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In
music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspe ...
, parallel harmony, also known as harmonic parallelism, harmonic planing or parallel voice leading, is the parallel movement of two or more melodies (see
voice leading Voice leading (or part writing) is the linear progression of individual melodic lines ( voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counte ...
).


Illustrative example

Lines with parallel harmony can be viewed as a series of chords with the same intervallic structure. Parallel means that each note within the chord rises or falls by the same interval.


Examples from works

Prominent examples include: * Claude Debussy's '' Beau soir'' (1880), ''
Prélude à l'après-midi d'un faune ''Prélude à l'après-midi d'un faune'' ( L. 86), known in English as ''Prelude to the Afternoon of a Faun'', is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed ...
'' (1894), ''
Nocturnes A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French ''nocturne'' 'of the night') was first applied to musical pieces in the 18th century, when it indicated an ensembl ...
'' (1899), '' La Mer'' (1905), ''
La cathédrale engloutie "La cathédrale engloutie" (The Sunken Cathedral) is a prelude written by the French composer Claude Debussy for solo piano. It was published in 1910 as the tenth prelude in Debussy's first of two volumes of twelve piano preludes each. It is cha ...
'', "
Voiles Voiles is a composition by Claude Debussy for solo piano from 1909. It is the second piece in a set of twelve préludes published in 1910. The title may be translated as either ''veils'' or ''sails''; both meanings can be connected to the musical ...
", " Feuilles mortes" * Maurice Ravel's '' Daphnis and Chloë'' Suite No. 2 (1913), "Menuet" from ''
Le Tombeau de Couperin ''Le Tombeau de Couperin'' (''The Couperin's Grave'') is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the mem ...
'' * Erik Satie's '' Le Fils des étoiles (1892) * Igor Stravinsky's ''
The Rite of Spring , image = Roerich Rite of Spring.jpg , image_size = 350px , caption = Concept design for act 1, part of Nicholas Roerich's designs for Diaghilev's 1913 production of ' , composer = Igor Stravinsky , based_on ...
'' (1913) * Olivier Messiaen's music features abundant planing * Richard Strauss's '' Elektra'' (1909) * Arnold Schoenberg's ''
Pierrot lunaire ''Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire"'' ("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire), commonly known simply as ''Pierrot lunaire'', Op. 21 ("Moonstruck Pierrot" or "Pierrot in the Moonlight"), is a m ...
'', "Columbine" (1914) *
William Schuman William Howard Schuman (August 4, 1910February 15, 1992) was an American composer and arts administrator. Life Schuman was born into a Jewish family in Manhattan, New York City, son of Samuel and Rachel Schuman. He was named after the 27th U.S. ...
's ''Three Score Set for Piano'' (1944) * John Williams's "Rebel Fanfare" from '' Star Wars'' In the Schuman example (''Three Score Set for Piano''), the inversions of the chords suggest a bichordal effect.Kliewer, Vernon (1975). "Melody: Linear Aspects of Twentieth-Century Music", ''Aspects of Twentieth-Century Music'', pp. 332–333. Wittlich, Gary (ed.). Englewood Cliffs, New Jersey: Prentice-Hall. . In the example on the top right, we see a series of quartal chords in parallel motion, in which the intervallic relationship between each consecutive chord member, in this case a
minor second A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent no ...
, is consistent. Each note in the chord falls by one semitone in each step, from F, B, and E in the first chord to D, G, and C in the last.


Usage in electronic music

Parallel harmony is frequently used in house music and other
electronic music Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroa ...
genres. Historically, this resulted from producers sampling chords from soul or jazz and then playing them at different pitches, or using "chord memory" feature from classic polyphonic synthesizers. Modern
digital audio workstation A digital audio workstation (DAW) is an electronic device or application software used for recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrat ...
s offer similar chord-generating tools for achieving parallel harmony.


See also

*
Block chord A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in " locked-hands" rhythmic unison with the melody, as opposed to broken chords. This latter style, ...
*
Consecutive fifths In music, consecutive fifths or parallel fifths are progressions in which the interval (music), interval of a perfect fifth is followed by a ''different'' perfect fifth between the same two musical parts (or Melody, voices): for example, from ...
*
Constant structure In jazz, a constant structure is a chord progression consisting of three or more chords of the same type or quality.Rawlins, Robert (2005). ''Jazzology: The Encyclopedia of Jazz Theory for All Musicians'', p.131. . Popularized by pianists Bill Eva ...
* Parallel key * Parallel chord *
Side-slipping In jazz improvisation, outside playing describes an approach where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or ...
*
Traditional sub-Saharan African harmony Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony ...
* Doubling (music)


References

{{Impressionist music , state=autocollapse Harmony