A 1975 rock opera by

Dorothy Hewett Dorothy Coade Hewett (21 May 1923 – 25 August 2002) was an Australian playwright, poet and author, and a romantic feminist icon. In writing and in her life, Hewett was an experimenter. As her circumstances and beliefs changed, she progressed ...

describing the rise of a peasant girl, her betrayal, execution and ultimate canonisation.

Setting

The lunacy court of the psychiatric ward at Rouen (formerly known as Rheims Cathedral). A large empty structure: part abandoned church, part mediaeval asylum. Backstage are four revolving glass panels representing stained glass windows. On one side they contain four effigies, on the reverse side the four real Joan figures may stand.

Characters

* Joan Lark (1): The peasant visionary * Joan the soldier (2): Militant, masculine strong minded * Joan the witch (3): sometimes demented, sometimes intellectual * Joan the saint (4): An unreal and holy icon * Charlie Dauphin: A half-witted peasant boy * Hospital staff: Authority figures with masks * Incidental characters: parents, Lady, priest, two soldiers The crowd: peasants, soldiers, nuns, priests, nurses, psychiatrists and the insane

Synopsis

The play is a pageant or chronicle play, with complex, frenzied interaction between the four Joans and other characters. It uses some of the same staging devices and covers some of the same themes as Hewett's ''

The Chapel Perilous ''The Chapel Perilous'', Dorothy Hewett's third full-length play, was written in 1970. The play is Expressionist in style, where the theatrical spectacle dominates the plot. It introduces Sally Banner, a picaresque heroine moving without succes ...

''; when the independent and disruptive woman is put on trial. ACT I: Charlie the dauphin is putting together four dismembered dolls of the four Joans. Joan the Mad is examined in a trial by staff of a mental hospital, and relates her past. Joan Lark the peasant girl is told by her "voices", the other three Joans to take the simpleton Charlie to Reims to crown him king and free the people. The soldiers truss up Charlie and Joan frees him. They escape to the forest – she is dressed as a man, Charlie as a girl. It is cold and she lies with Charlie. ACT II. The Joans are killed one by one. Soldier Joan (2) brings a horse and sword and Joan (1) dies in a carnival musician's box. Joan (2) takes Orleans and is hit by an arrow. Joan (3) crowns Charles at Reims but he does not recognise her and betrays her. Joan sleeps with a soldier and repudiates her voices rather than be imprisoned for life. Joan (3) is pronounced insane and killed by electronic shock therapy. Saint Joan (4) emerges canonised.

Music

The music was composed by conductor and composer Patrick Flynn. The orchestration is liturgical in style and makes extensive use of tubular bells. The 13 songs include “Poor brother king”, “I’m a witch I’m a bitch” and the repeated motif “We love you Joan”.

Premiere and reception

The only production was at Canberra Theatre, August 27 1975, directed by Ross McGregor for Canberra Repertory Theatre. Ken Healey described the production as “a frenzy of sound and spectacle” employing a “skilful juxtaposition of opposites; sacred and profane, past and present, virgin and whore, judiciary and asylum”, with Joan presenting a “kaleidoscopically shattered personality”. He particularly commended

Jude Kuring Judith Kuring (born 23 November 1948) known Jude Kuring is an Australian actress who appeared in theatre, film and television during the late 1970s and early 80s. She remains best known for her stint as the recurring character of petty crimina ...

’s performance as Joan the Witch as “monumental in towering menace”.

References

Publication

Joan, by Dorothy Hewett, music by Patrick Flynn. Yackandandah Playscripts. Montmorency Vic, 1984.
{{DEFAULTSORT:Joan 1975 musicals Australian plays Rock musicals Feminist plays Plays by Dorothy Hewett