Gas Light (play)

''Gas Light'' is a 1938 thriller play, set in the Victorian era, written by the British novelist and playwright Patrick Hamilton. Hamilton's play is a dark tale of a marriage based on deceit and trickery, and a husband committed to driving his wife insane in order to steal from her.

''Gas Light'' was written during a dark period in Hamilton's life. Six years prior to the play Hamilton was hit by a drunk driver and dragged through the streets of London, leaving him with a limp, a paralyzed arm, and a disfigured face. Two years later, Hamilton's mother committed suicide.

Premiering at the Richmond Theatre in London on 5 December 1938 before transferring to the Apollo Theatre in the West End on 1 January, the play closed after six months and 141 performances, but it has endured through an impressive list of incarnations most notably ''Five Chelsea Lane'' (1941 American play), ''Angel Street'' (1941 American play), and ''Gaslight'' (1958 Australian television play). ''Angel Street'' was a hit in its Broadway premiere, and it remains one of the longest-running non-musicals in Broadway history, with 1,295 total performances.
philadelphiaweekly.com

The play was adapted to the big screen as two films, both entitled ''Gaslight''—a Gaslight (1940 film), 1940 British film, and a 1944 American film directed by George Cukor, also known as ''The Murder in Thornton Square'' in the UK. Both films are considered classics in their respective countries of origin, and are generally equally critically acclaimed. The 1944 American version received seven nominations at the 17th Academy Awards, including Best Picture, and won two, Best Actress (for Ingrid Bergman) and Best Production Design. In 2019, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Synopsis

The play is set in fog-bound London in 1880, at the upper middle class home of Jack Manningham and his wife Bella. It is late afternoon, a time that Hamilton notes as the time "before the feeble dawn of gaslight and tea."

Bella is clearly on edge, and the stern reproaches of her overbearing husband (who flirts with the servants in front of his wife) make matters worse. What most perturbs Bella is Jack's unexplained disappearances from the house: he will not tell her where he is going, and this increases her anxiety. It becomes clear that Jack is intent on convincing Bella that she is going insane, even to the point of assuring her she is imagining that the gas light in the house is dimming.

The appearance of a police detective called Rough leads Bella to realise that Jack is responsible for her torment. Rough explains that the apartment above was once occupied by one Alice Barlow, a wealthy woman who was murdered for her jewels. The murderer was never found.

Jack goes to the flat each night to search for the jewels, and lighting the apartment's gas lights causes the lights to dim in the rest of the building. His footsteps in the supposedly empty apartment persuade Bella that she is "hearing things". Rough convinces Bella to assist him in exposing Jack as the murderer, which she does, but not before she takes revenge on Jack by pretending to help him escape. At the last minute she reminds him that, having gone insane, she is not accountable for her actions. The play closes with Jack being led away by the police.

Productions

London

''Gas Light'' premiered on 5 December 1938 at the Richmond Theatre in Richmond, London. It transferred to the Apollo Theatre on 1 January 1939, and to the Savoy Theatre on 22 May 1939. The cast featured Dennis Arundell (Mr. Manningham), Milton Rosmer (Mr. Rough), Gwen Ffrangcon-Davies (Mrs. Manningham), Beatrice Rowe (Elizabeth) and Elizabeth Inglis (Nancy). The production closed 10 June 1939, after a total of 141 performances.

Broadway

In the spring of 1941, Vincent Price and his wife, actress Edith Barrett, saw ''Gas Light'' performed in Los Angeles as a three-hander titled ''Five Chelsea Lane''. They were impressed by the play and set about securing the rights for a Broadway production of their own. By fall, they had found a producer to underwrite the project, but Barrett abruptly withdrew to remain in Hollywood and work in films. In November 1941, Price returned to work on the New York stage. Judith Evelyn

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