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Gao Minglu (born 29 October 1949) is a scholar in Chinese
contemporary art Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic co ...
. He is the Chair of the Department of Art History, Professor for Distinguished Service, and Chair of Art and is an instructor at the
University of Pittsburgh The University of Pittsburgh (Pitt) is a public state-related research university in Pittsburgh, Pennsylvania. The university is composed of 17 undergraduate and graduate schools and colleges at its urban Pittsburgh campus, home to the univers ...
. He is also distinguished professor at Tianjin Academy of Fine Arts. Gao was the Chair of the Department of Art History and Professor for Distinguished Service at Sichuan Fine Art Institute, China. His works focus on the influence and nature of Chinese art.


Early life and education

Minglu was born in
Tianjin, China Tianjin (; ; Mandarin: ), alternately romanized as Tientsin (), is a municipality and a coastal metropolis in Northern China on the shore of the Bohai Sea. It is one of the nine national central cities in Mainland China, with a total popula ...
in October 1949. One of his exhibitions in China was shut down by the Chinese government in 1989 after only a few hours. In 1985, Minglu graduated from the China National Academy of Art. In the same year he worked as an editor of one of China’s art magazines. Minglu serves as professor, artist,
curator A curator (from la, cura, meaning "to take care") is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the parti ...
and art critic. During the
cultural revolution The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a sociopolitical movement in the People's Republic of China (PRC) launched by Mao Zedong in 1966, and lasting until his death in 1976. Its stated goa ...
" Up to the Mountains and Down to the Countryside Movement" he traveled to
Inner Mongolia Inner Mongolia, officially the Inner Mongolia Autonomous Region, is an autonomous region of the People's Republic of China. Its border includes most of the length of China's border with the country of Mongolia. Inner Mongolia also accounts for a ...
and worked as a herdsman for five years. After the Cultural Revolution, he attended the Tianjin Academy of Fine Arts to study
art history Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today ...
. In 1982 he attended the Graduate School of Chinese Art Research Institute where he received his master's degree. From 1984–1989 he was the editor of "Art" magazine. While there, he regularly wrote about Chinese Art news. He was forced to study
Marxism–Leninism Marxism–Leninism is a communist ideology which was the main communist movement throughout the 20th century. Developed by the Bolsheviks, it was the state ideology of the Soviet Union, its satellite states in the Eastern Bloc, and various c ...
in China from 1989–1991. He planned a Chinese avant-garde art exhibition entitled "Inside Out: New Chinese from 1995 to 1998". During the same time He was showing his work in the "Global Concept Art Exhibition from 1950s to 1980s". He also participated in the exhibition of the "Global Concept Art Exhibition from 1950s to 1980s", In 1999 he showed his work in the "Five Continents and a City" exhibition in Mexico in and was one of the curators from China. During this same time, Minglu wrote an English monograph describing the exhibitions. He wrote other papers on Chinese art. Gao was awarded the American Academy of Sciences "American Academic Exchange Committee" postdoctoral project scholarship in 1991. This allowed him to come to the US to research and study at Ohio University and Harvard University. He received his doctorate in the history of art research. He graduated from
Harvard University Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of high ...
.


Exhibitions

During this same time his criticism research and criticism perspectives focused on the present and contemporary art of China, Taiwan and Hong Kong. These studies included comparative research on modernism and avant-garde in China and the West. His work has been shown in a number of shows and exhibitions that include: * "Chinese Apartment Art: Primary Documents from the Gao Minglu Archive, 1970s–90s," an exhibition at the Frick Fine Arts Building, University of Pittsburgh opened on November 17, 2016. * ''“The Lonely Horizon—Gao Minglu during the 1970s”'' was an exhibition at the Linda Gallery, in Beijing's 798 Art District in June 2015. * ''"The Wall: Reshaping Contemporary Chinese Art"'' organized by the Albright-Knox Art Gallery, the China Millennium Monument Museum in Beijing (CMMM) and the University at Buffalo Art Galleries, 2005. * ''"Ink Space,"'' the first section of the 2004 Shenzhen International Ink Biennial Exhibition, 2004. * ''"Chinese Maximalism,"'' co-organized by University at Buffalo Gallery and the China Millennium Monument Museum, Beijing, 2003. * ''"Harvest: Contemporary Art"'' (fengshou dangdai yishu zhan), The National Agricultural Museum, 2002. * ''Conceptual Art: Point of Origin 1950s–1980s'' sponsored by Queens Museum, 1999. * ''Insideout: New Chinese Art,'' the Asia Society and San Francisco MOMA, 1998. * ''"Fragmented Memory: The Chinese Avant-Garde"'', Wexner Center for the Arts, the Ohio State University, 1993. * ''"China/Avant-Garde Exhibition"'', National Art Gallery, Beijing, 1989.


Writings

He has authored papers and books. Some titles include: * ''History of Contemporary Chinese Art 1985–1986'' (Gao Minglu el), (Shanghai: Shanghai Peoples Press, 1990) * ''Fragmented Memory: The Chinese Avant-Garde in Exile co-ed with Julie Andrews.'' (The Wexner Center for the Arts, 1993) * ''Inside Out: New Chinese Art ed.'' (University of California Press, 1998) * "Extensionality and Intentionality in a Transnational Cultural System" in Art Journal Winter 1998 * "Conceptual Art with Anti-conceptual Attitude" in Global Conceptualism: the Point of Origin 1950s–1980s(Seattle: University of Washington Press, 1999) * ''A Century’s Utopia: Chinese Avant-Garde Art'' (Taiwan: Artists Publishing House, 2000); * ''Chinese Maximalism'' (Chongqing: Chongqing People’s press, 2003) * "Seeking a Model of Universalism: The United Nations Series and other Works," in Wenda Gu: Art from Middle Kingdom to Biological millennium (Cambridge MA: MIT Press, 2003) pp. 20–29 * ''The Art and Methodology of Xu Bing'' (Taipei: The Elite Corporation, 2003). In Chinese and English * ''The Wall: Reshaping Contemporary Chinese Art'' (New York and Beijing: The Albright Knox Art Gallery and China Millennium Museum of Art, 2005) * ''The No Name: A History of A Self-Extled Avant-Garde'' (Beijing: Guangxi Normal University Press, 2007) * ''Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art'' (MIT Press, 2011) * ''Theory of Western Art History: Representationalism and the Turn of Art History'' (Peking University Press, 2016) * ''Criteria, Method, Context'' (Central Compilation & Translation Press, 2016)


Avant-guarde contributions

During his time as editor of "Art" Magazine, Gao was heavily involved in the Chinese 85 New Wave art movement. He acted as the planner, curator, and critic. He directed the 1989 "China/Avant-Garde Exhibition", the first and only large gathering of avant-garde artists at the National Art Museum of China, as well as other avant-garde art exhibits.


Archivist

The University of Pittsburgh University Library System holds Minglu's extensive archive of Chinese contemporary art, manuscripts, paintings, slides, posters, recording materials.


References


External links


The Final Frontier – Chinese contemporary art
at LUX Mag
Chinese art, calligraphy, painting, ceramics, carving
at China Online Museum {{DEFAULTSORT:Gao, Minglu Harvard University alumni Chinese contemporary artists Chinese art curators Chinese art critics Chinese archivists Chinese-American culture in Pennsylvania University of Pittsburgh faculty Avant-garde art