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Zeami Motokiyo
(c. 1363 – c. 1443), also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a love affair with him. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mixed a variety of Classical and Modern themes in his writing, and made use of Japanese and Chinese traditions. He incorporated numerous themes of Zen Buddhism into his works and lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dengaku
were rustic Japanese celebrations that can be classified into two types: that developed as a musical accompaniment to rice planting observances, and the dances that developed in conjunction with . The celebrated for rice planting was performed by villagers either at the New Year or during the planting season in early summer. It was only in the 14th century that these dances were brought to the cities and incorporated into Noh theater, notably by the playwright and actor Kan'ami. The instrument of is the , a wooden percussive instrument clapper, though there are other instruments that can be used. In the , there is a detailed description of the rice-planting . After being brought to the aristocrats, flourished till the end of the Heian period (794–1185) and became the main performing art of the Kamakura period (1185–1333), as well as part of the performing arts of the Muromachi period (1336–1573). By the end of the Muromachi period, had been eclipsed by . Today it ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (planet)
Mercury is the smallest planet in the Solar System and the closest to the Sun. Its orbit around the Sun takes 87.97 Earth days, the shortest of all the Sun's planets. It is named after the Roman god ' ( Mercury), god of commerce, messenger of the gods, and mediator between gods and mortals, corresponding to the Greek god Hermes (). Like Venus, Mercury orbits the Sun within Earth's orbit as an inferior planet, and its apparent distance from the Sun as viewed from Earth never exceeds 28°. This proximity to the Sun means the planet can only be seen near the western horizon after sunset or the eastern horizon before sunrise, usually in twilight. At this time, it may appear as a bright star-like object, but is more difficult to observe than Venus. From Earth, the planet telescopically displays the complete range of phases, similar to Venus and the Moon, which recurs over its synodic period of approximately 116 days. The synodic proximity of Mercury to Earth makes Mercury most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami (crater)
Zeami is a crater on Mercury. Its name was adopted by the International Astronomical Union in 1976, after the Japanese dramatist and playwright Zeami Motokiyo. Hollows are present within Zeami. The crater Stevenson is to the northeast of Zeami. Sophocles is to the south, and Goya is to the southwest. Views File:Mariner 10 image 0000215.png, Mariner 10 ''Mariner 10'' was an American Robotic spacecraft, robotic space probe launched by NASA on 3 November 1973, to fly by the planets Mercury (planet), Mercury and Venus. It was the first spacecraft to perform flybys of multiple planets. ''Ma ... image with Zeami at center File:Zeami crater EN0242670906M.jpg, Zeami crater interior File:Zeami crater EN0244776604M.jpg, Oblique view across northern Zeami crater File:Zeami crater hollows EN1052296413M.jpg, Detail of hollow in northern Zeami crater File:Hollows within Zeami crater PIA19267.jpg, Another detail of hollows in the crater External links Zeami in color from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konparu Zenchiku
was a skilled Japanese Noh actor, troupe leader, and playwright. His plays are particularly characterized by an intricate, allusive, and subtle style inherited from Zeami which convolved yūgen with influences from Zen Buddhism (his Zen master was Ikkyū) and Kegon. Actors should strive for unconscious performance, in which they enters the "circle of emptiness"; such a state of being is the highest level of artistic or religious achievement. He lived, worked, and died in the Nara area of Japan. He was trained by Zeami and his son, Motomasa (died 1432), eventually marrying a daughter of Zeami. At some point he took the artistic name Komparu Ujinobu and then finally Komparu Zenchiku. In 1443, he became the leader of the Kanze acting troupe and thus the second successor to Zeami Motokiyo. Zeami passed on his secret teachings to Zenchiku, apparently prompting Zeami's exiling; this refusal to transmit to his blood descendants also prompted a split between the Komparu school and the K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanze (Noh School)
Kanze (観世) is a school of ''Noh'' (能), a Japanese classic musical drama. It was founded in the 14th century. It is led by the 26th grand master Kiyokazu Kanze, who became head at the age of 31. The theatre stage moved to the redeveloped Matsuzakaya building at Ginza Ginza ( ; ja, 銀座 ) is a district of Chūō, Tokyo, located south of Yaesu and Kyōbashi, west of Tsukiji, east of Yūrakuchō and Uchisaiwaichō, and north of Shinbashi. It is a popular upscale shopping area of Tokyo, with numerous intern .... References External links Official homepage * {{japan-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentō Imperial Palace
In Japan, the traditionally does not refer to a single location, but to any residence of retired emperors. Before Akihito abdicated in 2019, the last Emperor to retire did so in 1817, so the designation commonly refers to the historical . Kyoto Sentō Imperial Palace The ) is a large garden in Kyoto, Japan, formerly the grounds of a palace for retired emperors. It is administered by the Imperial Household Agency and is opened to visitors. History Sento Imperial Palace was completed in 1630 for Emperor Go-Mizunoo's retirement, along with the corresponding Ōmiya Palace for the Empress Dowager Nyoin. Both palaces were repeatedly destroyed by fire and reconstructed until a blaze in 1854, after which the Sento palace was never rebuilt. (Ōmiya Palace was, however, reconstructed in 1867 and is still used by the emperor whenever he visits Kyoto). Today only two Sento structures, the Seika-tei and Yushin-tei teahouses, remain. The excellent gardens, laid out in 1630 by renowned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanze Motomasa
Kanze Motomasa (1394? - August 26, 1432), also Kanze Jūrō, was a playwright and actor of Noh theatre. He was the eldest son of famed playwright and actor Zeami Motokiyo. Motomasa succeeded as head of the Kanze troupe when his father retired in 1422."Kanze Motomasa", ''Japan Illustrated Encyclopedia,'' 1993, Kodansha Ltd. ISBN 4-06-931098-3. Plays Motomasa wrote many plays, including ''Morihisa,'' ''Sumida River'', ''Uta-ura,'' and ''Yoroboshi''.Leiter, Samuel L., ''Historical Dictionary of Traditional Japanese Theatre'', 2014. pp. xvii, 160-161. ISBN 0-8108-5527-5. ''Yoroboshi'' is a didactic play that encourages the audience to follow the mediation method of Pure Land Buddhism while the sun sets. It also features a love story. ''Sumida River'' is Motomasa's masterpiece. A deranged mother travels from the capital to eastern Japan in search of her kidnapped son, only to find his tomb. A somber tone is established early on and there is very little dancing in this play. When the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jo-ha-kyū
is a concept of modulation and movement applied in a wide variety of traditional Japanese arts. Roughly translated to "beginning, break, rapid", it essentially means that all actions or efforts should begin slowly, speed up, and then end swiftly. This concept is applied to elements of the Japanese tea ceremony, to the samurai sword art of kenjutsu, to the bamboo sword training art of kendō, and to other martial arts, to dramatic structure in the traditional theatre, and to the traditional collaborative linked verse forms renga and renku (haikai no renga). The concept originated in ''gagaku'' court music, specifically in the ways in which elements of the music could be distinguished and described. Though eventually incorporated into a number of disciplines, it was most famously adapted, and thoroughly analysed and discussed by the great Noh playwright Zeami, who viewed it as a universal concept applying to the patterns of movement of all things. Theatre It is perhaps in the the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamanba (Noh Play)
' is a frequently-performed Noh play of the fifth category attributed to Zeami Motokiyo. Its central character is the legendary mountain hag, Yama-uba. A female dancer, called "Hyakuma Yamanba" because of her frequent performances of songs about the character, embarks on a pilgrimage to Zenkōji in Shinano Province, accompanied by her attendants. While travelling north-east on the Koshi road, they arrive at the river boundary between Etchu Province and Echigo Province. The road beyond diverges in three directions, and they ask for directions from a local, who advises them that Agero Pass is far too steep for a litter, as it is "the path Amida himself takes as he descends to receive souls." The dancer decides that, as she is a pilgrim, it is fitting that she descend from her litter and proceed on foot, taking that very path. They have not gone far when the sun sets unexpectedly, and they are offered lodgings by a mysterious old woman, who, after they accept, demands that the dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takasago (play)
is a traditional Noh play. It is considered a very auspicious story, involving a loving and long-married couple. The play was formerly known as or . During the play a singer chants, "From Takasago, sailing over the bay, sailing over the bay, the moon goes out with the tide, past the silhouette of Awaji Island, far over the sea to Naruo, arriving at Suminoe, arriving at Suminoe", referencing several places in what are now Hyōgo and Osaka Prefectures. This is considered a classic Noh chant, taken from a classical poem signifying harmony between husband and wife. Plot A priest from the Kyushu Aso Shrine arrives at Takasago. The spring weather is pleasant and the pine trees are beautiful. In the distance he hears a bell toll. An elderly couple arrive and begin to sweep the area under the pine bower. The old man recites a poem from the ''Kokin Wakashū'' (Collection of Ancient and Modern Poems), a collection of ''waka'' poetry. The poem describes Takasago and Sumioe , paired p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sekidera Komachi
{{nihongo, ''Sekidera Komachi'', 関寺小町, Komachi at Sekidera is a famous Noh play of the third category (plays about women) by Zeami Motokiyo. Its central character is a real life figure, the great 9th-century poet Ono no Komachi, who was also famed for her beauty. The play depicts Komachi at the end of her life, when her beauty has faded and she is living in great poverty. On the evening of the seventh day of the seventh month, during the Festival of Stars, the Abbot of Sekidera visits her in her hut, taking two priests and a child, so that they can hear her talk about poetry. During the course of their conversation, the abbot realizes her identity and is astonished and delighted. He invites her to come with them to the festival, but she declines. The child dances part of a ''gagaku'' dance for her, the ''Manzairaku''. Inspired, she starts to dance herself, and continues to do so until dawn. In the dawn light she ponders the transience of life, and her irrational shame at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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