Lal, Vinay

Vinay Lal is a historian of India. He is Professor of History and Asian American Studies at UCLA. He writes widely on the history and culture of colonial and modern India, popular and public culture in India, cinema, historiography, the politics of world history, the Indian diaspora, global politics, contemporary American politics, the life and thought of Mohandas Gandhi, Hinduism, and the politics of knowledge systems. He is known for his radical political views and for making his history lectures available for free on his YouTube channel.

Youth

Lal was born to an Indian foreign service officer in (Delhi)India in 1961. Due to his father’s constant movement because of his diplomatic career, he grew up in Delhi, Tokyo, Jakarta, and Washington, D.C. In Delhi he attended Springdales School. He spent four years in Tokyo, 1965–69, but has almost no memory of those years; and it is not until 1987 that he returned to Japan for a short visit, followed by a lengthier stay of four months in Osaka in 1999 when he was a Fellow of the Japan Society for the Promotion of Science at the National Museum of Ethnology (Minpaku).

Academic career

He earned his BA and MA, both in 1982, from the Humanities Center at the Johns Hopkins University and wrote his Master's thesis on Ralph Waldo Emerson and Indian philosophy. Lal then studied cinema in Australia and India on a Thomas J. Watson Fellowship before commencing his graduate studies at the University of Chicago, where he was awarded a PhD with Distinction from the Department of South Asian Languages and Civilizations in 1992. He was William Kenan Fellow in the Society of Fellows in the Humanities at Columbia University in 1992–93, and since 1993 has been on the faculty of history at the University of California, Los Angeles (UCLA), where he also holds a joint appointment in Asian American Studies.

Publication

Lal is the author or editor of fifteen books. His first, ''The Empire of Knowledge: Culture and Plurality in the Global Economy'', argues that nothing has been more effectively, even insidiously, globalised than the knowledge systems of the West. ''The History of History: Politics and Scholarship in Modern India'', is a study of the politics of history-writing in India since the early 19th century; the book also makes an unusual argument, naturally not well received by historians, to the effect that ahistoricity has been one of the most characteristic features of Indian civilisation, at least until the beginning of Muslim dynasties. Unlike colonial writers, however, Lal does not even remotely construe the absence of histories as a lack. The book was reviewed widely in the Indian press, and in scholarly journals in India and abroad, and nearly full page excerpts appeared in the ''Hindustan Times'' and the ''Indian Express''. A new edition of the book, with a fresh foreword, appeared in 2005, and the book is in its sixth impression.

''Introducing Hinduism'', illustrated by Borin van Loon, is Lal's contribution to the "Introducing" Series; the book has been translated into Spanish, Korean, and Finnish. The book was reissued in 2010 as ''Introducing Hinduism: A Graphic Guide''. ''Political Hinduism: The Religious Imagination in Public Spheres'' (Delhi: Oxford University Press, 2009) is a collection of eight essays, but the book is not centrally concerned with the rise of Hindu nationalism as such; rather, it considers what a political Hinduism might be that is not Hindutva. Another of Lal's abiding interests is cinema, and his book on ''Deewaar'', the 1975 blockbuster Hindi-language film with Amitabh Bachchan and some of the most memorable dialogues in Indian film history – "mere paas ma hain" ("I have mother") – was published by HarperCollins in 2011. His co-edited book, ''Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema'', appeared from Oxford University Press (2006). It is one of two books, along with ''The Future of Knowledge and Culture: A Dictionary for the Twenty-first Century'', he has co-edited with Ashis Nandy, arguably India's most prominent intellectual. Lal's engagement with the work of Nandy commenced in the late 1980s, and led eventually to the first serious assessment of Nandy's work, published as ''Dissenting Knowledges, Open Futures: The Multiple Selves and Strange Destinations of Ashis Nandy''.

The range of Lal’s intellectual, cultural and political interests is perhaps best explored in his collection of eight essays, ''Of Cricket, Guinness and Gandhi: Essays on Indian History and Culture''.(Seagull Books, 2003; paperback reprint, Penguin Books, 2005) Writing on cricket, the hijras, popular cinema, Gandhi, the national-security state in India, notions of masculinity, and the obsession with the '' Guinness Book of Records'', Lal argues that there is a tension between the idea of India as a nation-state and the idea of India as a civilisation. How India resolves this tension may well determine the course of India's future.

Lal's most recent work is ''The Oxford Anthology of the Modern Indian City'' (Oxford, 2013) in two complementary volumes. The anthology draws upon the writings of nearly 100 writers, some of great eminence and some of whom are relatively little known. This is a very personal and yet critical anthology, prefaced by a long introduction, focused on how the city in India has been imagined, and the antinomies it invokes are of day and night, passion and reflection, exclusion and inclusion. The writers represented in it include Nirad Chauduri, Gieve Patel, Premendra Mitra, Nissim Ezekiel, Ananthamurthy, Tagore, Pritish Nandy, Buddhadev Bose, Ravi Dayal, Amitav Ghosh

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