''Orontea'' is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...

in a prologue and three acts by the Italian composer Antonio Cesti with a

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...

Giacinto Andrea Cicognini Giacinto Andrea Cicognini (1606–1651) was an Italian playwright and librettist, the son of poet and playwright Jacopo Cicognini. Biography Giacinto Andrea Cicognini was born in Florence. In 1627, he graduated from the University of Pisa, ...

(revised by

Giovanni Filippo Apolloni Giovanni Filippo Apolloni (1620 – 15 May 1688) was an Italian poet and librettist. Born in Arezzo, he has sometimes been referred to as "Giovanni Apollonio Apolloni", but the second given name is spurious.Walker, Thomas (2001)"Apolloni, Giovann ...

Performance history

The first performance took place in

Innsbruck Innsbruck (; bar, Innschbruck, label=Bavarian language, Austro-Bavarian ) is the capital of Tyrol (state), Tyrol and the List of cities and towns in Austria, fifth-largest city in Austria. On the Inn (river), River Inn, at its junction with the ...

on 19 February 1656. ''Orontea'' was one of the most popular Italian operas of the 17th century. It includes well-known soprano arias such as "Intorno all'idol mio", "Addio Corindo" and "Il mio ben dice ch'io speri". It was revived more than 17 times before 1700, including in Genoa, Rome, Florence, Turin, Milan, Bologna, Venice, Palermo, Naples, Hannover. Almost all of the score was lost, and the opera was forgotten. Several manuscripts were discovered in the 1950s. Modern performances started in 1961 at the in Milan with Teresa Berganza and ,

Bruno Bartoletti Bruno Bartoletti (Sesto Fiorentino, 10 June 1926 – Florence, 9 June 2013) was an Italian operatic conductor. His active international career lasted from 1953 to 2007, and he specialized in the Italian repertory and contemporary works. He was ...

conducting. René Jacobs conducted a 1982 production in Innsbruck, and Ivor Bolton in 2015 at Oper Frankfurt. The work was first performed in Australia by Pinchgut Opera in 2022."Pinchgut Opera: ''Orontea''
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Limelight Limelight (also known as Drummond light or calcium light)James R. Smith (2004). ''San Francisco's Lost Landmarks'', Quill Driver Books. is a type of stage lighting once used in theatres and music halls. An intense illumination is created when ...

Roles

Synopsis

;Prologue :Philosophy and Love argue which of them has more power over mankind. ;Act 1 :Queen Orontea renounces love, even though her chief adviser Creonte urges her to marry for the good of the kingdom. The young painter Alidoro arrives at the court seeking refuge from brigands with his presumed mother Aristea. He explains how he had to flee from the court of Queen Arnea of Phoenicia. In spite of vow, Orontea finds herself falling in love with Alidoro, as does the courtesan Silandra. ;Act 2 :Giacinta, disguised as the boy "Ismero", arrives at Orontea's court and explains she was behind the ambush of Alidoro, having been sent to kill him by the Queen of Phoenicia. Orontea can barely restrain herself from killing Giacinta with a sword. Creonte now guesses the queen is in love with Alidoro and reproaches her for choosing a commoner. Aristea falls in love with "Ismero". Meanwhile, Alidoro paints a portrait of Silandra. Orontea, mad with jealousy, bursts in during the sitting and he faints. She repents and leaves Alidoro a crown and a letter confessing her love. ;Act 3 :Creonte forces Orontea to reject Alidoro. He is discovered to be in possession of a royal medallion and accused of theft. Aristea explains the provenance of the trinket which proves that Alidoro is none other than Floridano, the long-lost son of the King of Phoenicia. As a child he had been kidnapped by a gang of pirates led by Aristea's husband and brought up by her as her own son. He is now free to marry Orontea.

Recordings

*''Orontea'' Helga Müller Molinari, René Jacobs, Guy de Mey, Concerto Vocale, conducted by René Jacobs ( Harmonia Mundi, 1982)

Sources

*''The Viking Opera Guide'' ed. Amanda Holden (Viking, 1993) *Booklet notes to the above recording.

External links

* {{Authority control Italian-language operas Operas by Antonio Cesti 1656 operas Operas set in ancient Egypt Operas