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François Clouet (c. 1510 – 22 December 1572), son of Jean Clouet, was a French Renaissance
miniaturist A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolor, or enamel. Portrait miniatures developed out of the techniques of the miniatures in illuminated manuscripts, and were popular among 16th-century eli ...
and painter, particularly known for his detailed portraits of the French ruling family.


Historical references

François Clouet was born in
Tours Tours ( , ) is one of the largest cities in the region of Centre-Val de Loire, France. It is the prefecture of the department of Indre-et-Loire. The commune of Tours had 136,463 inhabitants as of 2018 while the population of the whole metro ...
, as the son of the court painter Jean Clouet. Jean Clouet was a native of the
Southern Netherlands The Southern Netherlands, also called the Catholic Netherlands, were the parts of the Low Countries belonging to the Holy Roman Empire which were at first largely controlled by Habsburg Spain (Spanish Netherlands, 1556–1714) and later by the A ...
and probably from the Brussels area. François Clouet studied under his father. He inherited his father's nickname 'Janet' and is referred to as such in some early sources and the older literature. The earliest reference to François Clouet is a document dated December 1541 in which the king renounces for the benefit of François his father's estate, which had escheated to the crown as the estate of a foreigner. In this document, the younger Clouet is said to have followed his father very closely in his art. Like his father, he held the office of
groom of the chamber Groom of the Chamber was a position in the Household of the monarch in early modern England. Other ''Ancien Régime'' royal establishments in Europe had comparable officers, often with similar titles. In France, the Duchy of Burgundy, and in ...
and
painter in ordinary A court painter was an artist who painted for the members of a royal or princely family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Painters were the most common, but the cour ...
to the king, and so far as salary is concerned, he started where his father left off. Many drawings are attributed to this artist, often without perfect certainty. There is, however, more to go upon than there is in the case of his father. As the praises of François Clouet were sung by the writers of the day, his name was carefully preserved from reign to reign, and there is an ancient and unbroken tradition in the attribution of many of his pictures. There are not, however, any original attestations of his works, nor are any documents known which would guarantee the ascriptions usually accepted. To him are attributed the portraits of
Francis I Francis I or Francis the First may refer to: * Francesco I Gonzaga (1366–1407) * Francis I, Duke of Brittany (1414–1450), reigned 1442–1450 * Francis I of France (1494–1547), King of France, reigned 1515–1547 * Francis I, Duke of Saxe-Lau ...
at the Uffizi and at the
Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the '' Venus de Milo''. A central ...
, and various drawings relating to them. He probably also painted the portrait of
Catherine de' Medici Catherine de' Medici ( it, Caterina de' Medici, ; french: Catherine de Médicis, ; 13 April 1519 – 5 January 1589) was an Florentine noblewoman born into the Medici family. She was Queen of France from 1547 to 1559 by marriage to King ...
at
Versailles The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, ...
and other works, and in all probability a large number of the drawings ascribed to him were from his hand. One of his most remarkable portraits is that of
Mary, Queen of Scots Mary, Queen of Scots (8 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 until her forced abdication in 1567. The only surviving legitimate child of James V of S ...
, a drawing in chalks in the Bibliothèque Nationale, and of similar character are the two portraits of Charles IX and the one at Chantilly of Marguerite of France. Perhaps his masterpiece is the portrait of Elizabeth of Austria in the Louvre. This piece made an important impression on
Claude Lévi-Strauss Claude Lévi-Strauss (, ; 28 November 1908 – 30 October 2009) was a French anthropologist and ethnologist whose work was key in the development of the theories of structuralism and structural anthropology. He held the chair of Social Anthr ...
. In particular it helped inspire his theory of the ''modèle réduit'', or of works of art as 'miniature models', and other theories of artworks, in his book ''The Savage Mind.'' Clouet resided in Paris in the rue de Ste Avoye in the Temple quarter, close to the
Hotel de Guise A hotel is an establishment that provides paid lodging on a short-term basis. Facilities provided inside a hotel room may range from a modest-quality mattress in a small room to large suites with bigger, higher-quality beds, a dresser, a ref ...
, and in 1568 is known to have been under the patronage of
Claude Gouffier Claude Gouffier was a French nobleman and book collector. He was the model for the "Marquis de Carabas" from the story '' Puss in Boots'' by Charles Perrault. Biography He was the son of Artus Gouffier, tutor to the count of Angoulême who event ...
de Boisy, Seigneur d'Oiron, and his wife
Claude de Baune Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher ...
. Another ascertained fact concerning François Clouet is that in 1571 he was summoned to the office of the Court of the Mint, and his opinion was taken on the likeness to the king of a portrait struck by the mint. He prepared the death-mask of Henry II, as in 1547 he had taken a similar mask of the face and hands of Francis I, in order that the effigy to be used at the funeral might be prepared from his drawings; and on each of these occasions he executed the painting to be used in the decorations of the church and the banners for the great ceremony. Several miniatures are believed to be his work, one very remarkable portrait being the half-length figure of Henry II in the collection of
J. Pierpont Morgan John Pierpont Morgan Sr. (April 17, 1837 – March 31, 1913) was an American financier and investment banker who dominated corporate finance on Wall Street throughout the Gilded Age. As the head of the banking firm that ultimately became know ...
. Another of his portraits is that of François, duc d'Alençon in the Jones collection at the
Victoria & Albert Museum The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and nam ...
. Catherine de Medici described the efforts of ''Maistre Jamet'' (he used his father's name) on Alençon's portrait to the ambassador in London, Mothe Fénelon.''Correspondance Diplomatique De Bertrand De Salignac De La Mothe Fenelon'', vol. 6, (1840), 229–231, 3 July 1571
/ref> Certain representations of members of the royal family which were in the Hamilton Palace collection and the Magniac sale are usually ascribed to him. He died on 22 December 1572, shortly after the massacre of St Bartholomew, and his will, mentioning his sister and his two illegitimate daughters, and dealing with the disposition of a considerable amount of property, is still in existence. His daughters subsequently became nuns.


Assessment

His work is remarkable for the elaborate finish of all the details, the extreme accuracy of the drawing, and the exquisite completeness of the whole portrait. He must have been a man of high intelligence, and of great penetration, intensely interested in his work, and with considerable ability to represent the character of his sitter in his portraits. His coloring is perhaps not specially remarkable, nor from the point of style can his pictures be considered very fairly beautiful, but in perfection of drawing he has hardly any equal.


References

Attribution: *


External links

* {{DEFAULTSORT:Clouet, Francois 1510s births 1572 deaths Artists from Tours, France 16th-century French painters French male painters French Renaissance painters French portrait painters Portrait miniaturists