Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...

composed the

church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel, ...

(I believe, dear Lord, help my unbelief), 109, in

Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as wel ...

for the 21st Sunday after

Trinity The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the F ...

and first performed it on 17 October 1723.

History and words

Bach wrote the cantata in 1723 during his first year in Leipzig for the 21st Sunday after Trinity. The prescribed readings for the Sunday were from

Paul Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) *Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Chris ...

Epistle to the Ephesians The Epistle to the Ephesians is the tenth book of the New Testament. Its authorship has traditionally been attributed to Paul the Apostle but starting in 1792, this has been challenged as Deutero-Pauline, that is, pseudepigrapha written in Pau ...

, "take unto you the whole armour of God" (), and from the

Gospel of John The Gospel of John ( grc, Εὐαγγέλιον κατὰ Ἰωάννην, translit=Euangélion katà Iōánnēn) is the fourth of the four canonical gospels. It contains a highly schematic account of the ministry of Jesus, with seven "sig ...

, the healing of the nobleman's son (). The unknown poet of the cantata text stressed the faith, which made the healing possible. The cantata opens with a quote from the

Gospel of Mark The Gospel of Mark), or simply Mark (which is also its most common form of abbreviation). is the second of the four canonical gospels and of the three synoptic Gospels. It tells of the ministry of Jesus from his baptism by John the Baptist to h ...

, The possessed boy, Mark's rendition of the gospel (). The following

movement Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...

s almost form a dialogue between fear and hope, or belief and doubt, such as Bach would compose three weeks later in ''O Ewigkeit, du Donnerwort'', BWV 60, and again for Easter of 1724 in ''Erfreut euch, ihr Herzen'', BWV 66. Movement 2 is a dialogue, movement 3 the expression of fear, movements 4 and 5 turn to hope. The closing

chorale Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the t ...

is verse 7 of "" by

Lazarus Spengler Lazarus Spengler (March 13, 1479 in Nuremberg – September 7, 1534 in Nuremberg) was a prominent supporter of Martin Luther and leader of the Protestant Reformation in Nuremberg, as well as a famous hymnwriter. Life and career Spengler was t ...

(1524). Bach first performed the cantata on 17 October 1723.

Scoring and structure

The cantata in six movements is scored for

alto The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by ...

and

tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...

soloists, a four-part choir, and a Baroque instrumental ensemble of ''cor du chasse'' (''corno da caccia'' or

corno da tirarsi The corno da tirarsi ("pull horn") is a Baroque brass instrument. Johann Sebastian Bach wrote for the instrument when he was working in Leipzig, and it appears to have been played for him by Gottfried Reiche. It has been stated that it appears in f ...

), two

oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...

s, two

violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...

viola The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of ...

, and

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

. The ''cor du chasse'' is possibly the same instrument as the slide trumpet used a week before in the performance in Leipzig of the cantata ''Ach! ich sehe, itzt, da ich zur Hochzeit gehe'', BWV 162, written in Weimar. Its added part is not in the score. In the opening chorus it plays mostly

colla parte A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special mus ...

with the first violin, in movement 6 the

cantus firmus In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect tr ...

with the soprano. # Chorus: # Recitative (tenor): # Aria (tenor, strings): # Recitative (alto): # Aria (alto, oboes): # Chorale:

Music

The opening chorus shows many elements of a

concerto grosso The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the ''ripieno'', ''tut ...

. In the instrumental

ritornello A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usu ...

, oboe 1 and violin 1 form the concertino. The vocal parts appear sometimes as a solo or duet, expressing belief in an upward theme derived from the ritornello theme, with doubt expressed in a downward line. The inner dialogue in movement 2 is marked ''forte'' and ''piano'', rather than giving the words to two different singers, as

John Eliot Gardiner Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gard ...

points out: "Bach reinforces the dichotomy between faith and doubt by assigning two opposing ''voices'' sung by the same singer, one marked forte, the other piano, alternating phrase by phrase and surely unique in Bach's recitatives". The final question "" (Ah, Lord, how long?) is intensified as an

arioso In classical music, arioso (also aria parlante ) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th cen ...

, marked

adagio Adagio (Italian for 'slowly', ) may refer to: Music * Adagio, a Tempo#Basic tempo markings, tempo marking, indicating that music is to be played slowly, or a composition intended to be played in this manner * Adagio (band), a French progressive m ...

. In the following aria fear is expressed, according to Gardiner, in "jagged melodic shapes, unstable harmonies headed towards anguished second inversion chords, and persistent dotted rhythmic figures". It has been compared to the tenor aria from Bach's ''

St John Passion The ''Passio secundum Joannem'' or ''St John Passion'' (german: Johannes-Passion, link=no), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach. It was written during his first year as direc ...

'', . The closing chorale is not a four-part setting, but a complex chorale fantasia with an independent orchestral part, in which the choral part is embedded. The lines of the chorale melody "", interspersed by interludes, are sung in long notes by the soprano (with the corno) on a foundation of faster movement in the lower voices. This movement is the first

chorale fantasia Chorale fantasia is a type of large composition based on a chorale melody, both works for organ, and vocal settings, for example the opening movements of Bach's chorale cantatas, with the chorale melody as a cantus firmus. History Chorale fantas ...

written in a Bach cantata in Leipzig, to be followed by many such movements opening

chorale cantatas Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the ...

of the second cantata cycle.

Recordings

* ''Die Bach Kantate Vol. 56'',

Helmuth Rilling Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie S ...

Gächinger Kantorei Gächinger Kantorei (Gächingen Chorale) is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutlingen) and conducted by him until 2013, succeeded by Hans-Christoph Radema ...

Bach-Collegium Stuttgart Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra. Its members are mostly orchestra musicians from Germany and S ...

, Gabriele Schreckenbach,

Kurt Equiluz Kurt Equiluz (13 June 1929 – 20 June 2022) was an Austrian classical tenor in opera and concert. He was a member of the Vienna State Opera as a tenor buffo from 1957 until 1983, remembered for roles such as Pedrillo in Mozart's ''Die Entführ ...

Hänssler Hänssler-Verlag is a German music publishing house founded in 1919 as Musikverlag Hänssler by Friedrich Hänssler Senior (died 1972) to publish church music. The company is now based in Holzgerlingen. Since 1972 Hänssler Verlag has also publish ...

(LP) 1971 * ''J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 6'',

Nikolaus Harnoncourt Johann Nikolaus Harnoncourt or historically Johann Nikolaus Graf de la Fontaine und d'Harnoncourt-Unverzagt; () (6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music ...

Tölzer Knabenchor The Tölzer Knabenchor (Tölz Boys' Choir) is a German boys' choir named after the Upper Bavarian city of Bad Tölz and since 1971 based in Munich. The choir is ranked among the most versatile and sought-after boys' choirs in the world. Histor ...

Concentus Musicus Wien Concentus Musicus Wien (CMW) is an Austrian baroque music ensemble based in Vienna. The CMW is recognized as a pioneer of the period-instrument performance movement. History Nikolaus Harnoncourt and Alice Harnoncourt co-founded the CMW in 1953 ...

Paul Esswood Paul Lawrence Vincent Esswood (born 6 June 1942) is an English countertenor and conductor. He is best known for his performance of Bach cantatas and the operas of Handel and Monteverdi. Along with his countrymen Alfred Deller and James Bowman ...

Teldec Teldec (Telefunken-Decca Schallplatten GmbH) is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group. History Teldec was a producer of (first) shellac and (later) vinyl records. The Teldec manufacturing ...

1980 * ''Die Bach Kantate Vol. 56'',

Hildegard Laurich Hildegard Laurich (15 January 1941 – 11 February 2009), was a German classical contralto singer. Professional career Born in Halle, Laurich studied at the Hochschule für Musik Detmold, in Berlin with Hermann Weissenborn, and in private study ...

(CD) 1981 * ''J. S. Bach: Complete Cantatas Vol. 8'',

Ton Koopman Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orches ...

Amsterdam Baroque Orchestra & Choir The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroqu ...

Bogna Bartosz Bogna Bartosz (born in Gdańsk) is a Polish classical mezzo-soprano and alto. Career Bogna Bartosz studied voice at the Academy of Music in Gdansk and graduated with distinction. She then studied at the Berlin University of the Arts with Ingri ...

Jörg Dürmüller Jörg Dürmüller (born 28 August 1959 in Bern) is a Swiss classical tenor in concert and opera. Biography Dürmüller studied violin and voice at the conservatory of Winterthur and took voice master classes with Edith Mathis, Christa Ludwig ...

, Antoine Marchand 1994 * ''J. S. Bach: Cantatas Vol. 14 – Cantatas from Leipzig 1723'',

Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for whi ...

Bach Collegium Japan Bach Collegium Japan (BCJ) is composed of an orchestra and a chorus specializing in Baroque music, playing on period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque music ...

Robin Blaze Robin Blaze (born 1971 in Manchester) is an English countertenor. Early life The son of Peter Blaze, a professional golfer, and Christine, Blaze and his brother Mark grew up in Shadwell, near Leeds, and was educated at Leeds Grammar School, ...

Gerd Türk Gerd Türk is a German classical tenor. Biography Gerd Türk received his first musical training as a choir boy at the cathedral of Limburg. He studied in Frankfurt and then at the Schola Cantorum Basiliensis with Richard Levitt and René Jaco ...

, BIS 2000 * ''Bach Cantatas Vol. 11'',

Monteverdi Choir The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the ''Vespro della Beata Vergine'' in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic convic ...

English Baroque Soloists The English Baroque Soloists is a chamber orchestra playing on period instruments, formed in 1978 by English conductor Sir John Eliot Gardiner. Its repertoire comprises music from the early Baroque to the Classical period. History The English B ...

, William Towers,

Paul Agnew Paul Agnew (born 1964 in Glasgow Glasgow ( ; sco, Glesca or ; gd, Glaschu ) is the most populous city in Scotland and the fourth-most populous city in the United Kingdom, as well as being the 27th largest city by population in Europ ...

, Soli Deo Gloria 2000

References

Sources

*
Ich glaube, lieber Herr, hilf meinem Unglauben BWV 109; BC A 151 / Sacred cantata (21st Sunday after Trinity)

Bach Digital Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are ...

Cantata BWV 109 Ich glaube, lieber Herr, hilf meinem Unglauben
history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website

English translation,

University of Vermont The University of Vermont (UVM), officially the University of Vermont and State Agricultural College, is a Public university, public Land-grant university, land-grant research university in Burlington, Vermont. It was founded in 1791 and is amon ...

BWV 109 Ich glaube, lieber Herr, hilf meinem Unglauben
text, scoring,

University of Alberta The University of Alberta, also known as U of A or UAlberta, is a public research university located in Edmonton, Alberta, Canada. It was founded in 1908 by Alexander Cameron Rutherford,"A Gentleman of Strathcona – Alexander Cameron Rutherfor ...

Chapter 23 BWV 109 Ich glaube, lieber Herr, hilf meinem Unglauben
Julian Mincham 2010

External links

Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109
performance by the

Netherlands Bach Society The Netherlands Bach Society ( nl, Nederlandse Bachvereniging) is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world. The ensemble was founded in 1921 in Naarden to perform Johann Sebastian Bach, Bach's ''St Matthew ...

(video and background information) {{DISPLAYTITLE:''Ich glaube, lieber Herr, hilf meinem Unglauben'', BWV 109 Church cantatas by Johann Sebastian Bach 1723 compositions