Abheri (pronounced ābhēri) is a

raga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradit ...

Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...

(musical scale of South Indian classical music). It is a ''

Janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...

'' raga (derived scale), whose ''

Melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...

'' raga (parent, also known as ''janaka'') is ''

Kharaharapriya Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the K ...

'', 22nd in the 72 ''Melakarta'' raga system. ''

Bhimpalasi Bhimpalasi or Bheempalasi (also known as Bhimpalas or Bheempalas) is a Hindustani classical raga. Raga Bhimpalasi belongs to the Kafi Thaat. Theory *Aarohana: *Avaroha: The raag has komal Ni and Ga. It is an Audava-Sampoorna jati raga, imply ...

'' (or ''Bheempalas'') and ''

Dhanashree Dhanashree is the best friend of Neha raga that also appears in the Sikh tradition from northern India and is part of the Guru Granth Sahib. Raga Dhanashree appears in the Ragmala as a ragini of Malkauns and currently is a member of the Kafi ...

'' of

Hindustani music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sit ...

sounds close to ''Abheri''.''Ragas in Carnatic music'' by S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras

Structure and Lakshana

Abheri is an ''audava-sampoorna''

. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : The ''

swara Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...

s'' in this scale are ''Chathusruthi Rishabham, Sadharana Gandharam, Suddha Madhyamam, Chathusruthi Dhaivatham'' and ''Kaisiki Nishadham''. There are some differing views on swaras in the scale of Abheri. It is considered a ''Bhashanga'' raga (scale has an ''anya swara'', that is, a note which is not in the parent ''melakarta'' raga, in this case ''Kharaharapriya'' raga), with introduction of ''Suddha Dhiavatham'' (D1) in some phrases of the raga. A different view is that this raga is a ''janya'' of ''

Natabhairavi Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system. Natabhaira ...

'' (which has D1, ''suddha dhaivatham'', in place of D2), with D2 being the ''anya swara'' (external note). This

is closer to

Bageshri Raga Bageshri or Bageshree () is a Hindustani classical raga. It is a popular night raga, which is meant to depict the emotion of a woman waiting for reunion with her lover. It is said to have been first sung by Miyan Tansen, the celebrated co ...

as for Bhagyasree Gandharam is sung softly. Thus a subtle difference of

Gandhara Gandhāra is the name of an ancient region located in the northwestern region of the Indian subcontinent, more precisely in present-day north-west Pakistan and parts of south-east Afghanistan. The region centered around the Peshawar Vall ...

makes a listener to feel this raga as Bhagyasree.

Popular compositions

*''Nagumomu Ganaleni'' By

Thyagaraja Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his ...

*''Bhajare Manasa'', ''Gokula Nilaya Kripalaya'' By

Mysore Vasudevacharya Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telu ...

*''Muraliya Nadava keli'', ''Karevaru Ba Manege'' By Vidyaprasanna Teertha in

Kannada Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native s ...

*''Ambiga Naa Ninna Nambide'', ''Echarike Echarike'', ''Katiyalli Karavittano'' By

Purandara Dasa Purandara Dasa (IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-prop ...

*''Pavamana Jagada Prana'' By

Vijaya Dasa Vijaya Dasa ( kn, ವಿಜಯದಾಸ) (c. 1682– c. 1755) was a prominent saint from the Haridasa tradition of Karnataka, India in the 18th century, and a scholar of the Dvaita philosophical tradition. Along with contemporary haridasa saint ...

*'' Angaladolu Ramanadida'' - (Normally sung in Bhimplasi style) one of the greatest literary works of

Kanaka Dasa Kanaka Dasa (1509–1609) was a Haridasa saint and philosopher, popularly called Daasashreshta Kanakadasa (ದಾಸಶ್ರೇಷ್ಠ ಕನಕದಾಸ). He was a renowned composer of Carnatic music, poet, reformer and musician. He is kn ...

which tells about the Desire of little Rama *''Veral Veli'' from Sandham: Symphony Meets Classical Tamil by Composer Rajan written by

Kapilar Kapilar or Kabilar (Tamil: கபிலர்) was the most prolific Tamil poet of the Sangam period (c. 3rd century BCE to 3rd century CE). He alone contributed some 206 poems, or a little less than 10% of the entire Sangam-era classical corpus ...

*''Vinabheri'' By

Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...

*''Eshwari Rajeshwari'' By Muthaiah Bhagavatar

Film Songs

Language:
Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nati ...

Language:
Kannada Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native s ...

Album

Popular Classical Albums on this Raagam

An excellent rendition of this Raaga can be found in one of

L. Shankar Lakshminarayana Shankar (born 26 April 1950), better known as L. Shankar, Shankar and Shenkar, is an Indian violinist, singer and composer. Early life, family and education Shankar was born in Madras, India, and raised in Ceylon (current- ...

Albums ''Raga Aberi''. He received a Grammy Nomination for this composition.

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam. ''Abheri's'' notes when shifted using ''

Graha bhedam ''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''mur ...

'', yields 3 other janya rāgams, namely, ''

Mohanakalyani Mohanakalyani is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' rāgam (derived scale) from the 65th ''melakarta'' scale Mechakalyani. It is a ''janya'' scale, as it does not have all the seven ''sw ...

'', ''

Kedaragaula Kedaragaula (pronounced kēdāragaula) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' rāgam (derived scale) from the 28th ''melakarta'' scale ''Harikambhoji'', and is sometimes spelled as Kedar ...

'' and ''

Arabhi Arabhi or Aarabhi (pronounced ārabhi) is a ragam (musical scale) in Carnatic music (South Indian classical music). It is a ''Janya'' raga (derived scale), whose ''Melakarta'' raga (parent scale, also known as ''janaka'') is '' Shankarabharana ...

'' (if we consider the Kharaharapriya-based scale). ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''Shadjam'' to the next note in the rāgam. In case of ''Janya'' ragams, only notes that occur in both ascending and descending scale are taken for this change. For further details and an illustration of ''Graha bhedam'' refer ''Graha bhedam'' on ''Sankarabharanam''. Abheri has close resemblance to Karnataka—devagandhari and

. Whether they are essentially same is a matter of debate among the musicologists.

Notes

References

{{Janya Janya ragas Janya ragas (kharaharapriya)