This is a history of aesthetics.
Ancient Greek aesthetics
The first important contributions to
aesthetic
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed th ...
theory are usually considered to stem from philosophers in
Ancient Greece
Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity ( AD 600), that comprised a loose collection of cult ...
, among which the most noticeable are
Plato
Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
,
Aristotle
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of phil ...
and
Plotinus
Plotinus (; grc-gre, Πλωτῖνος, ''Plōtînos''; – 270 CE) was a philosopher in the Hellenistic philosophy, Hellenistic tradition, born and raised in Roman Egypt. Plotinus is regarded by modern scholarship as the founder of Neop ...
. When interpreting writings from this time, it is worth noticing that it is debatable whether an exact equivalent to the term
beauty
Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, together with art and taste, is the main subject of aesthetics, o ...
existed in classical Greek.
Xenophon
Xenophon of Athens (; grc, wikt:Ξενοφῶν, Ξενοφῶν ; – probably 355 or 354 BC) was a Greek military leader, philosopher, and historian, born in Athens. At the age of 30, Xenophon was elected commander of one of the biggest Anci ...
regarded the beautiful as coincident with the good, while both of these concepts are resolvable into the useful. Every beautiful object is so called because it serves some rational end: either the security or the gratification of man. Socrates rather emphasized the power of beauty to further the more necessary ends of life than the immediate gratification which a beautiful object affords to perception and contemplation. His doctrine puts forward the relativity of beauty.
Plato
Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
, in contrast, recognized that beauty exists as an abstract ''
Form
Form is the shape, visual appearance, or configuration of an object. In a wider sense, the form is the way something happens.
Form also refers to:
*Form (document), a document (printed or electronic) with spaces in which to write or enter data
...
''. It is therefore absolute and does not necessarily stand in relation to a percipient mind.
[
]
Plato
Of the views of Plato
Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
on the subject, it is hardly less difficult to gain a clear conception from the ''Dialogues'', than it is in the case of ethical good. In some of these, various definitions of the beautiful are rejected as inadequate by the Platonic Socrates. At the same time we may conclude that Plato's mind leaned decidedly to the conception of an absolute beauty, which took its place in his scheme of ideas or self-existing forms. This true beauty is nothing discoverable as an attribute in another thing, for these are only beautiful things, not the beautiful itself. Love (Eros
In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the earli ...
) produces aspiration towards this pure idea. Elsewhere the soul's intuition of the self-beautiful is said to be a reminiscence of its prenatal existence. As to the precise forms in which the idea of beauty reveals itself, Plato is not very decided. His theory of an absolute beauty does not easily adjust itself to the notion of its contributing merely a variety of sensuous pleasure, to which he appears to lean in some dialogues. He tends to identify the self-beautiful with the conceptions of the true and the good, and thus there arose the Platonic formula kalokagathia
''Kalos kagathos'' or ''kalokagathos'' ( grc, καλὸς κἀγαθός ), of which ''kalokagathia'' () is the derived noun, is a phrase used by classical Greek writers to describe an ideal of gentlemanly personal conduct, especially in a milit ...
. So far as his writings embody the notion of any common element in beautiful objects, it is proportion, harmony or unity among their parts. He emphasizes unity in its simplest aspect as seen in evenness of line and purity of color. He recognizes in places the beauty of the mind, and seems to think that the highest beauty of proportion is to be found in the union of a beautiful mind with a beautiful body. He had but a poor opinion of art, regarding it as a trick of imitation (mimesis
Mimesis (; grc, μίμησις, ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including ''imitatio'', imitation, nonsensuous similarity, receptivity, representation, mimicry, the act ...
) which takes us another step further from the luminous sphere of rational intuition into the shadowy region of the semblances of sense. Accordingly, in his scheme for an ideal republic
A republic () is a "state in which power rests with the people or their representatives; specifically a state without a monarchy" and also a "government, or system of government, of such a state." Previously, especially in the 17th and 18th c ...
, he provided for the most inexorable censorship of poets, etc., so as to make art as far as possible an instrument of moral and political training.[
An example of Plato's considerations about poetry is: "For the authors of those great poems which we admire, do not attain to excellence through the rules of any art; but they utter their beautiful melodies of verse in a state of inspiration, and, as it were, possessed by a spirit not their own."
]
Aristotle
Aristotle
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of phil ...
, in contrast to Plato, developed certain principles of beauty and art, most clearly so in his treatises on poetry and rhetoric. He saw the absence of all lust or desire in the pleasure it bestows as another characteristic of the beautiful. Aristotle finds (in the ''Metaphysics'') the universal elements of beauty to be order (), symmetry and definiteness or determinateness (to ). In the ''Poetics
Poetics is the theory of structure, form, and discourse within literature, and, in particular, within poetry.
History
The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" an ...
'' he adds another essential, namely, a certain magnitude; the object should not be too large, while clearness of perception requires that it should not be too small.[
Aristotle was passionate about goodness in men as he valued "taking tsvirtues to be central to a well-lived life."] In ''Politics'', he writes, "Again, men in general desire the good, and not merely what their fathers had." To thoroughly comprehend goodness, Aristotle also studied Beauty
Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, together with art and taste, is the main subject of aesthetics, o ...
. As noted in the Encyclopædia Britannica (1902), moreover, Aristotle, "ignores all conceptions of an absolute Beauty, and at the same time seeks to distinguish the Beautiful from the Good." Aristotle explains that men "will be better able to achieve heir
Inheritance is the practice of receiving private property, titles, debts, entitlements, privileges, rights, and obligations upon the death of an individual. The rules of inheritance differ among societies and have changed over time. Officiall ...
good if hey
Hey or Hey! may refer to:
Music
* Hey (band), a Polish rock band
Albums
* ''Hey'' (Andreas Bourani album) or the title song (see below), 2014
* ''Hey!'' (Julio Iglesias album) or the title song, 1980
* ''Hey!'' (Jullie album) or the title s ...
develop a fuller understanding of what it is to flourish." He nonetheless seeks (in the ''Metaphysics
Metaphysics is the branch of philosophy that studies the fundamental nature of reality, the first principles of being, identity and change, space and time, causality, necessity, and possibility. It includes questions about the nature of conscio ...
'') to distinguish the good and the beautiful by saying that the former is always in action () whereas the latter may exist in motionless things as well (). At the same time he allowed that the good might under certain conditions be called beautiful. He further distinguished the beautiful from the fit, and in a passage of the ''Politics
Politics (from , ) is the set of activities that are associated with making decisions in groups, or other forms of power relations among individuals, such as the distribution of resources or status. The branch of social science that studies ...
'' set beauty above the useful and necessary.[
Aristotle's views on ]fine art
In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork ...
distinctly recognized (in the ''Politics'' and elsewhere) that the aim of art is immediate pleasure, as distinct from utility, which is the end of the mechanical arts. He took a higher view of artistic imitation than Plato, holding that it implied knowledge and discovery, that its objects not only comprised particular things which happen to exist, but contemplated what is probable and what necessarily exists. In the ''Poetics'' he declares poetry to be more philosophical and serious a matter () than History. He gives us no complete classification of the fine arts, and it is doubtful how far his principles, e.g. his idea of a purification of the passions by tragedy, are to be taken as applicable to other than the poetic art.[
]
Plotinus
Of the later Greek and Roman writers the Neo-Platonist Plotinus
Plotinus (; grc-gre, Πλωτῖνος, ''Plōtînos''; – 270 CE) was a philosopher in the Hellenistic philosophy, Hellenistic tradition, born and raised in Roman Egypt. Plotinus is regarded by modern scholarship as the founder of Neop ...
deserves to be mentioned. According to him, objective reason (nous) as self-moving, becomes the formative influence which reduces dead matter to form. Matter when thus formed becomes a notion (logos), and its form is beauty. Objects are ugly so far as they are unacted upon by reason, and therefore formless. The creative reason is absolute beauty, and is called the more than beautiful. There are three degrees or stages of manifested beauty: that of human reason, which is the highest; of the human soul, which is less perfect through its connexion with a material body; and of real objects, which is the lowest manifestation of all. As to the precise forms of beauty, he supposed, in opposition to Aristotle, that a single thing not divisible into parts might be beautiful through its unity and simplicity. He gives a high place to the beauty of colours in which material darkness is overpowered by light and warmth. In reference to artistic beauty he said that when the artist has notions as models for his creations, these may become more beautiful than natural objects. This is clearly a step away from Plato's doctrine towards our modern conception of artistic idealization.[
]
Western medieval aesthetics
Surviving medieval art
The medieval art of the Western world covers a vast scope of time and place, over 1000 years of art in Europe, and at certain periods in Western Asia and Northern Africa. It includes major art movements and periods, national and regional art, gen ...
is primarily religious in focus and funded largely by the State
State may refer to:
Arts, entertainment, and media Literature
* ''State Magazine'', a monthly magazine published by the U.S. Department of State
* ''The State'' (newspaper), a daily newspaper in Columbia, South Carolina, United States
* ''Our S ...
, Roman Catholic
Roman or Romans most often refers to:
*Rome, the capital city of Italy
*Ancient Rome, Roman civilization from 8th century BC to 5th century AD
*Roman people, the people of ancient Rome
*'' Epistle to the Romans'', shortened to ''Romans'', a lette ...
or Orthodox
Orthodox, Orthodoxy, or Orthodoxism may refer to:
Religion
* Orthodoxy, adherence to accepted norms, more specifically adherence to creeds, especially within Christianity and Judaism, but also less commonly in non-Abrahamic religions like Neo-pa ...
church, powerful ecclesiastical individuals, or wealthy secular patrons. These art pieces often served a liturgical function, whether as chalices
A chalice (from Latin 'mug', borrowed from Ancient Greek () 'cup') or goblet is a footed cup intended to hold a drink. In religious practice, a chalice is often used for drinking during a ceremony or may carry a certain symbolic meaning.
Re ...
or even as church buildings
Church may refer to:
Religion
* Church (building), a building for Christian religious activities
* Church (congregation), a local congregation of a Christian denomination
* Church service, a formalized period of Christian communal worship
* C ...
themselves. Objects of fine art from this period were frequently made from rare and valuable materials, such as gold and lapis
Lapis lazuli (; ), or lapis for short, is a deep-blue metamorphic rock used as a semi-precious stone that has been prized since antiquity for its intense color.
As early as the 7th millennium BC, lapis lazuli was mined in the Sar-i Sang mines ...
, the cost of which commonly exceeded the wages of the artist.
Medieval aesthetics in the realm of philosophy built upon Classical thought, continuing the practice of Plotinus
Plotinus (; grc-gre, Πλωτῖνος, ''Plōtînos''; – 270 CE) was a philosopher in the Hellenistic philosophy, Hellenistic tradition, born and raised in Roman Egypt. Plotinus is regarded by modern scholarship as the founder of Neop ...
by employing theological terminology in its explications. St. Bonaventure
Bonaventure ( ; it, Bonaventura ; la, Bonaventura de Balneoregio; 1221 – 15 July 1274), born Giovanni di Fidanza, was an Italian Catholic Franciscan, bishop, cardinal, scholastic theologian and philosopher.
The seventh Minister G ...
's "Retracing the Arts to Theology", a primary example of this method, discusses the skills of the artisan as gifts given by God for the purpose of disclosing God to mankind, which purpose is achieved through four lights: the light of skill in mechanical arts which discloses the world of artifacts; which light is guided by the light of sense perception which discloses the world of natural forms; which light, consequently, is guided by the light of philosophy which discloses the world of intellectual truth; finally, this light is guided by the light of divine wisdom which discloses the world of saving truth.
Saint Thomas Aquinas
Thomas Aquinas, OP (; it, Tommaso d'Aquino, lit=Thomas of Aquino; 1225 – 7 March 1274) was an Italian Dominican friar and priest who was an influential philosopher, theologian and jurist in the tradition of scholasticism; he is known wi ...
's aesthetic is probably the most famous and influential theory among medieval authors, having been the subject of much scrutiny in the wake of the neo-Scholastic revival of the late 19th and early 20th centuries and even having received the approbation of the celebrated Modernist writer, James Joyce
James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist, poet, and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of ...
. Thomas, like many other medievals, never gives a systematic account of beauty itself, but several scholars have conventionally arranged his thought—though not always with uniform conclusions—using relevant observations spanning the entire corpus of his work. While Aquinas's theory follows generally the model of Aristotle
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of phil ...
, he develops a singular aesthetics which incorporates elements unique to his thought. Umberto Eco
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator. In English, he is best known for his popular 1980 novel ''The Name of the ...
's ''The Aesthetics of Thomas Aquinas'' identifies the three main characteristics of beauty in Aquinas's philosophy: ''integritas sive perfectio'' (integrity or perfection), ''consonantia sive debita proportio'' (consonance or proportion), and ''claritas sive splendor formae'' (brightness or form). While Aristotle likewise identifies the first two characteristics, St. Thomas conceives of the third as an appropriation from principles developed by neo-Platonic and Augustinian thinkers. With the shift from the Middle Ages to the enaissance art likewise changed its focus, as much in its content as in its mode of expression.
Baroque and Neoclassicism
Tesauro
In the seventeenth-century aesthetic concepts from classical antiquity
Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ...
in Western art, including proportion, harmony, unity, decorum
Decorum (from the Latin: "right, proper") was a principle of classical rhetoric, poetry and theatrical theory concerning the fitness or otherwise of a style to a theatrical subject. The concept of ''decorum'' is also applied to prescribed limit ...
, were challenged by new styles, such as Baroque, that adopted new styles and technique to distinguish itself from previous forms of art. The key concepts of the Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
aesthetic, such as “conceit An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact bet ...
” (''concetto''), “ wit” (''acutezza'', ''ingegno''), and “wonder
Wonder most commonly refers to:
* Wonder (emotion), an emotion comparable to surprise that people feel when perceiving something rare or unexpected
Wonder may also refer to:
Arts and media
Fictional entities
* The Wonders, a fictional band ...
” (''meraviglia''), were not fully developed in literary theory until the publication of Emanuele Tesauro's ''Il Cannocchiale aristotelico'' (The Aristotelian Telescope) in 1654. This seminal treatise - inspired by Giambattista Marino
Giovanni Battista was a common Italian given name (see Battista for those with the surname) in the 16th-18th centuries. It refers to "John the Baptist" in English, the French equivalent is "Jean-Baptiste". Common nicknames include Giambattista, Gia ...
's epic ''Adone'' and the work of the Spanish Jesuit philosopher Baltasar Gracián
Baltasar Gracián y Morales, S.J. (; 8 January 16016 December 1658), better known as Baltasar Gracián, was a Spanish Jesuit and baroque prose writer and philosopher. He was born in Belmonte, near Calatayud (Aragón). His writings were lauded ...
- developed a theory of metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared wit ...
as a universal language of images and as a supreme intellectual act, at once an artifice and an epistemologically privileged mode of access to truth.
Bellori
In 1664, Giovanni Pietro Bellori, Roman art theorist and close friend of Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a ...
, gave a lecture
A lecture (from Latin ''lēctūra'' “reading” ) is an oral presentation intended to present information or teach people about a particular subject, for example by a university or college teacher. Lectures are used to convey critical inform ...
at the Roman Accademia di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its fir ...
entitled "L'idea del pittore, dello scultore e dell'architetto". The ''Idea'' was published in 1672 as the preface to Bellori's '' Le vite de' pittori, scultori et architetti moderni''. Since then it has acquired almost canonical status as one of the earliest declarations of the principles of Classicism.
For Bellori, under the influence of the Neoplatonic aesthetic of Plotinus
Plotinus (; grc-gre, Πλωτῖνος, ''Plōtînos''; – 270 CE) was a philosopher in the Hellenistic philosophy, Hellenistic tradition, born and raised in Roman Egypt. Plotinus is regarded by modern scholarship as the founder of Neop ...
, the 'highest and eternal intellect' had fashioned the supreme archetypes of multifarious nature, the 'Ideas', out of his own being, as the 'perfection of natural beauty', and the artists of antiquity had looked beyond nature to the superior 'Idea' itself.
Bellori was hugely influential in the development of the concept of 'ideal beauty'. According to Erwin Panofsky
Erwin Panofsky (March 30, 1892 in Hannover – March 14, 1968 in Princeton, New Jersey) was a German-Jewish art historian, whose academic career was pursued mostly in the U.S. after the rise of the Nazi regime.
Panofsky's work represents a hig ...
, Bellori is the predecessor of Winckelmann Winckelmann may refer to:
* George Winckelmann (1884–1962), a Finnish lawyer and a diplomat
* Johann Joachim Winckelmann (1717–1768), a German art historian and archaeologist
* Johann Just Winckelmann
Johann Just Winckelmann (19 August 1620 ...
as an art theorist. Winckelmann's theory of the "ideally beautiful" as he expounds it in ''Geschichte der Kunst des Altertums'', thoroughly agrees with the content of Bellori's ''Idea'' (to which Winckelmann also owes his acquaintance with the letters of Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of ...
and Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious ...
). Winckelmann himself frankly recognizes this indebtedness. In the essay "A Parallel of Poetry and Painting," which prefaces his translation of Du Fresnoy Latin poem ''De arte graphica'', Dryden
''
John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate.
He is seen as dominating the literary life of Restoration England to such a point that the peri ...
includes a lengthy excerpt from Bellori's ''Idea''. It is through Bellori's formulation, that the notion of ideal beauty was introduced in France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pac ...
, Germany
Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe after Russia, and the most populous member state of the European Union. Germany is situated betwe ...
and England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe b ...
, in art criticism
Art criticism is the discussion or evaluation of visual art. Art critics usually criticize art in the context of aesthetics or the theory of beauty. A goal of art criticism is the pursuit of a rational basis for art appreciation but it is quest ...
generally, and survived throughout the 19th century.
Age of Enlightenment
Addison
Joseph Addison
Joseph Addison (1 May 1672 – 17 June 1719) was an English essayist, poet, playwright and politician. He was the eldest son of The Reverend Lancelot Addison. His name is usually remembered alongside that of his long-standing friend Richard S ...
's "Essays on the Imagination" contributed to the ''Spectator'', though they belong to popular literature, contain the germ of scientific analysis in the statement that the pleasures of imagination (which arise originally from sight) fall into two classes — (1) primary pleasures, which entirely proceed from objects before our eyes; and (2) secondary pleasures, flowing from the ideas of visible objects. The latter are greatly extended by the addition of the proper enjoyment of resemblance, which is at the basis of all mimicry and wit. Addison recognizes, too, to some extent, the influence of association upon our aesthetic preferences.[
]
Shaftesbury
Shaftesbury
Shaftesbury () is a town and civil parish in Dorset, England. It is situated on the A30 road, west of Salisbury, near the border with Wiltshire. It is the only significant hilltop settlement in Dorset, being built about above sea level on a ...
is the first of the intuitional writers on beauty. In his ''Characteristicks
Anthony Ashley Cooper, 3rd Earl of Shaftesbury (26 February 1671 – 16 February 1713) was an English politician, philosopher, and writer.
Early life
He was born at Exeter House in London, the son of the future Anthony Ashley Cooper, 2nd Earl ...
'' the beautiful and the good are combined in one ideal conception, much as with Plato
Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
. Matter in itself is ugly. The order of the world, wherein all beauty really resides, is a spiritual principle, all motion and life being the product of spirit. The principle of beauty is perceived not with the outer sense, but with an internal or moral sense which apprehends the good as well. This perception yields the only true delight, namely, spiritual enjoyment.[
]
Hutcheson
Francis Hutcheson, in his ''System of Moral Philosophy'', though he adopts many of Shaftesbury's ideas, distinctly disclaims any independent self-existing beauty in objects. "All beauty", he says, "is relative to the sense of some mind perceiving it." One cause of beauty is to be found not in a simple sensation such as colour or tone, but in a certain order among the parts, or "uniformity amidst variety". The faculty by which this principle is discerned is an internal sense which is defined as "a passive power of receiving ideas of beauty from all objects in which there is uniformity in variety". This inner sense resembles the external senses in the immediateness of the pleasure which its activity brings, and further in the necessity of its impressions: a beautiful thing being always, whether we will or no, beautiful. He distinguishes two kinds of beauty, absolute or original, and relative or comparative. The latter is discerned in an object which is regarded as an imitation or semblance of another. He distinctly states that "an exact imitation may still be beautiful though the original were entirely devoid of it." He seeks to prove the universality of this sense of beauty, by showing that all men, in proportion to the enlargement of their intellectual capacity, are more delighted with uniformity than the opposite.[
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Alexander Gottlieb Baumgarten
Perhaps the first German philosopher who developed an independent aesthetic theory was Baumgarten. In his best-known work ''Aesthetica'', he complemented the Leibniz
Gottfried Wilhelm (von) Leibniz . ( – 14 November 1716) was a German polymath active as a mathematician, philosopher, scientist and diplomat. He is one of the most prominent figures in both the history of philosophy and the history of mathema ...
-Wolffian
Christian Wolff (less correctly Wolf, ; also known as Wolfius; ennobled as Christian Freiherr von Wolff in 1745; 24 January 1679 – 9 April 1754) was a German philosopher. Wolff is characterized as the most eminent German philosopher between Le ...
theory of knowledge by adding to the clear scientific or "logical" knowledge of the understanding the knowledge of the senses, to which he gave the name "aesthetic". It is for this reason that Baumgarten is said to have "coined" the term ''aesthetics''. Beauty to him corresponds to perfect sense-knowledge. Baumgarten reduces taste to an intellectual act and ignores the element of feeling. To him, nature is the highest embodiment of beauty, and thus art must seek its supreme function in the strictest possible imitation of nature.[
]
Burke
Burke
Burke is an Anglo-Norman Irish surname, deriving from the ancient Anglo-Norman and Hiberno-Norman noble dynasty, the House of Burgh. In Ireland, the descendants of William de Burgh (–1206) had the surname ''de Burgh'' which was gaelicised ...
's speculations, in his ''Inquiry into the Origin of our Ideas of the Sublime and Beautiful'', illustrate the tendency of English writers to treat the problem as a psychological one and to introduce physiological considerations. He finds the elements of beauty to be:-- (1) smallness; (2) smoothness; (3) gradual variation of direction in gentle curves; (4) delicacy, or the appearance of fragility; (5) brightness, purity and softness of colour. The sublime is rather crudely resolved into astonishment, which he thinks always retains an element of terror. Thus "infinity has a tendency to fill the mind with a delightful horror." Burke seeks what he calls "efficient causes" for these aesthetic impressions in certain affections of the nerves of sight analogous to those of other senses, namely, the soothing effect of a relaxation of the nerve fibres. The arbitrariness and narrowness of this theory cannot well escape the reader's attention.[
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Kant
Immanuel Kant's theory of aesthetic judgments remains a highly debated aesthetic theory until today. It is important to note that Kant uses the term "aesthetics" ("Ästhetik") to refer to any sensual experience. The work most crucial to aesthetics as a strand of philosophy is the first half of his Critique of the Power of Judgment, the ''Critique of the Aesthetic Power of Judgment''. It is subdivided in two main parts - the ''Analytic of the Beautiful'' and the ''Analytic of the Sublime'', but also deals with the experience of fine art.
For Kant, beauty does not reside ''inside'' an object, but is defined as the pleasure that stems from the ″free play″ of imagination and understanding inspired by the object — which as a result we will call beautiful. Such pleasure is more than mere agreeableness, since it must be disinterested and free — that is to say independent from the object's ability to serve as a means to an end. Even though the feeling of beauty is subjective, Kant goes beyond the notion of ″beauty is in the eye of the beholder″: If something is beautiful to me, I also think that it should be so for everybody else, even though I cannot prove beauty to anyone. Kant also insists that the aesthetic judgment is always, an "individual" i.e. a singular one, of the form "''This'' object (e.g. rose) is beautiful." He denies that we can reach a valid universal aesthetic judgment of the form "All objects possessing such and such qualities are beautiful." (A judgment of this form would be logical, not aesthetic.) Nature, in Kant's aesthetics, is the primary example for beauty, ranking as a source of aesthetic pleasure above art, which he only considers in the last parts of the third ''Critique of the Aesthetic Judgment''. It is in these last paragraphs where he connects to his earlier works when he argues that the highest significance of beauty is to symbolize moral good; going in this regard even further than Ruskin.[
]
German writers
Schelling
Friedrich Wilhelm Joseph Schelling
Friedrich Wilhelm Joseph Schelling (; 27 January 1775 – 20 August 1854), later (after 1812) von Schelling, was a German philosopher. Standard histories of philosophy make him the midpoint in the development of German idealism, situating him be ...
is the first thinker to attempt a Philosophy of Art. He develops this as the third part of his system of transcendental idealism following theoretic and practical philosophy. (See also Schelling's ''Werke'', Bd. v., and J. Watson, Schelling's ''Transcendental Idealism'', ch. vii., Chicago, 1882.) According to Schelling a new philosophical significance is given to art by the doctrine that the identity of subject and object — which is half disguised in ordinary perception and volition — is only clearly seen in artistic perception. The perfect perception of its real self
The true self (also known as real self, authentic self, original self and vulnerable self) and the false self (also known as fake self, idealized self, superficial self and pseudo self) are a psychological dualism conceptualized by English psychoa ...
by intelligence in the work of art is accompanied by a feeling of infinite satisfaction. Art in thus effecting a revelation of the absolute seems to attain a dignity not merely above that of nature but above that of philosophy itself. Schelling throws but little light on the concrete forms of beauty. His classification of the arts, based on his antithesis of object and subject, is a curiosity in intricate arrangement. He applies his conception in a suggestive way to classical tragedy.[
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Hegel
In Georg Wilhelm Friedrich Hegel
Georg Wilhelm Friedrich Hegel (; ; 27 August 1770 – 14 November 1831) was a German philosopher. He is one of the most important figures in German idealism and one of the founding figures of modern Western philosophy. His influence extends ...
's system of philosophy art is viewed as the first stage of the absolute spirit. (See also ''Werke'', Bd. x., and Bosanquet's ''Introduction to Hegel's Philosophy of Fine Art''.). In this stage the absolute is immediately present to sense-perception, an idea which shows the writer's complete rupture with Kant's doctrine of the "subjectivity" of beauty. The beautiful is defined as the ideal showing itself to sense or through a sensuous medium. It is said to have its life in show or semblance (Schein) and so differs from the true, which is not really sensuous, but the universal idea contained in sense for thought. The form of the beautiful is unity of the manifold. The notion (Begriff) gives necessity in mutual dependence of parts (unity), while the reality demands the semblance (Schein) of liberty in the parts. He discusses very fully the beauty of nature as immediate unity of notion and reality, and lays great emphasis on the beauty of organic life. But it is in art that, like Schelling, Hegel finds the highest revelation of the beautiful. Art makes up for the deficiencies of natural beauty by bringing the idea into clearer light, by showing the external world in its life and spiritual animation. The several species of art in the ancient and modern worlds depend on the various combinations of matter and form. He classifies the individual arts according to this same principle of the relative supremacy of form and matter, the lowest being architecture, the highest, poetry.[
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Dialectic of the Hegelians
Curious developments of the Hegelian conception are to be found in the dialectic
Dialectic ( grc-gre, διαλεκτική, ''dialektikḗ''; related to dialogue; german: Dialektik), also known as the dialectical method, is a discourse between two or more people holding different points of view about a subject but wishing ...
al treatment of beauty in its relation to the ugly, the sublime, etc., by Hegel's disciples, e.g. C. H. Weisse and J. K. F. Rosenkranz. The most important product of the Hegelian School is the elaborate system of aesthetics published by F. T. Vischer (''Esthetik'', 3 Theile, 1846–1834). It illustrates the difficulties of the Hegelian thought and terminology; yet in dealing with art it is full of knowledge and highly suggestive.[
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Schopenhauer
The aesthetic problem is also treated by two other philosophers whose thought set out from certain tendencies in Kant's system, namely Schopenhauer
Arthur Schopenhauer ( , ; 22 February 1788 – 21 September 1860) was a German philosopher. He is best known for his 1818 work ''The World as Will and Representation'' (expanded in 1844), which characterizes the phenomenal world as the prod ...
and Herbart
Johann Friedrich Herbart (; 4 May 1776 – 14 August 1841) was a German philosopher, psychologist and founder of pedagogy as an academic discipline.
Herbart is now remembered amongst the post-Kantian philosophers mostly as making the greates ...
. Schopenhauer (see also ''The World as Will and Idea'', translated by R. B. Haldane, esp. vol. i. pp. 219–346), abandoning also Kant's doctrine of the subjectivity of beauty, found in aesthetic contemplation the perfect emancipation of intellect from will. In this contemplation the mind is filled with pure intellectual forms, the "Platonic Ideas" as he calls them, which are objectifications of the will at a certain grade of completeness of representation. He exalts the state of artistic contemplation as the one in which, as pure intellect set free from will, the misery of existence is surmounted and something of blissful ecstasy attained. He holds that all things are in some degree beautiful, ugliness being viewed as merely imperfect manifestation or objectification of will. In this way the beauty of nature, somewhat slighted by Schelling and Hegel, is rehabilitated.[
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Herbart
J. F. Herbart struck out another way of escaping from Kant's idea of a purely subjective beauty (Kerbach's edition of ''Werke'', Bd. ii. pp. 339 et seq.; Bd. iv. pp. 105 et seq., and Bd. ix. pp. 92 et seq..). He did, indeed, adopt Kant's view of the aesthetic Judgment as singular ("individual"); though he secures a certain degree of logical universality for it by emphasizing the point that the predicate (beauty) is permanently true of the same aesthetic object. At the same time, by referring the beauty of concrete objects to certain aesthetic relations, he virtually accepted the possibility of universal aesthetic judgments (compare above). Since he thus reduces beauty to abstract relations he is known as a formalist, and the founder of the formalistic school in aesthetics. He sets out with the idea that only relations please — in the Kantian sense of producing pleasure devoid of desire; and his aim is to determine the "aesthetic elementary relations", or the simplest relations which produce this pleasure. These include those of will, so that, as he admits, ethical judgments are in a manner brought under an aesthetic form. His typical example of aesthetic relations of objects of sense-perception is that of harmony between tones. The science of thorough-bass has, he thinks, done for music what should be done also for other departments of aesthetic experience. This doctrine of elementary relations is brought into connexion with the author's psychological doctrine of presentations with their tendencies to mutual inhibition and to fusion, and of the varying feeling-tones to which these processes give rise. This mode of treating the problem of beauty and aesthetic perception has been greatly developed and worked up into a complete system of aesthetics by one of Herbart's disciples, Robert Zimmermann (''Asthetik'', 1838).[
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Lessing
Gotthold Ephraim Lessing
Gotthold Ephraim Lessing (, ; 22 January 1729 – 15 February 1781) was a philosopher, dramatist, publicist and art critic, and a representative of the Enlightenment era. His plays and theoretical writings substantially influenced the developmen ...
, in his ''Laocoon'' and elsewhere, sought to deduce the special function of an art from a consideration of the means at its disposal. He took pains to define the boundaries of poetry and upon the ends and appliances of art. Among these his distinction between arts which employ the coexistent in space and those which employ the successive (as poetry and music) is of lasting value. In his dramatic criticisms he similarly endeavoured to develop clear general principles on such points as poetic truth, improving upon Aristotle, on whose teaching he mainly relies.[
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Goethe and Schiller
Johann Wolfgang von Goethe
Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as trea ...
wrote several tracts on aesthetic topics, as well as many aphorisms. He attempted to mediate between the claims of ideal beauty, as taught by J. J. Winckelmann, and the aims of dualization. Schiller
Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friendsh ...
discusses, in a number of disconnected essays and letters some of the main questions in the philosophy of art. He looks at art from the side of culture and the forces of human nature, and finds in an aesthetically cultivated soul the reconciliation of the sensual and rational. His letters on aesthetic education (''Uber die asthetische Erziehung des Menschen'', trans. by J. Weiss, Boston, 1845) are valuable, bringing out among other points the connexion between aesthetic activity and the universal impulse to play (Spieltrieb). Schiller's thoughts on aesthetic subjects are pervaded with the spirit of Kant's philosophy.[
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Jean Paul Richter
Another example of this kind of reflective discussion of art by literary men is afforded us in the Vorschule der Asthetik of Jean Paul Richter
Jean-Paul Richter (7 June 1847 – 25 August 1937) was a German art historian.
Born in Dresden as the son of a theologian, Richter studied theology himself, becoming tutor to the young Alexander Frederick, Landgrave of Hesse. His appointment as ...
. This is a rather ambitious discussion of the sublime and ludicrous, which, however, contains much valuable matter on the nature of humour in romantic poetry. Among other writers who reflect more or less philosophically on the problems to which modern poetry gives rise are Wilhelm von Humboldt
Friedrich Wilhelm Christian Karl Ferdinand von Humboldt (, also , ; ; 22 June 1767 – 8 April 1835) was a Prussian philosopher, linguist, government functionary, diplomat, and founder of the Humboldt University of Berlin, which was named after ...
, the two Schlegels (August
August is the eighth month of the year in the Julian and Gregorian calendars, and the fifth of seven months to have a length of 31 days. Its zodiac sign is Leo and was originally named ''Sextilis'' in Latin because it was the 6th month in ...
and Friedrich Friedrich may refer to:
Names
* Friedrich (surname), people with the surname ''Friedrich''
* Friedrich (given name), people with the given name ''Friedrich''
Other
* Friedrich (board game), a board game about Frederick the Great and the Seven Year ...
) and Gervinus.[
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Contributions by German savants
A word may be said in conclusion on the attempts of German savants to apply a knowledge of physiological conditions to the investigation of the sensuous elements of aesthetic effect, as well as to introduce into the study of the simpler aesthetic forms the methods of natural science. The classic work of Helmholtz
Hermann Ludwig Ferdinand von Helmholtz (31 August 1821 – 8 September 1894) was a German physicist and physician who made significant contributions in several scientific fields, particularly hydrodynamic stability. The Helmholtz Association, ...
on "Sensations of Tone" is a highly musical composition on physics and physiology. The endeavour to determine with a like degree of precision the physiological conditions of the pleasurable effects of colours and their combinations by E. W. Brucke, Ewald Hering
Karl Ewald Konstantin Hering (5 August 1834 – 26 January 1918) was a German physiologist who did much research into color vision, binocular perception and eye movements. He proposed opponent color theory in 1892.
Born in Alt-Gersdorf, Ki ...
and more recent investigators, has so far failed to realize the desideratum laid down by Herbart, that there should be a theory of colour-relations equal in completeness and exactness to that of tone-relations. The experimental inquiry into simple aesthetically pleasing forms was begun by G. T. Fechner in seeking to test the soundness of Adolf Zeising's hypothesis that the most pleasing proportion in dividing a line, say the vertical part of a cross, is the "golden section", where the smaller division is to the larger as the latter to the sum. He describes in his work on "Experimental Aesthetics" (''Auf experimentalen Asthetik'') a series of experiments carried out on a large number of persons, bearing on this point, the results of which he considers to be in favour of Zeising's hypothesis.[
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French writers
In France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pac ...
aesthetic speculation grew out of the discussion by poets and critics on the relation of modern art; and Boileau in the 17th century, the development of the dispute between the "ancients" and the "moderns" at the end of the 17th century by B. le Bouvier de Fontenelle and Charles Perrault
Charles Perrault ( , also , ; 12 January 1628 – 16 May 1703) was an iconic French author and member of the Académie Française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from earlier folk tales ...
, and the continuation of the discussion as to the aims of poetry and of art generally in the 18th century by Voltaire
François-Marie Arouet (; 21 November 169430 May 1778) was a French Age of Enlightenment, Enlightenment writer, historian, and philosopher. Known by his ''Pen name, nom de plume'' M. de Voltaire (; also ; ), he was famous for his wit, and his ...
, Bayle, Diderot
Denis Diderot (; ; 5 October 171331 July 1784) was a French philosopher, art critic, and writer, best known for serving as co-founder, chief editor, and contributor to the ''Encyclopédie'' along with Jean le Rond d'Alembert. He was a prominen ...
and others, not only offer to the modern theorists valuable material in the shape of a record by experts of their aesthetic experience, but disclose glimpses of important aesthetic principles. Yves Marie André Yves Marie André (1675–1764), also known as le Père André, was a French Jesuit mathematician, philosopher, and essayist.
André entered the Society of Jesus in 1693. Although distinguished in his scholastic studies, he adhered to Gallicani ...
's ''Essay on Beauty'' was an exploration of visual, musical, moral, and intellectual beauty. A more systematic examination of the several arts (corresponding to that of Lessing) is to be found in the ''Cours de belles lettres'' of Charles Batteux
Charles Batteux (6 May 171314 July 1780) was a French philosopher and writer on aesthetics.
Biography
Batteux was born in Alland'Huy-et-Sausseuil, Ardennes, and studied theology at Reims. In 1739 he came to Paris, and after teaching in the colle ...
(1765), in which the meaning and value of the imitation of nature by art are further elucidated, and the arts are classified (as by Lessing) according as they employ the forms of space or those of time.[
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Theories of organic beauty: Buffier
The beginning of a more scientific investigation of beauty in general is connected with the name of Pere Buffier (see ''First Truths''), form, and illustrates his theory by the human face. A beautiful face is at once the most common and most rare among members of the species. This seems to be a clumsy way of saying that it is a clear expression of the typical form of the species.[
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Hippolyte Taine
This idea of typical beauty (which was adopted by Reynolds Reynolds may refer to:
Places Australia
*Hundred of Reynolds, a cadastral unit in South Australia
*Hundred of Reynolds (Northern Territory), a cadastral unit in the Northern Territory of Australia
United States
* Reynolds, Mendocino County, Calif ...
) has been worked out more recently by Hippolyte Taine
Hippolyte Adolphe Taine (, 21 April 1828 – 5 March 1893) was a French historian, critic and philosopher. He was the chief theoretical influence on French naturalism, a major proponent of sociological positivism and one of the first practition ...
. In his work, ''The Ideal in Art'' (trans. by I. Durand), he proceeds in the manner of a botanist to determine a scale of characters in the physical and moral man. The degree of the universality or importance of a character, and of its beneficence or adaptation to the ends of life, determine the measure of its aesthetic value, and render the work of art, which seeks to represent it in its purity, an ideal work.[
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French systems of aesthetics: The ''spiritualistes''
The only elaborated systems of aesthetics in French literature are those constructed by the ''spiritualistes'', the philosophic writers who under the influence of German thinkers effected a reaction against the crude sensationalism of the 18th century. They aim at elucidating the higher and spiritual element in aesthetic impressions, appearing to ignore any capability in the sensuous material of affording a true aesthetic delight. Victor Cousin
Victor Cousin (; 28 November 179214 January 1867) was a French philosopher. He was the founder of "eclecticism", a briefly influential school of French philosophy that combined elements of German idealism and Scottish Common Sense Realism. As ...
and Jean Charles Leveque are the principal writers of this school. The latter developed an elaborate system of the subject (''La Science du beau''). All beauty is regarded as spiritual in its nature. The several beautiful characters of an organic body — of which the principal are magnitude, unity and variety of parts, intensity of colour, grace or flexibility, and correspondence to environment — may be brought under the conception of the ideal grandeur and order of the species. These are perceived by reason to be the manifestations of an invisible vital force. Similarly the beauties of inorganic nature are to be viewed as the grand and orderly displays of an immaterial physical force. Thus all beauty is in its objective essence either spirit or unconscious force acting with fulness and in order.[
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British writers
There is nothing answering to the German conception of a system of aesthetics in English literature. The inquiries of English thinkers have been directed for the most part to such modest problems as the psychological process by which we perceive the beautiful — discussions which are apt to be regarded by German historians as devoid of real philosophical value. The writers may be conveniently arranged in two divisions, answering to the two opposed directions of English thought: (1) the Intuitionalists, those who recognize the existence of an objective beauty which is a simple unanalysable attribute or principle of things; and (2) the Analytical theorists, those who follow the analytical and psychological method, concerning themselves with the sentiment of beauty as a complex growth out of simpler elements.[
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The Intuitionists
Reid
In his ''Essays on the Intellectual Powers'' (viii. "Of Taste") Thomas Reid
Thomas Reid (; 7 May ( O.S. 26 April) 1710 – 7 October 1796) was a religiously trained Scottish philosopher. He was the founder of the Scottish School of Common Sense and played an integral role in the Scottish Enlightenment. In 1783 he wa ...
applies his principle of common sense to the problem of beauty saying that objects of beauty agree not only in producing a certain agreeable emotion, but in the excitation along with this emotion of a belief that they possess some perfection or excellence, that beauty exists in the objects independently of our minds His theory of beauty is severely spiritual. All beauty resides primarily in the faculties of the mind, intellectual and moral. The beauty which is spread over the face of visible nature is an emanation from this spiritual beauty, and is beauty because it symbolizes and expresses the latter. Thus the beauty of a plant resides in its perfect adaptation to its end, a perfection which is an expression of the wisdom of its Creator.[
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Hamilton
In his ''Lectures on Metaphysics,'' Sir W. Hamilton gives a short account of the sentiments of taste, which (with a superficial resemblance to Kant) he regards as subserving both the subsidiary and the elaborative faculties in cognition, that is, the imagination and the understanding. The activity of the former corresponds to the element of variety in a beautiful object, that of the latter with its unity. He explicitly excludes all other kinds of pleasure, such as the sensuous, from the proper gratification of beauty. He denies that the attribute of beauty belongs to fitness.[
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Ruskin
John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and politi ...
's well-known speculations on the nature of beauty in ''Modern Painters'' ("Of ideas of beauty"), though sadly wanting in scientific precision, have a certain value in the history of divine attributes. Its true nature is appreciated by the theoretic faculty which is concerned in the moral conception and appreciation of ideas of beauty, and must be distinguished from the imaginative or artistic faculty, which is employed in regarding in a certain way and combining the ideas received from external nature. He distinguishes between typical and vital beauty. The former is the external quality of bodies which typifies some divine attribute. The latter consists in "the appearance of felicitous fulfilment of function in living things". The forms of typical beauty are:-- (1) infinity, the type of the divine incomprehensibility; (2) unity, the type of the divine comprehensiveness; (3) repose, the type of the divine permanence; (4) symmetry, the type of the divine justice; (5) purity, the type of the divine energy; and (6) moderation, the type of government by law. Vital beauty, again, is regarded as relative when the degree of exaltation of the function is estimated, or generic if only the degree of conformity of an individual to the appointed functions of the species is taken into account. Ruskin's writings illustrate the extreme tendency to identify aesthetic with moral perception.[
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The analytical theorists
Home
In the ''Elements of Criticism'' of Henry Home (Lord Kames) another attempt is made to resolve the pleasure of beauty into its elements. Beauty and ugliness are simply the pleasant and he appears to admit no general characteristic of beautiful objects beyond this power of yielding pleasure. Like Hutcheson, he divides beauty into intrinsic and relative, but understands by the latter the appearance of fitness and utility, which is excluded from the beautiful by Hutcheson.[
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Hogarth
Passing by the name of Sir Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depend ...
, whose theory of beauty closely resembles that of Pere Buffier, we come to the articulations of another artist and painter, William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like s ...
. He discusses, in his ''Analysis of Beauty'', all the elements of visual beauty. He finds in this the following elements:-- (1) fitness of the parts to some design; (2) variety in as many ways as possible; (3) uniformity, regularity or symmetry, which is only beautiful when it helps to preserve the character of fitness; (4) simplicity or distinctness, which gives pleasure not in itself, but through its enabling the eye to enjoy variety with ease; (5) intricacy, which provides employment for our active energies, leading the eye "a wanton kind of chase"; (6) quantity or magnitude, which draws our attention and produces admiration and awe. The beauty of proportion he resolves into the needs of fitness. Hogarth applies these principles to the determination of the degrees of beauty in lines, figures and groups of forms. Among lines he singles out for special honour the serpentine (formed by drawing a line once round from the base to the apex of a long slender cone).[
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Alison
Alison, in his well-known ''Essays on the Nature and Principles of Taste'', proceeds by a method exactly the opposite to that of Hogarth and Burke. He seeks to analyse the mental process then finds that this consists in a peculiar operation of the imagination, namely, the flow of a train of ideas through the mind, which ideas always correspond to some simple affection or emotion (e.g. cheerfulness, sadness, awe) awakened by the object. He thus makes association the sole source of aesthetic delight, and denies the existence of a primary source in sensations themselves. He illustrates the working of the principle of association at great length, and with much skill; yet his attempt to make it the unique source of aesthetic pleasure fails completely. Francis Jeffrey
Francis Jeffrey, Lord Jeffrey (23 October 1773 – 26 January 1850) was a Scottish judge and literary critic.
Life
He was born at 7 Charles Street near Potterow in south Edinburgh, the son of George Jeffrey, a clerk in the Court of Session ...
's ''Essays on Beauty'' (in the Edinburgh Review, and Encyclopædia Britannica, 8th edition) are little more than a modification of Alison's theory. ''Philosophical Essays'' consists in pointing out the unwarranted assumption lurking in the doctrine of a single quality running through all varieties of beautiful object. He seeks to show how the successive changes in the meaning of the term "beautiful" have arisen. He suggests that it originally connoted the pleasure of colour. The value of his discussion resides more in the criticism of his predecessors than in the contribution of new ideas. His conception of the sublime, suggested by the etymology of the word, emphasizes the element of height in objects.[
Of the association psychologists ]James Mill
James Mill (born James Milne; 6 April 1773 – 23 June 1836) was a Scottish historian, economist, political theorist, and philosopher. He is counted among the founders of the Ricardian school of economics. He also wrote ''The History of British ...
did little more towards the analysis of the sentiments of beauty than re-state Alison's doctrine. Alexander Bain, in his treatise, ''The Emotions and the Will'' ("Aesthetic Emotions"), carries this examination considerably further. He seeks to differentiate aesthetic from other varieties of pleasurable emotion by three characteristics:-- (1) their freedom from life-serving uses, being gratifications sought for their own sakes; (2) their purity from all disagreeable concomitants; (3) their eminently sympathetic or shareable nature. He takes a comprehensive view of the constituents of aesthetic enjoyment, including the pleasures of sensation and of its revived or its "ideal" form; of revived emotional states; and lastly the satisfaction of those wide-ranging susceptibilities which we call the love of novelty, of contrast and of harmony. The effect of sublimity is connected with the manifestation of superior power in its highest degrees, which manifestation excites a sympathetic elation in the beholder. The ludicrous, again, is defined by Bain, improving on Aristotle and Hobbes, as the degradation of something possessing dignity in circumstances that excite no other strong emotion.[
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Spencer
Herbert Spencer
Herbert Spencer (27 April 1820 – 8 December 1903) was an English philosopher, psychologist, biologist, anthropologist, and sociologist famous for his hypothesis of social Darwinism. Spencer originated the expression "survival of the fittest" ...
, in his ''First Principles'', ''Principles of Psychology'' and ''Essays'', has given an interesting turn to the psychology of aesthetics by the application of his doctrine of evolution. Adopting Schiller
Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friendsh ...
's idea of a connexion between aesthetic activity and play, he seeks to make it the starting-point in tracing the evolution of aesthetic activity. Play is defined as the outcome of the superfluous energies of the organism: as the activity of organs and faculties which, owing to a prolonged period of inactivity, have become specially ready to discharge their function, and as a consequence vent themselves in simulated actions. Aesthetic activities supply a similar mode of self-relieving discharge to the higher organs of perception and emotion; and they further agree with play in not directly subserving any processes conducive to life; in being gratifications sought for their own sake only. Spencer seeks to construct a hierarchy of aesthetic pleasures according to the degree of complexity of the faculty exercised: from those of sensation up to the revived emotional experiences which constitute the aesthetic sentiment proper. Among the more vaguely revived emotions Spencer includes more permanent feelings of the race transmitted by heredity; as when he refers the deep and indefinable emotion excited by music to associations with vocal tones expressive of feeling built up during the history of our species. This biological treatment of aesthetic activity has had a wide influence, some e.g. Grant Allen
Charles Grant Blairfindie Allen (February 24, 1848 – October 25, 1899) was a Canadian science writer and novelist, educated in England. He was a public promoter of evolution in the second half of the nineteenth century.
Biography Early life a ...
being content to develop his evolutional method. Yet, as suggested above, his theory is now recognized as taking us only a little way towards an adequate understanding of our aesthetic experience.[
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Cultural history before the 20th century
Any aesthetic doctrines that guided the production and interpretation of prehistoric art
In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of rec ...
are mostly unknown. An indirect concern with aesthetics can be inferred from ancient art
Ancient art refers to the many types of art produced by the advanced cultures of ancient societies with some form of writing, such as those of ancient China, India, Mesopotamia, Persia, Palestine, Egypt, Greece, and Rome. The art of pre-literat ...
in many early civilizations, including Egypt
Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia via a land bridge formed by the Sinai Peninsula. It is bordered by the Mediter ...
, Mesopotamia
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the F ...
, Persia
Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmeni ...
, Greece
Greece,, or , romanized: ', officially the Hellenic Republic, is a country in Southeast Europe. It is situated on the southern tip of the Balkans, and is located at the crossroads of Europe, Asia, and Africa. Greece shares land borders with ...
, China
China, officially the People's Republic of China (PRC), is a country in East Asia. It is the world's most populous country, with a population exceeding 1.4 billion, slightly ahead of India. China spans the equivalent of five time zones and ...
, the Etruscans
The Etruscan civilization () was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, rou ...
, Rome
, established_title = Founded
, established_date = 753 BC
, founder = King Romulus (legendary)
, image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg
, map_caption ...
, India
India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the so ...
, the Celtic peoples
The Celts (, see pronunciation for different usages) or Celtic peoples () are. "CELTS location: Greater Europe time period: Second millennium B.C.E. to present ancestry: Celtic a collection of Indo-European peoples. "The Celts, an ancient ...
, and the Maya
Maya may refer to:
Civilizations
* Maya peoples, of southern Mexico and northern Central America
** Maya civilization, the historical civilization of the Maya peoples
** Maya language, the languages of the Maya peoples
* Maya (Ethiopia), a populat ...
, as each of them developed a unique and characteristic style in its art.
Western aesthetics
Western aesthetics usually refers to Greek
Greek may refer to:
Greece
Anything of, from, or related to Greece, a country in Southern Europe:
*Greeks, an ethnic group.
*Greek language, a branch of the Indo-European language family.
**Proto-Greek language, the assumed last common ancestor ...
philosophers as the earliest source of formal aesthetic considerations. Plato
Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
believed in beauty as a ''form'' in which beautiful objects partake and which causes them to be beautiful. He felt that beautiful objects incorporated proportion, harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However ...
, and unity among their parts. Similarly, in the ''Metaphysics
Metaphysics is the branch of philosophy that studies the fundamental nature of reality, the first principles of being, identity and change, space and time, causality, necessity, and possibility. It includes questions about the nature of conscio ...
'', Aristotle
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of phil ...
found that the universal elements of beauty were order, symmetry
Symmetry (from grc, συμμετρία "agreement in dimensions, due proportion, arrangement") in everyday language refers to a sense of harmonious and beautiful proportion and balance. In mathematics, "symmetry" has a more precise definit ...
, and definiteness.
From the late 17th to the early 20th century Western aesthetics underwent a slow revolution into what is often called modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
. German and British thinkers emphasized beauty as the key component of art and of the aesthetic experience, and saw art as necessarily aiming at absolute beauty.
For Alexander Gottlieb Baumgarten
Alexander Gottlieb Baumgarten (; ; 17 July 1714 – 27 MayJan LekschasBaumgarten Family'' 1762) was a German philosopher. He was a brother to theologian Siegmund Jakob Baumgarten (1706–1757).
Biography
Baumgarten was born in Berlin as the ...
aesthetics is the science of the sense experiences, a younger sister of logic, and beauty is thus the most perfect kind of knowledge that sense experience can have. For Immanuel Kant
Immanuel Kant (, , ; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and ...
the aesthetic experience of beauty is a judgment of a subjective but similar human truth, since all people should agree that "this rose
A rose is either a woody perennial flowering plant of the genus ''Rosa'' (), in the family Rosaceae (), or the flower it bears. There are over three hundred species and tens of thousands of cultivars. They form a group of plants that can be ...
is beautiful" if it in fact is. However, beauty cannot be reduced to any more basic set of features. For Friedrich Schiller
Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friends ...
aesthetic appreciation of beauty is the most perfect reconciliation of the sensual and rational parts of human nature.
For Friedrich Wilhelm Joseph Schelling
Friedrich Wilhelm Joseph Schelling (; 27 January 1775 – 20 August 1854), later (after 1812) von Schelling, was a German philosopher. Standard histories of philosophy make him the midpoint in the development of German idealism, situating him be ...
, the philosophy of art is the "organon" of philosophy concerning the relation between man and nature. So aesthetics began now to be the name for the ''philosophy of art''. Friedrich von Schlegel
Karl Wilhelm Friedrich (after 1814: von) Schlegel (; ; 10 March 1772 – 12 January 1829) was a German poet, literary critic, philosopher, philologist, and Indologist. With his older brother, August Wilhelm Schlegel, he was one of the main figures ...
, August Wilhelm Schlegel
August Wilhelm (after 1812: von) Schlegel (; 8 September 176712 May 1845), usually cited as August Schlegel, was a German poet, translator and critic, and with his brother Friedrich Schlegel the leading influence within Jena Romanticism. His trans ...
, Friedrich Schleiermacher
Friedrich Daniel Ernst Schleiermacher (; 21 November 1768 – 12 February 1834) was a German Reformed theologian, philosopher, and biblical scholar known for his attempt to reconcile the criticisms of the Enlightenment with traditional P ...
and Georg Wilhelm Friedrich Hegel
Georg Wilhelm Friedrich Hegel (; ; 27 August 1770 – 14 November 1831) was a German philosopher. He is one of the most important figures in German idealism and one of the founding figures of modern Western philosophy. His influence extends ...
also gave lectures on aesthetics as ''philosophy of art'' after 1800.
For Hegel, all culture is a matter of "absolute spirit" coming to be manifest to itself, stage by stage, changing to a perfection
Perfection is a state, variously, of completeness, flawlessness, or supreme excellence.
The terminology, term is used to designate a range of diverse, if often kindred, concepts. These have historically been addressed in a number of discrete a ...
that only philosophy can approach. Art is the first stage in which the absolute spirit is manifest immediately to sense-perception, and is thus an objective rather than subjective revelation of beauty.
For Arthur Schopenhauer
Arthur Schopenhauer ( , ; 22 February 1788 – 21 September 1860) was a German philosopher. He is best known for his 1818 work ''The World as Will and Representation'' (expanded in 1844), which characterizes the phenomenal world as the prod ...
aesthetic contemplation of beauty is the most free that the pure intellect can be from the dictates of will; here we contemplate perfection of form without any kind of worldly agenda, and thus any intrusion of utility or politics would ruin the point of the beauty. It is thus for Schopenhauer one way to fight the suffering
Suffering, or pain in a broad sense, may be an experience of unpleasantness or aversion, possibly associated with the perception of harm or threat of harm in an individual. Suffering is the basic element that makes up the negative valence of a ...
.
The British were largely divided into intuitionist and analytic camps. The intuitionists believed that aesthetic experience was disclosed by a single mental faculty of some kind. For Anthony Ashley-Cooper, 3rd Earl of Shaftesbury
Anthony Ashley Cooper, 3rd Earl of Shaftesbury (26 February 1671 – 16 February 1713) was an English politician, philosopher, and writer.
Early life
He was born at Exeter House in London, the son of the future Anthony Ashley Cooper, 2nd E ...
this was identical to the moral sense, beauty just is the sensory version of moral goodness. For Ludwig Wittgenstein
Ludwig Josef Johann Wittgenstein ( ; ; 26 April 1889 – 29 April 1951) was an Austrian-British philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. He is considere ...
aesthetics consisted in the description of a whole culture which is a linguistic impossibility. Hence his viewpoint can be paraphrased as "That which constitutes aesthetics lies outside the realm of the language game".
For Oscar Wilde
Oscar Fingal O'Flahertie Wills Wilde (16 October 185430 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is ...
, the contemplation of beauty for beauty's sake (augmented by John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and politi ...
's search for moral grounding) was more than the foundation for much of his literary career; he once stated, "Aestheticism is a search after the signs of the beautiful. It is the science of the beautiful through which men seek the correlation of the arts. It is, to speak more exactly, the search after the secret of life.".
Wilde toured the United States in 1882 spreading the idea of Aesthetics in a speech called "The English Renaissance". In his speech he proposed that Beauty and Aesthetics were "not languid but energetic. By beautifying the outward aspects of life, one would beautify the inner ones." The English Renaissance was, he said, "like the Italian Renaissance before it, a sort of rebirth of the spirit of man".
For Francis Hutcheson beauty is disclosed by an inner mental sense, but is a subjective fact rather than an objective one. Analytic theorists like Henry Home, Lord Kames
Henry Home, Lord Kames (169627 December 1782) was a Scottish writer, philosopher, advocate, judge, and agricultural improver. A central figure of the Scottish Enlightenment, a founding member of the Philosophical Society of Edinburgh, and a ...
, William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like s ...
, and Edmund Burke
Edmund Burke (; 12 January NS.html"_;"title="New_Style.html"_;"title="/nowiki>New_Style">NS">New_Style.html"_;"title="/nowiki>New_Style">NS/nowiki>_1729_–_9_July_1797)_was_an_ NS.html"_;"title="New_Style.html"_;"title="/nowiki>New_Style"> ...
hoped to reduce beauty to some list of attributes. Hogarth, for example, thinks that beauty consists of (1) fitness of the parts to some design; (2) variety in as many ways as possible; (3) uniformity, regularity or symmetry, which is only beautiful when it helps to preserve the character of fitness; (4) simplicity or distinctness, which gives pleasure not in itself, but through its enabling the eye to enjoy variety with ease; (5) intricacy, which provides employment for our active energies, leading the eye on "a wanton kind of chase"; and (6) quantity or magnitude, which draws our attention and produces admiration and awe.[ (See pp. 285–289.)] Later analytic aestheticians strove to link beauty to some scientific theory of psychology
Psychology is the scientific study of mind and behavior. Psychology includes the study of conscious and unconscious phenomena, including feelings and thoughts. It is an academic discipline of immense scope, crossing the boundaries betwe ...
(such as James Mill
James Mill (born James Milne; 6 April 1773 – 23 June 1836) was a Scottish historian, economist, political theorist, and philosopher. He is counted among the founders of the Ricardian school of economics. He also wrote ''The History of British ...
) or biology
Biology is the scientific study of life. It is a natural science with a broad scope but has several unifying themes that tie it together as a single, coherent field. For instance, all organisms are made up of cells that process hereditary i ...
(such as Herbert Spencer
Herbert Spencer (27 April 1820 – 8 December 1903) was an English philosopher, psychologist, biologist, anthropologist, and sociologist famous for his hypothesis of social Darwinism. Spencer originated the expression "survival of the fittest" ...
).
Indian aesthetics
The Indian aesthetics tradition traces to the Vedic
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''.
The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the ...
era texts of Hinduism
Hinduism () is an Indian religion or '' dharma'', a religious and universal order or way of life by which followers abide. As a religion, it is the world's third-largest, with over 1.2–1.35 billion followers, or 15–16% of the global p ...
. The Aitareya Brahmana
The Brahmanas (; Sanskrit: , ''Brāhmaṇam'') are Vedic śruti works attached to the Samhitas (hymns and mantras) of the Rig, Sama, Yajur, and Atharva Vedas. They are a secondary layer or classification of Sanskrit texts embedded within ea ...
(~1000 BCE) in section 6.27, for example, states the arts are a refinement of the self ('' atma-samskrti''). The oldest surviving complete Sanskrit manuscript that discusses a theory of aesthetics is of ''Natya Shastra
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary ...
'', estimated to have been complete between 200 BCE and 200 CE. This theory is called '' rasa'' in the text. ''Rasa'' is an ancient concept in Indian arts about the aesthetic flavor of any visual, literary or musical work, that evokes an emotion or feeling in the reader or audience, but that cannot be described.[Rasa: Indian Aesthetic Theory]
Encyclopedia Britannica (2013) According to the ''Natya shastra'', the goal of arts is to empower aesthetic experience, deliver emotional ''rasa'' (juice, taste). In many cases, art aims to produce repose and relief for those exhausted with labor, or distraught with grief, or laden with misery, or struck by austere times. Yet entertainment is an effect, but not the primary goal of arts according to ''Natya shastra''. The primary goal is to create ''rasa'' so as to lift and transport the spectators, unto the expression of ultimate reality and transcendent values.
The most complete exposition of aesthetics in drama, songs and other performance arts is found in the works of the Kashmiri Shaivite
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions rangin ...
-Hindu philosopher Abhinavagupta
Abhinavagupta (c. 950 – 1016 Common Era, CE) was a Indian philosophy, philosopher, Mysticism, mystic and Aesthetics, aesthetician from Kashmir. He was also considered an influential Music of India, musician, Indian poetry, poet, Theatre in ...
(c. 1000 CE).[ Abhinavagupta's analysis of ''Natyasastra'' is notable for its extensive discussion of aesthetic and ontological questions.
The concept of rasa is fundamental to many forms of ]Indian art
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, N ...
s including dance
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoir ...
, music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect ...
, theatre, painting, sculpture, and literature
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include ...
, the interpretation and implementation of a particular rasa differs between different styles and schools. In Indian classical music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not ...
, each ''raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradit ...
'' is an inspired creation for a specific mood, where the musician or ensemble creates the ''rasa'' in the listener.
In the aesthetic theories of Indian poetics, its ancient scholars discuss both what is stated and how it is stated (words, grammar, rhythm), suggesting that the meaning of the text and the experience of ''rasa'' are both important. Among the most celebrated in Hindu traditions on the theory of poetics and literary works, are 5th-century Bhartrhari and the 9th-century Anandavardhana, but the theoretical tradition on integrating ''rasa'' into literary artworks likely goes back to a more ancient period. This is generally discussed under the Indian concepts of ''Dhvani'', ''Sabdatattva'' and ''Sphota''.
In the Indian theories on sculpture and architecture (''Shilpa Shastras
''Shilpa Shastras'' ( sa, शिल्प शास्त्र ') literally means the Science of Shilpa (arts and crafts).Stella Kramrisch (1958)Traditions of the Indian Craftsman The Journal of American Folklore, Vol. 71, No. 281, Traditional ...
''), the ''rasa'' theories, in part, drive the forms, shapes, arrangements and expressions in images and structures.
Chinese aesthetics
Chinese art
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese ...
has a long history of varied styles and emphases. Confucius
Confucius ( ; zh, s=, p=Kǒng Fūzǐ, "Master Kǒng"; or commonly zh, s=, p=Kǒngzǐ, labels=no; – ) was a Chinese philosopher and politician of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages. C ...
emphasized the role of the arts and humanities (especially music and poetry) in broadening human nature and aiding ''li'' (etiquette, the rites) in bringing us back to what is essential about humanity. His opponent Mozi
Mozi (; ; Latinized as Micius ; – ), original name Mo Di (), was a Chinese philosopher who founded the school of Mohism during the Hundred Schools of Thought period (the early portion of the Warring States period, –221 BCE). The ancie ...
, however, argued that music and fine arts were classist and wasteful, benefiting the rich over the poor. By the 4th century AD artists had started debating in writing over the proper goals of art as well. Gu Kaizhi
Gu Kaizhi (; c. 344–406), courtesy name Changkang (), was a Chinese painter and politician. He was a celebrated painter of ancient China.Cihai: Page 1846. He was born in Wuxi and first painted at Nanjing in 364. In 366, he became an officer (Da ...
has left three surviving books on the theory of painting.
Several later artists or scholars both created art and wrote about the creation of it. Religious and philosophical influences on art were common (and diverse) but never universal. Modern Chinese aesthetic theory took shape during the modernization of China from Empire to republic in early 20th century. Thus thinkers like Kant, Hegel, Marx and Heidegger have all been incorporated into contemporary Chinese aesthetic theory, through philosophers like Li Zehou
Li Zehou (; 13 June 1930 – 2 November 2021) was a Chinese scholar of philosophy and intellectual history. He resided in the United States.. coloradocollege.edu He is considered an important modern scholar of Chinese history and culture whose ...
.
African aesthetics
African art
African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, su ...
is the cultural expression of a vast and rich continent. It is the product of millennia of changes, migrations, international and intercontinental trade, diplomacy and cultural norms. Within the scholarship surrounding African art, there is some question in using the word "art" to describe it. Malidoma and Sonbofu Somé, cultural emissaries of the Dagara of Burkina Faso hold that within their culture the closest word for art is simply the word "sacred". Kongo nkisi
or (plural varies: , , or ) are spirits or an object that a spirit inhabits. It is frequently applied to a variety of objects used throughout the Congo Basin in Central Africa, especially in the Territory of Cabinda that are believed to conta ...
power objects illustrate this point. They are objects traded on the contemporary art market on aesthetic value, however their purpose was to serve in rituals of personal and community healing. Consideration is due, when viewing African cultural product, in understanding the primary function of these objects held within the cultures themselves.
There is a wonderful interplay between practicality and aesthetic in African material culture. Consider the Akan Akan may refer to:
People and languages
*Akan people, an ethnic group in Ghana and Côte d'Ivoire
*Akan language, a language spoken by the Akan people
*Kwa languages, a language group which includes Akan
*Central Tano languages, a language group w ...
stool, Yoruba
The Yoruba people (, , ) are a West African ethnic group that mainly inhabit parts of Nigeria, Benin, and Togo. The areas of these countries primarily inhabited by Yoruba are often collectively referred to as Yorubaland. The Yoruba constitute ...
adire cloth and combs, or Gio
Gio or GIO may refer to:
People
* Gio (nickname)
* Gio (footballer, born 1984), Spanish
* Gio (singer) (born 1990)
* Gio people, an ethnic group in northeastern Liberia and Côte d'Ivoire
Science and technology
* Gi/o, protein subunits
* GIO, ...
spoons. Here you have an example of the African genius in enlivening the most mundane object into an aesthetic presence. Sculpture and performance art
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a pu ...
are prominent, and abstract and partially abstracted forms are valued, and were valued long before influence from the Western tradition began in earnest. The Nok culture
The Nok culture (or Nok civilization) is a population whose material remains are named after the Ham village of Nok in Kaduna State of Nigeria, where their terracotta sculptures were first discovered in 1928. The Nok culture appeared in Nigeria ...
is testimony to this. The mosque of Timbuktu
Timbuktu ( ; french: Tombouctou;
Koyra Chiini: ); tmh, label=Tuareg, script=Tfng, ⵜⵏⴱⴾⵜ, Tin Buqt a city in Mali, situated north of the Niger River. The town is the capital of the Tombouctou Region, one of the eight administrativ ...
shows that specific areas of Africa developed unique aesthetics.
Arab aesthetics
Arab art has the context of Islam
Islam (; ar, ۘالِإسلَام, , ) is an Abrahamic religions, Abrahamic Monotheism#Islam, monotheistic religion centred primarily around the Quran, a religious text considered by Muslims to be the direct word of God in Islam, God (or ...
, started in the 7th century, is sometimes referred to as Islamic art
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide ra ...
, although many Arab artists throughout time have not been Muslim. The term "Islamic" refers not only to the religion, but to any form of art created by people in an Islamic culture
Islamic culture and Muslim culture refer to cultural practices which are common to historically Islamic people. The early forms of Muslim culture, from the Rashidun Caliphate to the early Umayyad period and the early Abbasid period, were predomi ...
or in an Islamic context, whether the artist is Islamic or not. Not all Muslims are in agreement on the use of art in religious observance, the proper place of art in society, or the relation between secular art and the demands placed on the secular world to conform to religious precepts.
Islamic art frequently adopts secular elements and elements that are frowned upon, if not forbidden, by some Islamic theologians. Although the often cited opposition in Islam to the depiction of human and animal forms holds true for religious art and architecture, in the secular sphere, such representations have flourished in nearly all Islamic cultures. The Islamic resistance to the representation of living beings ultimately stems from the belief that the creation of living forms is unique to God, and it is for this reason that the role of images and image makers has been controversial. The strongest statements on the subject of figural depiction are made in the Hadith (Traditions of the Prophet), where painters are challenged to "breathe life" into their creations and threatened with punishment on the Day of Judgment
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, ...
. The Qur'an is less specific but condemns idolatry and uses the Arabic term musawwir ("maker of forms," or artist) as an epithet for God. Partially as a result of this religious sentiment, figures in painting were often stylized and, in some cases, the destruction of figurative artworks occurred.
Iconoclasm
Iconoclasm (from Ancient Greek, Greek: grc, wikt:εἰκών, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, wikt:κλάω, κλάω, lit=to break, translit=kláō, label=none)From grc, wikt:εἰκών, εἰκών + wi ...
was previously known in the Byzantine period and aniconicism was a feature of the Judaic world, thus placing the Islamic objection to figurative representations within a larger context. As ornament, however, figures were largely devoid of any larger significance and perhaps therefore posed less challenge.
Human portrayals can be found in early Islamic cultures with varying degrees of acceptance by religious authorities. Human representation for the purpose of worship is uniformly considered idolatry
Idolatry is the worship of a cult image or "idol" as though it were God. In Abrahamic religions (namely Judaism, Samaritanism, Christianity, the Baháʼí Faith, and Islam) idolatry connotes the worship of something or someone other than the A ...
as forbidden in ''Sharia
Sharia (; ar, شريعة, sharīʿa ) is a body of religious law that forms a part of the Islamic tradition. It is derived from the religious precepts of Islam and is based on the sacred scriptures of Islam, particularly the Quran and the H ...
'' law.
Arabic is written from right to left, like other Semitic scripts
Proto-Sinaitic (also referred to as Sinaitic, Proto-Canaanite when found in Canaan, the North Semitic alphabet, or Early Alphabetic) is considered the earliest trace of alphabetic writing and the common ancestor of both the Ancient South Arabian ...
, and consists of 17 characters, which, with the addition of dots placed above or below certain of them, provide the 28 letters of the Arabic alphabet. Short vowels are not included in the alphabet, being indicated by signs placed above or below the consonant or long vowel that they follow. Certain characters may be joined to their neighbours, others to the preceding one only, and others to the succeeding one only. The written letters undergo a slight external change according to their position within a word. When they stand alone or occur at the end of a word, they ordinarily terminate in a bold stroke; when they appear in the middle of a word, they are ordinarily joined to the letter following by a small, upward curved stroke. With the exception of six letters, which can be joined only to the preceding ones, the initial and medial letters are much abbreviated, while the final form consists of the initial form with a triumphant flourish. The essential part of the characters, however, remains unchanged.
See also
* Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed thr ...
* Mathematics and art
Mathematics and art are related in a variety of ways. Mathematics has itself been described as an art motivated by beauty. Mathematics can be discerned in arts such as music, dance, painting, architecture, sculpture, and textiles. This artic ...
References
Bibliography
* Paul Guyer, ''A History of Modern Aesthetics'', Cambridge, Cambridge University Press, 2014 (Vol. 1ː The Eighteenth Century; Vol. 2ː The Nineteenth Century; Vol. 3ː The Twentieth Century).
* Wladyslaw Tatarkiewicz, ''History of Aesthetics'', The Hague, Mouton, 1970 (Vol 1ː Ancient Aesthetics; Vol. 2ː Medieval Aesthetics; Vol. 3ː Modern Aesthetics).
External links
*
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{{DEFAULTSORT:History Of Aesthetics
History of aesthetics