Background
''Cats'' is based on T. S. Eliot's 1939 poetry book ''Poems
''Old Possum's Book of Practical Cats'' is a collection ofCreation
Inception
Lloyd Webber began composing the songs in late 1977 as a songwriting exercise, partly because Eliot's book had been a childhood favourite and partly to see if he could write music to predetermined lyrics. The compositions were performed privately for friends but Lloyd Webber had no further intentions for them at the time. After hisDevelopment
Shortly after the Sydmonton Festival, Lloyd Webber began setting the unpublished poems he had been given to music, a few of which were later added into the show. He also composed theSynopsis
Act I – When Cats Are Maddened by the Midnight Dance
After the overture, a tribe of cats known as the Jellicles gather on stage and describe themselves and their purpose ("Jellicle Songs for Jellicle Cats"). The cats (who break theAct II – Why Will the Summer Day Delay – When Will Time Flow Away?
After the Jellicle Ball, Old Deuteronomy opens Act II by contemplating "what happiness is", referring to Grizabella. However, Jemima (also known as Sillabub), the youngest of all Jellicles, is the only one that understands who he's singing of. Knowing it must be Grizabella, she reprises the melody of her cry ("The Moments of Happiness").Music
Musical numbers
;Act I * "Overture" – Orchestra * "Prologue: Jellicle Songs for Jellicle Cats" – The Company * "The Naming of Cats" – Asparagus, Munkustrap, The Company * "The Invitation to the Jellicle Ball" – Victoria, Quaxo, Munkustrap, Company * "The Old Gumbie Cat" – Jennyanydots, Munkustrap, Bombalurina, Jellylorum, Demeter, Company * "The Rum Tum Tugger" – Rum Tum Tugger, Quaxo, Bombalurina, Company * "Grizabella: The Glamour Cat" – Grizabella, Demeter, Bombalurina, Company * "Bustopher Jones: The Cat About Town" – Bustopher Jones, Jennyanydots, Bombalurina, Jellylorum, Company * "Mungojerrie and Rumpleteazer" – Mungojerrie, Rumpleteazer, Company * "Old Deuteronomy" – Munkustrap, Rum Tum Tugger, Old Deuteronomy, Company * "The Awefull Battle of the Pekes and the Pollicles"† – Munkustrap, Rumpus Cat and Company * "The Jellicle Ball"‡ – The Company * "Grizabella: The Glamour Cat (Reprise)" – Jellylorum and Jemima * "Memory (Prelude)" – Grizabella ;Act II * "The Moments of Happiness" – Old Deuteronomy, Jemima, Company * "Gus: The Theatre Cat" – Asparagus, Jellylorum * "Growltiger's Last Stand" (including "The Ballad of Billy M'Caw" or "In Una Tepida Notte")† – Growltiger, Griddlebone, Genghis, The Crew, Company * "Skimbleshanks: The Railway Cat" – Skimbleshanks and Company * "Macavity: The Mystery Cat" – Demeter, Bombalurina, Girls * "Mr. Mistoffelees" – Mr. Mistoffelees, Rum Tum Tugger, and Company * "Orchestration
Based on the definitive 16-piece licensed version. * Woodwind I:Characters
''Cats'' is an ensemble show with a large supporting cast and noFeatured
Characters who are featured singers and/or dancers: * Asparagus (Gus) a.k.a. the Theatre Cat – A frail elderly cat who used to be a famous stage actor. * Bombalurina – A flirty and confident red queen; she is best friends with Demeter and the two share an intense hatred for Macavity. *Others
Other characters who have appeared in multiple notable productions include: *Notable cast
Notes:Additional film cast
* 1998 film:Notable replacements
Notable replacements from the musical's West End and Broadway runs:West End
* Admetus/Macavity: Richard Armitage (1994–1995) * Alonzo:Broadway
* Alonzo:Artistic elements
Musical treatment
''Cats'' is completely told through music with no dialogue in between the songs, although there are occasions when the music accompanies spoken verse. Lloyd Webber's compositions employ an eclectic range of musical styles so as to magnify the characters' contrasting personalities. For example, the rebellious Rum Tum Tugger is introduced with aChoreography
Regarded as "one of the most challenging shows to dance in musical theatre history", dance plays a major role in ''Cats'' as the original creative team had specifically set out to create "England's first dance musical". Before ''Cats'', the industry-wide belief was that British dancers were inferior to their Broadway counterparts. The risky hiring of a British choreographer, Lynne, for a British dance musical was described by one historian as "a vivid and marvellous gesture of transatlantic defiance". Making Lynne's job more challenging was the fact that the music in ''Cats'' is unceasing and the majority of the cast remains on-stage throughout nearly the entire show. Lynne choreographed the original London production with a dance crew consisting of her assistant Lindsay Dolan, the dance captain Jo-Anne Robinson, and cast members Finola Hughes and John Thornton. The resulting choreography blendsStaging
The original staging of ''Cats'' at theSet and costume design
Napier began designing the set in November 1980, wanting "a place where cats might congregate together, which also included maximum room for dancing". The set of ''Cats'' consists of a junkyard filled with oversized props to give the illusion that the cast are the size of actual cats; it remains the same throughout the show without any scene changes. Over 2,500 of these scaled-up props were used to fill the whole auditorium in the original Broadway production. Napier also designed the costumes, combining cat and human features based on "hints" given in Eliot's poems, while ensuring that they did not impede the dancers' movements. The costumes generally consist of a unitard, a wig that is fashioned to suggest the presence of feline ears, patches resembling body fur, and arm warmer, arm and leg warmers to give the performers' hands and feet a more paw-like appearance. As with the contrasting music and dance styles, the costumes and make-up are used to bring out each character's distinct personality. For example, the costume for the flirtatious Bombalurina is designed to accentuate her sensuality, while the markings on the costume for Jemima — the youngest of the tribe — resemble crayon scribbles. Every character's design Motif (visual arts), motif is custom-painted by hand onto a plain unitard to line up with their performer's individual body. In order to reproduce the "hand-drawn aesthetic" of Napier's original design sketches, costume painters in the original Broadway production used squeeze bottles to apply the paint. Due to the amount of dancing in ''Cats'', most of the costumes did not last longer than a few months.Heaviside layer
The plot of ''Cats'' revolves around a tribe of cats vying to go to the "Heaviside Layer", which is used as a metaphor for rebirth. The concept and the corresponding song "Journey to the Heaviside Layer" are based on an unpublished poem fragment by T. S. Eliot. (The physical Kennelly–Heaviside layer is a layer of ionized gas in the upper reaches of the Earth's atmosphere that reflects some radio waves.)Productions
''Cats'' has been translated into over 15 languages and produced professionally in more than 30 countries.London
''Cats'' premiered in the West End at the Gillian Lynne Theatre, New London Theatre on 11 May 1981. The musical was produced by Mackintosh and Lloyd Webber'sBroadway
''Cats'' debuted on Broadway on 7 October 1982 at theNorth America
Following its Broadway debut, ''Cats'' has been staged extensively across North America. The first US national tour, Cats National I, launched at the Shubert Theatre (Boston), Shubert Theatre in Boston in December 1983 and closed in November 1987. The opening night cast includedUnited Kingdom
The first UK and Ireland tour opened in May 1989 at the Opera House Theatre, Blackpool, Opera House Theatre in Blackpool. The cast for this tour includedJapan
The Japanese-language production of ''Cats'' by the Shiki Theatre Company has been playing continuously since it premiered in Shinjuku, Tokyo, in November 1983. This production is a "slow tour" with engagements lasting for several years in each of the nine cities it has visited. An initial investment of ¥800 million (US$3.4 million in 1983) was required to bring ''Cats'' to Japan, including ¥300 million for the construction of a purpose-built theatre tailored to the needs of the musical. This was a big financial risk for the Shiki Theatre Company as it meant that a long run was needed to turn a profit; however, stage productions in Japan ran on a monthly basis at the time and open-ended runs were unheard of. The resulting success of this production led to what the local media termed a "musical boom" in the 1980s, with other Broadway musicals quickly following suit and opening in Japan. , the show is performed at the purpose-built CATS Theatre in Tokyo. The production has played over 10,000 performances to over 10 million audience members. Similar to the original London staging, the set of the 1,200-capacity CATS Theatre is built on a revolving stage floor such that during the overture, the stage and sections of the stalls revolve approximately 180 degrees into place. In 1998, the Japanese production underwent major revisions to the choreography, staging and costume designs. Following further revisions in 2018, the current incarnation features 27 named cats, including both Jemima and Sillabub (who have evolved into two separate characters), and an original character named Gilbert. There have been numerous notable performers in the Japanese production, including Shintarō Sonooka as Munkustrap (original 1983 cast), Kanji Ishimaru as Skimbleshanks (1992), Masachika Ichimura, and Mayo Kawasaki. Yoshiko Hattori (:ja:服部良子) holds the production's record for the longest-appearing cast member; she played Jennyanydots in the original 1983 cast and remained in the role for 20 years with a final performance tally of 4,251.Vienna
Under the direction of Peter Weck, the first German-language production of ''Cats'' opened in September 1983 at the Theater an der Wien in Vienna, Austria. In 1988, the show transferred to the newly renovated Ronacher Theatre where it ran for another two years before closing on its seventh anniversary in September 1990. The Vienna production played a total of 2,040 performances to more than 2.3 million audience members. The original Viennese cast included Ute Lemper who played Bombalurina, Steve Barton who played Munkustrap, Robert Montano who played Pouncival, and Angelika Milster who played Grizabella. Pia Douwes was also a member of the cast from 1987 to 1989, covering several different characters including Grizabella. The Vienna production also performed limited runs at the Komische Oper Berlin in East Germany in 1987, and at the Moscow Operetta Theatre in the Soviet Union in 1988. An ongoing revival by the Vereinigte Bühnen Wien production company opened at the Ronacher Theatre in September 2019.Germany
Influenced by the show's success in Vienna, a German production by Stella Entertainment premiered in April 1986 at the newly renovatedEurope
Beyond the UK, Vienna, and Germany, ''Cats'' is also produced frequently in the rest of Europe.1980s and 1990s
The first non-English production of ''Cats'' premiered in March 1983 at the Madách Theatre in Budapest, Hungary, with direction by Tamás Szirtes and choreography by László Seregi. Since then, the Hungarian-language production has continued to be staged intermittently as part of the Madách Theatre's repertoire and, as of 2017, has been performed nearly 1,500 times. November 1985 saw the premiere of a Norwegian-language production at Det Norske Teatret in Oslo. It closed in January 1987 and included performers such as Øivind Blunck, Brit Elisabeth Haagensli and Øystein Wiik. Jorma Uotinen directed and choreographed a Finnish production at the Helsinki City Theatre that ran for over two years from September 1986 to December 1988, and featured Monica Aspelund as Grizabella, Heikki Kinnunen as Gus, and Kristiina Elstelä as Jennyanydots/Griddlebone. A Swedish version of the musical opened in 1987 at the Chinateatern in Stockholm. The production was seen by 326,000 audiences before it transferred to the Scandinavium in Gothenburg two years later. Meanwhile, the Carré Theatre in Amsterdam, Netherlands, staged the musical in 1987 (with Ruth Jacott as Grizabella), 1988 and from 1992 to 1993. ''Cats'' made its French debut at the Théâtre de Paris from February 1989 to April 1990, with an original cast that included Gilles Ramade as Old Deuteronomy. The show was also produced in Zürich at the ABB Musical Theatre from 1991 to 1993, while a production by Joop van den Ende and the Royal Ballet of Flanders was staged at the Stadsschouwburg Antwerpen in Belgium in 1996. An English/German-language "Eurotour" production also toured the region from May 1994 to December 1995.21st century
The show was staged at the Det Ny Teater in Copenhagen, Denmark, in the 2002–2003 season. This Danish production was translated by Adam Price (screenwriter), Adam Price and was one of the largest theatrical productions ever mounted in the country at the time with 100 performers, musicians and stagehands. The first non-replica production of ''Cats'' was approved for a Polish production at the Teatr Muzyczny Roma in Warsaw. Set in an abandoned film studio instead of a junkyard, the Polish version opened in January 2004 and closed in 2010. The Gothenburg opera house staged a production with a Swedish-language script by Ingela Forsman; this version was reimagined to take place in an abandoned fairground and played from September 2006 to February 2007. Other productions were also staged at the Divadlo Milenium in Prague from 2004 to 2005, and a Norwegian revival at the Chat Noir in Oslo in 2009. The first Italian-language production began touring Italy in 2009. The Dutch live entertainment company Stage Entertainment has been responsible for several European productions of ''Cats''. The company produced the musical at the Coliseum Theatre in Madrid from December 2003 to January 2005, with a cast that included Víctor Ullate Roche as Mistoffelees. They then staged a Russian-language production at the Moscow Palace of Youth from 2005 to 2006, with a cast that included Ivan Ozhogin as Munkustrap. A Dutch production under the same company toured the Netherlands and Belgium from 2006 to 2007, featuring several performers in the role of Grizabella including Pia Douwes and Anita Meyer. A Paris revival by Stage Entertainment ran at the Théâtre Mogador from October 2015 to July 2016. This production was based on the 2014 London revival and also featured a new song written especially for the French show by Lloyd Webber. English-language touring companies have also toured the European region extensively. International tours in the early to late 2000s included stops in Sweden, Norway, Finland, Greece, Portugal,Oceania
The first Australian production ran from July 1985 to August 1987 at the Theatre Royal, Sydney, Theatre Royal in Sydney. The original cast included Debra Byrne as Grizabella, John Wood (actor, born 1946), John Wood as Old Deuteronomy, Marina Prior as Jellylorum, Jeff Phillips (singer), Jeff Phillips as Rum Tum Tugger, David Atkins as Mistoffelees, and Anita Louise Combe as Sillabub. The Sydney production cost $3 million to mount and grossed a record $28 million. It was credited with revitalising the then-stagnant musical genre in Australia. After closing in Sydney, an additional $1.8 million was spent transferring the production to Melbourne, including $725,000 to refurbish the old Her Majesty's Theatre, Melbourne, Her Majesty's Theatre. The Melbourne run played from October 1987 to December 1988, with an opening night cast that included Megan Williams (actress), Megan Williams as Grizabella, Wood as Old Deuteronomy, Phillips as Rum Tum Tugger, Linda Hartley-Clark as Demeter,Asia
Besides Japan, ''Cats'' is also produced regularly in other parts of Asia. The region has hosted numerous English-language productions of the musical, beginning with a tour from 1993 to 1994 when it played in Singapore (with local actress Jacintha Abisheganaden as Grizabella), Hong Kong and South Korea. ''Cats'' returned to Asia from 2002 to 2004, when an international touring company performed in Malaysia, South Korea, Shanghai, Taipei and Beijing; the 2004 cast included Slindile Nodangala in the role of Grizabella. A touring company visited Asia again between 2007 and 2010, including stops in the region of Taiwan, Macau, and Thailand in 2007; South Korea from 2007 to 2008;Others
Spanish and Portuguese-language productions of ''Cats'' have been staged in South America, with productions in Argentina in 1993 (with Mexican actress Olivia Bucio as Grizabella), in Chile in 2006 (at the Arena Santiago) and 2014, in Colombia in 2009, and in Brazil in 2010 (with Paula Lima as Grizabella). Other countries that the musical has been performed in include South Africa (2001–2002), Lebanon (2002), Qatar (2003, 2017), Turkey (2013), Israel (2014), and the United Arab Emirates (2017). A full-length production of ''Cats'' has been performed regularly for guests aboard Royal Caribbean International's cruise ship ''Oasis of the Seas'', starting in autumn 2014, with a cast rotating every nine months.Regional and amateur
''Cats'' has been produced by various professional regional theatre companies. Broadway Sacramento staged the musical in 2003 and 2009 at the Wells Fargo Pavilion. Both productions featured Ken Page reprising his role as Old Deuteronomy from the original Broadway production, along with Jacquelyn Piro Donovan as Grizabella andFilm adaptations
Steven Spielberg's former animation studio Amblimation had planned an animated adaptation of the musical in the 1990s. The film was to be set in war-torn London during World War II, but the project was abandoned with the studio's closure in 1997. The following year, aReception
Box office
''Cats'' is a commercial blockbuster (entertainment), blockbuster. Its worldwide box office gross of over US$2 billion by 1994 made it the highest grossing musical in history at the time. In 2012, the ''New York Post'' reported that the musical's grosses had reached $3.5 billion.Critical reception
London
The original London production received mostly rave reviews, with critics hailing it as a watershed moment in British musical theatre. Michael Billington (critic), Michael Billington of ''The Guardian'' lauded ''Cats'' as "an exhilarating piece of total theatre". Billington praised the show's "strong framework" and the ease in which the poems were integrated. He was also very impressed by Lloyd Webber's fitting compositions, Napier's environmental set, Lynne's effective and at times brilliant choreography, and Nunn's "dazzling staging" that makes use of the entire auditorium. The show received similarly glowing reviews from ''The Sunday Times'' Derek Jewell and ''The Stage''s Peter Hepple. Jewell proclaimed it to be "among the most exhilarating and innovative musicals ever staged", while Hepple declared that with ''Cats'', "the British musical has taken a giant leap forward, surpassing in ingenuity and invention anything Broadway has sent us". There were a few lukewarm reviews, most notably from Irving Wardle of ''The Times''. Wardle enjoyed Lloyd Webber's compositions but found the visual spectacle too overwhelming. Robert Cushman's review for ''The Observer'' concluded that ''Cats'' was flawed but unmissable. The reviews for the 2014 and 2015 London revivals were positive as well, with critics giving both productions an average of 4 out of 5 stars. Critics generally found the revivals to be enjoyable and invigorating, though Mark Shenton was disappointed that the new staging lacked the immersiveness of the original.Broadway
Reactions to the original Broadway production were mixed. In his review for ''The New York Times'', Frank Rich noted that the main draw of the show was that it "transports the audience into a complete fantasy world that could only exist in the theater". He attributed much of this "wondrous spectacle" to Nunn's direction, Napier's set and costume designs, as well as the talented cast. Rich found many of Lloyd Webber's songs to be "cleverly and appropriately" pastiche, and was impressed with how Lynne and Nunn distinguished each character through personalised movement. However, he panned Lynne's choreography and felt that the musical failed in its vague attempt to tell a story. Overall, he wished that the show had more "feeling to go with its most inventive stagecraft." Clive Barnes of the ''New York Post'' concluded his review saying: "Its importance lies in its wholeheartedness. It is a statement of musical theater that cannot be ignored, should prove controversial and will never be forgotten." The 2016 Broadway revival received a similarly mixed review by Charles Isherwood of ''The New York Times''. Isherwood concluded that the revival was "fundamentally the ''Cats'' you knew and loved when you were first bit by the musical-theater bug. Or it's the ''Cats'' you knew and snickered at when you first encountered it."Awards and nominations
''Cats'' has received many international awards and nominations. The original London production was nominated for six Laurence Olivier Awards in 1981, winning two awards including Laurence Olivier Award for Best New Musical, Best New Musical. Two years later, the original Broadway production won sevenCultural impact and legacy
Despite mixed reviews when ''Cats'' opened in New York in 1982, critics agreed that it was innovative and visually spectacular in ways that Broadway had never seen before. The musical became a cultural phenomenon and has had a profound influence on the medium. ''Cats'' established musical theatre as a global commodity, marking the beginning of a new era in the industry that is characterised by huge global stakes for potentially even huger global profits. It led the shift in the Broadway market towards big-budget Blockbuster (entertainment), blockbusters and shows that appeal to families and tourists, which in turn left smaller productions struggling to compete. ''Cats'' also ushered in a "Golden age (metaphor), golden age of British musicals" which saw West End exports dominate the industry for nearly two decades. Musical theatre historian Vagelis Siropoulos asserted that in terms of impact, the "seminal Broadway opening" of ''Cats'' was "comparable only to Rodgers and Hammerstein's ''Oklahoma!'' thirty nine years ago." Ultimately, critics are polarized on whether ''Cats'' has changed musical theatre for the better or for the worse. William Grimes (journalist), William Grimes wrote of its detractors: "There are more than a few who see the ''Cats'' phenomenon as the theatrical equivalent of the rise of the megabudget Cinema of the United States, Hollywood action film. For them, ''Cats'' is a soulless money machine."Influence and innovations
As the "first true"Memory"
"Memory" is the standout hit song from ''Cats''. By 2002, the song had been played over two million times on radio and television stations in the US. It was the most requested song at piano bars and lounges in the 1980s, and was an equally popular choice at weddings, concerts and other gatherings. As of 2006, the song had been recorded around 600 times by artists such as Barbra Streisand, Barry Manilow, Judy Collins, and Johnny Mathis, in covers ranging from easy listening to techno. According to Sternfeld, it is "by some estimations the most successful song ever from a musical."Creators
Despite moderate hits with ''Jesus Christ Superstar'' and ''Evita (musical), Evita'', Lloyd Webber was still relatively unknown to the general public before ''Cats'', especially in the US. With ''Cats'', he became a big celebrity in his own right. The musical also established the theatrical careers of the original creative and production team. Following ''Cats'', they collaborated on other global blockbusters including ''Starlight Express'' (composed by Lloyd Webber, directed by Nunn and designed by Napier), ''Les Misérables'' (directed by Nunn, designed by Napier and produced by Mackintosh), and ''The Phantom of the Opera'' (composed by Lloyd Webber, choreographed by Lynne and produced by Mackintosh). The New London Theatre, where the original London production of ''Cats'' played for 21 years, was officially renamed the Gillian Lynne Theatre in 2018. This made Lynne the first non-royal woman to have a West End theatre named after her. By 2012, the royalty payments from ''Cats'' to the Eliot estate had totalled an estimated $100 million. Valerie Eliot used a portion of this money to establish the literary charity Old Possum's Practical Trust, and to set up the T. S. Eliot Prize which has since become "the most coveted award in poetry". ''Cats'' also turned things around for the independent British publishing house Faber and Faber. As the publisher of ''Old Possum's Book of Practical Cats'', royalties of up to £1 million annually kept the then-struggling Faber afloat during the 1980s. Moreover, the musical led to a surge in the sales of Eliot's book. The success of ''Cats'' led Faber to turn another of their literary properties, Ted Hughes' ''The Iron Man (novel), The Iron Man'', into a 1989 The Iron Man: The Musical by Pete Townshend, musical of the same name.In popular culture
''Cats'' has been referenced many times on screen; from the films ''Six Degrees of Separation (film), Six Degrees of Separation'' and ''Team America: World Police'', to the sketch comedy ''Saturday Night Live'', and animated series like ''Family Guy'', ''The Simpsons'' and ''BoJack Horseman'', as well as live action comedies including ''The Golden Girls'', ''Caroline in the City'', ''Glee (TV series), Glee'' and ''Unbreakable Kimmy Schmidt''. An episode of the musical television series ''Crazy Ex-Girlfriend'', titled "I Need Some Balance", parodied ''Cats'' by having all the songs sung by anthropomorphic cats who "introduce [themselves] over '80s Broadway beats". Stage parodies of the musical have also been mounted in the West End and Off-Broadway. ''CAT – (THE PLAY!!!)'', a one-man show written by Jamie Beamish and Richard Hardwick, is a dark comedy about the fictitious life of Dave, a cat who was fired from the original London production of ''Cats'' on opening night. Starring Gerard McCarthy as Dave and with choreography by Arlene Phillips, the musical premiered at the 2014 Edinburgh Fringe Festival; it performed at various regional venues before making its West End debut at the Ambassadors Theatre (London), Ambassadors Theatre in April 2017. ''Katdashians! Break the Musical!'', a parody mashup of ''Keeping Up with the Kardashians'' and ''Cats'' by Bob and Tobly McSmith, premiered Off-Broadway at the Elektra Theatre in June 2016. All the song parodies of ''Cats'' were later removed after accusations of copyright infringement from Lloyd Webber's representatives, who claimed the songs were being used "to parody another subject matter entirely". Other stage shows that satirise ''Cats'' include ''Six Degrees of Separation (play), Six Degrees of Separation'', ''Angels in America'', and ''The Musical of Musicals (The Musical!)''. Madame Tussauds New York features wax figures of several characters from the musical, including one of Grizabella that sings "Memory" through the use of projection mapping technology. Similarly, a wax figure of Rumpleteazer is displayed at the Panoptikum Hamburg, Panoptikum wax museum in Hamburg, Germany. A ''Cats'' postage stamp was issued by the United States Postal Service in 2000 as part of its Celebrate the Century series. The musical was chosen as one of fifteen "outstanding artifacts, events and activities" from the 1980s to be commemorated with its own stamp design. Beginning in March 2019, the Rinkai Line in Tokyo, Japan, uses two songs from the musical for its train melody, train departure melodies at the Ōimachi Station; the train to Ōsaki Station uses a jingle of "Memory", while the train to Shin-Kiba Station uses a jingle of "Skimbleshanks: The Railway Cat". The visual effects of the 2019 film adaptation were mocked in the 2022 Walt Disney Pictures, Disney film ''Chip 'n Dale: Rescue Rangers (film), Chip 'n' Dale: Rescue Rangers'', in a scene where the titular characters notice two alley cats resembling the ones in the film as they venture through an "uncanny valley" part of town.Recordings and music video
Cast recordings
Music video
Revisions and cut material
The stage production of ''Cats'' has undergone several revisions since its London opening. When the show transferred to Broadway, several cuts and rewrites were made with the intention of appealing more to an American audience. Additionally, a song entitled "Cat Morgan Introduces Himself" was cut during initial development. Lloyd Webber performed this song at the show's 6,138th Broadway performance, when it broke the record to become the longest-running Broadway show."Growltiger's Last Stand"
The "Growltiger's Last Stand" sequence has been changed multiple times over the course of the show's history. In the original London production, the "last duet" for Growltiger and Griddlebone was a setting for an unpublished Eliot poem, "The Ballad of Billy M'Caw". For the original Broadway production, the Ballad was replaced with "In Una Tepida Notte", a parody of Italian opera with more slapstick humour. This new version was eventually incorporated into all other productions of ''Cats''. "Growltiger's Last Stand" has been criticised as being racially offensive. The original lyrics, taken directly from the Eliot poem it is based on, included the ethnic slur "Chinks" and this was later replaced with the word "Siamese (cat), Siamese". The number also originally involved the cast putting on "Asian accents" to portray the Siamese cats. In the 1998 video version, the entire scene featuring Growltiger was cut. By 2016, "Growltiger's Last Stand" had been removed completely from the US and UK productions of the show. The 2019 Vienna Revival included the song, but since its closing in June 2022, "Growltiger's Last Stand" is now not present in any replica production of Cats.Mungojerrie and Rumpleteazer
In the original London production, Mungojerrie and Rumpleteazer were characters in their own right and sang their eponymous song themselves as a singsong-style duet. When the show transferred to Broadway, the song was instead sung in the third-person, with Mungojerrie and Rumpleteazer as puppets being magically controlled by Mr. Mistoffelees. Their number was also rewritten to be faster and more upbeat, alternating between vaudeville-style verses and a "manic patter song, patter" section. Eventually, the Broadway version of the song was rewritten to allow Mungojerrie and Rumpleteazer to once again sing their own song as full characters.Rum Tum Tugger
The 2014 London revival introduced several modernisations to the show. Rum Tum Tugger was reworked from a ladies-man rockstar to a breakdancing street cat. His eponymous musical number was also turned into a Rapping, rap. The 2015 Australian tour and 2015 Paris production also used the new version of the character; however, the 2016 Broadway revival did not.Choreography
The 2016 Broadway revival featured new choreography by Andy Blankenbuehler, who introduced more Hip hop dance, hip hop and cool jazz elements to the movements and dances. Blankenbuehler's choreography for the ensemble numbers did not differ too much from the original by Lynne, but significant changes were made in several solo numbers, including "The Rum Tum Tugger" and "Mr. Mistoffelees".References
Bibliography
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* * {{Authority control Cats (musical), 1981 musicals Broadway musicals Musicals by Andrew Lloyd Webber Musicals based on poems Sung-through musicals Laurence Olivier Award-winning musicals West End musicals Fantasy theatre Tony Award for Best Musical British musicals Tony Award-winning musicals