Lino Tagliapietra

Lino Tagliapietra (born 1934) is an Italian glass artist originally from Venice, who has also worked extensively in the United States. As a teacher and mentor, he has played a key role in the international exchange of glassblowing processes and techniques between the principal American centers and his native Murano, "but his influence is also apparent in China, Japan, and Australia—and filters far beyond any political or geographic boundaries."

Training

Tagliapietra was born August 10, 1934 in an apartment on the Rio dei Vetri in Murano, Italy, an island with a history of glass-making that dates from 1291. It provided an ideal educational environment for Tagliapietra to develop his techniques and glass artistry. On June 16, 1946, at the age of 12, he was apprenticed to the glass maestro Archimede Seguso.Gable, ''Murano Magic'', 220 He began in the Galliano Ferro factory as a water carrier and after two years was allowed to participate in glass manufacturing for the first time, applying ribbing to a single piece. He educated himself in modern art and at the Venice Biennales saw the work of Mark Rothko, Barnett Newman, and Ellsworth Kelly. For the history or glass art he used the local resources of the Murano Glass Museum, and his attempts to recreate historical models expanded his vocabulary as well. Nine years later, at the age of 25, he earned the rank of ''maestro''. He interrupted his years of training to complete his compulsory service in the Italian military in 1952-54.Frantz, "Chronology," in ''Tagliapietra in Retrospect'' On 13 September 1959 he married Lina Ongaro, whose family had been involved in Venetian glass production for centuries.

Career

For the next 25 years Tagliapietra worked in association with several of Murano's most important glass factories, including Vetreria Galliano Ferro, Venini & C., La Murrina, Effetre International, where he was Artistic and Technical Director from 1976 to 1989, and EOS Design nel Vetro. At Murrina he developed his "Saturn" design, which became his "personal emblem".Sarpellon, ''Lino Tagliapietra Glass'', 16-22, esp. 18 His influence on the American art glass studio movement is primarily attributed to his colleague Dale Chihuly. In 1968 Chihuly visited Murano, where he gave Tagliapietra studio time to develop his own pieces. He taught Tagliapietra his techniques, which Tagliapietra taught to other glass ''maestri'', including Pino Signoretto, and Tagliapietra taught Chihuly the Venetians' secrets in turn. A 2001 film documents this collaboration: ''Chihuly and the Masters of Venice''.

Tagliapietra taught workshops at La Scuola Internazionale del Vetro (Murano) in 1976, 1978, and 1981, where artists and blowers worked on an equal footing. In 1979 and 1980, he taught at the Pilchuck Glass School in Washington state, which initiated an ongoing exchange of knowledge between the Italian ''maestri'' and American glass artists, groups that in the past had guarded their techniques as trade secrets. He has returned to Seattle and Pilchuk repeatedly.

In the 1980s, Tagliapietra transitioned from traveling, teaching, and designing for commercial glass manufacturers to creating individual pieces of art as an independent studio artist. He had his first solo show at Traver Gallery in Seattle in 1990. His technical resources continuously expanded to combine modern experimentation "carving, blowing, caning, layering, casing, and trailing along with the elaborate Italian tricks so sought after for centuries: battuto, zanfirico, filigrano, reticello, pulegoso, martelé, inciso and incalmo..." He has emphasized his own independent approach to design. He told one interviewer: "I'm totally open. I think that what I like to do the most is research. I don't want to represent Venetian technique only–even though I was born with it.... Your style is what you are. My older work has a different spirit and my expression has changed."

Though colored glasses have been available since the 1970s, Tagliapietra has continued to create his own colors and use them almost exclusively in his own work. He has said they allow him to maintain control and that they are "softer, more human, more ... Venetian".

According to Rosa Barovier Mentasti, a leading historian of glass:

In Giovanni Sarpelon's view, Tagliapietra has "a close and almost symbiotic rapport with glass" that erases the distinction between the craftsman and the artist. There is no question in his work "whether the fact that a work is made ''of'' glass is purely incidental or whether it is essential to its creation." While he may sketch designs in advance, his approach is to seek "spontaneous perfection" during the glassblowing process. As one profiler has written, "most of his decisions are made in front of the furnace".

In 1998, he undertook a challenging project with Steuben Glass Works that required him to work without color usingthe unfamiliar batch glass that Steuben has developed for its own production.

In 2008, ''Art Guide Northwest'' reported:

The Istituto Veneto di Scienze, Lettere ed Arte mounted the first exhibition of his work in his homeland in the spring of 2011, a retrospective of his entire career including works from as far back as the 1950s. Its center gallery held ''Avventura'', a large black shadowbox displaying a collection of over 100 avventurina vessels made of glass mixed with copper particles. According to ''GLASS Quarterly'', "the gilded vases and pitchers emulate Roman amphorae, vessel forms far older than the Murano glassblowing tradition and its challenging avventurina technique." Another 16 pieces under the title ''Masai d’Oro'' "inspired by the deeply symbolic shields used by the Masai peoples in Kenya and Tanzania".

He spent a week in October 2012 at the MIT Glass Lab, working with glass artists and educators to explore computer modeling and folding techniques. He has been working with MIT staff for several years to develop software for computer-aided design, known as Virtual Glass, attempting to improve advance planning to reduce costs, since both the materials and facilities rentals that glassblowing requires are expensive.

In November 2011, he inaugurated the glass studio at the Chrysler Museum of Art with a public demonstration in advance of its formal opening. He created "an impossibly large and complicated piece, which took a team of glassblowers more than an hour." In the spring of 2012, he participated in glassblowing demonstrations to mark the tenth anniversary of the founding of The Glass Furnace, an international non-profit glass school in Istanbul.

In June 2012, the Columbus Museum of Art announced it had acquired a glass installation piece by Tagliapietra, ''Endeavor'', an "armada of thirty-five boats suspended from the ceiling" that instantly became "an iconic part of the Museum's collection."

Tagliapietra serves on the board of directors of UrbanGlass, a resource center for glass artists in Brooklyn, NY.

Awards

*2013: Visionary Award, Art Palm Beach
*1998: The Libensky Award, Chateau Ste Michelle Vineyard and Winery and Pilchuck Glass School
*1997: Bavarian State Gold Medal for Crafts (''Urkunde Goldmedaille''), Germany
*1997: The Glass Art Society Lifetime Achievement Award
*1996: Urban Glass Award for Preservation of Glassworking Techniques
*1996: The 11th Rakow Commission, The Corning Museum of Glass

References

Sources

*Carl I. Gable, ''Murano Magic: Complete Guide to Venetian Glass, its History and Artists'' (Schiffer, 2004),
*Claudia Gorbman, ''Maestro: Recent Work by Lino Tagliapietra '' (acomaMuseum of Glass, 2012),
*Rosa Barovier Mentasti, ed., ''Lino Tagliapietra: From Murano to Studio Glass, 1954-2011'' (Marsilio, 2011),
*Susanne K. Frantz, ''Lino Tagliapietra in Retrospect: A Modern Renaissance in Italian Glass'' (Museum of Glass, Tacoma, in association with University of Washington Press, 2008),
*Giovanni Sarpellon, ''Lino Tagliapietra Glass'' (Arsenale Editrice, 2006),

External links

Lino Tagliapietra's Home PageFrom the Hands of the Maestro: The Art of Lino Tagliapietra
Schantz Galleries, 2001
Sculpture Objects & Functional Art (SOFA)
images, artist interview
Film: Lino Tagliapietra at MIT Glass Lab, 2012

{{DEFAULTSORT:Tagliapietra, Lino
Art educators
Italian glass artists
Living people
1934 births
People from Murano
Recipients of the Rakow Commission
Artists from the Metropolitan City of Venice