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Artus Quellinus The Elder
Artus Quellinus the Elder, Artus Quellinus I or Artus (Arnoldus) Quellijn (20 or 30 August 1609, Antwerp – 23 August 1668, Antwerp) was a Flemish sculptor. He is regarded as the most important representative of the Baroque in sculpture in the Southern Netherlands. He worked for a long period in the Dutch Republic and operated large workshops both in Antwerp and Amsterdam. His work had a major influence on the development of sculpture in Northern Europe.Hans Vlieghe and Iris Kockelbergh. "Quellinus." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 March 2014 Life Artus Quellinus the Elder was born into an artistic family. He was the son of the respected Antwerp sculptor[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erasmus Quellinus II
Erasmus Quellinus the Younger or Erasmus Quellinus II (1607–1678) was a Flemish painter, engraver, draughtsman and tapestry designer who worked in various genres including history, portrait, allegorical, battle and animal paintings. He was a pupil of Peter Paul Rubens and one of the closest collaborators of Rubens in the 1630s. Following Rubens' death in 1640 he became one of the most successful painters in Flanders. He was a prolific draughtsman who made designs for decorative programmes in the context of official celebrations, for publications by the local publishers and for tapestries and sculptures realised by the local workshops. His work reveals the Classicist trend in the Baroque.Matthias Depoorter, ''Erasmus Quellinus II'' at Baroque in the Southern Netherlands [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild Of Saint Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Virgin's portrait. One of the most famous such organizations was founded in Antwerp. It continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the local government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was therefore required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where only members could sell paintings in the city or have a shop. The early guilds in Antwerp and Bruges, setting a model that would be followed in other cities, even had their own showroom or marke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Antiquity
Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ancient Greece and ancient Rome known as the Greco-Roman world. It is the period in which both Greek and Roman societies flourished and wielded huge influence throughout much of Europe, North Africa, and Western Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer (8th–7th-century BC), and continues through the emergence of Christianity (1st century AD) and the fall of the Western Roman Empire (5th-century AD). It ends with the decline of classical culture during late antiquity (250–750), a period overlapping with the Early Middle Ages (600–1000). Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis De Benavides Carillo, Markies Van Caracena, Landvoogd Van De Spaanse Nederlanden, Artus Quellinus I, (1664), Koninklijk Museum Voor Schone Kunsten Antwerpen, 701
Luis is a given name. It is the Spanish form of the originally Germanic name or . Other Iberian Romance languages have comparable forms: (with an accent mark on the i) in Portuguese and Galician, in Aragonese and Catalan, while is archaic in Portugal, but common in Brazil. Origins The Germanic name (and its variants) is usually said to be composed of the words for "fame" () and "warrior" () and hence may be translated to ''famous warrior'' or "famous in battle". According to Dutch onomatologists however, it is more likely that the first stem was , meaning fame, which would give the meaning 'warrior for the gods' (or: 'warrior who captured stability') for the full name.J. van der Schaar, ''Woordenboek van voornamen'' (Prisma Voornamenboek), 4e druk 1990; see also thLodewijs in the Dutch given names database Modern forms of the name are the German name Ludwig and the Dutch form Lodewijk. and the other Iberian forms more closely resemble the French name Louis, a deriv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grinling Gibbons
Grinling Gibbons (4 April 1648 – 3 August 1721) was an Anglo-Dutch sculptor and wood carver known for his work in England, including Windsor Castle and Hampton Court Palace, St Paul's Cathedral and other London churches, Petworth House and other country houses, Trinity College, Oxford, and Trinity College, Cambridge. Gibbons was born to English parents in Holland, where he was educated. His father was a merchant. Gibbons was a member of the Drapers' Company of London; he is widely regarded as the finest wood carver working in England, and the only one whose name is widely known among the general public. Most of his work is in lime (''Tilia'') wood, especially decorative Baroque garlands made up of still-life elements at about life size, made to frame mirrors and decorate the walls of churches and palaces, but he also produced furniture and small relief plaques with figurative scenes. He also worked in stone, mostly for churches. By the time he was established he led a large worksh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriël Grupello
Gabriël Grupello (also Gabriël de Grupello or Gabriël Reppeli; 22 May 1644 – 20 June 1730) was a Flemish Baroque sculptor who produced religious and mythological sculptures, portraits and public sculptures. He worked in Flanders, France and Germany. He was a virtuoso sculptor who enjoyed the patronage of several European rulers. Life Early life and training Grupello was born as the son of Bernardo Rupelli, an Italian cavalry captain in Spanish service, and his Flemish wife Cornelia Delinck.C. J. A. Genders, ''Gabriël Grupello'' in: Nationaal Biografisch Woordenboek, Volume 6, p. 392–404, Brussel, Paleis der Akademiën, 1964 His father, who died at a young age, was a member of the higher non-aristocratic class of society. Grupello later styled himself as Chev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartholomeus Eggers
Bartholomeus Eggers (c. 1637Bartholomeus Eggers at the – before 23 February 1692) was a Flemish sculptor, who after training in his hometown Antwerp spent most of his active career in the . Here he initially collaborated with other Flemish sculptors on the sculptural decorations for the new in Amsterdam, a project which was under the direction of < ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rombout Verhulst
Rombout Verhulst (15 January 1624 – buried 27 November 1698) was a Flemish sculptor and draughtsman who spent most of his career in the Dutch Republic. An independent assistant of the Flemish sculptor Artus Quellinus the Elder in the sculptural decoration project for the new town hall in Amsterdam, he contributed to the spread of the Baroque style in Dutch sculpture. He became the leading sculptor of marble monuments, including funerary monuments, garden figures and portraits, in the Dutch Republic.Rombout Verhulst, ''Virgin and Child'' at the Life Rombout Verhulst was born in |
Artus Quellinus II
Artus Quellinus II or Artus Quellinus the Younger (alternative first name: Arnold; variation on family name: Quellijn, Quellyn, Quellien, Quellin, Quellinius) (between 10 and 20 November 1625, Sint-Truiden – 22 November 1700, Antwerp) was a Flemish sculptor who played an important role in the evolution of Northern-European sculpture from High Baroque to Late Baroque.Matthias Depoorter, ''Artus Quellinus II'' at: Baroque in the Southern Netherlands Life 
Artus Quellinus II was born into an artistic family. His uncle ...
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Dam (Amsterdam)
Dam Square or the Dam () is a town square in Amsterdam, the capital of the Netherlands. Its notable buildings and frequent events make it one of the best-known and most important locations in the city and the country. Location and description Dam Square lies in the historical center of Amsterdam, approximately south of the main transportation hub, Centraal Station, at the original location of the dam in the river Amstel. It is roughly rectangular in shape, stretching about from west to east and about from north to south. It links the streets Damrak and Rokin, which run along the original course of the Amstel River from Centraal Station to Muntplein (Mint Square) and the Munttoren (Mint Tower). The Dam also marks the endpoint of the other well-traveled streets Nieuwendijk, Kalverstraat and Damstraat. A short distance beyond the northeast corner lies the main Red-light district: De Wallen. On the west end of the square is the neoclassical Royal Palace, which served as the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Van Campen
Jacob van Campen (2 February 1596 - 13 September 1657) was a Dutch artist and architect of the Dutch Golden Age, Golden Age. Life He was born into a wealthy family at Haarlem, and spent his youth in his home town. Being of noble birth and with time on his hands, he took up painting mainly as a pastime. In 1614, he became a member of the Guild of Saint Luke (in Haarlem the architects and painters were both in the same guild, and many were both, such as Pieter Saenredam and Salomon de Bray), and studied painting under Frans de Grebber - a number of Van Campen's oils survive. About 1616 to 1624 he is thought to have lived in Italy. On his return to the Netherlands, Van Campen turned to architecture, applying ideas borrowed from Andrea Palladio, Vincenzo Scamozzi and classical influences from Marcus Vitruvius Pollio, Vitruvius. He was primarily responsible for introducing the Neoclassical architecture, classical revival style into Dutch Baroque architecture, combining the native ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Palace (Amsterdam)
The Royal Palace of Amsterdam in Amsterdam (Dutch: ''Koninklijk Paleis van Amsterdam'' or ) is one of three palaces in the Netherlands which are at the disposal of the monarch by Act of Parliament. It is situated on the west side of Dam Square in the centre of Amsterdam, opposite the War Memorial and next to the Nieuwe Kerk. The palace was built as a city hall during the Dutch Golden Age in the 17th century. The building became the royal palace of King Louis Napoleon and later of the Dutch Royal House. History Town hall The structure was built as the Town Hall of the City of Amsterdam "facing the landing wharfs along Damrak, which at that time would have been busy with ships". The town hall was opened on 29 July 1655 by Cornelis de Graeff, the mayor of Amsterdam. The main architect was Jacob van Campen, who took control of the construction project in 1648. It was built on 13,659 wooden piles. Palace After the patriot revolution which swept the House of Orange from power a de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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