Flying In A Blue Dream (song)
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"Flying in a Blue Dream" is a song by American guitarist Joe Satriani, from his 1989 studio album of the same title. It starts with a recording of a radio station teamed with emotional feedback then follows into the proper song. It is one of Satriani's most popular songs, and is still performed at all of his live concerts. Live versions can be found on the ''
Live in San Francisco Live may refer to: Arts, entertainment, and media Films * ''Live!'' (2007 film), 2007 American film * ''Live'' (2014 film), a 2014 Japanese film *'' ''Live'' (Apocalyptica DVD) Music * Live (band), American alternative rock band * List of album ...
'', ''
Satriani Live! ''Satriani Live!'' is a live album and DVD by Joe Satriani. It was recorded on May 2, 2006, in Anaheim, California, and released on October 31, 2006. Track listing All songs written by Joe Satriani. Disc 1 #" Flying in a Blue Dream" - 8:38 #"T ...
'', and '' G3: Live in Concert'' albums. The intro heard was not planned, but was recorded nonetheless by producer John Cuniberti while recording Satriani's guitar parts for the song. Apparently, Satriani's amplifier was picking up a frequency from a radio or TV station, and Cuniberti simply said, "I'm recording this," and proceeded. Amidst the recorded speech is a young boy's voice saying "sometimes afterwards they still like each other, and sometimes they don't." The same excerpt is still used today when Satriani performs the song in concert. The acoustic rhythm guitar part is usually played as a backing track. Musically, the track strongly features the C
Lydian mode The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. : Because of the importance of the major scale in modern music ...
, giving it a spacey-dreamy feeling. Also featured strongly in the track is Joe Satriani's fluid and complex usage of the legato technique to quickly play scalar runs. When played live, the intro feedback is produced by Satriani and then manipulated by physically moving himself and his guitar to different positions relative to his amplifier - this changes the frequencies of the feedback, giving an interesting array of variations on the initial feedback. Satriani knows where the harmonics are generated on each separate stage on tour by "mapping them out" during
soundcheck A sound check is the preparation that takes place before a concert, speech, or similar performance to adjust the sound on the venue's sound reinforcement or public address system. The performer and the audio engineers run through a small port ...
s and marking the physical points on-stage with tape.


Awards and nominations

* 2014 - VH1`s "''20 Greatest Hard Rock & Metal Instrumentals of all time''" - 4th Placevh1.com/
''Instru-Metal Symphony: The 20 Greatest Heavy Metal & Hard Rock Instrumental Songs''


References

{{authority control 1989 songs 1980s instrumentals Joe Satriani songs