Artist-run Centres
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Artist-run Centres
Canadian artist-run centres (ARC or ARCs) are galleries and art spaces developed by artists in Canada since the 1960s. Artist-run centre is the common term of use for artist-initiated and managed organizations in Canada. Most centres follow the not-for-profit arts organization model, do not charge admission fees, pay artists for their contributions (exhibitions, presentations, performances) are non-commercial and de-emphasize the selling of artwork. Origins The centres were created originally in response to a lack of opportunity to present contemporary work, especially in the 1960s and 1970s experimental art practices such as performance, installation, conceptual art and video in Canada and with the desire to network with other artists nationally and internationally. The early artist-run centres in Canada were critical of the commodification of traditional art forms exhibited in mainstream galleries and institutions which did not show emerging and experimental works, interdisciplinar ...
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Not-for-profit Arts Organization
A not-for-profit arts organization, also known as a nonprofit arts organization, usually takes the form of a not-for-profit organization, association, or foundation. Such organizations are formed for the purpose of developing and promoting the work of artists in various visual and performing art forms such as film, sculpture, dance, painting, multimedia, poetry, and performance art. History Although museums and performing arts societies have existed for centuries, they have proliferated since the end of World War II. In particular, government sponsored organisations such as the Arts Council of Great Britain, the Canada Council, the New York State Council on the Arts and the National Endowment for the Arts, have been created to fund award grants to help promote the development of art and culture. There are also not-for-profit legal service organizations providing services to artists and arts and cultural organizations. Philadelphia Volunteer Lawyers for the Arts (PVLA) is one such ...
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Artist-run Space
An artist-run space or artist-run centre (Canada) is a gallery or other facility operated or directed by artists, frequently circumventing the structures of public art centers, museums, or commercial galleries and allowing for a more experimental program. An artist-run initiative (ARI) is any project run by artists, including sound or visual artists, to present their and others' projects. They might approximate a traditional art gallery space in appearance or function, or they may take a markedly different approach, limited only by the artist's understanding of the term. "Artist-run initiatives" is an umbrella name for many types of artist-generated activity. Argentina The two main artist-run spaces from Buenos Aires were Belleza y Felicidad and APPETITE, both set the standards for emerging art in Argentina. APPETITE was a gallery was the first Argentinian gallery to be accepted at Frieze, London, and encouraged a lot of galleries to its San Telmo barrio. Australia Many artist- ...
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Artist-run Initiative
An artist-run space or artist-run centre (Canada) is a gallery or other facility operated or directed by artists, frequently circumventing the structures of public art centers, museums, or commercial galleries and allowing for a more experimental program. An artist-run initiative (ARI) is any project run by artists, including sound or visual artists, to present their and others' projects. They might approximate a traditional art gallery space in appearance or function, or they may take a markedly different approach, limited only by the artist's understanding of the term. "Artist-run initiatives" is an umbrella name for many types of artist-generated activity. Argentina The two main artist-run spaces from Buenos Aires were Belleza y Felicidad and APPETITE, both set the standards for emerging art in Argentina. APPETITE was a gallery was the first Argentinian gallery to be accepted at Frieze, London, and encouraged a lot of galleries to its San Telmo barrio. Australia Many artist- ...
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Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising tha ...
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Canada Council
The Canada Council for the Arts (french: Conseil des arts du Canada), commonly called the Canada Council, is a Crown corporation established in 1957 as an arts council of the Government of Canada. It acts as the federal government's principal instrument for funding public arts, as well as for fostering and promoting the study and enjoyment of, and the production of works in, the arts. The Canada Council fulfills its mandate primarily through providing grants and services to professional Canadian artists and arts organizations in dance, interdisciplinary art, media arts, music, opera, theatre, writing, publishing, and the visual arts. In addition, the Canada Council administers the Art Bank, which operates art rental programs and an exhibitions and outreach program. The Canada Council Art Bank holds the largest collection of contemporary Canadian art in the world. The Canada Council is also responsible for the secretariat for the Canadian Commission for UNESCO and the Public L ...
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Museums
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 co ...
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Peer Jury Process
{{Unreferenced, date=June 2019, bot=noref (GreenC bot) The peer jury process is often used in the arts to assess applications for grants, proposals for exhibitions made in response to an open call for submissions and art competitions. Like the practice of peer review used in the academic sphere, a peer jury brings to an evaluation process expertise that an organization or agency awarding grants or sponsoring a competition might not itself have. A peer jury in the arts context is generally composed of artists selected to be representative of those working in a relevant discipline or area. While jurors are expected to have independence, anonymity is less of a concern than in academic peer review, in part because the jury's task is not to catch errors or offer criticism but to only to select. For example, in Canada, agencies that award grants typically publish lists of jurors or make lists available on request. In principle the peer jury process is an effective way for arts council ...
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Artist-run Space
An artist-run space or artist-run centre (Canada) is a gallery or other facility operated or directed by artists, frequently circumventing the structures of public art centers, museums, or commercial galleries and allowing for a more experimental program. An artist-run initiative (ARI) is any project run by artists, including sound or visual artists, to present their and others' projects. They might approximate a traditional art gallery space in appearance or function, or they may take a markedly different approach, limited only by the artist's understanding of the term. "Artist-run initiatives" is an umbrella name for many types of artist-generated activity. Argentina The two main artist-run spaces from Buenos Aires were Belleza y Felicidad and APPETITE, both set the standards for emerging art in Argentina. APPETITE was a gallery was the first Argentinian gallery to be accepted at Frieze, London, and encouraged a lot of galleries to its San Telmo barrio. Australia Many artist- ...
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Artist-run Initiative
An artist-run space or artist-run centre (Canada) is a gallery or other facility operated or directed by artists, frequently circumventing the structures of public art centers, museums, or commercial galleries and allowing for a more experimental program. An artist-run initiative (ARI) is any project run by artists, including sound or visual artists, to present their and others' projects. They might approximate a traditional art gallery space in appearance or function, or they may take a markedly different approach, limited only by the artist's understanding of the term. "Artist-run initiatives" is an umbrella name for many types of artist-generated activity. Argentina The two main artist-run spaces from Buenos Aires were Belleza y Felicidad and APPETITE, both set the standards for emerging art in Argentina. APPETITE was a gallery was the first Argentinian gallery to be accepted at Frieze, London, and encouraged a lot of galleries to its San Telmo barrio. Australia Many artist- ...
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Peggy Gale
Peggy Gale (born 1944) is an independent Canadian curator, writer, and editor. Gale studied Art History and received her Honours Bachelor of Arts degree in Art History from the University of Toronto in 1967. Gale has published extensively on time-based works by contemporary artists in numerous magazines and exhibition catalogues. She was editor of ''Artists Talk 1969-1977'', from The Press of the Nova Scotia College of Art and Design, Halifax (2004) and in 2006, she was awarded the Governor General's Award in Visual and Media Arts. Gale was the co-curator for ''Archival Dialogues: Reading the Black Star Collection'' in 2012 and later for the Biennale de Montréal 2014, ''L’avenir (looking forward)'', at the Musée d’art contemporain de Montréal. Gale is a member of IKT (International Association of Curators of Contemporary Art), AICA (International Association of Art Critics), The Writers' Union of Canada, and has been a contributing editor of Canadian Art since 1986. Early ...
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Artist-run Centres
Canadian artist-run centres (ARC or ARCs) are galleries and art spaces developed by artists in Canada since the 1960s. Artist-run centre is the common term of use for artist-initiated and managed organizations in Canada. Most centres follow the not-for-profit arts organization model, do not charge admission fees, pay artists for their contributions (exhibitions, presentations, performances) are non-commercial and de-emphasize the selling of artwork. Origins The centres were created originally in response to a lack of opportunity to present contemporary work, especially in the 1960s and 1970s experimental art practices such as performance, installation, conceptual art and video in Canada and with the desire to network with other artists nationally and internationally. The early artist-run centres in Canada were critical of the commodification of traditional art forms exhibited in mainstream galleries and institutions which did not show emerging and experimental works, interdisciplinar ...
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