y, or y, is the twenty-fifth and penultimate letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. According to some authorities, it is the sixth (or sevent ...
magnifies he Lord
He or HE may refer to:
Language
* He (pronoun), an English pronoun
* He (kana), the romanization of the Japanese kana へ
* He (letter), the fifth letter of many Semitic alphabets
* He (Cyrillic), a letter of the Cyrillic script called ''He'' ...
) is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Eastern Christianity, Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated ...
(SATB soli, SATB choir, orchestra
200 2210, percussion, harp, strings (or piano or organ)) (1958)
*Op. 158: ''Look Toward the Sea'' (baritone, SATB chorus, trombone, organ) (1958)
*Op. 159: Quintet (for flute, oboe, clarinet, bassoon, horn) (1960, rev. 1965)
*Op. 160: ''Praise ye Him, All His Angels'' (bass, SATB chorus, organ (or piano)) (1958)
*Op. 160a: ''Let Them Praise the Name of the Lord'' (SATB chorus and organ (or piano)) (1958)
*Op. 161: ''O for a Shout of Sacred Joy'' (SATB choir and organ (or piano)) (1958)
*Op. 162: ''Unto Thee will I Cry'' (SATB chorus and organ (or piano)) (undated; ''1958 per Kunze'')
*Op. 163: ''In Memory of an Artist'' (suite, for strings) (1958, rev. 1968; ''1963 per Kunze'')
*Op. 164, No. 1: Sextet (alto recorder, string quartet, harpsichord) (1958)
*Op. 164, No. 2: ''Shepherd of Israel'' (tenor cantor, soprano recorder (or flute), trumpet ad lib., string quartet (or string orchestra)) (1953; ''1952 per Kunze'')
*Op. 165: Symphony No. 4 (wind orchestra, 4 percussion, harp) (1959; ''1957 per Kunze; 1958 per New Grove'')
*Op. 166: Suite for accordion (solo) (1958)
*Op. 167: ''Glory to Man'' (SABar soli, and organ) (1958)
*Op. 168: ''Child in the Garden'' (piano (4 hands)) (1958)
*Op. 169: ''Live in the Sun'' (medium voice and celesta (or piano)) (1954, rev. 1960)
*Op. 170: Symphony No. 5
'Short Symphony''(orchestra
222 4331, timpani, percussion, celesta, harp, strings (1953, rev. 1963)
*Op. 171: Sonata for
hichiriki
The is a double reed Japanese used as one of two main melodic instruments in Japanese music. It is one of the "sacred" instruments and is often heard at Shinto weddings in Japan. Its sound is often described as haunting.
According to scholar ...
and
sho
Sho, Shō or SHO may refer to:
Music
* ''Shō'' (instrument) (笙), a Japanese wind instrument
* ''Kane'' (instrument) (鉦), a Japanese percussion instrument
* Sho?, a Dubai rock band
People
* Shō (given name), including ''Sho''
* Shō (su ...
Phoenix
Phoenix most often refers to:
* Phoenix (mythology), a legendary bird from ancient Greek folklore
* Phoenix, Arizona, a city in the United States
Phoenix may also refer to:
Mythology
Greek mythological figures
* Phoenix (son of Amyntor), a ...
''] (hichiriki and sho (or oboe and organ)) (1962)
*Op. 172: ''Blue Flame'' [''A Musical Fairy Tale''] (opera for STB soli, SATB chorus, orchestra [2222 4231, timpani, percussion, harp, strings]) (1959)
*Op. 173: Symphony No. 6
'Celestial Gate''(small orchestra
111 1100, timpani, chime, harp, strings (1959; ''rev. 1960 per New Grove'')
*Op. 174: Concerto for accordion and orchestra (accordion, orchestra
222 2000, timpani, harp, strings (1959)
*Op. 175: ''Lake of Van Sonata'' (piano) (1946, rev. 1959)
*Op. 176, No. 1: ''Madras Sonata'' (piano) (1947, rev. 1951, 1959)
*Op. 176, No. 2: ''Yenovk'' ''(The
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairit ...
)'' (piano solo) (1947, rev. 1951)
*Op. 177: ''Shalimar''
uite for piano(1950, rev, 1951)
*Op. 178: Symphony No. 7
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*Op. 179: Symphony No. 8 [''Arjuna'' (originally titled ''Ardos'')] (orchestra 11(eh)11 1000, timpani, piano, strings) (1947)
*Op. 180: Symphony No. 9 [''St. Vartan, Saint Vartan''] (orchestra [0000 a saxophone 1410, timpani, percussion, piano, strings) (1949–50)
'originally Op. 80, per New Grove''*Op. 181: ''Koke No Niwa''
oss Garden(English horn (or B clarinet), 2 percussion, harp) (1954, rev. 1960)
*Op. 182: ''Fuji'' (cantata for female voices, flute, harp (or piano), strings) (1960, rev. 1964)
*Op. 183: ''Wind Drum''
ance Drama(unison male (or female or mixed) voices (or bass or alto), solo (or group) dancer(s), flute, timpani, 2 percussion, harp, strings) (1962)
*Op. 183a: ''Dance of the Black-Haired Mountain Storm'' (flute and 3 percussion (timpani, xylophone, bass drum) (1962)
rrangement of 11th movement of Op. 183*Op. 184: Symphony No. 10
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*Op. 185: ''The Burning House'' (1-act opera, for 2 baritones, dancer, chorus (of 8 baritones or any multiple thereof), flute, 4 percussion, timpani, bass drum, tam-tam, xylophone, marimba, glockenspiel, vibraphone, chimes in C,D,D,F,G,G,A) (undated; ''1959/62 per Kunze''; ''1960 per New Grove'')
*Op. 185a: Overture to ''The Burning House'' (flute and 4 percussion) (1959)
*Op. 186: Symphony No. 11 [''All Men Are Brothers''] (orchestra) (1960, rev. 1969)
*Op. 187: ''From the End of the Earth'' (SATB choir and organ (or piano)) (1951, rev. 1960)
*Op. 188: Symphony No. 12 [''Choral''] (SATB chorus, flute, 2 trumpets, timpani, 2 percussion, harp, strings, and ad lib. recording of a mountain waterfall) (1960; ''1969 per Kunze'')
[Op. 188: Kunze gives the 1969 date for the full Symphony No. 12 without specifying dates separately for its component movements.]
*Op. 188b: ''The Lord is My Shepherd''
rom Symphony No. 12(SATB chorus and organ (or piano, or 6 violins) (1960)
*Op. 188, Nos. 2–4: Psalm 23
rom Symphony No. 12(SATB chorus and orchestra (or organ or piano) (1960)
*Op. 189: Armenian Rhapsody No. 3 (strings) (1944)
*Op. 190: Symphony No. 13 (orchestra
1(eh)11 1000, timpani, percussion, harp, strings (1953; revision of 1945
Martha Graham
Martha Graham (May 11, 1894 – April 1, 1991) was an American modern dancer and choreographer. Her style, the Graham technique, reshaped American dance and is still taught worldwide.
Graham danced and taught for over seventy years. She wa ...
''Ardent Song'')
*Op. 191: ''Poseidon'' Sonata (piano) (1957)
*Op. 192: ''Bardo'' Sonata (piano) 1959)
*Op. 193, No. 1: Suite for cello and piano (undated; ''1961 per Kunze'')
*Op. 193, No. 2:
''Yakamochi'' (cello solo) (1965)
*Op. 194: Symphony No. 14
'Ararat''(wind orchestra
(2 piccolos)363 6661, 6 percussion or symphony for band) (1960; ''1961 per New Grove'')
*Op. 195: ''Mountain of Prophecy'' (orchestra
322 4331, timpani, percussion, 2 harps, strings (1960; ''1961 per New Grove'')
*Op. 196: ''Pilate'' (1-act opera, for alto and bass soli, bass chorus, 3 flutes, 3 trombones, 5 percussion) (1963)
*Op. 197: ''Spirit of the Avalanche'' (1-act opera, for
coloratura soprano
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills.
The term '' coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component o ...
, 2 baritones, baritone chorus, flute, English horn, trumpet, trombone, 4 percussion, harp, strings) (1962)
*Op. 198: ''Three Visions of
Saint Mesrob
In religious belief, a saint is a person who is recognized as having an exceptional degree of holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and denomination. In Catholic, Eastern Ortho ...
'' (violin and piano) (1962)
*Op. 199: Symphony No. 15
'Silver Pilgrimage''(orchestra
222 4331, 3 percussion, harp, strings (1962)
*Op. 200: Sonata No. 1 for trumpet and organ (1962)
*Op. 201: Trio for violin, viola and cello (c.1962)
*Op. 202: Symphony No. 16
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_
The_''janggu''_(,_also_transliterated_as_''janggo''_or_''changgo'')_or_sometimes_called_''seyogo''_(slim_waist_drum)_is_the_most_representative_drum_in_traditional_Korean_music._It_is_available_in_most_kinds,_and_consists_of_an__hourglass-shaped_...
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''">Gayageum.html"_;"title="'Gayageum">Kayakeum''(orchestra_[harp,_timpani,_2_percussion,_strings,_and_6_Korean_instruments:_kayakeum,_Janggu">janggo