InterAccess is a Canadian
artist-run centre
An artist-run space or artist-run centre (Canada) is a gallery or other facility operated or directed by artists, frequently circumventing the structures of public art centers, museums, or commercial galleries and allowing for a more experimental ...
and electronic media production facility in
Toronto
Toronto ( ; or ) is the capital city of the Canadian province of Ontario. With a recorded population of 2,794,356 in 2021, it is the most populous city in Canada and the fourth most populous city in North America. The city is the ancho ...
. Founded in 1982 as Toronto Community Videotex, InterAccess is
Ontario's only exhibition space devoted exclusively to technological
media arts
New media art includes artworks designed and produced by means of electronic media technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D pri ...
. The Centre for Contemporary Canadian Art places the founding of InterAccess as a key moment in both the history of Canadian electronic art but also within a timeline of developments in international art, science, technology and culture.
History
In 1983, InterAccess was incorporated as a not-for-profit,
artist-run access centre, under the name
Toronto Community Videotex (TCV). It provided artists access to the
Telidon
Telidon (from the Greek words τῆλε, ''tele'' "at a distance" and ἰδών, ''idon'' "seeing") was a videotex/teletext service developed by the Canadian Communications Research Centre (CRC) during the late 1970s and supported by commercial ...
system, a precursor of the
World Wide Web
The World Wide Web (WWW), commonly known as the Web, is an information system enabling documents and other web resources to be accessed over the Internet.
Documents and downloadable media are made available to the network through web se ...
. The early conception of electronic art placed the organization within the production cooperative system in Canada. TCV's members created artworks which fell within the more
systems-based notions of art production, rather than the
beaux-arts aesthetic of the museum. The name change to InterAccess in 1987 reflected a new focus on
Macintosh
The Mac (known as Macintosh until 1999) is a family of personal computers designed and marketed by Apple Inc., Apple Inc. Macs are known for their ease of use and minimalist designs, and are popular among students, creative professionals, and ...
graphics,
multimedia
Multimedia is a form of communication that uses a combination of different content forms such as text, audio, images, animations, or video into a single interactive presentation, in contrast to tradition ...
production and a dial-up artists’ network (much like a
Bulletin Board System
A bulletin board system (BBS), also called computer bulletin board service (CBBS), is a computer server running software that allows users to connect to the system using a terminal program. Once logged in, the user can perform functions such as ...
, or BBS) known as Matrix.
InterAccess moved to a larger facility in 1995 allowing InterAccess to offer a gallery and production space that expanded its activities beyond simply access to multimedia production. The exhibitions began to emphasize the finished production and there was a particular focus on establishing an international presence for the centre. The exhibition ''Pandoras Box'', a collaboration between InterAccess and Fylkingen New Music and Intermedia Art in
Stockholm
Stockholm () is the Capital city, capital and List of urban areas in Sweden by population, largest city of Sweden as well as the List of urban areas in the Nordic countries, largest urban area in Scandinavia. Approximately 980,000 people liv ...
,
Sweden
Sweden, formally the Kingdom of Sweden,The United Nations Group of Experts on Geographical Names states that the country's formal name is the Kingdom of SwedenUNGEGN World Geographical Names, Sweden./ref> is a Nordic country located on ...
in 2000, was billed as "the first international interactive encounter with art using remotely controlled robots."
In 2005, InterAccess moved to a renovated two-floor, three thousand square feet stand-alone building, allowing for more production space, a surround sound studio and a machine shop for constructing large-scale physical computing projects and installation.
The exhibition ''This must be the place: Vera Frenkel,
David Rokeby
David Rokeby (born in 1960 in Tillsonburg, Ontario) is an artist who has been making works of electronic, video and installation art since 1982. He lives with his wife, acclaimed pianist Eve Egoyan, and daughter, Viva Egoyan-Rokeby, in Toronto, ...
,
Nell Tenhaaf
Nell Tenhaaf (born in 1951 in Oshawa, Ontario) is a Canadian artist, teacher, writer and feminist.
Nell received a B.F.A. in 1974 and a M.F.A. in 1989 both from Concordia University, Montreal, Quebec.
The bulk of Tenhaaf’s art was produced du ...
and
Norman White'' was a reconsideration of the centre and as well the place of electronic art within art history. The four featured artists are pioneers in electronic and interactive art and have a history with InterAccess as both members and exhibitors.
In May 2006, InterAccess received a
Canada Council
The Canada Council for the Arts (french: Conseil des arts du Canada), commonly called the Canada Council, is a Crown corporation established in 1957 as an arts council of the Government of Canada. It acts as the federal government's principal i ...
Media Arts Commissioning Grant for ''The Networked City'', a series of five outdoor interactive installations on
Yonge Street
Yonge Street (; pronounced "young") is a major arterial route in the Canadian province of Ontario connecting the shores of Lake Ontario in Toronto to Lake Simcoe, a gateway to the Upper Great Lakes.
Once the southernmost leg of provincial Hi ...
in Toronto.
In Dec 2015, InterAccess announced that it had acquired Vector Festival, a game and new media art festival dedicated to showcasing creative media practices. Vector Festival was founded in 2013 as the “Vector Game Art & New Media Festival” by an independent group of artists and curators: Skot Deeming, Clint Enns, Christine Kim, and Katie Micak, who were later joined by Diana Poulsen and Martin Zeilinger.
In 2016 InterAccess presented Canada's first exhibition related to drones, ''Once Is Nothing: A Drone Art Exhibition,'' "an art show completely dedicated to the rise of these suddenly ubiquitous machines, one that raises questions about borders, surveillance, identity and place".
References
Notes
Further reading
* Bull, Hank. "Radio Art in a Gallery?" ''TDR'' Vol. 37, No. 1 (Spring, 1993): 161-166.
* Dick, Terence. "Controller: Artists Crack the Game Code." ''Border Crossings'' 25 No. 2 (June 2006): 113-14.
* Dowler, Kevin. "Interstitial Aesthetics and the Politics of Video at the Canada Council." ''Mirror Machine: Video and Identity.''
Janine Marchessault
Janine Marchessault is a professor of Cinema and Media Studies and Canada Research Chair (2003-2013) at York University in Toronto, Canada. Her main fields of research are Ecologies of Media and Mediation, (sub)urban cultures, the works of Mars ...
, ed. Toronto: YYZ Books, 1995. 35-50.
* Herst, Beth. ''Pandora's Box.'' ''PAJ: A Journal of Performance and Art'' Vol. 24, No. 1, Intelligent Stages: Digital Art and Performance (Jan. 2002): 122-126.
* Hough, Robert. "Beyond the Gallery (Electronic Mail Art)." ''This Magazine'' Vol. 27, Iss. 4 (Nov. 1993): 15.
* Mann, Jeff. "The Matrix Artists' Network: An Electronic Community." ''Leonardo'' Vol. 24, No. 2, Connectivity: Art and Interactive Telecommunications (1991): 230-231.
* Schilling, Mark
"''This must be the place:'' Vera Frenkel, David Rokeby, Nell Tenhaaf and Norman White."''para-para- 022: Parachute Magazine'' No. 122 (April 2006), 7-8.
* Shaw, Nancy. "Cultural Democracy and Institutionalized Difference: Intermedia, Metro Media." ''Mirror Machine: Video and Identity.''
Janine Marchessault
Janine Marchessault is a professor of Cinema and Media Studies and Canada Research Chair (2003-2013) at York University in Toronto, Canada. Her main fields of research are Ecologies of Media and Mediation, (sub)urban cultures, the works of Mars ...
, ed. Toronto: YYZ Books, 1995. 26-34. {{ISBN, 0-920397-13-1
External links
Official websiteVector Festival Official website
Arts organizations established in 1982
Art museums and galleries in Ontario
Artist-run centres
Organizations based in Toronto
Culture of Toronto
Art galleries established in 1982
1982 establishments in Ontario