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Pinchgut Opera
Pinchgut Opera is a chamber opera company in Sydney, Australia, presenting opera from the 17th and 18th centuries performed on period instruments. Founded in 2002, Pinchgut stages two operas each year in Sydney's City Recital Hall. It also performs concerts in both Sydney and Melbourne. The company utilises the professional chamber choir Cantillation as its chorus and has engaged both the Sirius Ensemble and the Orchestra of the Antipodes. Pinchgut draws most of its singers, players, directors and designers from Australia. Its artistic director is Erin Helyard. Antony Walker co-founded the company and conducted the early Pinchgut productions. All productions are recorded by Greenside Productions and Mano Musica and are released on CD under the "Pinchgut Live" label. Pinchgut Opera draws its unusual name from Fort Denison, a former penal site in Sydney Harbour which was nicknamed "Pinchgut" by its inmates. According to its website, the company chose the name "as we wanted someth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sydney
Sydney ( ) is the capital city of the state of New South Wales, and the most populous city in both Australia and Oceania. Located on Australia's east coast, the metropolis surrounds Sydney Harbour and extends about towards the Blue Mountains to the west, Hawkesbury to the north, the Royal National Park to the south and Macarthur to the south-west. Sydney is made up of 658 suburbs, spread across 33 local government areas. Residents of the city are known as "Sydneysiders". The 2021 census recorded the population of Greater Sydney as 5,231,150, meaning the city is home to approximately 66% of the state's population. Estimated resident population, 30 June 2017. Nicknames of the city include the 'Emerald City' and the 'Harbour City'. Aboriginal Australians have inhabited the Greater Sydney region for at least 30,000 years, and Aboriginal engravings and cultural sites are common throughout Greater Sydney. The traditional custodians of the land on which modern Sydney stands are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Et Jonathas
''David et Jonathas'' (''David and Jonathan''), H. 490, is an opera in five acts and a prologue by the French composer Marc-Antoine Charpentier, first performed at the Collège Louis-le-Grand, Paris, on 28 February 1688. The libretto, by Father François Bretonneau, is based on the Old Testament story of the friendship between David and Jonathan. Although the opera takes the form of a typical French ''tragédie en musique'' it has also been referred to as a ''tragédie biblique'' because of its Biblical subject matter. ''David et Jonathas'' was first performed at a Jesuit college in combination with a spoken drama in Latin, ''Saul'', by Father Étienne Chamillard (1656–1730). Each act of the opera was followed by one act from the play. Charpentier's work was so successful, it was reprised at other Jesuit colleges in 1706, 1715 and 1741. The opera received its American premiere in Baltimore in 2005. Pinchgut Opera performed the Australian premiere in 2008; a recording wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Walker (countertenor)
David Walker may refer to: Businessmen * David Walker (banker) (born 1939), British banker, ex-chairman of Morgan Stanley International * David Walker, English/American brewer, co-founder of Firestone Walker Brewing Company in 1996 * David Davis Walker (1840–1918), American businessman Clergy * David Walker (Catholic bishop), Australian Roman Catholic bishop since 1996 * David Walker (bishop of Manchester) (born 1957), Church of England bishop Musicians * David Walker, American opera singer, winner of the 1998 Metropolitan Opera National Council Auditions * David Walker, former singer with the American Gospel quartet the Kingdom Heirs * David G. Walker (born 1946), British pianist, singer and composer * David T. Walker (born 1941), American guitarist * Dave Walker (born 1945), British musician, member of the band Fleetwood Mac * Bunker Hill (musician) (1941–1986), stage name of American R&B and gospel singer born David Walker Politicians * David Walker (Arkansas politici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sara Macliver
Sara Macliver is an Australian soprano singer, born and raised in Perth, Western Australia. Macliver is a versatile artist, appearing in operas, concert and recital performances and on numerous recordings. She is regarded as one of the leading exponents of Baroque repertoire in Australia, and lectures in Voice at the UWA Conservatorium of Music. She trained in Perth, where she was a pupil of Molly McGurk and was a Young Artist with the West Australian Opera Company. Her roles for the company have included Micaela (''Carmen''), Papagena (''The Magic Flute''), Giannetta (''L'elisir d'amore''), Morgana (''Alcina''), Ida (''Die Fledermaus''), Nannetta (''Falstaff'') and Vespetta ('' Pimpinone''). In 2007, she created the roles of Echo/Aphrodite in Richard Mills' opera ''The Love of the Nightingale''. She sang Susanna in ''The Marriage of Figaro'' with the company in 2009. Sara Macliver regularly performs with Symphony Australia Orchestras, Musica Viva, Melbourne Chorale, the Austr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juditha Triumphans
''Juditha triumphans devicta Holofernis barbarie'' (Latin: 'Judith triumphant over the barbarians of Holofernes'), RV 644, is an oratorio by Antonio Vivaldi, the only survivor of the four that he is known to have composed. Although the rest of the oratorio survives completely intact, the overture has been lost. The Latin libretto was written by Iacopo Cassetti based upon the Book of Judith. The exact date of composition and performance of ''Juditha triumphans'' are not known, but the allegorical treatment of the Venetian defense of Corfu dominated public discussion in Venice throughout 1716. This work was an allegorical description of the victory of the Venetians (the Christians) over the Turks in August 1716. The work was commissioned to celebrate the victory of the Republic of Venice over the Turks during the siege of Corfu: in July 1716, the Turks had landed on Corfu and set siege to the island. The population resisted the occupation and, in August, Venice signed an alliance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as ''Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is alm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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