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Abhinaya
Abhinaya (Sanskrit ''abhi-'' 'towards' + ''nii-'' 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (') of a sentiment ('). The concept, derived from Bharata Muni's ''Natya Shastra'', is used as an integral part of all Indian classical dance styles. ''Abhinaya'' can be divided into four, according to the ''Natya Shastra''. pp. 131–186 Expression of the limbs (''Āṅgika Abhinaya'') Angika Abhinaya denotes the movements of angas like head, hands, waist and face. Pratyangas like shoulder, shoulder arm's, thighs, knees and elbows and upangas like eyes, eyelid, cheeks, nose, lips and teeth. Additional hastas (hand gestures) have always played a significant role in conveyance of the emotion and through of a soul. Many of the natural gestures are found common to mankind and their meaning easily understood. Expression of speech (''Vāchika Abhinaya'') Speech is used in drama and also in music when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nātyakalpadrumam
''Nātyakalpadrumam'' (നാട്യകല്പദ്രുമം in Malayalam, नाट्यकल्पद्रुमम् in Devanagari) is a book written by Guru Māni Mādhava Chākyār, considered the greatest exponent of Koodiyattam and Abhinaya in Kerala, about all aspects of ancient Sanskrit drama theatre tradition of Kerala—Kutiyattam. It was first published in Malayalam (1975) by Kerala Kalamandalam, with financial assistance of Sangeet Natak Academi, New Delhi. This work serves as a reference to both scholars and students. The entire book is written in the old Sanskrit text style closely following Nātyaśāstra. The structure and content of the book alike illustrate the knowledge of the author in both Sanskrit and Nātyaśāstra. The work received the Kerala Sahitya Academy Award in the year 1975. A Hindi translation has been published by the Sangeet Natak Akademi, New Delhi. Contents ''Natyakalpadruma''- theatrical study written by Mani Madhava Chaki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatanatyam
Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic ''Silappatikaram'', while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance tradition in India. Bharatanatyam is the state dance form of Tamil Nadu. Bharatanatyam contains different types of ''baanis''. ''Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performing Arts In India
Indian culture is the heritage of social norms, ethical values, traditional customs, belief systems, political systems, artifacts and technologies that originated in or are associated with the ethno-linguistically diverse India. The term also applies beyond India to countries and cultures whose histories are strongly connected to India by immigration, colonisation, or influence, particularly in South Asia and Southeast Asia. India's languages, religions, dance, music, architecture, food and customs differ from place to place within the country. Indian culture, often labelled as a combination of several cultures, has been influenced by a history that is several millennia old, beginning with the Indus Valley civilization and other early cultural areas.John Keay (2012), ''India: A History'', 2nd Ed – Revised and Updated, Grove Press / Harper Collins, , see Introduction and Chapters 3 through 11Mohammada, Malika (2007), ''The foundations of the composite culture in India'', Aaka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Culture
Indian culture is the heritage of social norms, ethical values, traditional customs, belief systems, political systems, artifacts and technologies that originated in or are associated with the ethno-linguistically diverse India. The term also applies beyond India to countries and cultures whose histories are strongly connected to India by immigration, colonisation, or influence, particularly in South Asia and Southeast Asia. India's languages, religions, dance, music, architecture, food and customs differ from place to place within the country. Indian culture, often labelled as a combination of several cultures, has been influenced by a history that is several millennia old, beginning with the Indus Valley civilization and other early cultural areas.John Keay (2012), ''India: A History'', 2nd Ed – Revised and Updated, Grove Press / Harper Collins, , see Introduction and Chapters 3 through 11Mohammada, Malika (2007), ''The foundations of the composite culture in India' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuchipudi
Kuchipudi () ( Telugu: ) is one of the eight major Indian classical dances. It originates from a village named Kuchipudi in the Indian state of Andhra Pradesh. Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of Natya Shastra. It developed as a religious art linked to traveling bards, temples and spiritual beliefs, like all major classical dances of India. Evidence of Kuchipudi's existence in an older version are found in copper inscriptions of the 10th century, and by the 15th century in texts such as the ''Machupalli Kaifat''. Kuchipudi tradition holds that Tirtha Narayana Yati – a sanyassin of Advaita Vedanta persuasion,Krishna Chaitanya (1987), "Arts of India.", pages.74 and his disciple, an orphan named Siddhendra Yogi, founded and systematized the modern version of Kuchipudi in the 17th century. Kuchipudi largely developed as a Krishna-oriented Vaishnavism tradition, and it is known by the name of Bhagavata Mela in Thanjavu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata Muni
Bharata Muni (Hindi: भरत मुनि) was an ancient sage who the musical treatise '' Natya Shastra'' is traditionally attributed to. The work covers ancient Indian dramaturgy and histrionics, especially Sanskrit theatre. Bharata is considered the father of Indian theatrical art forms. He is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.Dace, W. (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melattur Style
{{Use Indian English, date=July 2020 The Melattur style of Bharatanatyam dance was developed largely out of the devadasi traditions and Melattur Bhagavata Mela by Mangudi Dorairaja Iyer (1900–1980), a sanyasi following Srividya Upasana. He re-established the Suddha Nrittam from kuchipudi(intricate tapping footwork that explores different time measures in different tempos), Bhattasa Natyam and Perani Natyam (dance on the clay pot). Mangudi became interested in Shuddha Nrittam after watching a performance by devadasi of Cheyyur Sengalvarayar temple, who performed it along with other 71 types of items (e.g. Kavita, Nritta, Vadya, Sangeeta and others). Themes Unlike other Bharatanatyam gurus, Mangudi avoided the items which glorified the poet's human patrons, as performing such items would be inconsistent with his adherence to spiritual practices of Srividya Upasana. It is only the deities or the great rishis who were deemed worthy of such glorification. Thus, the reperto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Drama
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the 3rd-4th century BCE with the composition of the Nātyaśāstra (''lit. The Science of Drama''). Indian classical drama is regarded as the highest achievement of Sanskrit literature. The Buddhist playwright, poet and philosopher Asvaghosa, who composed the ''Buddhacarita'', is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama. Despite its name, a classical Sanskrit drama uses both Sanskrit and Prakrit languages giving i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Aesthetics
Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically. Rasas in the performing arts The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing ''Rasa'' in classical Indian dance form is referred to as ''Rasa-abhinaya''. The ''Nātyasāstra'' carefully delineates the ''bhavas'' used to create each ''rasa''. The expressions used in Kudiyattam or Kathakali are extremely exaggerated theatrical expressions. The opposite of this interpretation is Balasaraswathi's school of subtle and understated abhinaya of the devadasis. There were serious public debates when Balasaraswathi condemned Rukmini Devi's puritanistic interpretations and applications of Sringara rasa. The abhinaya of the Melattur style of abhinaya remains extremely rich in varia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa (aesthetics)
In Indian aesthetics, a rasa ( sa, रस) literally means "nectar, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It connotes a concept in Indian arts about the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience but cannot be described.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by ''bhavas'': the state of mind. The ''rasa'' theory has a dedicated section (Chapter 6) in the |
Navarasa
Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically. Rasas in the performing arts The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing ''Rasa'' in classical Indian dance form is referred to as ''Rasa-abhinaya''. The ''Nātyasāstra'' carefully delineates the ''bhavas'' used to create each ''rasa''. The expressions used in Kudiyattam or Kathakali are extremely exaggerated theatrical expressions. The opposite of this interpretation is Balasaraswathi's school of subtle and understated abhinaya of the devadasis. There were serious public debates when Balasaraswathi condemned Rukmini Devi's puritanistic interpretations and applications of Sringara rasa. The abhinaya of the Melattur style of abhinaya remains extremely rich in variations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Delhi
New Delhi (, , ''Naī Dillī'') is the capital of India and a part of the National Capital Territory of Delhi (NCT). New Delhi is the seat of all three branches of the government of India, hosting the Rashtrapati Bhavan, Parliament House, and the Supreme Court of India. New Delhi is a municipality within the NCT, administered by the NDMC, which covers mostly Lutyens' Delhi and a few adjacent areas. The municipal area is part of a larger administrative district, the New Delhi district. Although colloquially ''Delhi'' and ''New Delhi'' are used interchangeably to refer to the National Capital Territory of Delhi, both are distinct entities, with both the municipality and the New Delhi district forming a relatively small part of the megacity of Delhi. The National Capital Region is a much larger entity comprising the entire NCT along with adjoining districts in neighbouring states, including Ghaziabad, Noida, Gurgaon and Faridabad. The foundation stone of New Delhi was l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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