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Marti Webb
Marti Webb (born 13 December 1943) is an English actress and singer, who appeared on stage in ''Evita (musical), Evita'', before starring in Andrew Lloyd Webber's one-woman show ''Tell Me on a Sunday'' in 1980. This included her biggest hit single, "Take That Look Off Your Face", a UK top three hit, with the parent album also reaching the top three. Early life and education Marti Webb was born in Hampstead to Cecil (a clockmaker) and Selina Elizabeth Webb, and raised in Cricklewood. Her parents took her to variety shows and pantomimes as a child. Her father played the violin and her mother sang and played the piano. She attended dance lessons from the age of 3 and first performed in public at the age of 7, at the Scala Theatre, London, initially hoping to be a ballerina. After a school teacher suggested to her parents that her natural talent for singing and dancing should be nurtured, she was educated at the Aida Foster stage school from the age of 12, where she eventually bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hampstead
Hampstead () is an area in London, which lies northwest of Charing Cross, and extends from Watling Street, the A5 road (Roman Watling Street) to Hampstead Heath, a large, hilly expanse of parkland. The area forms the northwest part of the London Borough of Camden, a borough in Inner London which for the purposes of the London Plan is designated as part of Central London. Hampstead is known for its intellectual, liberal, artistic, musical, and literary associations. It has some of the most expensive housing in the London area. Hampstead has more millionaires within its boundaries than any other area of the United Kingdom.Wade, David"Whatever happened to Hampstead Man?" ''The Daily Telegraph'', 8 May 2004 (retrieved 3 March 2016). History Toponymy The name comes from the Old English, Anglo-Saxon words ''ham'' and ''stede'', which means, and is a cognate of, the Modern English "homestead". To 1900 Early records of Hampstead can be found in a grant by King Ethelred the Unread ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musetta's Waltz
"Quando me'n vo", also known as "Musetta's Waltz", is a soprano aria, a waltz in act two of Puccini's 1896 opera ''La bohème''. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the . Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Libretto Quando me'n vo' Quando me'n vo' soletta per la via, la gente sosta e mira e la bellezza mia tutta ricerca in me da capo a piè ... Ed assaporo allor la bramosia sottil, che da gli occhi traspira e dai palesi vezzi intender sa alle occulte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Half A Sixpence
''Half a Sixpence'' is a 1963 musical comedy based on the 1905 novel ''Kipps'' by H. G. Wells, with music and lyrics by David Heneker and a book by Beverley Cross. It was written as a vehicle for British pop star Tommy Steele. Background The show is based on H.G. Wells's 1905 novel '' Kipps: The Story of a Simple Soul''. Steele played Arthur Kipps, an orphan who unexpectedly inherits a fortune, and climbs the social ladder before losing everything and realizing that you just can't buy happiness. David Heneker (who had also worked on ''Irma La Douce'' and ''Charlie Girl'') wrote both music and lyrics. Steele's importance to the show was made evident by his appearance in twelve of the musical's fifteen songs. Much of this musical was tailored as a star vehicle for Steele's particular talents. This was especially evident in the musical number "Money to Burn": when Arthur Kipps realises that he is about to become wealthy, he decides that the first thing he will buy is a banjo. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethel Merman
Ethel Merman (born Ethel Agnes Zimmermann, January 16, 1908 – February 15, 1984) was an American actress and singer, known for her distinctive, powerful voice, and for leading roles in musical theatre.Obituary ''Variety'', February 22, 1984. She has been called "the undisputed First Lady of the musical comedy stage". Over her distinguished career in theater she became known for her performances in shows such as ''Anything Goes'', '' Annie Get Your Gun'', ''Gypsy'', and '' Hello, Dolly!'' She is also known for her film roles in ''Anything Goes'' (1936), ''Call Me Madam'' (1953), ''There's No Business Like Show Business'' (1954), and ''It's a Mad, Mad, Mad, Mad World'' (1963). Among many accolades, she received the Tony Award for Best Actress in a Musical for her performance in ''Call Me Madam'', a Grammy Award for ''Gypsy'' and Drama Desk Award for '' Hello, Dolly!'' Among the many standards introduced by Merman in Broadway musicals are "I Got Rhythm" (from ''Girl Crazy''); ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotte Lenya
Lotte Lenya (born Karoline Wilhelmine Charlotte Blamauer; 18 October 1898 – 27 November 1981) was an Austrian-American singer, diseuse, and actress, long based in the United States. In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in '' The Roman Spring of Mrs. Stone'' (1961). She also played the murderous and sadistic Rosa Klebb in the James Bond movie '' From Russia with Love'' (1963). Early career In 1922, Lenya was seen by her future husband, German-Jewish composer Kurt Weill, during an audition for his first stage score ''Zaubernacht'', but because of his position behind the piano, she did not see him. She was cast, but owing to her loyalty to her voice coach, she declined the role. She accepted the part of Jenny in the first performance of ''The Threepenny Opera'' (''Die Dreigrosche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alma Cogan
Alma Angela Cohen Cogan (19 May 1932 – 26 October 1966) was an English singer of traditional pop in the 1950s and early 1960s. Dubbed the "Girl with the Giggle in Her Voice", she was the highest paid British female entertainer of her era. Childhood and early musical career Cogan was born on 19 May 1932 in Whitechapel, London. She was of Russian-Romanian Jewish descent. Her father's family, the Kogins, arrived in Britain from Russia, while her mother's family were refugees from Romania. Cogan's parents, Mark and Fay Cogan, had another daughter, the actress Sandra Caron, who went on to play "Mumsey" in ''The Crystal Maze'', and one son, Ivor Cogan. Mark's work as a haberdasher entailed frequent moves. One of Cogan's early homes was over his shop in Worthing, Sussex. Although Jewish, she attended St Joseph's Convent School in Reading. Her father was a singer, but it was Cogan's mother who had showbusiness aspirations for both her daughters (she had named Cogan after silent sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Blair
Lionel Blair (born Henry Lionel Ogus; 12 December 1928 – 4 November 2021) was a Canadian-born British actor, choreographer, tap dancer, and television presenter. From the late 1960s until the early 1980s, he made regular appearances as a dancer and entertainer on British television. He also presented the quiz programme ''Name That Tune'', and was a team captain on the televised charades gameshow ''Give Us a Clue''. Early life Henry Lionel Ogus was born in Montreal, Quebec, Canada. He was born to Jewish parents, Myer Ogus and Debora "Della" Greenbaum. His father, a barber, emigrated from Russia to Canada to start a new life, and his wife joined him shortly afterwards. Blair came to Britain when he was two years old, and the family settled at Stamford Hill in north London, where his father continued to work as a barber. Although his parents were Jewish they were not orthodox; they would eat chicken on a Friday night, but also ate bacon. Due to the anti-semitism of the time, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Almost Like Being In Love
"Almost Like Being in Love" is a show tune with music by Frederick Loewe and lyrics by Alan Jay Lerner. It was written for the score of their 1947 musical ''Brigadoon''. The song was first sung by David Brooks and Marion Bell, in the Broadway production. It was later performed in the 1954 film version by Gene Kelly. Michael Johnson version "Almost Like Being in Love" was revived in a downbeat ballad version by singer Michael Johnson (U.S. no. 32, 1978). His rendition became a Top 10 Adult Contemporary hit in both the U.S. (no. 4) and Canada (no. 10). Other versions *There were three hit versions of the song in the United States in 1947: Frank Sinatra's version was the highest charting at no. 20. Mildred Bailey and Mary Martin both charted with the song at no. 21 that year. *Nat King Cole recorded more than one version of the song, including a later version that was used as the closing song in the 1993 movie Groundhog Day which starred Bill Murray. Cole's version, in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belting (music)
Belting (or vocal belting) is a specific technique of singing by which a singer carries their chest voice above their break or passaggio with a proportion of head voice. Belting is sometimes described as "high chest voice" or "mixed voice" (not to be confused with the mixing technique), although if this is done incorrectly it can potentially be damaging for the voice. It is often described as a vocal register, although this is also technically incorrect; it is rather a descriptive term for the use of a register. Singers can use belting to convey heightened existential states.Singers such as Christina Aguilera are known for their signature styles of belting Belting became commonplace in Broadway musicals following Ethel Merman's performance in ''Girl Crazy'' (1930), notably in the song "I Got Rhythm". The opening credit sequence of the James Bond film '' Goldfinger'' (1964) features a title song performed by Shirley Bassey, which established belting as a signature quality of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Newley
Anthony Newley (24 September 1931 – 14 April 1999) was an English actor, singer, songwriter, and filmmaker. A "latter-day British Al Jolson", he achieved widespread success in song, and on stage and screen. "One of Broadway's greatest leading men", from 1959 to 1962 he scored a dozen entries on the UK Top 40 chart, including two number one hits. Newley won the 1963 Grammy Award for Song of the Year for " What Kind of Fool Am I", sung by Sammy Davis Jr., and wrote " Feeling Good", which became a signature hit for Nina Simone. His songs have been performed by a wide variety of artists including Fiona Apple, Tony Bennett, Barbara Streisand, Michael Bublé and Mariah Carey. With songwriting partner Leslie Bricusse, Newley won an Academy Award for the film score of ''Willy Wonka & the Chocolate Factory'' (1971), featuring "Pure Imagination", which has been covered by dozens of artists. He collaborated with John Barry on the title song for the James Bond film '' Goldfinger'' (1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyrics
Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression. Rappers can also create lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. Etymology The word ''lyric'' derives via Latin ' from the Greek ('), the adjectival form of '' lyre''. It first appeared in English in the mid-16th century in reference to the Earl of Surrey's translations of Petrarch and to his own sonnets. Greek lyric poetry had been defined by the manner in which it was sung accompanied by the lyre or cithara, as opposed to the chanted forma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop The World, I Want To Get Off
Stop may refer to: Places *Stop, Kentucky, an unincorporated community in the United States * Stop (Rogatica), a village in Rogatica, Republika Srpska, Bosnia and Herzegovina Facilities * Bus stop * Truck stop, a type of rest stop for truck drivers * ''Rail stop'', colloquialism for a railway station Film * ''Stop'', a 1970 American film by Bill Gunn with Marlene Clark, Anna Aries, Edward Michael Bell * ''Stop'', a 1972 French-Canadian film by Jean Beaudin * ''Stop!'', a 2004 Hindi romantic film starring Dia Mirza * ''Stop'' (2015 film) South Korean-Japanese co-production directed by Kim Ki-duk Music * Double stop, the act of playing two notes simultaneously * Organ stop, a component of a pipe organ * Stop (Stockhausen), a composition for orchestra by Karlheinz Stockhausen Albums * ''Stop'' (Don Lanphere album), and the title song, 1983 * ''Stop'' (Eric Burdon Band album), and the title song, 1975 * ''Stop'' (Franco De Vita album), 2004 * ''Stop'' (Plain White T' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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