Ken Niimura

Ken Niimura (born October 19, 1981), is a Spanish-Japanese author of graphic novels.

He is best known for works like ''I Kill Giants'', 2012 International Manga Award winner that was adapted into a film in 2018; and ''Umami,'' winner of the 2019 Eisner Award for Best Digital Comic.

Niimura has published original work in all major comics markets (US, Europe and Japan) and his works have been translated into some 12 languages. He currently lives and works in Tokyo.

Biography

Early life and education

Niimura was born in Madrid in 1981 to a Japanese father and a Spanish mother. He begam his training with the artist Manuela Sánchez González and would later continue his studies at the Escuela de Arte La Palma (Madrid) alongside artist such as Pepe Larraz, Esther Gili and Carlos Salgado. He holds a degree in Fine Arts from the Complutense University of Madrid. The Erasmus Programme allowed him the opportunity to study in the Illustration Department at the Royal Academy of Fine Arts in Brussels.

Career

1997-2008: Career beginnings

He began his career as a self-published artist, being a founding member of collectives such as H Studios, Arruequen and the Epicentro publishing label. It was also at this time that he started publishing numerous short stories in Spanish magazines and fanzines, such as "Oni" (2001), published in the anthology ''La Senda del Samurai'' (Arruequen), resulting in various awards at the National level.

At the age of 20, his first work ''Underground Love'' was released through Amaníaco, a publisher with which he was to work again on numerous occasions. Other books released in this early period include ''Clockwork, Otras Jaulas, Historietas'' and ''Qu4ttrocento.'' He has been an illustrator for magazines such as Dokan, Minami and Shirase, as well as the ''Japanese in Mangaland'' series (written by Marc Bernabé). He has been involved in various advertising campaigns, including publicity for Repsol, the Barcelona Manga Convention and Spanish TV channel Cuatro; for the latter he produced the illustrations that appeared in the show "La noche manga". He was also in charge of the cover and the ad fot the book ''Los niños vienen sin manual de instrucciones'', by Montserrat Giménez, Ph.D. in Psychology.

In 2007, he participated in the Lingua Comica Project promoted by the Asia-Europe Foundation (ASEF) alongside various Asian and European comic professionals including Sarnath Banerjee, Gerald Corridge and Kôsei Ono, among others.

2009-2015: ''I Kill Giants'' and ''Henshin''

His professional debut came with the publication of ''I Kill Giants'' (2009), written by Joe Kelly and published originally by Image Comics. This work, created following his move to Paris, obtained an Eisner Award nomination in 2010 in the category of "Best Publication for Teens" and won the International Manga Award in 2012. It was also adapted into a film of the same name that was released in 2018.

The success of ''I Kill Giants'' led him to collaborate with international magazines such as Black (Italy), Mandala (Japan), Popgun (USA), C'est Bon Anthology (Sweden), Spera (USA) and Fluide Glamour (France). The resulting short stories were released in the anthology ''Traveling'' (Norma Editorial, 2014)

Having then moved to Japan, where he still lives, he began writing a series in 2013 for Shogakukan's ''Monthly Ikki'' magazine called ''Henshin'', whose 13 chapters were collected as a short story collection that is a sort of fictionalised diary of his life in Tokyo. An English-language edition was later published through Image Comics in 2014.

He continued working as an illustrator on projects such as the special edition of the acclaimed card game ''Love Letter'' by Seiji Kanai or for the online magazine Slate, as well as collaborating with the music group The Naked and Famous, who released a single entitled ''I Kill Giants'' (2013) inspired by his earlier work. Meanwhile, he was also publishing stand-alone stories in '' The Amazing Spiderman.''

2016-2022: ''Umami'', ''Never Open It'' and ''Peni Parker''

In 2017, he began writing and illustrating ''Umami'', a webcomic released thorugh Panel Syndicate, which tells the adventures of two cooks in a fantastic world, and that won the Eisner Award in 2019 for Best Digital Comic.

After a 3-year development process spread across Japan, Europe and the US, he published ''Never Open It'' in 2021 through Yen Press. This graphic novel is a reinterpretations of the Japanese legends of Urashima Tarô, The Crane Wife and Ikkyu-san.

Just a year later, in 2022, the webcomic ''Peni Parker: After School'' (Marvel) was released, becoming the first long-form story featuring Peni Parker, a popular character that had appeared in the movie '' Spider-man: Into the Spider-Verse''.

In recent years he had worked as an illustrator for L'Oreal China, the Spanish brewery Mahou, Judd Apatow, Marvel, the J-Rock group Grapevine and NHK Broadcasting Japan, among others. In addition, he is the author of the art direction of the video game prototype '' Twinbee LOOP!,'' winner of the Konami Action & Shooting Contest in 2012.

2023-Present: ''Inmortal Sergeant''

His latest work, ''Inmortal Sergeant'' (2023, Image Comics), brought back together with Joe Kelly to create a road movie in which a veteran inspector sets out with his son in search of a murderer.

Teaching

As a teacher, Niimura has taught workshops on comics and manga at the University of Salamanca, Casa Asia, and the Japanese House of Culture in Paris, among other centres.

* 2008 and 2009: Spanish-Japanese Cultura Centre (Salamanca, Spain).
* 2008 and 2010: Maison de la Culture du Japon à Paris (Paris, France).
* 2014 and 2015: Escola Joso. Visual Arts and Comic Centre (Barcelona, Spain).
* 2019: The Animation workshop (Viborg, Denmark).
* 2019 and 2022: School of Visual Arts (New York, US).

Exhibitions

Jury

Niimura has served as a member of the jury at:

* 2006: Sitges Film Festival (Sitges, Spain).
* 2019: Wacom International Comic/Manga School Contest (Japan).
* 2021: The Golden Pinwheel Young Illustrators Competition (China).

Style

As a result of the influence of Japanse. European and American comics, Niimura's style is characterised by its humour and dynamism.

Adding to Niimura's multicultural background, his access to comics from very different places and heritages has had a significant impact on his artwork; this, combined with having lived in varius parts of the world, has enabled him to gain an in-depth understanding of the different comic scenes.

The success of ''I Kill Giants'' introduced him to the US market. Niimura explains that, when creating a project that is going to be published in different markets, when you shift the reading order of somthing originally intended to be read from right to left to read from left to riht, the key lies in how the full page is conceived, albeit there are certain smaill differences such as the perception of time.

''Umami'' was a turning point in the author's style. The result of an ardous process, this episodic work allowed Niimura to experiment and find his own voice, in turn influencing his later works. In addition to this, on the idea of publishing ''Umami'' as a webcomic, the author says: "There is much more fluid and unfiltered communication between the artist and the reader that is priceless and that helps us stay motivated".

Works

Graphic novels

Art Book

Short stories

Awards and nominations

Film adaptations

''I Kill Giants'' (2009), nominated for an Eisner Award in 2010 for "Best Publication for Teens" and winner of the International Manga Award in 2012, has a film adaptation: ''I Kill Giants'' (2018), starring Madison Wolfe, Zoe Saldana and Imogen Poots. It premiered at the Toronto International Films Festival in 2017, and reached the US theatres in 2018. The film can currently be seen on Netflix.

References

Bibliography

*

External links

Ken Niimura's website



514H



Lingua Comica

{{DEFAULTSORT:Niimura, Ken
Spanish comics artists
Spanish people of Japanese descent
Living people
1981 births
People from Madrid