Joaquim José Antunes
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The Antunes family were Portuguese harpsichord- and early piano builders in the 18th and 19th centuries.


Known builders of the family

Julião was the father of Joaquim José; he was a maker of
string instrument String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the ...
s for the royal chapel in Lisbon :Joaquim José (1731–1811) harpsichord maker in
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, and the most prominent member of the family. :Manuel (1707–1796) was the brother of Joaquim José and shared a workshop with him. :::João Baptista ( fl.1825–1865), was the grandson of Manuel and a maker of
keyboard instrument A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital piano ...
s.


Surviving instruments

There are four Antunes instruments still in existence. Two single manual harpsichords with disposition 8' 8' are signed by Joaquin José: one dated 1758, now in the Museu da Música,
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and one dated 1785, that was in the
Finchcocks Finchcocks is an early Georgian manor house in Goudhurst, Kent. For 45 years it housed a large, visitor-friendly museum of historical keyboard instruments, displaying a collection of harpsichords, clavichords, fortepianos, square pianos, organs ...
collection,
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,
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until 2016. Their other existing instruments are signed only 'Antunes', probably because they were made by Manuel and Joaquin José working together. These are a grand piano, very similar to their harpsichords in design and construction with an action like that of
Bartolomeo Cristofori Bartolomeo Cristofori di Francesco (; May 4, 1655 – January 27, 1731) was an Italian maker of musical instruments famous for inventing the piano. Life The available source materials on Cristofori's life include his birth and death recor ...
, made in 1767, now in the
National Music Museum The National Music Museum: America's Shrine to Music & Center for Study of the History of Musical Instruments (NMM) is a musical instrument museum in Vermillion, South Dakota, United States. It was founded in 1973 on the campus of the University ...
,
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,
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and a harpsichord similar to the others made in 1789 in the Museu da Música, Lisbon.


Recordings on original instruments

The existing instruments have been readily seized upon by harpsichordists as the ideal instruments upon which to play the music of
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and
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composers such as
Carlos Seixas José António Carlos de Seixas (; 11 June 1704 – 25 August 1742) was a pre-eminent Portuguese composer of the 18th century. An accomplished virtuoso of both the organ and the harpsichord, Seixas succeeded his father as the organist for Old Cat ...
and
Manuel Blasco de Nebra Manuel Orlandi Blasco de Nebra (2 May 1750 – 12 September 1784) was a Spanish organist and composer who lived in Seville. He was the son of José Blasco de Nebra (Lacarra), the organist of Seville Cathedral since 1735, and became his assistan ...
. These recordings use original Antunes instruments: *Carlos Seixas: Harpsichord Sonatas, played by Cremilde Rosado Fernandes (1758 instrument); Portugalsom CD 870023/PS. *Carlos Seixas: Harpsichord Sonatas, played by Robert Woolley (1785 instrument); Amon Ra CD-SAR 43. *Carlos Seixas: Harpsichord Sonatas, Sinfonia, Harpsichord Concerto, conducted and played by Ketil Haugsand (1758 instrument) with the Norwegian Baroque Orchestra; Virgin Veritas 45114. *Carlos Seixas: Concerto, Sonatas, played by José Luis González Uriol (1758 instrument) and Segréis de Lisboa (conducted by Manuel Morais), Portugaler 2003-2 *Carlos Seixas: 12 Harpsichord Sonatas, played by Rui Paiva (1758 instrument), Philips 528 574-2 *Manuel Blasco de Nebra: Sonatas & Pastorelas, played by Carole Cerasi (1785 instrument); Metronomist MET1064. *Lodovico Giustini di Pistoia: Sonate da Cimbalo di Piano, e Forte, detto volgarmente di Martelletti (Firenze, 1732), played by Cremilde Rosado Fernandes (1767 pianoforte), Numérica - NUM 1047 *Carlos Seixas: Harpsichord Sonatas (complete recording, vol. I), played by José Carlos Araújo (1758 instrument); Melographia Portugueza CD 12/001, MPMP. *Carlos Seixas: Harpsichord Sonatas (complete recording, vol. III), played by José Carlos Araújo (1758 instrument); Melographia Portugueza CD 13/003, MPMP.


Sources

*John Koster (with Gerhard Doderer): 'Antunes', Grove Music Online ed. L. Macy (Accessed 2007-05-23), http://www.grovemusic.com/ *Donald H. Boalch: ''Makers of the Harpsichord and Clavichord 1440-1840'',
Oxford University Press Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books ...
ASIN: 019318429X; 3rd edition (1995) *Raymond Russell: ''The Harpsichord and Clavichord'' (London, 1959) *Gerhard Doderer & John Henry van der Meer, ''Cordofones de tecla portugueses do séc XVIII: clavicórdios, cravos, pianofortes e espinetas'' / ''Portuguese string keyboard instruments of the 18th century: clavichords, harpsichords, fortepianos and spinets'' (bilingual edition), Lisboa, Fundação Calouste Gulbenkian, 2005


See also

List of historical harpsichord makers This page presents a graphical timelines, listing historical makers of the harpsichord and related instruments such as the virginal, spinet and clavicytherium. The makers are grouped according to which regional building tradition they belong. Grap ...
{{DEFAULTSORT:Antunes Portuguese musical instrument makers Harpsichord makers People from Lisbon