Field Hollers
   HOME

TheInfoList



OR:

The field holler or field call is mostly a historical type of vocal
work song A work song is a piece of music closely connected to a form of work, either sung while conducting a task (usually to coordinate timing) or a song linked to a task which might be a connected narrative, description, or protest song. Definitions and ...
sung by
field slaves in the United States Field hands were slaves who labored in the plantation fields. They commonly were used to plant, tend, and harvest cotton, sugar, rice, and tobacco. Chores Field slaves usually worked in the fields from sunrise to sundown while being monitore ...
(and later by
African American African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of ens ...
forced laborers accused of violating
vagrancy laws Vagrancy is the condition of homelessness without regular employment or income. Vagrants (also known as bums, vagabonds, rogues, tramps or drifters) usually live in poverty and support themselves by begging, scavenging, petty theft, temporar ...
) to accompany their tasked work, to communicate usefully, or to vent feelings. It differs from the collective
work song A work song is a piece of music closely connected to a form of work, either sung while conducting a task (usually to coordinate timing) or a song linked to a task which might be a connected narrative, description, or protest song. Definitions and ...
in that it was sung solo, though early observers noted that a holler, or ‘cry’, might be echoed by other workers. Though commonly associated with cotton cultivation, the field holler was also sung by levee workers, and field hands in rice and sugar plantations. Field hollers are also known as corn-field hollers, water calls, and whoops. An early description is from 1853 and the first recordings are from the 1930s. The holler is closely related to the
call and response Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of ...
of
work songs A work song is a piece of music closely connected to a form of work, either sung while conducting a task (usually to coordinate timing) or a song linked to a task which might be a connected narrative, description, or protest song. Definitions and ...
and arhoolies. The
Afro-American African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of enslav ...
music form ultimately influenced strands of
African American music African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans and their culture. Their origins are in musical forms that first came to be due to the condition of slavery ...
, such as the blues and thereby
rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...
, as well as
negro spirituals Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with Black Americans, which merged sub-Saharan African cultural heritage with the ex ...
. There had also been some instances where some white oat farmers in close proximity to black people in the
southern United States The Southern United States (sometimes Dixie, also referred to as the Southern States, the American South, the Southland, or simply the South) is a geographic and cultural region of the United States of America. It is between the Atlantic Ocean ...
adopted and employed the field holler.


Description

It was described by
Frederick Law Olmsted Frederick Law Olmsted (April 26, 1822August 28, 1903) was an American landscape architect, journalist, social critic, and public administrator. He is considered to be the father of landscape architecture in the USA. Olmsted was famous for co ...
in 1853 as a "long, loud, musical shout, rising and falling and breaking into falsetto", a description that would also have fitted examples recorded a century later. Some hollers are wordless, like the field call by
Annie Grace Horn Dodson ''Negro Folk Songs of Alabama'' is a series of six records put out by Moses Asch and Harold Courlander on Folkways Records in the 1950s. The recordings include traditional African American music forms such as field calls and work songs. The record ...
. Some have elaborated syllables and
melismas Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is refe ...
, such as the long example recorded at the
Parchman Farm Mississippi State Penitentiary (MSP), also known as Parchman Farm, is a maximum-security prison farm located in unincorporated Sunflower County, Mississippi, in the Mississippi Delta region. Occupying about of land,1954, Been Here and Gone, Folkways


Origins

The field holler has origins in the
music of West Africa The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods. Traditional West African music varies due to the regional separation of West Africa, y ...
, where the majority of enslaved African in America originated from. The historian
Sylviane Diouf Sylviane Anna Diouf is a historian and curator of the African diaspora. She is a visiting scholar at the Center for the Study of Slavery and Justice, Brown University and a member of the Scientific Committee of the International Coalition of Si ...
and ethnomusicologist
Gerhard Kubik Gerhard Kubik (born 10 December 1934) is an Austrian music ethnologist from Vienna. He studied ethnology, musicology and African languages at the University of Vienna. He published his doctoral dissertation in 1971 and achieved habilitation in ...
also identify
Islamic music Islamic music may refer to religious music, as performed in Islamic public services or private devotions, or more generally to musical traditions of the Muslim world. The heartland of Islam is the Middle East, North Africa, the Horn of Africa, W ...
as an influence. Diouf notes a striking resemblance between the Islamic call to prayer (originating from Bilal ibn Rabah, an Abyssinian African Muslim in the early 7th century) and 19th-century field holler music, noting that both have similar lyrics praising God, melody, note changes, "words that seem to quiver and shake" in the vocal chords, dramatic changes in
musical scale In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the ...
s, and nasal intonation. She attributes the origins of field holler music to African Muslim slaves who accounted for an estimated 30% of African slaves in America. According to Kubik, "the vocal style of many blues singers using
melisma Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is refer ...
, wavy intonation, and so forth is a heritage of that large region of
West Africa West Africa or Western Africa is the westernmost region of Africa. The United Nations defines Western Africa as the 16 countries of Benin, Burkina Faso, Cape Verde, The Gambia, Ghana, Guinea, Guinea-Bissau, Ivory Coast, Liberia, Mali, M ...
that had been in contact with the
Arabic Arabic (, ' ; , ' or ) is a Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter ...
- Islamic world of the
Maghreb The Maghreb (; ar, الْمَغْرِب, al-Maghrib, lit=the west), also known as the Arab Maghreb ( ar, المغرب العربي) and Northwest Africa, is the western part of North Africa and the Arab world. The region includes Algeria, ...
since the seventh and eighth centuries."


Influence

Field hollers, cries and hollers of the slaves and later sharecroppers working in cotton fields, prison
chain gangs A chain gang or road gang is a group of prisoners chained together to perform menial or physically challenging work as a form of punishment. Such punishment might include repairing buildings, building roads, or clearing land. The system was no ...
, railway gangs (
Gandy dancer Gandy dancer is a slang term used for early Rail transport, railroad workers in the United States, more formally referred to as "section hands", who laid and maintained Track (rail transport), railroad tracks in the years before the work was don ...
s) or
turpentine camp Turpentine (which is also called spirit of turpentine, oil of turpentine, terebenthene, terebinthine and (colloquially) turps) is a fluid obtained by the distillation of resin harvested from living trees, mainly pines. Mainly used as a special ...
s are seen as the precursor to the
call and response Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of ...
of African American spirituals and gospel music, to
jug bands A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, ...
,
minstrel shows The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people spec ...
,
stride piano Stride jazz piano, often shortened to stride, is a jazz piano style that arose from ragtime players. Prominent stride pianists include James P. Johnson, Willie "the Lion" Smith, Fats Waller, Luckey Roberts, Mrs Mills and Mary Lou Williams. ...
, and ultimately to
the blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African- ...
, to
rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...
,
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
and to
African American music African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans and their culture. Their origins are in musical forms that first came to be due to the condition of slavery ...
in general. The field holler may in turn have been influenced by blues recordings. No recorded examples of hollers exist from before the mid-1930s, but some blues recordings, such as ''Mistreatin' Mama'' (1927, Negro Patti) by the harmonica player
Jaybird Coleman Burl C. "Jaybird" Coleman (May 20, 1896 – January 28, 1950) was an American country blues harmonica player, vocalist, and guitarist. He was a popular musical attraction throughout Alabama and recorded several sides in the late 1920s and early 1 ...
, show strong links with the field holler tradition. A white tradition of "hollerin'" may be of similar age, but has not been adequately researched. Since 1969 an annual
National Hollerin' Contest The National Hollerin' Contest, first held in 1969, is an annual competition held in Spivey's Corner, North Carolina. The contest, formerly held on the third Saturday in June, was inaugurated to revive the almost-lost art of " hollerin'", a sophi ...
has been held in Sampson County, North Carolina. The influence can be seen in the humwhistle. A humwhistle, otherwise known as "whistle-hum", creates two tones simultaneously and is a
folk art Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically tr ...
. The two-tone sound is related to
Inuit throat singing Inuit throat singing, or ''katajjaq'' (Inuktitut syllabics: ᑲᑕᔾᔭᖅ), is a distinct type of throat singing uniquely found among the Inuit. It is a form of musical performance, traditionally consisting of two women who sing duets in a cl ...
, and to a tradition of
yodeling Yodeling (also jodeling) is a form of singing which involves repeated and rapid changes of pitch between the low-pitch chest register (or "chest voice") and the high-pitch head register or falsetto. The English word ''yodel'' is derived from the ...
that originated in the
Central Alps The Alps form a large mountain range dominating Central Europe, including parts of Italy, France, Switzerland, Liechtenstein, Austria, Slovenia, Germany and possibly Hungary (if one includes the Kőszeg Mountains). This article describes the d ...
.


See also

*
Blue note In jazz and blues, a blue note is a note that—for expressive purposes—is sung or played at a slightly different pitch from standard. Typically the alteration is between a quartertone and a semitone, but this varies depending on the musical c ...
* Twelve-bar blues *
Blues ballad The term blues ballad is used to refer to a specific form of popular music which fused Anglo-American and Afro-American styles from the late 19th century onwards. Early versions combined elements of the European influenced "native American ballad" ...
* Holler Blues *
Yodeling Yodeling (also jodeling) is a form of singing which involves repeated and rapid changes of pitch between the low-pitch chest register (or "chest voice") and the high-pitch head register or falsetto. The English word ''yodel'' is derived from the ...
*
Kulning Kulning or herding calls is a domestic Scandinavian music form, often used to call livestock (cows, goats, etc.) down from high mountain pastures where they have been grazing during the day. It is possible that the sound also serves to scare away ...
*'' Afro-American Work Songs in a Texas Prison'', a 1966 documentary film


References


Sources

*{{cite book, author=Charlton, Katherine, title=Rock Music Styles - a history, publisher=Mc Graw-Hill, 4th ed., pp. 3, year=2003, isbn=0-07-249555-3 *Oxford Music Online: Grove Music *Southern, Eileen. The Music of Black Americans. 3rd. New York London: Norton, 1997. Print.


External links


Recordings from ''The John and Ruby Lomax 1939 Southern States Recording Trip''
-> Hollers
Recordings of hollers
done by Alan Lomax, 1947-1959 (Association for Cultural Equity) Song forms African-American music Work music