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Cornett
The cornett (, ) is a lip-reed wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. Although smaller and larger sizes were made in both straight and curved forms, surviving cornetts are mostly curved, built in the treble size from in length, usually described as in G. The note sounded with all finger-holes covered is A, which can be lowered a further whole tone to G by slackening the embouchure. The name ''cornett'' comes from the Italian ''cornetto'', meaning "small horn". It was used in performances by professional musicians for both state and liturgical music, especially accompanying choral music. It also featured in popular music in '' alta capella'' or loud wind ensembles. British organologist Anthony Baines wrote that the cornett "was praised in the very terms that were to be bestowed upon the oboe .. it could be sounded as loud as a trumpet and as soft as a recorder, and its tone approached that of the human voice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Cornett
The tenor cornett or lizard was a common musical instrument in the Renaissance and Baroque periods. This instrument was normally built in C and the pedal (lowest) note of the majority of tenor cornetts was the C below middle C. A number of surviving instruments feature a key to secure the lowest note. The instrument has a useful range of approximately two and a half octaves, however, an experienced player with a strong embouchure may be able to push the instrument higher. The tenor cornett was used by composers like Giovanni Gabrieli, Heinrich Schütz and Orlando di Lasso as an alto or tenor voice in an ensemble of cornetts and trombones. Like most specimens of treble cornetts, tenor cornetts were usually pitched in ' or ''Cornettton'', ca. a' = 466 Hz – around a semi-tone higher than modern concert pitch, which is a' = 440 Hz. Nomenclature The tenor cornett was also known as the ''lyzard'', ''lizarden,'' ''lysarden'' or ''lyzarden'', because of the "S" shape of the instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horn (instrument)
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts. Types Variations include: * Lur (prehistoric) * Shofar * Alboka *Roman horns: ** Cornu ** Buccina * Dung chen * Dord * Sringa * Nyele * Wazza * Waqra phuku * Alphorn *Cornett * Serpent * Ophicleide * Natural horn ** Bugle ** Post horn *French horn * German horn * Vienna horn * Wagner tuba * Saxhorns, including: ** Alto horn (UK: tenor horn), pitched in E ** Baritone ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sackbut
A sackbut is an early form of the trombone used during the Renaissance music, Renaissance and Baroque music, Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change Pitch (music), pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore (wind instruments), bore, and its less-flared bell (wind instrument), bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one. Records of the term ''trombone'' predate the term ''sackbut'' by two decades, and evidence for the German term ''Posaune'' is even older. ''Sackbut'', originally a French term, was used in England until the instrument fell into disuse in the eighteenth century; when it returned, the Italian term ''trombone'' became dominant. In modern English, an older trombone or a replica is called a ''sackbut''. The bell section ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mute Cornett
The mute cornett was an important variant of the clef, treble cornett and it was used in compositions by European composers in the 16th, 17th and 18th centuries. A significant number of mute cornetts have survived and are preserved in various European museums. Modern makers of cornetts produce mute cornetts and the numbers of recordings of music featuring this instrument has increased in recent years. Construction Unlike the regular curved cornett, cornettino and tenor cornett, the mute cornett is made from a single piece of wood that has been turned on a lathe, bored out and given finger holes. The non-detachable Mouthpiece (brass), mouthpiece forms a smooth cup shape at the top. The cross section of the mouthpiece shows that it is similar in structure to that of a French horn. It eliminates the slight brassiness of the regular cornett and imparts the characteristic timbre associated with the instrument. Unlike other forms of cornett, mute cornetts were not covered in leather. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Dickey
Bruce Dickey is an American cornett player. He is regarded as the doyen of the modern generation of cornett players, many of whom were his students at the Schola Cantorum Basiliensis and Early Music Institute at Indiana University, or students of his students. In 1987 he founded the ensemble Concerto Palatino with the Dutch baroque trombonist Charles Toet, following the name of the original eight-man ''Concerto Palatino della Signoria di Bologna'' of San Petronio which was famed from 1530 to 1800. He is married to the American singer and conductor Candace Smith, with whom he founded Artemisia Editions, which specializes in publishing editions of 17th-century Italian sacred music. He attended Indiana University School of Music The Indiana University Jacobs School of Music in Bloomington, Indiana, is a music conservatory established in 1921. Until 2005, it was known as the Indiana University School of Music. It has more than 1,500 students, approximately half of whom ar .... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Wilson (conductor)
Roland Wilson (born 1956 in Leeds, West Yorkshire, England) is a British cornett player, and conductor based in Germany. Roland Wilson originally studied trumpet at the Royal College of Music, London, then specializing in the baroque cornett. After moving to Germany, he worked as a soloist for other ensembles, for example alongside fellow cornettist Bruce Dickey, in the March 1985 recording of the Heinrich Schütz ''Opus Ultimum'' with the Hilliard Ensemble and Knabenchor Hannover for EMI. In 1976 he founded Musica Fiata, an ensemble specialising in baroque wind music. Musica Fiata's first major recordings were supporting Kammerchor Stuttgart conducted by Frieder Bernius in Heinrich Schütz ''Symphoniae Sacrae III'', Christmas and Resurrection oratorios and ''Psalmen Davids'', and Monteverdi's ''Vespro della Beata Vergine'' from 1989-1991. The Wilson expanded Musica Fiata to include La Capella Ducale, a choir. Musica Fiata has recorded for DHM, Sony Vivarte, Glissando and CPO. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Tubéry
Jean Tubéry (1964 born in Toulouse) is a French player of the cornett (''cornetto'') and conductor. He is noted for being, along with his own teacher Bruce Dickey and his colleague Jean-Pierre Canihac, one of the main cornett players to resurrect the baroque instrument, cornet à bouquin, as part of the historically informed performance movement and early music revival. Tubéry originally studied recorder at his home town Toulouse and then at the Amsterdam Conservatory, but decided to switch to cornet and undertook studies with Bruce Dickey at the Schola Cantorum Basiliensis. During the 1980s and 1990s he performed with almost all of the well known early music ensembles of the period including Les Arts Florissants under William Christie, La Petite Bande under Sigiswald Kuijken, the Clemencic Consort of René Clemencic, Hesperion XXI under Jordi Savall, as well as the Ensemble Clément Janequin of Dominique Visse, Collegium Vocale de Gand for Philippe Herreweghe, Concerto Voc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B. There is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying valves to it in the 1820s. Initially using Stölzel valves, by the 1830s, Parisian makers were using the improved Périnet piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arno Paduch
Arno Paduch (* 1965 Hattersheim am Main, Germany) is a German cornetto player, conductor and musicologist. After highschool degree in Friedberg (Germany), Paduch studied musicology at Goethe University Frankfurt (Germany) and afterwards cornetto and historic performance practice at Schola Cantorum Basiliensis in Basle (Switzerland). Still being a student, in 1992 he received a teaching assignment for cornetto and ensemble playing at the early music division of University of Music and Theatre Leipzig The University of Music and Theatre "Felix Mendelssohn Bartholdy" Leipzig () is a public university in Leipzig, Saxony, Germany. Founded in 1843 by Felix Mendelssohn as the Conservatorium der Musik (Conservatory of Music), it is the oldest univ ... which he has been keeping until today. In 1995 Paduch founded the Johann Rosenmüller Ensemble Leipzig, specialised on music of the 17th and 18th centuries. As a conductor and cornetto player, he gave acclaimed concerts on several place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serpent (instrument)
The serpent is a bass (sound), low-pitched early wind instrument in the brass instrument, lip-reed family, developed in the Renaissance era. It has a trombone-like mouthpiece (brass), mouthpiece, with six tone holes arranged in two groups of three fingering (music)#Woodwind instruments, fingered by each hand. It is named for its long, conical bore bent into a snakelike shape, and unlike most brass instruments is made from wood with an outer covering of leather or parchment. A distant ancestor of the tuba, the serpent is related to the cornett and was used for bassline, bass parts from the 17th to the early 19th centuries. In the early 19th century, Key (instrument), keys were added to improve intonation, and several upright variants were developed and used, until they were superseded first by the ophicleide and ultimately by the brass instrument valve, valved tuba. After almost entirely disappearing from orchestras, the serpent experienced a renewed interest in historically inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embouchure
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece (woodwind), mouthpiece of a woodwind or brass instrument. The word is of French language, French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instrument Valve
Brass instrument valves are valves used to change the length of tubing of a brass instrument allowing the player to reach the notes of various harmonic series. Each valve pressed diverts the air stream through additional tubing, individually or in conjunction with other valves. This lengthens the vibrating air column thus lowering the fundamental tone and associated harmonic series produced by the instrument. Valves in brass instruments require regular maintenance and lubrication to ensure fast and reliable movement. Piston valve The first musical instruments with piston valves were developed just after the start of the 19th century. Stölzel valve The first of these types was the Stölzel valve, bearing the name of its inventor Heinrich Stölzel, who first applied these valves to the French horn in 1814. Until that point, there had been no successful valve design, and horn players had to stop off the bell of the instrument, greatly compromising tone quality to achieve a parti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
