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Gabriël Grupello (also Gabriël de Grupello or Gabriël Reppeli; 22 May 1644 – 20 June 1730) was a
in: Nationaal Biografisch Woordenboek, Volume 6, p. 392–404, Brussel, Paleis der Akademiën, 1964 His father, who died at a young age, was a member of the higher non-aristocratic class of society. Grupello later styled himself as Chevalier de Grupello, but a noble ancestry has not been demonstrated.
At age 14, he started a five-year training as a sculptor in the Antwerp workshop of leading Baroque sculptor
Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 June 2021 After studying in Italy where he had worked in the workshop of his compatriot
at Openbaar Kunstbezit Vlaanderen From 1650 onwards, Quellinus worked for fifteen years on the new city hall in Amsterdam together with the lead architect
Bulletin Van Het Rijksmuseum, vol. 36, no. 1, 1988, pp. 44–53, 6 June 2021 Grupello may have assisted Quellinus with the sculptural decorations in this project. His exact contributions cannot be identified as this was a collaborative effort. The sculptural decorations in the Amsterdam city hall established the international reputation of Quellinus and his workshop and would lead to many more foreign commissions for the Quellinus workshop including in Germany, Denmark and England. This helped further spread the Flemish Baroque idiom in Europe. He completed a further two years of study in Paris and
Flemish
Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; ...
Baroque sculptor who produced religious and mythological sculptures, portraits and public sculptures. He worked in Flanders, France and Germany. He was a virtuoso sculptor who enjoyed the patronage of several European rulers.
Life
Early life and training
Grupello was born as the son of Bernardo Rupelli, an Italian cavalry captain in Spanish service, and his Flemish wife Cornelia Delinck.C. J. A. Genders, ''Gabriël Grupello''in: Nationaal Biografisch Woordenboek, Volume 6, p. 392–404, Brussel, Paleis der Akademiën, 1964 His father, who died at a young age, was a member of the higher non-aristocratic class of society. Grupello later styled himself as Chevalier de Grupello, but a noble ancestry has not been demonstrated.
At age 14, he started a five-year training as a sculptor in the Antwerp workshop of leading Baroque sculptor Artus Quellinus the Elder
Artus Quellinus the Elder, Artus Quellinus I or Artus (Arnoldus) Quellijn (20 or 30 August 1609, Antwerp – 23 August 1668, Antwerp) was a Flemish sculptor. He is regarded as the most important representative of the Baroque in sculpture ...
.Kai Budde. "Grupello, Gabriel."Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 June 2021 After studying in Italy where he had worked in the workshop of his compatriot
François Duquesnoy
François Duquesnoy or Frans Duquesnoy (12 January 1597 – 18 July 1643) was a Flemish Baroque sculptor who was active in Rome for most of his career. His idealized representations are often contrasted with the more emotional character of Ber ...
, Quellinus had returned to Antwerp in 1640. He had brought with him a new vision of the role of the sculptor. The sculptor was no longer to be an ornamentalist but a creator of a total artwork in which architectural components were replaced by sculptures. He saw the church furniture that he was commissioned to make as an occasion for creating large-scale compositions, incorporated into the church interior.Helena Bussers, ''De baroksculptuur en het barok''at Openbaar Kunstbezit Vlaanderen From 1650 onwards, Quellinus worked for fifteen years on the new city hall in Amsterdam together with the lead architect
Jacob van Campen
Jacob van Campen (2 February 1596 - 13 September 1657) was a Dutch artist and architect of the Golden Age.
Life
He was born into a wealthy family at Haarlem, and spent his youth in his home town. Being of noble birth and with time on his hand ...
. Now called the Royal Palace on the Dam
A dam is a barrier that stops or restricts the flow of surface water or underground streams. Reservoirs created by dams not only suppress floods but also provide water for activities such as irrigation, human consumption, industrial use ...
, this construction project, and in particular the marble decorations that Quellinus and his workshop produced, became an example for other buildings in Amsterdam. Quellinus invited many sculptors from his native Antwerp to assist him in the realisation of this project, many of whom such as his cousin Artus Quellinus II, Rombout Verhulst
Rombout Verhulst (15 January 1624 – buried 27 November 1698) was a Flemish sculptor and draughtsman who spent most of his career in the Dutch Republic. An independent assistant of the Flemish sculptor Artus Quellinus the Elder in the sculpt ...
and Bartholomeus Eggers would become leading sculptors in their own right.Halsema-Kubes, W. “Bartholomeus Eggers' Keizers- En Keizerinnenbusten Voor Keurvorst Friedrich Wilhelm Van Brandenburg.”Bulletin Van Het Rijksmuseum, vol. 36, no. 1, 1988, pp. 44–53, 6 June 2021 Grupello may have assisted Quellinus with the sculptural decorations in this project. His exact contributions cannot be identified as this was a collaborative effort. The sculptural decorations in the Amsterdam city hall established the international reputation of Quellinus and his workshop and would lead to many more foreign commissions for the Quellinus workshop including in Germany, Denmark and England. This helped further spread the Flemish Baroque idiom in Europe. He completed a further two years of study in Paris and
Versailles
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, ...
, where he was in contact with his compatriots Philippe de Buyster
Philippe de Buyster (1595 – 1688), was a Flemish-French sculptor.
Biography
He was born in Antwerp and became a pupil of Gillis van Papenhoven.Gerard van Opstal and Martin Desjardins and learned the technique of bronze casting. He subsequently worked for two years for the sculptor Johan Larson in 
The Hague
The Hague ( ; nl, Den Haag or ) is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital o ...
.
In Brussels
He returned to Flanders in 1671 and two years later he became a master of the Brussels Guild. He opened a workshop in Brussels, which became very successful and employed many assistants. He enjoyed the patronage of the city as well as that of various European rulers, including the Spanish king Charles II,William II of Orange
William II (27 May 1626 – 6 November 1650) was sovereign Prince of Orange and Stadtholder of Holland, Zeeland, Utrecht, Guelders, Overijssel and Groningen in the United Provinces of the Netherlands from 14 March 1647 until his death three ...
and Frederick III, the Elector of Brandenburg.
Grupello collaborated from about 1673 to 1678 on the decorative project for the funerary chapel of Duke Lamoral of Thorn and Taxis (in the Our Blessed Lady of Zavel Church
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in Brussels). This decorative project was initially under the direction of Lucas Faydherbe
Lucas Faydherbe (also spelled Lucas Faijdherbe; he signed as Lucas Fayd'herbe) (Mechelen, 19 January 1617 – Mechelen, 31 December 1697)Jan van Delen.Léon Lock, ''Caritas, Jan van Delen''
by Erfgoed Koning Boudewijnstichting - Patrimoine Fondation Roi Baudouin, 2013 The ''Charity'' and ''Faith'' (Fides) sculptures were stolen at the end of the 18th century during one of the occupations of the Southern Netherlands by the French. ''Charity'' was rediscovered in a French private collection two centuries later and returned to Belgium after a sale at Christie's in 2012.Jan van Delen, ''Caritas''
at Christie's The statue group of ''Hope'' (Spes) by Grupello shows a sitting woman personifying hope with an anchor and a child which may be a symbol of the next generation. In other words, the child could represent the son of the Duke of Lamoral who after the early death of his father had to continue the family name and business. The book above Hope refers to the genealogy of the Lamoral family prepared by Jules Chifflet, which had revealed the truth about the family and given a firm basis to the family's claim to its elevated position. During his time in Brussels, he also fathered a son (born 1671) and a daughter (born 1674) with his mistress Johanna Louisa Quebault (Tebout).
Grupello married Anna Maria Dautzenberg, the daughter of the Elector's lawyer, in 1698. Five children were born from this marriage. The Elector gave Grupello in 1708 a house in the city centre.Grupellohaus
The house, which is still called the '' Grupello-Haus'' or "Grupello House", is believed to have been designed by the Italian architect Matteo Alberti. Grupello carried out an important reconstruction of the building and used the house as the living quarters of his family and partially also as a studio. Originally, two busts representing the Greek goddessesZwei Büsten vervollständigen wieder das Portal am Grupello-Haus
With the death of Elector Johann Wilhelm in 1716, the employment of the sculptor at the court came to an end. Elector Johann Wilhelm's successor Elector Carl Philipp introduced austerity measures and dismissed officials and artists. Grupello continued to live in Düsseldorf and in 1619 the
by Erfgoed Koning Boudewijnstichting - Patrimoine Fondation Roi Baudouin, 2013 The ''Charity'' and ''Faith'' (Fides) sculptures were stolen at the end of the 18th century during one of the occupations of the Southern Netherlands by the French. ''Charity'' was rediscovered in a French private collection two centuries later and returned to Belgium after a sale at Christie's in 2012.Jan van Delen, ''Caritas''
at Christie's The statue group of ''Hope'' (Spes) by Grupello shows a sitting woman personifying hope with an anchor and a child which may be a symbol of the next generation. In other words, the child could represent the son of the Duke of Lamoral who after the early death of his father had to continue the family name and business. The book above Hope refers to the genealogy of the Lamoral family prepared by Jules Chifflet, which had revealed the truth about the family and given a firm basis to the family's claim to its elevated position. During his time in Brussels, he also fathered a son (born 1671) and a daughter (born 1674) with his mistress Johanna Louisa Quebault (Tebout).
In Germany
In 1695, the Elector Johann Wilhelm appointed Grupello as his official court sculptor and Grupello then moved to live and work inDüsseldorf
Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian language, Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second- ...
. He created numerous sculptures of the royal couple in marble and bronze, and was responsible for the supervision of craftsmen who worked on the Elector's palaces. Grupello also designed a fountain known as the Grupello pyramid for the Galerieplatz in Düsseldorf (now in Mannheim
Mannheim (; Palatine German: or ), officially the University City of Mannheim (german: Universitätsstadt Mannheim), is the second-largest city in the German state of Baden-Württemberg after the state capital of Stuttgart, and Germany's ...
).
Grupello married Anna Maria Dautzenberg, the daughter of the Elector's lawyer, in 1698. Five children were born from this marriage. The Elector gave Grupello in 1708 a house in the city centre.GrupellohausThe house, which is still called the '' Grupello-Haus'' or "Grupello House", is believed to have been designed by the Italian architect Matteo Alberti. Grupello carried out an important reconstruction of the building and used the house as the living quarters of his family and partially also as a studio. Originally, two busts representing the Greek goddesses
Artemis
In ancient Greek mythology and religion, Artemis (; grc-gre, Ἄρτεμις) is the goddess of the hunt, the wilderness, wild animals, nature, vegetation, childbirth, care of children, and chastity. She was heavily identified wit ...
and Aphrodite
Aphrodite ( ; grc-gre, Ἀφροδίτη, Aphrodítē; , , ) is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, and procreation. She was syncretized with the Roman goddess . Aphrodite's major symbols inclu ...
presumed to be by Grupello were placed above the portal of the house. The original bronze statues are now in the local Stadtmuseum Landeshauptstadt Düsseldorf and have been replaced by two concrete cast replicas.
With the death of Elector Johann Wilhelm in 1716, the employment of the sculptor at the court came to an end. Elector Johann Wilhelm's successor Elector Carl Philipp introduced austerity measures and dismissed officials and artists. Grupello continued to live in Düsseldorf and in 1619 the Holy Roman Emperor Charles VI
Charles VI (german: Karl; la, Carolus; 1 October 1685 – 20 October 1740) was Holy Roman Emperor and ruler of the Austrian Habsburg monarchy from 1711 until his death, succeeding his elder brother, Joseph I. He unsuccessfully claimed the thron ...
appointed him as Imperial sculptor.
In 1725, Grupello and his wife moved into the quarters at Ehrenstein Castle in Kerkrade (now in the Netherlands
)
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) of their daughter, who was married to an imperial official. He died there in 1730 at the age of 86 years.
Work
Grupello was a versatile artist in terms of the subject range of his sculptures as well as the materials in which he worked. He executed works in marble, ivory and wood and was rare among his contemporary Flemish Baroque sculptors in that he also made bronze statues. A prime example is the bronze equestrian statue of the Elector Johann Wilhelm. His early work shows aclassicist
Classics or classical studies is the study of classical antiquity. In the Western world, classics traditionally refers to the study of Classical Greek and Roman literature and their related original languages, Ancient Greek and Latin. Classics ...
tendency, which may be due to his study period in France. In Brussels, his work was influenced by the Flemish Baroque, and in particular Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradi ...
, and developed into a full-blown Baroque style. A major work that Grupello created in this style in Brussels is the marble wall fountain, intended for the main ballroom of the wholesale fishmongers guild. It is this Baroque style that he brought to Düsseldorf when he moved there. In his later life, he turned more to religious art and produced crucifixes, Madonnas and statues of saints.
References
Further reading
* Rudi Dorsch: ''Grupello-Pyramide im neuen Glanz''. Mannheim 1993. * Udo Kultermann: ''Gabriel Grupello''. Berlin 1968.External links
* {{DEFAULTSORT:Grupello, Gabriel Flemish Baroque sculptors Ivory carvers 17th-century births 1730 deaths People from Geraardsbergen