Personal life
Turner was born in 1948 inCareer
Academic/public folklore work
Kay Turner received her B.A. (with honors) in Literature and Philosophy from Douglass College of Rutgers University in 1971. In 1979/1990, she earned her MA/PhD, respectively, inAwards and honors
* Kay Turner was awarded with a Research Grant in Women's Studies and the Charlotte Newcombe Dissertation Fellowship by Woodrow Wilson National Fellowship Foundation in 1982. * She received the Elli Köngäs-Maranda Prize in 2000. The Elli Köngäs-Maranda Prize is given to folklorists who create "superior work on women’s traditional, vernacular, or local culture and/or feminist theory and folklore." * In 2013, Turner was awarded thePerformance works
Performances
*(1972–1977) ''The Oral Tradition'', New Brunswick, NJ. Lesbian feminist performance group founded by Turner; Motown and Beach Boys hits re-imagined as gay girl enticements. Performances from NYC to Boston to Philadelphia and D.C. *(1975–1977) ''Feminist Rituals as Reclamation and Revolution'', New Brunswick, NJ. Research-based inhabitations of various goddess figures performed at early Feminist Art and Spirituality Conferences in New York, Boston, New Jersey. *(1979) ''Broken Mirror: Look as You Leap.'' Austin, TX. Women’s Performance and Sculpture Festival at Laguna Gloria Art Museum. *(1993) ''Yoko Ono Day:'' ''Grapefruit'' ''Redux'', Noon-Midnight Marathon Re-Performance of Yoko Ono’s ''Grapefruit.'' Austin, TX. Conceived and produced by Turner as a lesbian adjustment of the original. *(2008) ''Extraordinary Rendition,'' Hamilton College, Clinton, NY. One-on-one durational performance transforming the politics of “enhanced interrogation” techniques into song rendition and private secret sharing. *(2009) ''Creating Queer Genealogies: The Spinster Aunt Project,'' Denniston Hill Residency Program, Glen Wild, NY (and other sites). Oral history project with artists traces their lesbian lineage from a spinster aunt, then asks them to create an expressive family tree drawing with this relative at the center. *(2011–2016) ''When Gertrude (Stein) Met Susan (Sontag): A Literary Love Fest'' (2011- 2016); theatrical performances in New York, NY; San Francisco, CA; Austin, TX. *(1994 and 2019). ''Lesbopalooza: Lesbian Performance Extravaganza'' (celebrating the 25th and 50th anniversaries of the Stonewall Uprising, NYC). *(2020) ''Persephone Returns/Persephone’s Revenge'', multi-media, immersive performance and workshop. Daniels Faculty Gallery, University of Toronto. Rescheduled due to Coronavirus pandemic. * (2012-ongoing) ''What a Witch''. Performance and book project exploring the witch figure in folklore, history and performance. ** Performances (selected): *** (2012) “What a Witch: Unstitching the Witch in Grimms’ Tales,” A.I.R. Gallery, Brooklyn, NY; *** (2014) “The Black Kiss” (with artist Mary Beth Edelson), Le Quartier Contemporary Art Center, Quimper, France; *** (2015) “What a Witch: Recognition.” Five Myles Gallery, Brooklyn, NY. *** (2016) “What a Witch: Evidence." Soho20 Gallery, Brooklyn, NY, with Kate Conroy. *** (2017)“Before and After: What the Witch’s Nose Knows that Andy Warhol’s Nose Can Never Know,” A.I.R. Gallery, Brooklyn, NY; *** (2017) “Hansel and Gretel Queered (Devouring),” OUTsider: Queer Arts Festival, Austin, TX; *** (2018) “Night Hags: Visitation” Parsons School of Design, The New School, NY, NY; *** (2018) ”Muses of Malta: Witch, Goddess, Madonna,” Fragmenta Contemporary Arts, Valletta, Malta; *** (2016-ongoing) “Spurning Fertility/ Smashing Tchotchkes,” Abrons Art Center, NY; University of Winnipeg, Manitoba; Austin, TX; *** (2019) “As the crow flies…”Kaaterskill Gallery, Catskill Mountain Foundation. * (2020) Persephone’s Return/Persephone’s Revenge, multi-media, immersive performance and workshop. Daniels Faculty Gallery, University of Toronto. Rescheduled due to Coronavirus pandemic.= Music (selected)
= * “The Oral Tradition.” Aka “Risk-Kay and the Oral Tradition” (with Nancy Dean, Joanna Labow, and Paula Schorr). * (1985–1996, currently revived and ongoing) “Girls in the Nose,” band. Co-founded in 1985 with Gretchen Phillips and Betsy Peterson. * (2013-ongoing) “Otherwise: Queer Scholarship into Song” band with Viva DeConcini and Mary Feaster.Public folklore research and performance curation
Selected public folklore performance projects conceived, curated and presented in collaboration with Brooklyn traditional artists, Brooklyn Arts Council, Brooklyn, NY: * (2003) Williamsburg Bridge 100th Anniversary: Celebrating the People’s Bridge; * (2004–2010) Folk Feet: Celebrating Traditional Dance in Brooklyn; * (2008) Days of the Dead in Brooklyn: Diverse Traditions of Mourning and Remembrance; * (2008) Brooklyn Maqam: Arab Music Festival; * (2009–2011) Black Brooklyn Renaissance 1960–2010; * (2011) Once Upon a Time in Brooklyn: Traditional Storytellers and Their Tales; * (2012) Half the Sky: Brooklyn Women in Traditional Performance; * (2013) The Sweetest Song: Brooklyn Traditional Singers and Their Songs; * (2004–2011) September 11th Remembered, (2004–2011.) Annual art and performance project for New Yorkers who survived the day culminating in the multi-media “Rethinking Memorial: Ephemeral Gestures for September 11th,” September 10, 2011.Talks and lectures (selected, 2003-2020)
* (2003) "The Williamsburg Bridge: Celebrating the People's Bridge." Keynote Address, 100th Anniversary Celebration for the Williamsburg Bridge, New York City. * (2004) "Thirty Years Later: The Continuing Challenge and Appeal of Interpreting Traditional Home Altars. " Keynote Speaker. Louisiana Folklore Society. Baton Rouge, LA. * (2004) "Rethinking Women's Altar Traditions." Folklore Department, University of Pennsylvania. * (2007) "Famously Unknown: Marginal Women and the Lost History of Womyn's Music." Keynote address and performance. Women, Rock and Politics Conference. University of Georgia, Athens. * (2011) “Illuminating Irritation: Creativity meets Activism.” ''We Stand the Storm'' panel with Toshi Reagon. Westbeth, NYC. * (2012) “What a Witch: Rethinking the Old Hag for New Times.” A.I.R. Gallery, New York. * (2015) “Witches Wielding Words: Women Unsilenced in the Grimms’ Fairy Tales.” Borough of Manhattan Community College. * (2015) ''“Lady-Unique'', 1976-1983: An Early Feminist Art Journal Publishing New York Artists.” ''Recovering a Lost Cultural Herstory, 1969-1982: New York Feminist Artists Speak-Out'', Fordham University. * (2017) “The Witch in Flight: At the Intersection of Folkloristics, Performance, Feminism, and Queer Theory.” American Folklore Society Presidential Address, Minneapolis, MN. * (2018) “The Plentitude of the Ephemeral, or Fast, Cheap, and Out of Control.” Fife Honor Lecture, Utah State University, Logan, UT. * (2019) “Mayahuel Meets Guadalupe: Ecology of Faith and Practice in the Borderlands.” Agave Arts Festival, Marfa, TX. * (2020) “The Altar as a Site of Representation and Activation in Contemporary Queer Art.” Denny Dimin Gallery, NYC.Curatorial
* (1979–1981) ''Women’s Public Art''. Site-specific installations on various feminist themes, Co-Founder and Curator with Rita Starpattern, Austin, TX. * (1980) ''La Vela Prendida: Home Altars and Mexican-American Devotional Arts''. Texas Memorial Museum, Austin. Curator with Mary Margaret Návar, Alicia Gonzalez, and Pat Jasper. * (1986) ''Art Among Us/Arte Entre Nosotros: Mexican American Folk Art in San Antonio''. Texas Folklife Resources and San Antonio Museum of Art. (co-curated with Pat Jasper). * (1986–1987) ''Home Altars and the Arts of Devotion''. INTAR Gallery, New York City, with travel to additional museum sites in Los Angeles, San Francisco, and Minneapolis. * (1986–1987) ''Handmade and Heartfelt: Contemporary Folk Art in Texas.'' Texas Folklife Resources in conjunction with Laguna Gloria Art Museum, Austin, Texas; travel to additional museum sites in Texas. (co-curated with Pat Jasper and Elizabeth Peterson). * (1988–1990) ''The Art of Asking: Home Altars and Yard Shrines in the Texas-Mexican Community''. Institute of Texan Cultures and additional sites. * (1990–1992) ''Hecho Tejano: Four Texas-Mexican Traditional Sculptors in Clay, Wood, and Cement''. Travelling exhibition. Texas Folklife Resources. * (2002) ''Local Eyes: Folk Photographers in Brooklyn,'' Five Myles Gallery. * (2003) ''Williamsburg Bridge 100th Anniversary: Spanning a Century of Change''. Month-long festival events. * (2004–2011) ''Folk Feet: Celebrating Traditional Dance in Brooklyn.'' Multi-year research, documentation, and presentation of various traditional dances. Brooklyn Arts Council. * (2006) ''Homo Home'': ''Queer Objects for Gay Living.''Published works
Books
*(1976–1983) ''Lady-Unique-Inclination-of-the-Night: A Journal of the Goddess in Art, History, and Performance.'' Founded, edited, designed by Kay Turner. New Brunswick, NJ: Sowing Circle Press. *(1980) ''Folklore Papers'', Editor. Special Issue, “Parades, Processions and Pilgrimage.” University Folklore Association: University of Texas. *(1986) ''Art Among Us/ Arte Entre Nosotros: Mexican American Folk Art in San Antonio'' (with Pat Jasper). San Antonio, Texas: San Antonio Museum Association Press. Catalog for exhibition of the same title curated by Jasper and Turner. *(1993) *(1996) *(1999) *(1999) *(2012) (with Pauline Greenhill) *(Forthcoming 2022) ''What a Witch: The Wise Woman in Folklore, History, and Performance.''Chapters and essays
* (1978) “Contemporary Feminist Rituals.” ''Heresies: Journal of Feminism and Art'' #5, The Goddess. Vol 2, No. 1: 20–2. * (1980) “The Virgin of Sorrows Procession: A Brooklyn Inversion.” ''Folklore Papers of the University Folklore Association'' 9: 1-35. Austin: University of Texas. * (1981) “Understanding Feminist Rituals.” ''The Politics of Women's Spirituality''. Charlene Spretnak, ed. Pp. 219-233. Garden City: Doubleday. * (1982) “Mexican American Women's Home Altars: Towards Their Interpretation.” ''Aztlán: A Journal of Chicano Studies'' 13, Nos.1 and 2: 309–326. * (1986) “Home Altars and the Art of Devotion.” ''Chicano Expressions: A New View in American Art.'' 40-48. New York: INTAR Gallery. * (1983) “The Cultural Semiotics of Religious Icons: La Virgen de San Juan de Los Lagos” ''Semiotica'' 47-1/4: 317–361. * (1983) “Why we are so inclined : A Feminist Perspective on the Art of Women's Home Altars.” ''Lady-Unique-Inclination-of-the- Night'' 6: 4–18. * (1986) “''La calle, la casa, y la esquina:'' A Look at the Art Among Us” (with Pat Jasper). ''Art Among Us/ Arte Entre Nosotros : Mexican American Folk Art in San Antonio''. Kay Turner and Pat Jasper, eds. 10-39. San Antonio, Texas: San Antonio Museum Association. * (1992) “‘Because of This Photography’: The Making of a Mexican Folk Saint.” ''Niño Fidencio: A Heart Thrown Open''. Dore Gardner, ed. 120-134. Santa Fe: Museum of New Mexico Press. * (1993) “Challenging the Canon: Folklore Theory Reconsidered from Feminist Perspectives,” (with M. Jane Young''). Feminist Theory and the Study of Folklore''. Susan Tower Hollis, Linda Pershing, and M. Jane Young, eds. 9-28. Champaign: University of Illinois Press. * (1993) “Giving an Altar: The Ideology of Reproduction in a St. Joseph's Day Feast.” (with Suzanne Seriff). ''Feminist Theory and the Study of Folklore.'' Susan Tower Hollis, Linda Pershing, and M. Jane Young, eds. 89-117. Champaign: University of Illinois Press. * (1996) “Hacer Cosas: Recycled Arts and the Making of Identity in Texas-Mexican Culture.” ''Recycled/Reseen: Folk Art From the Global Scrap'' Heap. Charlene Cerny and Suzanne K. Seriff, eds. 60-71. New York: Harry N. Abrams Publishers. * (2007) "Here ''Was'' New York: Memorial Images of the Twin Towers." ''VOICES: Journal of New York Folklore'' 33, Fall/Winter: 24-34. Schenectady: New York Folklore Society. * (2008) "''Voces de Fe'': Mexican American ''Altaristas'' in South Texas." ''In'' Mexican American Religions: Spirituality, Activism, and Culture. Gastón Espinosa and Mario García, eds. 180-205. Durham: Duke University Press. * (2009) "September 11: The Burden of the Ephemeral." ''Western Folklore'' 68 (2/3), Spring/Summer: 155–208. * (2012) “Once Upon a Queer Time: Introduction to Transgressive Tales” (with Pauline Greenhill). ''Transgressive Tales: Queering the Grimms''. Kay Turner and Pauline Greenhill, eds. Pp. 1-24. Detroit: Wayne State University Press. * (2012) “Playing with Fire: Truth as Transgression in Grimms’ ‘Frau Trude.’” ''Transgressive Tales: Queering the Grimms''. Kay Turner and Pauline Greenhill, eds. 245-274. Detroit: Wayne State University Press. * (2015) “Liliana Wilson: Learning to Live Finally." ''Ofrenda/Offering: Liliana Wilson’s Art of Dissidence and Dreams''. Norma Cantú, ed. 60-81. Bryan-College Station: Texas A and M Press. * (2015) “At Home in the Realm of Enchantment: The Queer Enticements of the Grimms’ ‘Frau Holle.’” ''Marvels and Tales: Journal of Fairy Tale Studies'' 29/1: 42–63. * (2015) “’In my genes sit sorceresses:’ Doris Stauffer’s Art of Bewitchment.” ''Doris Stauffer: A Monograph, with Essays by Michael Hiltbrunner, Kay Turner, and Mara Züst.'' Simone Koller and Mara Züst, eds. Chicago: University of Chicago Press/ Zurich: Scheidegger/Spiess. * (2019) “Neighbors and Witches in Times of Conflict.” ''Marvels and Tales: Journal of Fairy Tale Studies'' 33.1: 25–50. * (2021) “Deep Folklore/Queer Folkloristics.” ''Advancing Folkoristics'', Kristina Downs, Jesse Fivecoate, and Meredith McGriff, eds. Bloomington: Indiana University Press. * (2021) “Folklorist as Performer.” ''What Folklorists Do: Professional Realities and Possibilities in Folklore Studies''. Tim Lloyd, ed. Bloomington: Indiana University Press. * (Forthcoming) “The Virgin Mary’s Body: Immaculate Rejection.” ''Vernacular Religion''. Leonard Primiano, ed.Video works
* (1980) Home Altars: A Women’s Tradition. (Producer/Director with Pat Jasper, Mary Margaret Návar, and Alicia Gonzalez) Austin Community Television in conjunction with the Texas Committee for the Humanities. * (1990) Get It, Girl: Lesbians Talk About Sex. (Producer/Director, with Ella Gant). * (1994) "Breast Exam" with live interviews on the Breast Throne. Music video. Producer/Director/ Editor (with Lynn Keller and Donna Shepherd, co-editors) for Girls in the Nose. * (2010–2011) Black Brooklyn Renaissance: Black Arts and Culture, 1960–2010. Year-long research, public programming, and video documentation project on the contribution of Black traditional performance arts and artists to Brooklyn and beyond over a 50-year period. Public programming from Feb. 2010-Feb. 2011; produced a 73 video disc collection of 110 interviews with artists and video documentation of all public performance. Archived at The Brooklyn Public Library, Brooklyn Collections; The Schomburg Center; and Brooklyn Academy of Music Archive.References
{{DEFAULTSORT:Turner, Kay Living people Rutgers University alumni University of Texas alumni American folklorists Women folklorists Year of birth missing (living people) Presidents of the American Folklore Society