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Two-hander
A two-hander is a term for a play, film, or television programme with only two main characters. The two characters in question often display differences in social standing or experiences, differences that are explored and possibly overcome as the story unfolds.Caption for still from William Gibson’s play "Two for the Seesaw."
Photo credit Arthur Cantor; from "Looking Back at Arthur Penn" slide show; ''The New York Times'', September 30, 2010. Retrieved 2010-10-04.
Instances of two-handers may include theatre, film, television episodes, television series, and radio.


Theatre

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The Blood Knot
''Blood Knot'' is an early play by South African playwright, actor, and director Athol Fugard. Its single-performance premier was in 1961 in Johannesburg, South Africa, with the playwright and Zakes Mokae playing the brothers Morris and Zachariah.Mel Gussow"Stage: 'The Blood Knot' by Fugard" ''The New York Times'' 24 Sept. 1985. Lucille Lortel produced ''The Blood Knot'', starring J.D. Cannon as Morris and James Earl Jones as Zachariah, at the Cricket Theatre, Off Broadway, in New York City, in 1964, "launch ng Fugard's "American career." It was the first South African play performed with an interracial cast. Its Broadway premiere was at the John Golden Theatre, in 1986, with Fugard and Mokae playing the brothers as they had in the play's premiere. The play was most recently performed in Johannesburg, South Africa in 2010 as part of Mandela Day celebrations, with Michael Brando playing the lead role of Morris. Plot summary The only two characters in the two-hander play are the ...
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Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sens ...
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Happy Days (play)
''Happy Days'' is a play in two acts, written by Samuel Beckett.Beckett, S., ''The Grove Centenary Edition'' Vol. III: ''Dramatic Works'' (New York: Grove Press, 2006), pp. 279–307. Also: Beckett, S., ''The Complete Dramatic Works'' (London: Faber & Faber Ltd., 2006), pp. 135–168. Viewed positively by critics, it was named in '' The Independent'' as one of the 40 best plays of all time. Winnie, buried to her waist, follows her daily routine and prattles to her husband, Willie, who is largely hidden and taciturn. Her frequent refrain is "Oh this ''is'' a happy day." Later, in Act II, she is buried up to her neck, but continues to talk and remember happier days. Plot summary Act I Winnie is embedded waist-deep in a low mound under blazing light, with a large black bag beside her. She is awakened by a piercing bell and begins her daily routine with a prayer. Talking incessantly to herself, she brushes her teeth, drinks the last of a bottle of tonic, and puts on her hat. She st ...
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David Mamet
David Alan Mamet (; born November 30, 1947) is an American playwright, filmmaker, and author. He won a Pulitzer Prize and received Tony nominations for his plays ''Glengarry Glen Ross'' (1984) and '' Speed-the-Plow'' (1988). He first gained critical acclaim for a trio of off-Broadway 1970s plays: '' The Duck Variations'', '' Sexual Perversity in Chicago'', and '' American Buffalo''. His plays '' Race'' and ''The Penitent'', respectively, opened on Broadway in 2009 and previewed off-Broadway in 2017. Feature films that Mamet both wrote and directed include '' House of Games'' (1987), ''Homicide'' (1991), '' The Spanish Prisoner'' (1997), and his biggest commercial success, ''Heist'' (2001). His screenwriting credits include '' The Postman Always Rings Twice'' (1981), '' The Verdict'' (1982), '' The Untouchables'' (1987), '' Hoffa'' (1992), '' Wag the Dog'' (1997), and ''Hannibal'' (2001). Mamet himself wrote the screenplay for the 1992 adaptation of ''Glengarry Glen Ross'', and ...
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The Woods (play)
''The Woods'' is a 1977 play by David Mamet. The show involves a young couple's weekend at a lakeside cabin. Mamet banned the play from being put on in New York in 1985, but lifted the ban unexpectedly in 1996 for actress Danielle Kwatinetz. Plot The play is about a couple, Nick and Ruth, spending a night at a house in the country. They push their relationship to the breaking point in a night of stories and fights, only to rediscover their need for one another in the morning. The play takes place on the front porch of Nick's family's summerhouse, where he and Ruth are spending the night. ''The Woods'' ends with a bed-time story, but the final reconciliation remains uncomfortably tempered by the violent core we now know to be hiding beneath the soothing words. Productions The original production premiered on November 11, 1977 produced by the St. Nicholas Theatre Company in Chicago, and was directed by Mamet. It starred Patti Lupone and Peter Weller. Set design was by Michael Merrit ...
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Donald L
Donald is a masculine given name derived from the Gaelic name ''Dòmhnall''.. This comes from the Proto-Celtic *''Dumno-ualos'' ("world-ruler" or "world-wielder"). The final -''d'' in ''Donald'' is partly derived from a misinterpretation of the Gaelic pronunciation by English speakers, and partly associated with the spelling of similar-sounding Germanic names, such as '' Ronald''. A short form of ''Donald'' is '' Don''. Pet forms of ''Donald'' include ''Donnie'' and ''Donny''. The feminine given name ''Donella'' is derived from ''Donald''. ''Donald'' has cognates in other Celtic languages: Modern Irish ''Dónal'' (anglicised as ''Donal'' and ''Donall'');. Scottish Gaelic ''Dòmhnall'', ''Domhnull'' and ''Dòmhnull''; Welsh '' Dyfnwal'' and Cumbric ''Dumnagual''. Although the feminine given name '' Donna'' is sometimes used as a feminine form of ''Donald'', the names are not etymologically related. Variations Kings and noblemen Domnall or Domhnall is the name of many ...
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The Gin Game
''The Gin Game'' is a two-person, two-act play by Donald L. Coburn that premiered at American Theater Arts in Hollywood in September 1976, directed by Kip Niven. It was Coburn's first play, and the theater's first production. The play won the 1978 Pulitzer Prize for Drama. Plot Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weakne ...
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Bernard Slade
Bernard Slade Newbound (May 2, 1930 – October 30, 2019) was a Canadian playwright and screenwriter. As a screenwriter, he created the sitcoms '' The Flying Nun'' and '' The Partridge Family''. As a playwright, he wrote '' Same Time, Next Year'', '' Tribute'', and '' Romantic Comedy'' and their film adaptations. He received a Tony Award nomination for ''Same Time, Next Year'', and an Oscar nomination for the screen adaptation. Early years Slade was born in St. Catharines, Ontario in May 1930, the son of Bessie Harriet (Walbourne) and Frederick Newbound. Slade moved to England with his family at age five. After he returned to Canada, he worked as a steward on Trans Canada Airlines for a while before he went into acting as a career. Career Slade began his career as an actor in repertory theatre in England. He also acted with the Garden Center Theatre in Vineland, Ontario. In the mid-1960s, he relocated to Hollywood and began to work at Screen Gems as a writer for televisio ...
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Same Time, Next Year (play)
''Same Time, Next Year'' is a 1975 romantic comedy play by Bernard Slade. The plot focuses on two people, married to others, who meet for a romantic tryst once a year for two dozen years. Plot New Jersey accountant George Peters and Oakland housewife Doris meet at a Northern California inn in February 1951. They have an affair, and agree to meet once a year, despite the fact both are married to others and have six children between them. Over the course of the next 24 years, they develop an emotional intimacy deeper than what one would expect to find between two people meeting for a clandestine relationship just once a year. During the time they spend with each other, they discuss the births, deaths, and marital problems each is experiencing at home, while they adapt themselves to the social changes affecting their lives. Productions The Broadway production opened on March 14, 1975, at the Brooks Atkinson Theatre with Ellen Burstyn as Doris and Charles Grodin as George and direct ...
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Tom Jones (writer)
Tom Jones (born February 17, 1928) is an American lyricist and librettist, best known for ''The Fantasticks'', ''110 in the Shade'', and '' I Do! I Do!''. He was born in Littlefield, Texas. Career Jones' best-known work is ''The Fantasticks'', which ran off-Broadway from 1960 until 2002, and the hit song from the same, " Try to Remember". Other songs from ''The Fantasticks'' include " Soon It's Gonna Rain", "Much More", and "I Can See It". He also wrote the screenplay for the 1995 feature-film adaptation. Jones acted in a New York City revival of ''The Fantasticks'', which he also directed. He played the part of the Old Actor, from when the musical opened in 1960, and from April 26, 2010, to June 6, 2010. He was credited as an actor in the show as Thomas Bruce. Jones is also the author of ''Making Musicals: An Informal Introduction to the World of Musical Theater'', about which Elyse Sommer wrote on January 15, 1998 in ''CurtainUp'': Extremely well organized and packed ...
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I Do! I Do!
''I Do! I Do!'' is a musical with a book and lyrics by Tom Jones and music by Harvey Schmidt which is based on the Jan de Hartog play '' The Fourposter''. The two-character story spans 50 years, from 1895 to 1945, as it focuses on the ups and downs experienced by Agnes and Michael throughout their marriage. The set consists solely of their bedroom, dominated by the large fourposter bed in the center of the room. History For producer David Merrick, who initially presented the play on Broadway, ''I Do! I Do!'' was an ideal investment in that it had neither expensive sets and costumes nor a large cast. After four previews, the Broadway production, directed and choreographed by Gower Champion, opened on December 5, 1966, at the 46th Street Theatre and closed on June 15, 1968, after 560 performances. Mary Martin and Robert Preston comprised the original cast. Carol Lawrence and Gordon MacRae played matinees starting in October 1967 and then replaced Martin and Preston in Decemb ...
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LeRoi Jones
Amiri Baraka (born Everett Leroy Jones; October 7, 1934 – January 9, 2014), previously known as LeRoi Jones and Imamu Amear Baraka, was an American writer of poetry, drama, fiction, essays and music criticism. He was the author of numerous books of poetry and taught at several universities, including the University at Buffalo and Stony Brook University. He received the PEN/Beyond Margins Award in 2008 for ''Tales of the Out and the Gone''. Baraka's plays, poetry, and essays have been described by scholars as constituting defining texts for African-American culture. Baraka's career spanned nearly 52 years, and his themes range from black liberation to white racism. His notable poems include "The Music: Reflection on Jazz and Blues", "The Book of Monk", and "New Music, New Poetry", works that draw on topics from the worlds of society, music, and literature. Baraka's poetry and writing have attracted both high praise and condemnation. In the African-American community, some comp ...
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