Composer Tributes (classical Music)
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Composer Tributes (classical Music)
Musical tributes or homages from one composer to another can take many forms. Following are examples of the major types of tributes occurring in classical music. A particular work may fit into more than one of these types. Variations Variations on a theme by another composer. These are usually written as discrete sets of variations. There are hundreds of examples, including: * Ludwig van Beethoven's ''Diabelli Variations'' * Johannes Brahms's '' Variations on a Theme by Haydn'' (which theme was probably not written by Haydn at all) Works with other titles Many works are based on a theme or themes by another composer (sometimes anonymous or traditional). They range from short pieces to extended major compositions. Sometimes these works are no more than sets of variations under another name, but sometimes they go beyond that. They appear under many titles, including: * Works ending in -ana, such as: ** Pyotr Ilyich Tchaikovsky's tribute to Wolfgang Amadeus Mozart by subtitling his ...
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Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ...
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Joaquín Rodrigo
Joaquín Rodrigo Vidre, 1st Marquess of the Gardens of Aranjuez (; 22 November 1901 – 6 July 1999), was a Spanish composer and a virtuoso pianist. He is best known for composing the ''Concierto de Aranjuez'', a cornerstone of the classical guitar repertoire. Life Rodrigo was born in Sagunto (Valencia), and completely lost his sight at the age of three after contracting diphtheria. He began to study solfège, piano and violin at the age of eight; harmony and composition from the age of 16. Although distinguished by having raised the Spanish guitar to dignity as a universal concert instrument and best known for his guitar music, he never mastered the instrument himself. He wrote his compositions in Braille, and they were transcribed for publication. Rodrigo studied music under Francisco Antich in Valencia and under Paul Dukas at the École Normale de Musique in Paris. After briefly returning to Spain, he went to Paris again to study musicology, first under Maurice Emmanuel a ...
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Lorenzo Ferrero
Lorenzo Ferrero (; born 1951) is an Italian composer, librettist, author, and book editor. He started composing at an early age and has written over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral, chamber music, solo instrumental, and vocal works. His musical idiom is characterized by eclecticism, stylistic versatility, and a neo-tonal language. Biography Born in Turin, he studied composition from 1969 to 1973 with Massimo Bruni and Enore Zaffiri at Turin Music Conservatory, and philosophy with Gianni Vattimo and Massimo Mila at the University of Turin, earning a degree in aesthetics with a thesis on John Cage in 1974. His early interest in the psychology of perception and psychoacoustics led him to IMEB, the International Electroacoustic Music Institute of Bourges, where he did research on electronic music between 1972 and 1973, IRCAM in Paris, and to the Musik/Dia/Licht/Film Galerie in Munich in 1974. Lorenzo Ferrero has re ...
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Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon ...
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Images (Debussy Compositions For Solo Piano)
''Images'' (usually pronounced in French) is a suite of six compositions for solo piano by Claude Debussy. They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's ''Images pour orchestre''. The first book was composed between 1901 and 1905, and the second book was composed in 1907. The total duration is approximately 30 minutes. With respect to the first series of ''Images'', Debussy wrote to his publisher, Jacques Durand: "Without false pride, I feel that these three pieces hold together well, and that they will find their place in the literature of the piano ... to the left of Schumann, or to the right of Chopin... " Debussy wrote another collection, ''Images oubliées'' (L. 87), in the Winter of 1894 and dedicated it to Yvonne Lerolle, daughter of the painter Henry Lerolle. Structure *Book 1 (or "1st series") ( L. 110) # "Reflets dans l'eau" (Reflections in the water) in D major # "Hommage à Rameau" (Tribute to Rameau ...
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Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ...
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Carlos Chávez
Carlos Antonio de Padua Chávez y Ramírez (13 June 1899 – 2 August 1978) was a Mexican composer, conductor, music theorist, educator, journalist, and founder and director of the Mexican Symphonic Orchestra. He was influenced by native Mexican cultures. Of his six symphonies, the second, or '' Sinfonía india'', which uses native Yaqui percussion instruments, is probably the most popular. Biography The seventh child of a criollo family, Chávez was born on Tacuba Avenue in Mexico City, near the suburb of Popotla. His paternal grandfather, José María Chávez Alonso, a former governor of the state of Aguascalientes, had been executed by the French Army in April 1864. His father, Augustín Chávez, who died when Carlos was barely three years old, invented a plough that was produced and used in the United States. Carlos had his first piano lessons from his brother Manuel, and later on he was taught piano by Asunción Parra, Manuel Ponce, and Pedro Luis Ozagón, and har ...
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Gaspar Sanz
Francisco Bartolomé Sanz Celma (April 4, 1640 (baptized) – 1710), better known as Gaspar Sanz, was a Spanish composer, guitarist, and priest born to a wealthy family in Calanda in the comarca of Bajo Aragón, Spain. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music. He wrote three volumes of pedagogical works for the baroque guitar that form an important part of today's classical guitar repertory and have informed modern scholars in the techniques of baroque guitar playing. Biography His birth date is unknown but he was baptized as ''Francisco Bartolomé Sanz Celma'' in the church of ''Calanda de Ebro, Aragon'' on 4 April 1640 later adopting the first name "Gaspar". After gaining his Bachelor of Theology at the University of Salamanca, Gaspar Sanz traveled to Naples, Rome and perhaps Venice to further his music education. He is thought to have studied under Orazio Benevoli, choirmaster at the Vatican a ...
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Fantasía Para Un Gentilhombre
''Fantasía para un gentilhombre'' (''Fantasia for a Gentleman'') is a concerto for guitar and orchestra by the Spanish composer Joaquín Rodrigo. The concerto is Rodrigo's most popular work after the famous ''Concierto de Aranjuez''. The four movements were based on six short dances for solo guitar by the 17th-century Spanish composer Gaspar Sanz and were taken from a three-volume work (1674, 1675, 1697) that is now commonly known as ''Instrucción de música sobre la guitarra española'' (Musical Instruction on the Spanish Guitar) (Donis 2005:75). Most of the movements retain the names that were originally given by Sanz. Rodrigo composed the concerto in 1954 at the request of the guitarist Andrés Segovia, who was evidently the ''gentilhombre'' referenced in the title. Segovia took the solo part at the premiere performance on March 5, 1958, in San Francisco. The San Francisco Symphony was conducted by Enrique Jordá.Liner notes to the Narciso Yepes recording Movements # ''Vi ...
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Fantasy On Themes From Mozart's Marriage Of Figaro And Don Giovanni
The ''Fantasy on Themes from Mozart's ''Figaro'' and ''Don Giovanni (German: ''Fantasie über Themen aus Mozarts Figaro und Don Giovanni''), S.697, is an operatic paraphrase for solo piano by Franz Liszt, based on themes from two different Mozart's operas: '' The Marriage of Figaro, K.492'' and '' Don Giovanni, K.527''. Liszt composed the work by the end of 1842 or early 1843, as he performed it at the latest in Berlin on 11 January 1843. Left as an unfinished manuscript upon his death, it was both completed and recorded by the pianist Leslie Howard in 1993 and published in 1997. Earlier, Ferruccio Busoni had published a much shorter performing version, the ''Fantasy on Two Motives from W. A. Mozart's ''The Marriage of Figaro, in 1912. Busoni's version, which does not include the music based on ''Don Giovanni'', is often nicknamed the ''"Figaro Fantasy".'' A typical performance lasts approximately thirteen minutes for Busoni's completion and over twenty minutes for Howard's l ...
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Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ...
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Fantasia On A Theme By Thomas Tallis
''Fantasia on a Theme by Thomas Tallis'', also known as the ''Tallis Fantasia'', is a one-movement work for string orchestra by Ralph Vaughan Williams. The theme is by the 16th-century English composer Thomas Tallis. The Fantasia was first performed at Gloucester Cathedral as part of the 1910 Three Choirs Festival, and has entered the orchestral repertoire, with frequent concert performances and recordings by conductors and orchestras of various countries. Background and first performance Vaughan Williams did not achieve wide recognition early in his career as a composer, but by 1910, in his late thirties, he was gaining a reputation. In that year the Three Choirs Festival commissioned a work from him, to be premiered in Gloucester Cathedral; this represented a considerable boost to his standing. He composed what his biographer James Day calls "unquestionably the first work by Vaughan Williams that is recognizably and unmistakably his and no one else's". It is based on a tune by ...
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