Jamileh (dancer)
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Fatemeh Sadeghi ( fa, فاطمه صادقی; born 26 October 1946), better known by her stage name Jamileh ( fa, جمیله; also
romanized Romanization or romanisation, in linguistics, is the conversion of text from a different writing system to the Roman (Latin) script, or a system for doing so. Methods of romanization include transliteration, for representing written text, and ...
as Ġamīle), is an Iranian actress,
cabaret Cabaret is a form of theatrical entertainment featuring music, song, dance, recitation, or drama. The performance venue might be a pub, a casino, a hotel, a restaurant, or a nightclub with a stage for performances. The audience, often dining or d ...
performer, and dancer. She is responsible for popularizing a version of the
belly dance Belly dance (Egyptian Arabic: رقص بلدي, translated: Dance of the Country/Folk Dance, romanized: Raks/Raas Baladi) is a dance that originates in Egypt. It features movements of the hips and torso. It has evolved to take many different f ...
in Iran, and was reportedly the highest-paid cabaret actor of Iranian origin in 1974. She has also performed acting and dancing roles in many Iranian films of the 1960s and 1970s.


Biography


Early life

Jamileh was born in 1946 in
Tehran Tehran (; fa, تهران ) is the largest city in Tehran Province and the capital of Iran. With a population of around 9 million in the city and around 16 million in the larger metropolitan area of Greater Tehran, Tehran is the most popul ...
, Iran. Her father, Rajab Vâksi, was a walnut seller who later became an actor in the ''siâh'' theater scene in Iran. Her uncle, Morshed Nasrollâh, was a zarb player and an
itinerant An itinerant is a person who travels habitually. Itinerant may refer to: *"Travellers" or itinerant groups in Europe * Itinerant preacher, also known as itinerant minister *Travelling salespeople, see door-to-door, hawker, and peddler *Travelli ...
bard. As a child, she became proficient in
belly dancing Belly dance (Egyptian Arabic: رقص بلدي, translated: Dance of the Country/Folk Dance, romanized: Raks/Raas Baladi) is a dance that originates in Egypt. It features movements of the hips and torso. It has evolved to take many different f ...
and performed with her father.


Dancing career

Jamileh was first involved in the theater scene and mostly performed a self-taught style of Bollywood dance in traditional cafés. Her first marriage was to J.R., a singer of the ''ruhowzi'' genre of musical comedy in traditional Persian theater. She then married Mohammad Arbâb, the owner of the ''Bakara-Mulan Ruzh''
cabaret Cabaret is a form of theatrical entertainment featuring music, song, dance, recitation, or drama. The performance venue might be a pub, a casino, a hotel, a restaurant, or a nightclub with a stage for performances. The audience, often dining or d ...
. After marrying Arbâb, she continued dancing and performed in cabarets such as Arbâb's ''Bakara-Mulan Ruzh'' as well as in her own cabaret, ''Lidu''. Her marriage to Arbâb lasted until his death in 1973. Much like other Iranian entertainers of the 20th century such as Susan,
Delkash Esmat Bagherpour Baboli ( fa, عصمت باقرپور بابلی ; 26 February 1925 – 1 September 2004), better known as Delkash ( fa, دلکش ), was an Iranian diva singer and occasional actress with a rare and unique voice. Biography Delka ...
, and
Googoosh Faegheh Atashin ( fa, فائقه آتشین; born 5 May 1950), known professionally as Googoosh ( fa, گوگوش, ), is an Iranian singer and former actress. One of the most popular and prolific entertainers in Iran, her career has spanned over ...
, Jamileh's career dancing in cabarets provided her the opportunity to enter
Iranian cinema The Cinema of Iran (Persian: سینمای ایران), also known as the Cinema of Persia, refers to the cinema and film industries in Iran which produce a variety of commercial films annually. Iranian art films have garnered international fame a ...
, which would eventually lead her to national fame. She began her acting career after her marriage to Arbâb, aiming to be recognized as a "dancer-actor" in Iranian cinema, like
Samia Gamal Samia Gamal ( ar, سامية جمال, born as Zaynab Khalil Ibrahim Mahfuz, 5 March 1924 – 1 December 1994) was an Egyptian belly dancer and film actress. Biography Born in the small Egyptian town of Wana in March 1924, Samia's family move ...
in
Egyptian cinema The cinema of Egypt refers to the flourishing film industry based in Cairo, sometimes also referred to as Hollywood on the Nile. Since 1976, the capital has held the annual Cairo International Film Festival, which has been accredited by the Intern ...
. She mainly played dance-related roles in more than 25 films, including roles in ''Zan-e Vahshi-e Vahshi'' (1969), ''Dokhtar-e Zalem Bala'' (1970), and ''Aroos-e Paberahneh'' (1974). Many of the films she starred in were produced by Ferdowsi Film, owned by her husband Arbâb, including the 1971 film ''Khoshgeltarin Zan-e Alam''. She was reportedly the highest-paid cabaret actor of Iranian origin in 1974, and performed for prominent foreign guests including
Henry Kissinger Henry Alfred Kissinger (; ; born Heinz Alfred Kissinger, May 27, 1923) is a German-born American politician, diplomat, and geopolitical consultant who served as United States Secretary of State and National Security Advisor under the presid ...
and
Aristotle Onassis Aristotle Socrates Onassis (, ; el, Αριστοτέλης Ωνάσης, Aristotélis Onásis, ; 20 January 1906 – 15 March 1975), was a Greek-Argentinian shipping magnate who amassed the world's largest privately-owned shipping fleet and wa ...
.


Career after Iran

After fleeing Iran, Jamileh continued her career in Los Angeles, California, where she settled down. She performed frequently at the Cabaret Tehran in Los Angeles for more than 20 years and through her fifties.


Legacy

Although dancers like Mahvash and Afat first introduced the belly dance and other Persian folk dances in Iranian cinema, Jamileh was responsible for popularizing a version of the dance in Iran through her performances and film roles. She is a master of Persian dances, including the traditional Bandari and Qasemabadi dances, and some classical Persian dances, and became known for her specific style of the belly dance, as well as Persian dances such as the ''jâheli'' dance style. The ''jâheli'' style of dance involves imitating a roughneck, ''jâhel'' man, and is more overtly erotic compared to more traditional Persian dances. It is often performed wearing a ''kolâh makhmali'', a type of hat similar to a
fedora A fedora () is a hat with a soft brim and indented crown.Kilgour, Ruth Edwards (1958). ''A Pageant of Hats Ancient and Modern''. R. M. McBride Company. It is typically creased lengthwise down the crown and "pinched" near the front on both sides ...
. According to Ida Meftahi, a historian specializing in modern Iranian history, Jamileh was not associated with the image of a stereotypical cabaret dancer in the media, but the image of "a valuable artist" that was likely improved with the help of her husband's influence.


Filmography

Jamileh's dancing and acting roles in Iranian cinema include: * ''Gohar-e shab-cheragh'' (''The luminescent jewel'', 1967) * ''Zan-e Vahshi-e Vahshi'' (''The wild, wild woman'', 1969) * ''Dokhtar-e Zalem Bala'' (''The beautiful tyrant of a girl'', 1970) * ''Khoshgeltarin Zan-e Alam'' (1971) * ''Aroos-e Paberahneh'' (''The barefoot bride'', 1974) * ''Sharaf'' (''The honour'', 1975) * ''Gol Pari Joon'' (1974) * ''Jedal'' (1976)


See also

* Persian dance


Citations


Sources

* * * * * * * *


External links

*
Video of Jamileh performing the jâheli dance
{{DEFAULTSORT:Jamileh 1946 births Living people People from Tehran Belly dancers Cabaret performers Iranian expatriates in the United States Iranian film actresses Iranian women dancers 20th-century Iranian women 21st-century Iranian women