Jean Cathala
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Jean Cathala was a French singer, composer and
cornett The cornett, cornetto, or zink is an early wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. It was used in what are now called alta capellas or wind ensembles. It is not to be confused wi ...
ist, active in the years (1645 – 1680).


Biography

His career began and ended in Paris, but also took place in
Amiens Amiens (English: or ; ; pcd, Anmien, or ) is a city and commune in northern France, located north of Paris and south-west of Lille. It is the capital of the Somme department in the region of Hauts-de-France. In 2021, the population of ...
and
Auxerre Auxerre ( , ) is the capital of the Yonne department and the fourth-largest city in Burgundy. Auxerre's population today is about 35,000; the urban area (''aire d'attraction'') comprises roughly 113,000 inhabitants. Residents of Auxerre are r ...
.


Paris

A mention on 17 February 1646, followed by a reference on 28 May 1650, indicates that he was a clerk and a singer (middle register voice) in the
Sainte Chapelle The Sainte-Chapelle (; en, Holy Chapel) is a royal chapel in the Gothic style, within the medieval Palais de la Cité, the residence of the Kings of France until the 14th century, on the Île de la Cité in the River Seine in Paris, France. Co ...
of the Palace and that he also played the
cornett The cornett, cornetto, or zink is an early wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. It was used in what are now called alta capellas or wind ensembles. It is not to be confused wi ...
. As he appears also in the registers of Notre-Dame at such a time (employed at 16 sous per day according to an act of 2 July 1649, and in 1652).


Amiens

He then appeared as
maître de chapelle (, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term ha ...
of the
Amiens Cathedral , image = 0 Amiens - Cathédrale Notre-Dame (1).JPG , imagesize = 200px , img capt = Amiens Cathedral , pushpin map = France , pushpin label position = below , coordinates = , country ...
and, on 2 October 1656, the chapter of the cathedral conferred on him the vicarial chapel of Saint-Quentin, which before him had been given to Jean Patte, then Valentin de Bournonville. He resigned from his post of Amiens on 13 November 1658, probably because of a disagreement with the Chapter, and the Chapter instructed him a few days later to vacate the position before the next Saint-André (30 November). His successor was
François Cosset François Cosset (Picardy, c. 1610 - c. 1673) was a French composer. His works include 8 masses, 4 of them composed at Reims in 1659.Jean Duron ''La naissance du style français: 1650-1673'' - 2008 p52 "autour de 1660: Charles d'Helfer à Soisso ...
, like him, a composer of masses.


Auxerre

In Auxerre, Cathala succeeded Annibal Gantez as ''maître de chapelle'' of the
Cathedral A cathedral is a church that contains the '' cathedra'' () of a bishop, thus serving as the central church of a diocese, conference, or episcopate. Churches with the function of "cathedral" are usually specific to those Christian denomination ...
. He was there in August 1663, when he gave the chapter of the
Troyes Cathedral Troyes Cathedral (french: Cathédrale Saint-Pierre-et-Saint-Paul de Troyes) is a Catholic church, dedicated to Saint Peter and Saint Paul, located in the town of Troyes in Champagne, France. It is the episcopal seat of the Bishop of Troyes. The ca ...
a copy of his mass ''Inclina cor meum'' in recognition of the donation to him made by the chapter for playing the cornett at the feast of St. Peter at the Troyes Cathedral.: ::''A esté agréé une messe en musicque composée par Maistre Jean Cathala Maistre de musicque en l'Eglise d'Auxerre et excellant joueur de cornet à bouquin intitulée Inclina cor meum deus, présentée de sa part en recognoissance du don qui lui fust faict par ce chapitre le trente juin dernier à cause de son assistance à la feste de Sainct Pierre à laquelle il joua dudict cornet. Laquelle messe a esté remise es mains de Me Jacques Michel Maistre de musique de ceste eglise pour la faire chanter au premier jour''.


Paris

Cathala seems to have returned to Paris on an unknown date: probably he was the "Cathalas", an ordinary singer of the Paris church, who attended the funeral of Louis Gingart's son, ordinary musician of the king and queen, on 27 February 1673, and who resided in the (La Madeleine parish). On 31 December 1679, he is said to be teaching music in Paris while witnessing the wedding of an officer of the archbishop of Paris.


Works

Cathala's only known works are seven Masses, all published in Paris by
Robert III Ballard The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honou ...
, then
Christophe Ballard Christophe Ballard (french: ʁistɔf balaʁ}; April 12, 1641 — May 28, 1715) was a Parisian printer, bookseller, and music publisher employed by Louis XIV, from the family of publishers founded by Robert Ballard (1530–1588) in the mid-16th ...
. Only two of them were found. Their writing is interesting, with quite developed melodies and a rather elaborate
counterpoint In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
: Cathala can be considered as one of the composers of the most interesting masses of his period. *''Missa Inclina cor meum Deus'', 4 v. Paris : Robert III Ballard, 1663 or end of 1662. Guillo 2003 n° 1663-F. ::This is a lost edition, the existence of which is revealed by the chapter records of the cathedral church of Troyes. ::The second edition was published by Christophe Ballard in 1678 but was also lost. It is revealed by the catalogues of the Ballard company and
Sébastien de Brossard Sébastien de Brossard, pronounced e.bɑs.tjẽ də brɔ.saːr (12 September 1655 – 10 August 1730) was a French music theorist, composer and collector. Life Brossard was born in Dompierre, Orne. After studying philosophy and theology a ...
's notes. *''Missa Laetare Jerusalem'', 5 v. Paris: Robert III Ballard, 1666. Guillo 2003 n° 1666-H. :: Lost edition, whose existence is revealed by Sébastien de Brossard's notes and Ballard's catalogues. *''Missa In luce stellarum'', 5 v. Paris: Robert III Ballard, 1670. Guillo 2003 n° 1670-B. :: Lost edition, whose existence is revealed by Sébastien de Brossard's notes and Ballard's catalogues.. *''Missa Ecce quam bonum'', 4 v. Paris : Robert III Ballard, c. 1660-1670 ? Guillo 2003 n° ND-23. :: Lost edition, the existence of which is revealed by Ballard's catalogues. It could also have appeared at the beginning of Christophe Ballard's career. *''Missa Nigra sum, sed formosa'', 5 v. Paris: Christophe Ballard, 1678. 2°, 20 f. RISM C 1522. :: This Mass is entirely composed (and printed) in black notes, alluding to its title (taken from the beginning of the '' Song of Songs''). *''Missa Non recuso laborem'', 4 v. Paris: Christophe Ballard, 1680. 2°, 18 f. RISM C 1523. *''Missa sillabica pleno-cantu quatuor vocum ad imitationem moduli''. Paris: Christophe Ballard, 1683. :: A lost edition, known by Sébastien de Brossard's notes and Ballard's catalogues.


Sources

* Michel Brenet (pseud. of
Marie Bobillier Marie Bobillier, real name Antoinette Christine Marie Bobillier (12 April 1858 – 4 November 1918) was a French musicologist, music critic, writing under her pseudonym Michel Brenet. Biography Born in Lunéville of a military father, captain and ...
). ''Les musiciens de la Sainte-Chapelle du Palais : documents inédits, recueillis et annotés par Michel Brenet''. Paris : A. Picard, 1910
read on IMSLP
* Yolande de Brossard. ''Musiciens de Paris 1535-1792 d’après le fichier Laborde''. Paris : Picard, 1965. * Aimé Cherest, ''Notice sur les musiciens qui ont illustré le departement de l'Yonne'', ''Bulletin de la Société des sciences historiques et naturelles de l'Yonne'' 4 (1850), p. 29–53.
read on Gallica
see p. 43-44. * Georges Durand, ''La musique de la cathédrale d'Amiens avant la Révolution'', ''Bulletin trimestriel de la Société des antiquaires de Picardie'' (1922), p. 329–457; repr. in ''La vie musicale dans les provinces françaises'', I (Geneva, 1972). * Françoise Gaussen, ''Actes d'état-civil de musiciens français 1651–1681'', ''Recherches sur la Musique Française Classique'' 1 (1960), p. 153–203. * Laurent Guillo,Laurent Guillo on Iremus
/ref> ''Pierre I Ballard et Robert III Ballard, imprimeurs du roy pour la musique (1599-1673)''. Sprimont and Versailles: 2003. 2 vol. * William Hays, "Cathala, Jean - composer, singer, cornettist", ''Grove’s Dictionary online''
read online
* Arthur Émile Prévost. ''Instruments de musique usitéz dans nos églises depuis le trezième siècle'', ''Mémoires de la Société d'agriculture, des sciences, arts et belles-lettres du département de l'Aube'' 68 (1904), p. 43–223. * Jean-Paul Montagnier, ''The Polyphonic Mass in France, 1600-1780: The Evidence of the Printed Choirbooks,'' Cambridge: Cambridge University Press, 2017.


References


External links


Jean Cathala (c.1620 - ap.1683) Missa "Non recuso laborem" - Gloria
on YouTube {{DEFAULTSORT:Cathala, Jean French Baroque composers French composers of sacred music 17th-century French male singers 17th-century French composers