Kalanidhi Narayanan
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Kalanidhi Narayanan (7 December 1928 – 21 February 2016) was an Indian dancer and teacher of Indian classical dance form of
Bharatnatyam Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of ...
, who was the early non-
devadasi In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taki ...
girl to learn the dance form and perform it on stage in the 1930s and 1940s. After a brief career in the 1940s, she returned to dance in 1973 and became a notable teacher of ''
abhinaya Abhinaya (Sanskrit ''abhi-'' 'towards' + ''nii-'' 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (') of a sentiment ('). The concept, derived from Bharata Mun ...
''. She was awarded the
Padma Bhushan The Padma Bhushan is the third-highest civilian award in the Republic of India, preceded by the Bharat Ratna and the Padma Vibhushan and followed by the Padma Shri. Instituted on 2 January 1954, the award is given for "distinguished service ...
Award, India's third highest civilian honour in 1985, the
Sangeet Natak Akademi Award Sangeet Natak Akademi Award (IPA: Saṅgīta Nāṭaka Akādamī Puraskāra), also known as the Akademi Puraskar, is an award given by the Sangeet Natak Akademi Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in Englis ...
for Bharatnatyam in 1990, given by
Sangeet Natak Akademi Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. History It was set up by the Indian education ministry on 31 May 1952 and be ...
, India's National Academy for Music, Dance and Drama and
Kalidas Samman The Kalidas Samman ( hi, कालिदास सम्मान) is an arts award presented annually by the Government of Madhya Pradesh in India. The award is named after Kālidāsa, a renowned Classical Sanskrit writer of ancient India. The ...
(1998). She was also conferred
Sangeet Natak Akademi Tagore Ratna Sangeet Natak Akademi Tagore Ratna and Sangeet Natak Akademi Tagore Puraskar were given at special events organised by Sangeet Natak Akademi in *Kolkata – Sangeet Natak Akademi Tagore Samman on 25 April 2012 *Chennai – Sangeet Natak Akademi ...
for Dance in 2011.


Early life and training

Born Kalanidhi Ganapathi in the
Brahmin Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests (purohit, pandit, or pujari) and religious teachers (guru ...
household of Sumitra and Ganapati, her mother was keen on getting her dance education, and this was supported by her father. Thus starting at the age of seven she trained intensively under various gurus, this included Kamakshi Ammal, daughter of Veena Dhanam, for Padams and Javalis and Manakkal Sivarajan for vocal lessons. Noted guru Kannappa Pillai, from
Kanchipuram Kanchipuram ('; ) also known as ''Conjeevaram,'' is a city in the Indian state of Tamil Nadu in the Tondaimandalam region, from Chennaithe capital of Tamil Nadu. Known as the ''City of Thousand Temples'', Kanchipuram is known for its temple ...
was her main teacher of ''nritta'' (dance), he was also teacher to
Balasaraswati Tanjore Balasaraswati, also known as Balasaraswati (13 May 1918 – 9 February 1984), was an Indian dancer, and her rendering of Bharatanatyam, a classical dance style originated in the South Indian state of Tamil Nadu, made this style of d ...
, while Chinnayya Naidu and Mylapore Gauri Ammal taught her ''
Abhinaya Abhinaya (Sanskrit ''abhi-'' 'towards' + ''nii-'' 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (') of a sentiment ('). The concept, derived from Bharata Mun ...
'' (Art of expression). Later she was to add a new dimension to ''abhinaya'' herself. She made her stage-debut ( Arangetram) at the age of 12 at the Senate House in Chennai, for the
Madras Music Academy Madras Music Academy is one of the earliest established music academies in South India. Before the concept of infrastructure was introduced to India in the early 1920s, it was a gathering for elite musicians simply called (and is still more ...
. O'Shea, p. 175 While still in her teens, she gave two notable recitals, one with Dhanamanikkam and another with Nattuvanar K. Ganesan, son of the Kandappa Pillai. She died in February 2016.


Career

She had a brief dance career in the 1940s, before she stepped out at the age of sixteen when her mother died and she was married into a conservative family. She returned to dance when in 1973, noted art-patron, Y. G. Doraiswamy, who had seen her performances as a teen, asked to instruct dancer
Alarmel Valli Alarmel Valli is a leading Indian classical dancer and choreographer and the foremost exponent of the Pandanallur style in the Indian classical dance form, Bharatanatyam. She is widely acclaimed for her ability to turn traditional grammar in ...
in ''abhinaya'', to which she agreed, encouraged by her sons who had by now grown up. This started the second phase of her career after a gap of 30 years at the age of 46. She also started to re-educate herself in dance, luckily her books from her younger days had survived, she started attending dance performances and '' Arangetram'' in the city, also enrolled in a course on dance theory on Bharatanatyam by Dr. Padma Subramaniam . Gradually more students started coming to her and in the coming decades she became "the most sought after teacher for ''abhinaya''". On 7 December 2003, various dance teachers and her disciples, celebrated her 75th birthday at Luz Community Hall in Chennai, it was marked by a two-day seminar on abhinaya, where prominent gurus of Bharatanatyam participated. On the occasion, a set of 4 CDs on ''Padams'' was also released.


Disciples

Amongst her noted disciples are, Ramya Harishankar (USA), A.Lakshmanaswamy (India), Bragha Bessell (India), Hema Rajagopalan (India), Subashree Narayanan (USA), Minal Prabhu (India), Priya Govind (India), Sharmila Biswas, Meenakshi Chitharanjan (''abhinaya''), Milana Severskaya (Russia) to name a few. She has taught numerous disciples over the years, many of whom have personalised her philosophies.


Further reading

* ''Kalanidhi Narayanan and Padam revival in the modern Bharata Natyam dance practice'', by Priya Srinivasan. University of California, Los Angeles, 1997. * ''Kalanidhi Narayanan's Triveni: selected Telugu songs of Annamayya Kshetrayya Sarangapani''. Abhinaya Sudha Trust, 2008.


References

*


External links


An interview with Kalanidhi Narayanan
{{DEFAULTSORT:Narayanan, Kalanidhi Performers of Indian classical dance Bharatanatyam exponents 1928 births 2016 deaths Artists from Chennai Indian dance teachers Recipients of the Padma Bhushan in arts Recipients of the Sangeet Natak Akademi Award Teachers of Indian classical dance Indian female classical dancers Women educators from Tamil Nadu 20th-century Indian dancers Dancers from Tamil Nadu 20th-century Indian educators 20th-century Indian women artists Educators from Tamil Nadu Women artists from Tamil Nadu 20th-century women educators