Gillian Armstrong

Gillian May Armstrong (born 18 December 1950) is an Australian feature film and documentary director, who specializes in period drama. Her films often feature female perspectives and protagonists. Many of her movies are historical dramas.

Early life

Armstrong was born in Melbourne, Victoria, Australia on 18 December 1950."Gillian Armstrong: Women Filmmakers & Their Filmes.
''Gale Biography in Context''
Gale Cengage Learning. Web. She went to a local high school, Vermont High School (now Vermont Secondary College), and was the middle child of a local real estate agent father and a primary school teacher mother who gave up work to have a family.Higson, Rosalie."Gillian Armstrong: The Real Thin
''The Australian: Arts''
The Australian. Web Armstrong stated in ''The Australian'' that her parents were always very supportive of their hopes and dreams, which was not always the way it was for women in the 1960s and 70s. Her father was a frustrated photographer who wasn't allowed to follow his dreams professionally, yet always practised as an amateur. Armstrong reminisces of how she grew up in a dark room, learning all about photography. When she first decided to go to art school, Armstrong didn't have a very firm grasp on what she wanted to do.

Armstrong grew up in the eastern suburb of Mitcham. Armstrong was a technical theatre student at Swinburne Technical College while paying her tuition by working as a waitress. Originally, she attended school to become a theatrical set designer but the school that she attended also offered a film course. After she took it she was enamored by the great names of cinema and decided to enter the film industry. Then she won a scholarship to join the first 12 students at the country's first and only film school, the Australian Film and Television School. While she was in school, the Australian film industry was non existent, and she recalls how weird the accent sounded in new films, because it wasn't American, it was Australian.Brunette, Peter. "Gillian Armstrong's a Director. Period. So Don't Pigeonhole Her as a Feminist, Please
HighBeam Research.
The Washington Post. Web. She attended Swinburne Technical College with the intention of becoming a theatre costume designer, but it was here she became increasingly interested in film. During this time, she was exposed to a range of artistic films that differentiated from the commercial cinema and television she was used to.Bear, Liza. "Liza Bear and Gillian Armstrong Reviewed work(s)", "BOMB", New Art Publications: Spring 1993, No. 43, pp. 50–53

After graduating from art school in 1968, Armstrong was set on pursuing a career in film. She began making short films of 2–10 minutes, and started work as an assistant editor in a commercial film house, which lasted a year.

Career

Following a string of small jobs within the Australian film industry, she achieved her first directorial recognition through her short film ''The Singer and the Dancer'' which won an award at the Sydney Film Festival.

Armstrong became a film director at the age of 27.Reichl, Ruth. "At Tea With: Gillian Armstrong; A Lucky Director's Daring Career
''The New York Times''.
he New York Times. Web. During the time of the development of Australian Cinema Armstrong recalls in a ''Washington Post'' interview that tremendous tax breaks led to a frightful overproduction. Everybody was interested in doing deals and even stockbrokers were becoming directors. However, very few of them had the commitment to cinema that Armstrong and others had, and the films would be shown for a week or two, or not released at all. After Armstrong's second film ''My Brilliant Career'', she had offers from Hollywood but quickly turned them all away, preferring to stay in Australia to make a deliberately small film called '' Starstruck''. After the release of ''Starstruck'', Armstrong went around giving interviews dressed in a large fuzzy blue sweater dress decorated with coloured beads, a black-and-white polka dot blouse, black tights and blue suede shoes all topped by a punk shag haircut.

Following this success, Armstrong was commissioned by the South Australian Film Corporation to make a documentary exploring the lives of young teenage girls living in Adelaide, South Australia. This became ''Smokes and Lollies (1976)'', her first paid job as director.

Armstrong's own interest in the girls led her to revisit them at ages 18, 26, 33 and 48, resulting in four more films in the style of the popular "Up Series". These are ''Fourteen's Good, Eighteen's Better (1980)'', ''Bingo, Bridesmaids and Braces (1988),'' ''Not Fourteen Again (1996)'', and her most recent film ''Love, Lust & Lies (2009)''Carter, Helen
"Gillian Armstrong"
"Senses of Cinema", Melbourne, 4 October 2002. Retrieved 5 May 2012

Armstrong's first feature-length film ''My Brilliant Career'' (1979), an adaptation of Miles Franklin's novel of the same name, was the first Australian feature-length film to be directed by a woman for 46 years. Armstrong received six awards at the 1979 Australian Film Awards (previously the Australian Film Institute Awards, or AFI's) including Best Director. The film also brought considerable attention to its two main stars, Judy Davis and Sam Neill who were relatively unknown at the time. Following the success of ''My Brilliant Career'', which was nominated for an Academy Award in Best Costume Design, Armstrong directed the Australian rock-musical ''Starstruck'' which proved her ability to tackle more contemporary and experimental subject matter and styles.

She has directed a number of rock music videos in the early 1980s, including 1984's "Bop Girl" by Pat Wilson, which featured Nicole Kidman.

Since then, Armstrong has specialised in period drama. She was the first foreign woman to be approached by the American film company MGM to finance her direction of a big-budget feature, which became ''Mrs. Soffel'' (1984) starring Mel Gibson and Diane Keaton. This film tells the true story of an affair between a prisoner and a prison warden's wife, and was relatively well received by audiences and critics.Erickson, Hal
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