Gavin John Hipkins (born 1968 in

Auckland Auckland (pronounced ) ( mi, Tāmaki Makaurau) is a large metropolitan city in the North Island of New Zealand. The List of New Zealand urban areas by population, most populous urban area in the country and the List of cities in Oceania by po ...

) is a New Zealand photographer and film-maker, and Associate Professor at

Elam School of Fine Arts The Elam School of Fine Arts, founded by John Edward Elam, is part of the Faculty of Creative Arts and Industries at the University of Auckland. Students study degrees in fine art with an emphasis on a multidisciplinary approach. The schoo ...

, at the

University of Auckland , mottoeng = By natural ability and hard work , established = 1883; years ago , endowment = NZD $293 million (31 December 2021) , budget = NZD $1.281 billion (31 December 2021) , chancellor = Cecilia Tarrant , vice_chancellor = Dawn F ...

Education

Hipkins completed a Bachelor of Fine Arts at the University of Auckland in 1992 and a Master of Fine Arts at the

University of British Columbia The University of British Columbia (UBC) is a public university, public research university with campuses near Vancouver and in Kelowna, British Columbia. Established in 1908, it is British Columbia's oldest university. The university ranks a ...

in 2002.

Photography

Throughout his career, Hipkins has worked with both analogue and digital forms of photography. His work is often produced as either discrete multi-part works or, more rarely, in ongoing series.

Falls (1992-)

Hipkins began working with the format he used for a number of works, collectively known as ''Falls'', while he was still at art school. These works are made up of 'vertical strip of machine prints, which present the content of a single roll of film—a session of almost identical shots of one subject from more or less the same angle, like a ‘shot’ of film footage'. ''Zerfall Wellington 1 March 1996'' (1996) is made up of images from a firework display. ''Falls, Zerfall'' (1997–1998), shown at the 1998

Biennale of Sydney The Biennale of Sydney is an international festival of contemporary art, held every two years in Sydney, Australia. It is a large and well-attended contemporary visual arts event in the country. Alongside the Venice and São Paulo biennales and ...

, consisted of images of circular objects usually found in kitchens and bathrooms. A set of seven Falls, titled ''The Gulf'', mixed images collected from pornography websites (each work was titled after a genre: Teen, Blonde, Mature, Asian, Latina, Ebony, and Red-headed) mixed with stereotypical imagery from travel advertising, photos of small accessories (buttons, ribbon) and neutral background textures.

Westwards (1993)

In this series, Hipkins used ready-made images, sourced from kitschy offset prints made in Switzerland in 1978, which he bought in West Auckland. He reproduced the images as large rectangular wallpaper murals (2160 x 4800 mm each).

New Age (1993-2003)

The ''New Age'' works are closely linked to the photographs in ''The Sanctuary'' series. Photographs of New Zealand's West Coast and other personally significant landscapes are overlaid with

photogram A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then exposing it to light. The usual result is a negative shadow image th ...

s of beads. The original photographs are sourced from Hipkins' own archive, using existing works that have rarely been printed.

The Field (1994-1995)

In ''The Field'' 1,500 photograms produced by placing a polystyrene ball on a sheet of photographic paper and exposing it to light. The photograms were shown as a single massed grid on the gallery wall. The work was shown at

Teststrip Teststrip was an artist run gallery that operated in Auckland Auckland (pronounced ) ( mi, Tāmaki Makaurau) is a large metropolitan city in the North Island of New Zealand. The most populous urban area in the country and the fifth larges ...

, an artist-run gallery in Auckland, and at the

Dunedin Public Art Gallery The Dunedin Public Art Gallery holds the main public art collection of the city of Dunedin, New Zealand. Located in The Octagon in the heart of the city, it is close to the city's public library, Dunedin Town Hall, and other facilities such as t ...

The Trench (1997-1998)

In 1997, Hipkins visited

Chandigarh Chandigarh () is a planned city in India. Chandigarh is bordered by the state of Punjab to the west and the south, and by the state of Haryana to the east. It constitutes the bulk of the Chandigarh Capital Region or Greater Chandigarh, which al ...

in Northern India. The city contains many buildings by architect

Le Corbusier Charles-Édouard Jeanneret (6 October 188727 August 1965), known as Le Corbusier ( , , ), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now regarded as modern architecture. He was ...

, and his symbolic structure, the

Open Hand Monument The ''Open Hand Monument'' is a symbolic structure designed by the architect Le Corbusier and located in the Capitol Complex of the Indian city and union territory of Chandigarh. It is the emblem and symbol of the Government of Chandigarh and sy ...

, a metal weather vane that rotates in the wind. ''The Trench'' is a slide show of 80 photographs taken of the monument, each one double-exposed with an image of a rose from Chandigarh’s rose garden. As the images of the hand form rotate in the photographs, the roses move from red to orange to yellow.

The Homely (1997-2000)

The 80 c-type prints in ''The Homely'' were taken over a period of several years, on trips around New Zealand and Australia. In this work, Hipkins explored the idea of nationhood, and the signs and symbols used to express a sense of belonging to a place, especially, as he described it, 'in the turbulent wake of British Imperialism'. Each work is individually titled with a date, a named object, and a location, and the 80 works were hung alongside each other in a continuous display. In the publication accompanying the exhibition art historian Peter Brunt wrote:

The work requires its spectator to walk by it, so that the process of looking at it transpires in time. These dates and names are important. They specify individual sites but they also map the site specificity of the work as a whole. They are a kind of litany accompanying the viewer in his or her passage through the work.

Works from ''The Homely'' were shown in ''Flight Patterns'', an exhibition curated by Connie Butler for the

Los Angeles Museum of Contemporary Art The Museum of Contemporary Art, Los Angeles (MOCA) is a contemporary art museum with two locations in greater Los Angeles, California. The main branch is located on Grand Avenue in Downtown Los Angeles, near the Walt Disney Concert Hall. MOCA's or ...

. ''The Homely'' evolved into an exhibition initiated by

City Gallery Wellington City Gallery Te Whare Toi is a public art gallery in Wellington, New Zealand. History City Gallery Te Whare Toi began its life as the Wellington City Art Gallery on 23 September 1980 in a former office block located at 65 Victoria Street, now ...

and shown at the

Sarjeant Gallery The Sarjeant Gallery Te Whare o Rehua Whanganui at Pukenamu, Queen's Park Whanganui is currently closed for redevelopment. The temporary premises at Sarjeant on the Quay, 38 Taupo Quay currently house the Sarjeant Collection, and all exhibitions a ...

and

. Hipkins was nominated in the inaugural

Walters Prize The Walters Prize is New Zealand's largest contemporary art prize. Held biennially since 2002, the prize aims to 'make contemporary art a more widely recognised and debated feature of cultural life'. The prize is named in honour of New Zealand ab ...

for this work.

The Circuit (1999)

This site-specific work was created at the

. 2000 small c-type prints depicting strands of liquorice were laid like raceway circuits around three gallery walls, accompanied by one large photograph of a skeletal Indian sculpture, ''Eurasia'', and a video work showing plates of milk being slowly dyed blue or red with jelly crystals. The installation was produced when Hipkins was in Dunedin as part of the gallery's Visiting Artist Programme.

The Habitat (1999-2000)

''The Habitat'' is a series of 72

silver gelatin The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography. As such, films and printing papers available for analog photography ...

prints, hung in a single line as a frieze, that take late modern and

Brutalist Brutalist architecture is an architectural style that emerged during the 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by Minimalism (art), minimalist constructions th ...

buildings in New Zealand university campuses as their subject. Hipkins photographed details of buildings' interiors and exteriors, and printed the resulting images on expired photo paper, producing images that were often blurred, under or over-exposed, too high or too low in contrast: the opposite of 'professional' architectural photographs. ''The Habitat'' was first shown at the

Adam Art Gallery Adam; el, Ἀδάμ, Adám; la, Adam is the name given in Genesis 1-5 to the first human. Beyond its use as the name of the first man, ''adam'' is also used in the Bible as a pronoun, individually as "a human" and in a collective sense as " ...

and

Artspace Artspace may refer to: * Artspace (website), an online marketplace based in New York City * Artspace, New Haven, an art gallery in downtown New Haven, Connecticut * Artspace Mackay, Mackay, Queensland, Australia * Artspace NZ, a visual arts cent ...

in Auckland.

The Crib (c. 2000)

''The Crib'' is a multi-part photogram work, originally displayed as a 20 metre-long frieze. As with numerous other works, such as ''The Field'', the photograms are made by exposing sheets of photographic paper over with polystyrene balls have been laid.

The Colony (2000-2002)

This work, made up of 100 individual c-type prints of painted and glued-together hemispherical polystyrene blobs, was made for the 2002

Sao Paulo Biennale SAO or Sao may refer to: Places * Sao civilisation, in Middle Africa from 6th century BC to 16th century AD * Sao, a town in Boussé Department, Burkina Faso * Saco Transportation Center (station code SAO), a train station in Saco, Maine, U.S. ...

and then re-shown at the Gus Fisher Gallery in Auckland. Curator Robert Leonard wrote of this work:

Geometric yet organic, the blobs resemble at once alien pods, igloos, pup tents, breasts, the curvaceous hills and mud pools of his native New Zealand, and bacteria. The psychedelic colour scheme is both candied and toxic; we could be staring into a lava lamp, perhaps furthering a boudoir subtext. There’s no reference for scale. The work could imply a macroscopic view (an imperialist invasion, a commune of hippie drop-outs in their geodesic domes, or a high-tech off-world encampment on a weirdly hued planet) or a microscopic one.

The Next Cabin (2000-2002)

While undertaking post-graduate study at the University of British Columbia, Hipkins decided he wanted 'one sustainable, heavyweight project' to focus on. ''The Next Cabin'' is a sequel of sorts to ''The Homely'', made up of 40 c-type prints of photographs taken in the Pacific Northwest. The series is also influenced by the Cascadian independent movement, a hypothetical nation stretching from Southern British Columbia to Northern California.

The Stall (2001)

''The Stall'' was made when Hipkins was artist in residence at the

Waikato Museum of Art and History Waikato Museum ( mi, Te Whare Taonga o Waikato) is a regional museum located in Hamilton, New Zealand. The museum manages ArtsPost, a shop and gallery space for New Zealand art and design. Both are managed by the Hamilton City Council. Outside ...

. made up of 95 c-type prints, the work uses the 'Fall' form and features imagery as diverse as buttons, car racing, and female faces and bodies.

The Sanctuary (2004-)

''The Sanctuary'' is a series of square-format unique silver gelatin prints. In them, Hipkins documents parks, gardens and zoos in cities in various countries (including Shanghai, Rotorua, London, Melbourne, New Plymouth and Hong Kong), often selecting details to focus on rather than following the traditional formats of landscape photography. These images are then superimposed with photograms of sinuous abstract shapes; lengths of ribbon, strands of beads, chain necklaces and threaded sequins. Hipkins continued work on ''The Sanctuary'' during his time on an artist residency at the International Studio and Curatorial Program in New York in 2006.

Tender Buttons (2006)

The ''Tender Buttons'' works were developed when Hipkins was in New York on the International Studio and Curatorial Programme residency. In these works, images from artworks and objects in museum collections are overlaid with oversized scans of buttons sourced from New York's garment district, located near the residency hub. The title of the works alludes to Gertrude Stein's '' Tender Buttons''. A related work, the 12-piece ''The Terrace'' (2008) is held in the collection of the

Museum of New Zealand Te Papa Tongarewa The Museum of New Zealand Te Papa Tongarewa is New Zealand's national museum and is located in Wellington. ''Te Papa Tongarewa'' translates literally to "container of treasures" or in full "container of treasured things and people that spring fr ...

Empire (2007), Second Empire (2008)

In ''Empire'', Hipkins first used the method of taking scans he made of colour plates in books and then overlaying them with an embroidered patches and decals bought from markets and music stores. Hipkins selected his images from children's Commonwealth and Empire annuals from the 1950s. He worked on these series over the summer of 2007/2008 on his McCahon House residency, and showed ''Second Empire'' at the Lopdell House Gallery.

Bible Studies (New Testament) (2008)

The ''Bible Studies (New Testament)'' works were first shown at the Adam Art Gallery and then re-presented at Starkwhite Gallery in Auckland. Continuing the methods he used in ''Empire'' and ''Second Empire'', the large-format c-type prints each feature a detail of an image appropriated from a 1968 illustrated children's bible, overlaid with an embroidered patch bearing a two or three-word phrase from

Goethe's Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German people, German poet, playwright, novelist, scientist, politician, statesman, theatre director, and critic. Johann Wolfgang von Goethe bibliography, His works include pla ...

play ''Faust''.

Collaboration with Karl Fritsch (2012-)

Hipkins met jeweller

Karl Fritsch Karl Fritsch (24 February 1864 – 17 January 1934) was an Austrian botany, botanist. He was born in Vienna and educated mainly at the University of Vienna, obtaining his PhD degree in 1886 and his Habilitation in 1890. In 1900 he moved to ...

when the two artists had concurrent exhibitions at Wellington dealer gallery Hamish McKay Gallery. Fritsch frequently collaborates with other artists, but this is Hipkins' first collaboration. Hipkins selects narrative black and white photographs from his archive, which Fritsch then applies metal and gem stones to, puncturing, filing back and variously altering the surfaces of the works. Their collaborative works have been presented in several dealer gallery exhibitions and in ''Multiple Exposures: Jewelry and Photography'' at the

Museum of Arts and Design The Museum of Arts and Design (MAD), based in Manhattan, New York City, collects, displays, and interprets objects that document contemporary and historic innovation in craft, art, and design. In its exhibitions and educational programs, the mus ...

Leisure Valley and The Port (2014)

In 2013 Hipkins returned to

to photograph and film for two works: ''Leisure Valley'' (a 46-part photo-installation) and ''The Port'', a short film. The 46 photos in ''Leisure Valley'' reflect the 46 sectors in Le Corbusier's original plan for Chandigarh; ''The Port'' combines images of the 18th century architectural instruments Jantar Mantars with imagery drawn from the New Zealand landscape, and suburban architecture from Stonefields, a new Auckland residential development, accompanied by audio of passages being read from H.G. Wells' novella ''The Time Machine''. The two were shown together in 2014 as ''Leisure Valley'' at St Paul St Gallery in Auckland.

Block Paintings (2015-)

Hipkins' latest series of works, ''Block Paintings'', features large-format unique colour photographs of small, carefully hand-painted wooden children's blocks. The painted blocks are photographed against neutral backgrounds either straight-on or from above. Hipkins says of these works:

Sitting between sculpture, painting, and photography, I like to think of these new works as ‘kinder monuments’ — a reference to their ambiguous scale, and the occupation of the field plane by massively enlarged brutalist wooden blocks.

In late 2018 Hipkins extended his experimentation in this body of work in the dealer gallery exhibition ''Block Units'', including an 80-image slide projection of photographs of pairs of painted blocks arranged in sculptural formations alongside framed photographs.

Film making

Hipkins began making experimental short films in 2010. In 2014, his first feature film ''Erewhon'' - based on Samuel Butler’s 1872 novel ''Erewhon, Or Over the Range'' - premiered at the

New Zealand International Film Festival New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator, ...

and the

Edinburgh Art Festival The Edinburgh Art Festival is an annual visual arts festival, held in Edinburgh, Scotland, during August and coincides with the Edinburgh International and Fringe festivals. The Art Festival was established in 2004, and receives public funding fr ...

. Hipkins' recent film work, ''New Age'' (2016), is set at

Avebury Avebury () is a Neolithic henge monument containing three stone circles, around the village of Avebury in Wiltshire, in southwest England. One of the best known prehistoric sites in Britain, it contains the largest megalithic stone circle in t ...

and calls on the tradition of

spirit photography Spirit photography (also called ghost photography) is a type of photography whose primary goal is to capture images of ghosts and other spiritual Non-physical entity, entities, especially in ghost hunting. It dates back to the late 19th century. ...

. The film premiered in 2016 at the International Competition at the 62nd International Short Film Festival Oberhausen. In 2016 Hipkins was invited to make a work as part of a commissioned set of moving image responses to the writing of New Zealand artist Julian Dashper. Hipkins' resulting work ''New World'' melded extracts from an 1849 report encouraging immigration to North-East Texas, title-cards resembling abstract paintings,

Google Earth Google Earth is a computer program that renders a 3D computer graphics, 3D representation of Earth based primarily on satellite imagery. The program maps the Earth by superimposition, superimposing satellite images, aerial photography, and geog ...

footage and reproductions of plates drawn from the 1876 book ''American Pictures Drawn with Pen and Pencil'' as well as solarised reproductions of images from early 1980s copies of ''National Geographic'' and ''Penthouse''. In 2018 Hipkins produced ''The Precinct'' for the 9th iteration of the Queensland Art Gallery's Asia Pacific Triennial. The film, set along the Brisbane River, uses text drawn from the first published novel set in Brisbane, Dr Thomas Pennington Lucas's ''The Curse and its Cure'' (1894). Trailers and excerpts from some of Hipkin's film works are available on the CIRCUIT website
Excerpt from ''New Age''Trailer for ''The Port''Trailer for ''Erewhon''''This Fine Island''''The Dam (0)''Trailer for ''City of Tomorrow''

Exhibitions

Hipkins has exhibited in New Zealand and internationally for over 20 years. In 2017

The Dowse Art Museum The Dowse Art Museum is a municipal art gallery in Lower Hutt, New Zealand. Opening in 1971 in the Lower Hutt CBD, The Dowse occupies a stand-alone building adjacent to other municipal facilities. The building was completely remodelled in 2 ...

staged a major survey exhibition of his work, ''Gavin Hipkins: The Domain'', which included works from the past 25 years stretching back to his time at Elam School of Fine Arts and including new commissions produced in 2017. The following is a list of solo exhibitions in public art galleries. *1995: ''The Vision'', Manawatu Art Gallery, Palmerston North; ''The Field'', Teststrip, Auckland and

*1997: ''The Tunnel'', Artspace Auckland *1998: New Zealand representative,

, Starkwhite; ''The Trench'', The Physics Room, Christchurch *1999: ''The Pack'', Artspace Sydney; ''The Circuit'', Dunedin Public Art Gallery; ''Machine Art: Recent Work by Gavin Hipkins'',

Govett-Brewster Art Gallery The Govett-Brewster Art Gallery is a contemporary art museum at New Plymouth, Taranaki, New Zealand. The gallery receives core funding from the New Plymouth District Council. Govett-Brewster is recognised internationally for contemporary art. H ...

*2000: ''The Habitat'',

and Artspace Auckland *2001: ''The Homely'',

, Dunedin Public Art Gallery; ''The Stall'',

*2002: New Zealand representative,

; ''The Colony'', Gus Fisher Gallery, Auckland *2006: ''The Village'',

Centre for Contemporary Photography The Centre for Contemporary Photography (CCP), in Fitzroy, Melbourne, Victoria, is a venue for the exhibition of contemporary photo-based arts, providing a context for the enjoyment, education, understanding and appraisal of contemporary practic ...

, Melbourne *2007: ''The Field (Part 2)'', Institute of Modern Art, Brisbane *2008: ''Second Empire'', Lopdell House Gallery, Auckland *2009: ''Bible Studies (New Testament)'', as part of ''Source Material: Five Conversations with the Past'', Adam Art Gallery *2013: ''The Quarry'', The Physics Room, Christchurch *2014: ''Leisure Valley'', St Paul St Gallery, Auckland *2015: ''Erewhon'', Māngere Arts Centre Ngā Tohu o Uenuku, Auckland *2017: ''Gavin Hipkins: The Domain'',

, Lower Hutt *2018: ''The Homely (Part II)'', as part of ''This Is New Zealand'', City Gallery Wellington

Residencies

*1998: Inaugural residency for New Zealand artists at Artspace Sydney *2006: Artist’s residency at the International Studio and Curatorial Program in New York *2007: McCahon House Residency in Auckland

Publications

Justin Paton Justin Paton (born 1972) is a New Zealand writer, art critic and curator, currently based in Sydney, Australia. His book ''How to Look at a Painting'' (2005) was adapted into a 12-episode television series by TVNZ in 2011. Education Paton stu ...

, ''Gavin Hipkins : The Circuit'', Dunedin: Dunedin Public Art Gallery, 1999 * Blair French, ''Gavin Hipkins: The Pack'', Woolloomooloo, NSW: Artspace Visual Arts Centre. * Robert Leonard and Kelly Carmichael (eds), ''The Habitat'', Auckland: Artspace, 2000. * Trevor Mahovsky, ''The Stall'', Hamilton: Waikato Museum of Art and History, 2001. * Lara Strongman, Peter Brunt and Blair French, ''Gavin Hipkins: The Homely'', Wellington: City Gallery Wellington, 2001. *''Gavin Hipkins: The Colony'', Auckland: Gus Fisher Gallery, 2002. * ''The Next Cabin'', Auckland and Wellington: Gow Langsford Gallery and Hamish McKay Gallery, 2004. *

Heather Galbraith Heather Galbraith is a New Zealand fine art curator and academic. As of 2018 she is a full professor at Massey University in Wellington. Academic career After a Master of Arts, MA from Goldsmiths, University of London, Galbraith worked at Cit ...

, ''The Sanctuary'', Auckland: Rim Books, 2006. * Karra Rees
''Gavin Hipkins: The Village''
Melbourne: Centre for Contemporary Photography, 2006. * Daniel Palmer, ''Empire'', Auckland: Rim Books, 2008. * Christina Barton (ed), ''Bible studies (New Testament)'', Wellington: Adam Art Gallery, Victoria University of Wellington, 2009. * Charlotte Huddleston (ed), ''Gavin Hipkins: Leisure Valley'', Auckland: St Paul St Gallery, 2014. * Peter Shand, Laurence Simmons, ''Erewhon'', Māngere, Auckland: Māngere Arts Centre Ngā Tohu o Uenuku, 2015. *

Courtney Johnston Courtney Johnston (born ) is a New Zealand museum professional, a national radio correspondent, and the chief executive of the Museum of New Zealand Te Papa Tongarewa. Early life and education Born in about 1979, Johnston grew up on dairy farm ...

(ed), with essays by Robert Leonard and George Clark, ''The Domain'', Wellington: Victoria University Press and The Dowse Art Museum, 2017.

Collections

Auckland Art Gallery Toi o Tamaki

University of Auckland

Christchurch Art Gallery Te Puna o Waiwhetu

Dunedin Public Art Gallery

Museum of New Zealand Te Papa Tongarewa

Queensland Art Gallery

Victoria University of Wellington

Gallery

File:Macraes Flat Objects of Art.jpg, Photographic billboards by Gavin Hipkins installed at Macraes Flat, Otago, New Zealand

Further information

Artist profile on CIRCUIT
*Andrew Clifford
''Sanctuary (The Bird)''
Auckland: University of Auckland, not dated. * Andrew Clifford
Something eerie this way comes
''New Zealand Herald'', 1 March 2005
Gavin Hipkins on ''Erewhon''
Standing Room Only,

Radio New Zealand Radio New Zealand ( mi, Te Reo Irirangi o Aotearoa), commonly known as Radio NZ or simply RNZ, is a New Zealand public-service radio broadcaster and Crown entity that was established under the Radio New Zealand Act 1995. It operates news and c ...

2014
''Gavin Hipkins: The Domain''
exhibition guide published by The Dowse Art Museum, 2017
Gavin Hipkins interviewed by Kim Hill
Saturdays with Kim Hill,

, 18 November 2017 *Robert Leonard
'The Only Show in Town' (on ''Gavin Hipkins: The Domain''
City Gallery Wellington, 16 January 2018 * Bruce Philips
Review of ''Gavin Hipkins: The Domain''

Art Asia Pacific ''ArtAsiaPacific'' is the longest running English-language periodical solely dedicated to covering contemporary art and culture from sixty-seven countries, territories, and Chinese Special Administrative Regions that it considers to be within As ...

, 19 February 2018 * Terrence Handscombe
Living in Dulltopia: Gavin Hipkins’ ''The Domain'' and ''The Homely II''
EyeContact, 11 April 2018
Gavin Hipkins discusses his video project 'The Precinct'
Queensland Art Gallery , Gallery of Modern Art, November 2018

References

{{DEFAULTSORT:Hipkins, Gavin John 1968 births Living people New Zealand artists New Zealand photographers People from Auckland Elam Art School alumni Photographers from Auckland