Kunimasu
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was a designer of ''
ukiyo-e Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surfac ...
''
woodblock prints Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Each page or image is create ...
in
Osaka is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of 2. ...
who was active during the late
Edo period The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characteriz ...
. He was a leading producer of ''kamigata-e'', prints from the Osaka and Kyoto areas. He is also known as Sadamasu the artist name he used prior to Kunimasu.


Biography

Very little is known of Kunimasa's personal details, including his birth and death dates. Art historians tend to date his activity to the early 1830s through the early 1850s. An 1835 'Who's who' type catalogue from the Naniwa area of Osaka describes him as "a master" of ''ukiyo-e'', indicating that he was already a well-established artist by the early 1830s.Doesburg 2012 Other manuscripts from the mid 1840s list him as living in the Senba district of Osaka. In 1899, a brief biography by Meiji era historian Sekine Shisei (1868–1912) was included in a compendium of biographies. According to Sekine, Kunimasu was a moneyed property owner who studied print design under
Utagawa Kunisada Utagawa Kunisada ( ja, 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodbloc ...
in
Edo Edo ( ja, , , "bay-entrance" or "estuary"), also romanized as Jedo, Yedo or Yeddo, is the former name of Tokyo. Edo, formerly a ''jōkamachi'' (castle town) centered on Edo Castle located in Musashi Province, became the ''de facto'' capital of ...
before himself mentoring several pupils and opening his own print design school. Others have suggested that the artist was born into wealth and owned a shipbuilding company.Roberts 1990, 96 What is certain is that he enjoyed considerable financial freedom and used it to promote ''ukiyo-e'' and its producers within Osaka.


Names

As per convention, the artist was known by a number of names throughout his career: * Artist names: Sadamasu (1832–1848), Kunimasu 升 (occasionally 國益)(5/1848- ) * Personal name: Kaneya/ Kanaya Wasaburō 屋 和三郎* Studio Name: Kanaya/ Kaneya * : Gochōsai 蝶斎 Gochōtei 蝶亭 Gofukutei 蝠亭 Ichiensai 園斎 Ichijuen 樹園 Ichijusai 樹斎 Ichijutei 樹亭 Yukimasu * Art surname: Utagawa * Seals: Hatakumi, Sada, Sadamasu, Utagawa, Utagawa Kunimasu, Wasa In 1846 or earlier, he began signing prints as Kunimasu in homage to Kunisada who had taken the name Toyokuni in 1844. The name change could not, however, be made official until 1848 and the lifting of the
Tenpō Reforms The were an array of economic policies introduced between 1841 and 1843 by the Tokugawa shogunate in Japan. These reforms were efforts to resolve perceived problems in military, economic, agricultural, financial and religious systems. The changes ...
.


Seals

In addition to the name seals listed above, Kunimasu used three symbol seals: a bat-shaped seal, the symbol 寿 'ju'' - longevity and the ''toshidama-in'' cartouche. The latter distinctive mark was reserved for members of the Utagawa school of print designers. Examples of other seals applied to Kunimasu's prints exist, but are indecipherable.


Work

Kunimasu's earliest known print is a ''banzuke'' theatre playbill dating to early 1830. Signed "''eshi Utagawa Sadamasu ga''" 師 歌川 貞升 画 the print was almost certainly produced while he was in Edo studying under Utagawa Kunisada. Kunimasu has been described as an "influential" figure on the Osaka art scene, one of his greatest achievements being the popularization of the ''chūban'' format. Kunimasu began experimenting with close-up actor portraits in this size in 1840, not long before the Tenpō Reforms were to disrupt ''yakusha-e'' production. He encouraged his student and fellow pupil of Kunisada, Hirosada, to follow suit. With the repeal of the Tenpō Reforms in the spring of 1847, Hirosada was to pioneer a revival of the ''chūban'' portrait format, likely through the financial support of Kunimasu. Critics tend to admire Kunimasu's "sense of colour and... fine palette dominated by intense colours with subtle contrasts," as well as the "bold directness" of his lines. In addition, he is credited with employing "tour-de-force techniques" such as "sumptuously printed... metallic pigments, embossing, burnishing, ndoverprinting." The majority of Kunimasu's works belong to the ''
yakusha-e ''Yakusha-e'' (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the ''ukiyo-e'' style popular through the Edo period (1603–1867) and in ...
'' genre, being portraits of actors from the local
kabuki is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to ...
theatre world. This is a common feature of artists from the Kamigata region, where the vast majority of artists were not professionals, but "talented kabuki fans." Kunimasu in particular is credited with "expressing the psychology of stage performance through powerful and varied physiognomies and vivid or unusual placements of the figures in his compositions." In 1852, Kunimasu and his student Hirosada visited Edo, where they joined with other pupils of Kunisada in creating background designs for a series of half-length actor portraits. Soon after returning to Kamigata, Kunimasu turned his back on ''ukiyo-e'' and took up painting. He ended his artistic career producing paintings in the style of the
Shijō school The , also known as the ''Maruyama–Shijō'' school, was a Japanese school of painting. History It was an offshoot school of the Maruyama school of Japanese painting founded by Maruyama Ōkyo, and his former student Matsumura Goshun in the ...
, known for its blending of Japanese tradition with Western realism.


Students

Kunimasu is well known to have been an active proponent of Osaka printmaking and to have directly aided the careers of a number of artists. Among those known to have studied under Kunimasu are the following: * Nobukatsu (fl. late 1820s-late 1830s) * Sadayuki (fl. 1839-1840) * Utagawa Hirosada 川 廣貞(fl. 1835-1850s) * Masuharu (fl. 1849-1850) * Masunobu (fl. 1847-1851) * Masusada (fl. 1848-1849) * Sadamasu II (fl. 1849) * Hasegawa Sadanobu 谷川 貞信(fl. 1834-1879)


Collections

Works signed by Sadamasu or Kunimasu belong to the following museum collections: * The
Museum of Fine Arts, Boston The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works ...
* The Royal Ontario Museum * The
Rijksmuseum The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the St ...
* The
Pushkin Museum The Pushkin State Museum of Fine Arts (russian: Музей изобразительных искусств имени А. С. Пушкина, abbreviated as ) is the largest museum of European art in Moscow, located in Volkhonka street, just oppo ...
* The
National Gallery of Victoria The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum. The NGV houses an encyclopedic art collection across two ...
* The
Fitzwilliam Museum The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Vis ...
* The
British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...
* The
Fine Arts Museums of San Francisco The Fine Arts Museums of San Francisco (FAMSF), comprising the de Young Museum in Golden Gate Park and the Legion of Honor in Lincoln Park, is the largest public arts institution in the city of San Francisco. The permanent collection of the ...
* The
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
The MET attributes its prints to "Hasegawa Sadamasu (Japanese, active 1830s–40s)" though no other institutions/ sources appear attach the surname Hasegawa to the artist. It is possible there has been confusion with Hasegawa Sadanobu 谷川 貞信(1809-1879), a pupil of Sadamasu. See http://www.metmuseum.org/Collections/search-the-collections/76572.


Notes


See also

* Bust portrait of Actor Kataoka Ichizō I (Gochōtei Sadamasu II)


References

* Barry Rosensteel Japanese Print Collection. "歌川貞升 tagawa Sadamasufl. 1832-1854." Accessed November 29, 2013. http://orlabs.oclc.org/identities/lccn-no2010-147721 * Clark, Timothy. "Ready for a Close-up: Actor 'Likenesses' in Edo and Osaka." In ''Kabuki Heroes on the Osaka Stage 1780-1830'', edited by C. Andrew Gerstle. London: British Museum Press, 2005. * Doesburg, Jan van. "Sadamasu." Huys den Esch Gallery. 2012. Accessed November 29, 2013. http://www.huysdenesch.com/ENG/sadamasu/sadumasu-career * Fiorillo, John. "Utagawa Kunimasu." Viewing Japanese Prints. Accessed November 29, 2013. https://web.archive.org/web/20140720124018/http://viewingjapaneseprints.net/texts/ukiyoetexts/ukiyoe_pages/kunimasu4.html * Keyes, Roger S. & Keiko Mizushima. ''The Theatrical World of Osaka Prints'', Philadelphia: Philadelphia Museum of Art, 1973. * Kitagawa, Hiroko. "Kamigata-e: The Prints of Osaka and Kyoto." In ''The Hotei Encyclopedia of Japanese Wood Block Prints'', vol 1. Edited by Amy Reigle Newland, 229-232. Hotei Publishing: Amsterdam, 2005. * Lane, Richard. ''Images from the Floating World, The Japanese Print.'' Oxford: Oxford University Press, 1978.
OCLC 5246796
* Lyon Collection. "Utagawa Sadamasu." Accessed November 29, 2013. http://woodblockprints.org/index.php/Detail/Entity/Show/entity_id/79 * Museum of Fine Arts Boston. "Actor Kataoka Ichizô I as Tetsugadake Dazaemon." Accessed November 29, 2013. http://educators.mfa.org/actor-kataoka-ichiz%C3%B4-i-tetsugadake-dazaemon-148444 * Newland, Amy Reigle, ed. ''Hotei Encyclopedia of Japanese Woodblock Prints.'' Amsterdam: Hotei, 2005.
OCLC 61666175
* Online Computer Library Center. "歌川貞升 fl. 1832-1854 tagawa Sadamasu f. 1832-1854" OCLC World Cat Identities. Accessed December 1, 2013. http://orlabs.oclc.org/identities/lccn-no2010-147721 * The Pushkin State Museum of Fine Arts. "Utagawa Kunimasu." 2013. Accessed November 29, 2013. http://www.japaneseprints.ru/data/authors/453_KUNIMASU_Utagava/index.php?lang=en * Roberts, Laurance P. ''A Dictionary of Japanese Artists: Painting, Sculpture, Ceramics, Prints, Lacquer.'' Weatherhill: New York, 1990.


External links

* http://www.japaneseprints.ru/data/authors/453_KUNIMASU_Utagava/index.php?lang=en - images of Kunimasu prints in the Pushkin * http://www.ngv.vic.gov.au/col/artist/3584 - images of Kunimasu prints in National Gallery of Victoria collection * http://amica.davidrumsey.com/luna/servlet/view/all/who/Sadamasu/what/Prints?sort=OCS - images of prints in Fine Arts Museums of San Francisco * https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3072591&partId=1&people=146300&peoA=146300-2-59&page=1 - image of print in British Museum collection {{DEFAULTSORT:Utagawa, Kunimasu 19th-century Japanese people Ukiyo-e artists Kunimasu