Fantasía Para Un Gentilhombre

''Fantasía para un gentilhombre'' (''Fantasia for a Gentleman'') is a concerto for guitar and orchestra by the Spanish composer Joaquín Rodrigo. The concerto is Rodrigo's most popular work after the famous ''Concierto de Aranjuez''.

The four movements were based on six short dances for solo guitar by the 17th-century Spanish composer Gaspar Sanz and were taken from a three-volume work (1674, 1675, 1697) that is now commonly known as ''Instrucción de música sobre la guitarra española'' (Musical Instruction on the Spanish Guitar) (Donis 2005:75). Most of the movements retain the names that were originally given by Sanz.

Rodrigo composed the concerto in 1954 at the request of the guitarist Andrés Segovia, who was evidently the ''gentilhombre'' referenced in the title. Segovia took the solo part at the premiere performance on March 5, 1958, in San Francisco. The San Francisco Symphony was conducted by Enrique Jordá.Liner notes to the Narciso Yepes recording

Movements

# ''Villano y ricercar''
# ''Españoleta y fanfarria de la caballería de Nápoles''
# ''Danza de las hachas''
# ''Canario''

The first movement opens with the melodic ''Villano'' that passes back and forth between the solo guitarist and the orchestra repeatedly. This is the form of the other movements of the work. The music also hints subtly at themes used in the subsequent movements. The second part of the first movement, called ''Ricercare,'' is a short piece contrasting with ''Villano'' and entirely based on a two-bar phrase, repeated in the form of a complex fugue or ricercare.

The second movement returns to a more lyrical theme with the ''Españoleta'', which has a particularly haunting tune with rich accompaniment of the strings. The contrasting middle section of this movement, ''Fanfare de la Cabellería de Nápoles'' (Fanfare for the Cavalry of Naples), brings in rapid, discordant drum beats along with the accompaniment of the guitar and spectral fanfares for trumpet and flute. The ''Españoleta'' is then reprised to conclude the movement.

The third movement, ''Danza de las Hachas'' (Dance of the Axes), has an energetic dance beat, largely supported by a crescendo from the orchestra. This lively, short movement is in effect an interlude linking the more mournful part of the ''Fantasía'' with the more up-beat final movement.

Finally, the fourth movement, ''Canario,'' brings in music that Sanz wrote in the style of a folk dance originating in the Canary Islands. Rodrigo pays homage to the music's origins by imitating a bird call toward the end of the movement even though the Canary Islands were so named because of the wild dogs prevalent there (canis) and not because of birds (canaries). The movement was covered by Emerson, Lake & Palmer for their 1978 album Love Beach.

Including the solo guitar, the concerto is scored for an orchestra consisting of a piccolo, a flute, an oboe, a bassoon, a trumpet in C, and strings.

See also

* Spanish guitar

Footnotes

References

*Discussion of the concerto is in of this thesis.
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External links

Favourite music: Fantasía para un gentilhombre

{{DEFAULTSORT:Fantasia para un gentilhombre
Compositions by Joaquín Rodrigo
Concertos by Joaquín Rodrigo
Guitar concertos
1954 compositions
Composer tributes (classical music)
Rodrigo