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Jens Harald Quistgaard (April 23, 1919 – January 4, 2008) was a Danish sculptor and designer, known principally for his work for the American company Dansk Designs, where he was chief designer from 1954 and for the following three decades.
Though a sculptor and grounded in traditional handicrafts, he quickly established a career as an industrial designer. From the mid-1950s his tableware and kitchenware designs became synonymous with Scandinavian modern and found their way into millions of homes in the US, Europe and Japan. With his international orientation and success he was groundbreaking, and he had great significance for the place which
Quistgaard started his career drawing portraits. He also produced jewellery, hunting knives, ceramic works, glass and graphic design in the form of monograms, town arms and the like. At the end of the 1940s his production also included cutlery in silver and steel for different companies, amongst others the silvery cutlery set ''Champagne'' (1947 for O.V. Mogensen) and kitchen utensils in steel for , including the little shark fin can opener from 1950. His breakthrough as an industrial designer came in 1953–54, where he fashioned the cutlery set ''Fjord'', the first cutlery set that combined stainless steel with handles of teak.
Around the same time he designed a saucepan in cast iron for De Forenede Jernstoeberier A/S (United Iron Foundries). The pan was marketed under the name ''Anker-Line'' and was awarded the gold medal at the 
Already towards the end of 1954, ''Fjord'' was introduced in New York, followed the year after by the colourful saucepan range ''Kobenstyle''. Quistgaards designs were a big success from the beginning in the US and were quickly followed by a series of tableware and kitchenware designs: cutlery in silver and handcrafted steel; jugs and saucepans in steel, copper and cast iron; crockery in stoneware; glass; trays, bowls, pepper mills and other objects in staved teak and exotic wood sorts, as well as candlesticks in brass, silver and cast iron.
Quistgaard was hugely productive and for Danish Designs alone fashioned more than 4000 products. It is a production which spans a large range of materials and utility items, and which is created from a philosophy that utility items for the kitchen and the table should function together harmoniously. To set the table and arrange with Quistgaard's designs became from the end of the 1950s and during the 1960s identical with "modern living" and Scandinavian style. Where clean lines, sculptural form and natural materials went hand in hand.
The end of the 1950s and the first half of the 1960s were Quistgaard's most productive years for Dansk Designs. In 1958 he designed the cutlery set ''Toke'' in steel and bamboo as well as the dinner set ''Flamestone'' in stoneware; the cutlery set ''Tjorn'' in sterling silver from 1959, the ''Festivaal'' line from 1960 of lacquered bowls and trays in many colors, together with a series of industrial designs in exotic wood sorts, ''Rare Woods'' from 1961. The series together with the other woodware was produced by Nissens Woodworking Factory in Denmark, which Quistgaard also designed special works for in the 1960s, amongst others the unusual ''Stick chair'' from 1966.
At the end of the 1950s Jens Quistgaard began designing and overseeing the construction of a large villa in Armonk, north of New York, for his American business partner Ted Nierenberg. Quistgaard designed everything, from the large roof constructions and window sections to the doorhandles, bathtub and spiral staircase. The villa was completed in 1961 as a demonstration of Quistgaard's ideal about architectural wholeness.
Quistgaard's success escalated throughout the 1960s. His works for Dansk Designs were marketed in all major cities in the US, but he was also successful in Europe and Japan. Dansk Designs started their own shop in the High Street in Copenhagen, in London and in Stockholm, and Quistgaard's designs were exhibited and sold in Tokyo, Berlin, Paris, Zürich, Melbourne, Johannesburg and many other big cities.
Quistgaard continued as chief designer for ''Dansk Designs'' until the start of the 1980s, when he moved to Rome. He lived there until 1993, and returned to Denmark, where he continued to design until a few months before his death in 2008. In 2006 he received an honorary grant from the Danish National Banks Anniversary Fund of 1968, and in 2009 was portrayed as a person and as a designer in the documentary film "''A Saucepan for My Wife''"
Quistgaard died at age 88 on January 4, 2008, at his home "Strandgaarden" near
Though a sculptor and grounded in traditional handicrafts, he quickly established a career as an industrial designer. From the mid-1950s his tableware and kitchenware designs became synonymous with Scandinavian modern and found their way into millions of homes in the US, Europe and Japan. With his international orientation and success he was groundbreaking, and he had great significance for the place which Danish design
Danish design is a style of functionalistic design and architecture that was developed in mid-20th century. Influenced by the German Bauhaus school, many Danish designers used the new industrial technologies, combined with ideas of simplicity ...
acquired in the minds of many Americans.
In 1958, he received the Neiman Marcus Award and during the following years he was represented at major museums in Europe and the USA. Many of Jens Quistgaard's works are still produced today.
Early life and training
Jens Quistgaard grew up in an artistic home in Copenhagen and already as a boy, demonstrated unusual artistic talents. The work with handicrafts began in his mothers kitchen, where he made himself a little workshop with vice and anvil. Here he produced jewellery, hunting knives, bags and ceramics. When he was young Jens Quistgaard would often be found at the village smiths, carpenters or joiners, and it was here he acquired the craftsmanship which he later used to produce models in wood, metal, ceramic and glass. He was trained as a sculptor by his father, Harald Quistgaard (1887-1979), and was later educated as a drawer and silversmith at the technical school in Copenhagen. During the occupation of Denmark he was active in theResistance movement
A resistance movement is an organized effort by some portion of the civil population of a country to withstand the legally established government or an occupying power and to disrupt civil order and stability. It may seek to achieve its objective ...
.
Work
Quistgaard started his career drawing portraits. He also produced jewellery, hunting knives, ceramic works, glass and graphic design in the form of monograms, town arms and the like. At the end of the 1940s his production also included cutlery in silver and steel for different companies, amongst others the silvery cutlery set ''Champagne'' (1947 for O.V. Mogensen) and kitchen utensils in steel for , including the little shark fin can opener from 1950. His breakthrough as an industrial designer came in 1953–54, where he fashioned the cutlery set ''Fjord'', the first cutlery set that combined stainless steel with handles of teak.
Around the same time he designed a saucepan in cast iron for De Forenede Jernstoeberier A/S (United Iron Foundries). The pan was marketed under the name ''Anker-Line'' and was awarded the gold medal at the Triennale
The Triennale di Milano is a design and art museum in the Parco Sempione in Milan, in Lombardy in northern Italy. It is housed in the Palazzo dell'Arte, which was designed by Giovanni Muzio and built between 1931 and 1933; construction was fina ...
in Milan in 1954. In the same year, Quistgaard also received the Lunning Prize. 1954 was also the year American businessman Ted Nierenberg
Theodore David "Ted" Nierenberg (May 20, 1923 – July 31, 2009) was an American business executive and entrepreneur who created Dansk International Designs, a company that sells Scandinavian Design-style cooking and serving utensils and othe ...
visited Europe, on the lookout for talented design which could be launched in the USA. After having seen the cutlery set ''Fjord'' at the Danish Museum of Art and Design in Copenhagen, he sought out the designer, and their meeting led to the foundation of the American company Dansk Designs with Quistgaard as chief designer.
Already towards the end of 1954, ''Fjord'' was introduced in New York, followed the year after by the colourful saucepan range ''Kobenstyle''. Quistgaards designs were a big success from the beginning in the US and were quickly followed by a series of tableware and kitchenware designs: cutlery in silver and handcrafted steel; jugs and saucepans in steel, copper and cast iron; crockery in stoneware; glass; trays, bowls, pepper mills and other objects in staved teak and exotic wood sorts, as well as candlesticks in brass, silver and cast iron.
Quistgaard was hugely productive and for Danish Designs alone fashioned more than 4000 products. It is a production which spans a large range of materials and utility items, and which is created from a philosophy that utility items for the kitchen and the table should function together harmoniously. To set the table and arrange with Quistgaard's designs became from the end of the 1950s and during the 1960s identical with "modern living" and Scandinavian style. Where clean lines, sculptural form and natural materials went hand in hand.
Significant designs and later life
The end of the 1950s and the first half of the 1960s were Quistgaard's most productive years for Dansk Designs. In 1958 he designed the cutlery set ''Toke'' in steel and bamboo as well as the dinner set ''Flamestone'' in stoneware; the cutlery set ''Tjorn'' in sterling silver from 1959, the ''Festivaal'' line from 1960 of lacquered bowls and trays in many colors, together with a series of industrial designs in exotic wood sorts, ''Rare Woods'' from 1961. The series together with the other woodware was produced by Nissens Woodworking Factory in Denmark, which Quistgaard also designed special works for in the 1960s, amongst others the unusual ''Stick chair'' from 1966.
At the end of the 1950s Jens Quistgaard began designing and overseeing the construction of a large villa in Armonk, north of New York, for his American business partner Ted Nierenberg. Quistgaard designed everything, from the large roof constructions and window sections to the doorhandles, bathtub and spiral staircase. The villa was completed in 1961 as a demonstration of Quistgaard's ideal about architectural wholeness.
Quistgaard's success escalated throughout the 1960s. His works for Dansk Designs were marketed in all major cities in the US, but he was also successful in Europe and Japan. Dansk Designs started their own shop in the High Street in Copenhagen, in London and in Stockholm, and Quistgaard's designs were exhibited and sold in Tokyo, Berlin, Paris, Zürich, Melbourne, Johannesburg and many other big cities.
Quistgaard continued as chief designer for ''Dansk Designs'' until the start of the 1980s, when he moved to Rome. He lived there until 1993, and returned to Denmark, where he continued to design until a few months before his death in 2008. In 2006 he received an honorary grant from the Danish National Banks Anniversary Fund of 1968, and in 2009 was portrayed as a person and as a designer in the documentary film "''A Saucepan for My Wife''"
Quistgaard died at age 88 on January 4, 2008, at his home "Strandgaarden" near Vordingborg, Denmark
Vordingborg () is an old ferry town in Vordingborg Municipality in Denmark with around 18,000 inhabitants. Because of three large estates surrounding the town, a coherent urban development has not been possible, which is the reason why three sat ...
. He was survived by a daughter, a son and several grandchildren.Fox, M. (2008) He is buried in Gimlinge Cemetery.
Awards and distinctions
*Lunning Prize 1954 * Gold and silver medals at Milan Triennial 1954 * The Neiman Marcus Award for Distinguished Service in the Field of Fashion 1958 * Der goldene Löffel, Munich 1962 * Honorary grant from the Danish Central Bank's Anniversary Foundation 2006Museums
Exhibitions
Selected works
* ''Champagne'' flatware. Silver. O.V. Mogensen 1947 * Tea set and coffee set. Sterling silver, handwrought. Hermann Jacobsen o. 1948 * Teapot, unglazed earthenware. Palshus Keramik 1949-50 * ''Shark fin'' can opener. Stainless steel. Raadvad A/S 1950 * ''Fjord'' flatware. Handforged stainless steel and teak, Dansk Designs 1954 * ''Ankerline'' kitchenware. Enameled cast iron. De Forenede Jernstøberier 1954 * ''Kobenstyle'' kitchenware. Enamel on steel. Dansk Designs 1955 * Candle holders, brass. Dansk Designs 1956 * Ice bucket, teak. Dansk Designs 1958 * ''Flamestone'' dinnerware, fluted stoneware. Dansk Designs 1958 * ''Variation V'' flatware. Handforged stainless steel. Dansk Designs 1957 * ''Toke'' flatware. Handforged stainless steel and bamboo. Dansk Designs 1958 * ''Tjorn'' flatware. Sterling silver. Dansk Designs 1959 * ''Relief''. Stoneware. Kronjyden 1969-60 * ''Festivaal'' table top collection. Lacquer on maple. Dansk Designs 1960 * House for Ted Nierenberg, Armonk, New York 1961 * ''Rare Wood'' table top collection. Trays, bowls, ice buckets, pepper mills. Dansk Designs 1961 * ''Flamestone dinnerware'', smooth stoneware. Dansk Designs 1964 * ''Stick Chair'', Brazilian rosewood, chromed steel and leather. Nissen, Langaa 1966 * ''Simplicity'' barware. Glass. Dansk Designs 1967 * ''Jette'' flatware. Handforged stainless steel, Dansk Designs 1968Literature
* Bagner, Alex: ''Hide and teak'', i: Wallpaper*, October 2008, s. 128-134 * Eidelberg, Martin (Ed.): ''Design 1935-1965. What Modern Was'', New York: Harry N Abrams 1991. * Byars, Mel: ''The Design Encyclopedia'', New York: The Museum of Modern Art 2004. , * Fiell, Charlotte and Peter: ''Scandinavian Design'', Köln: Taschen 2002. * Fiell, Charlotte and Peter (Eds): ''60s Decorative Art'', Köln: Taschen 2000. * ''FORM - fra tønder til trend'', Kulturhistorisk Museum Randers, u.å. * Fox, Margalit ("Jens Quistgaard, 88, a Designer of Popular Tableware, Is Dead". New York Times (2008-02-02). * Guldberg, Stig: ''Jens Quistgaard - The Man Who Put Danish Modern on America's Tables'', i: Modernism Magazine, Spring 2011 * Guldberg, Stig: ''The Sculptor Who Put Danish Modern on the Map'', i: DANSK - Design by Jens Quistgaard, HEART - Herning Museum of Contemporary Art, 2015 * Koelln, Georgann. "Prolific Tableware Designer Has Introduced 2,000 Styles", The Blade (newspaper), October 17, 1982. * ''New Technologies.Phaidon Design Classics
''Phaidon Design Classics'' is a British three volume set of reference books on industrial design since the 17th century.
It lists 999 objects that the editorial team chose as design classic
A design classic is an industrially manufactured obje ...
'', Volume Three, Phaidon 2006.
* Perlson, Mark: ''Danish Pepper. Jens Quistgaard's Teak Pepper Mills'', 2008.
* Reif, Rita. "Accessories Designed by Dane Proving Popular in U.S. Homes; Jens Quistgaard, Son of Noted Sculptor, a Born Craftsman", The New York Times, October 10, 1958.
* ''The New York Times'', September 22, 1961
Film
''The Designer Jens Quistgaard: A Saucepan for My Wife''. A Documentary Film by Stig Guldberg. DVD + booklet 55 p. ABCFilm, Denmark 2009.See also
* Dansk Designs *Danish Modern
Danish modern is a style of minimalist furniture and housewares from Denmark associated with the Danish design movement. In the 1920s, Kaare Klint embraced the principles of Bauhaus modernism in furniture design, creating clean, pure lines based ...
* Scandinavian design
Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sw ...
References
{{DEFAULTSORT:Quistgaard, Jens Harald 1919 births 2008 deaths Danish industrial designers Danish resistance members