Elle'ments

''Elle'ments'' is the debut studio album by German girl group No Angels. It was first released by Polydor–Zeitgeist and Cheyenne Records on 12 March 2001 in German-speaking Europe. After winning the inaugural season of the reality talent contest ''Popstars'' in late 2000, Polydor consulted a small team of German-based musicians to work with the quintet, including Thorsten Brötzmann, Peter Ries, Leslie Mándoki, and Peter Plate. ''Elle'ments'' is a pop record with an inclusion of styles such as dance, R&B, Latin and rock. Conceptually, the album centered on the idea of the classical elements, and during that time was compared to English girl group the Spice Girls' ''Forever'' (2000) era.

Upon its release, ''Elle'ments'' became an instant smash hit. The album peaked at number one in Austria, Germany, and Switzerland, and was eventually certified 7× Gold in Germany and reached Platinum status in both Austria and Switzerland. Additionally, it was certified Platinum by the European International Federation of the Phonographic Industry (IFPI). ''Elle'ments'' became Germany's top-selling album of 2001, with 500,000 copies sold in its first six month of release. In total, ''Elle'ments'' sold 1.1 million copies worldwide, becoming one of the biggest-selling girl group albums in music history and one of the best-selling German albums of all time.

The album yielded the record-breaking number-one hit single "Daylight in Your Eyes", and produced three further singles, including " Rivers of Joy", "When the Angels Sing" and a remake of British pop duo Eurythmics' 1985 single "There Must Be an Angel," the theme song to the animated feature ''The Little Polar Bear'' (2001), their second number-one hit in Austria and Germany. The latter song also appeared on Special Winter Edition reissue of the album, released in October 2001, along with several new songs. In fall 2001, No Angels embarked on their first concert tour, the Rivers of Joy Tour, in support of the album.

Background

No Angels were formed in 2000 on the debut season of the RTL2 series ''Popstars'', the German adaption of the international reality television franchise which set about producing a five-piece girl group. After several elimination rounds, Nadja Benaissa, Lucy Diakovska, Sandy Mölling, Vanessa Petruo and Jessica Wahls were chosen, and signed a recording contract with Cheyenne Records. With the final members of the group in place, the program followed the group during its recording sessions, photo and music video shoots and other promotional commitments such as showcases and instores. For their English language debut album, the band worked with a small group of German-based music producers, including Thorsten Brötzmann, Peter Ries, and Leslie Mándoki, as well as Rosenstolz member Peter Plate and his partner Ulf Leo Sommer, many who would beoame frequent collaborators on subsequent projects. Stylistically, ''Elle'ments'' takes influence from a number of different genres, such as Europop, teen pop, electro, and dance, and combines elements from pop rock, drum and bass, and contemporary R&B. The album received comparisons to artists such as Britney Spears, Destiny's Child, and the Spice Girls.

Recording

Following their formation, the band members moved into a house in Munich and began work on their debut album at the Park Studios, in Tutzing, Bavaria where most their songs would be recorded. Parts of the recording sessions were tracked for the final episodes of ''Popstars'', particularly the vocal recording of "Daylight in Your Eyes", "When the Angels Sing" and the leftover track "So Wanna Be with You". Album opener "Daylight in Your Eyes", a cover version of singer Victoria Faiella's 2000 pop rendition of the rock-tinged original song by American rock band New Life Crisis, was produced by Thorsten Brötzmann. Set against a "knee-bobbing dance beat", the "exhilarating production" features an "anthemic chorus". Brötzmann also contributed "Cold as Ice", a "cool, atmospheric" and "soft electro pop" ballad, in which a lovelorn woman realizes that her love interest is giving her the cold shoulder, and "Go Ahead and Take It", an uptempo fight song with a cheerleading motif that promotes female empowerment. "Send Me Flowers" is a pop rock song that is backed by a gospel choir. Lyrically, it has a woman demanding an apology from her lover. Closing track " That's the Reason", another Brötzmann production, co-written by Alexander Geringas, is a piano-led pop ballad with soft string arrangements and lyrics that talk about reminiscing past memories with a loved one.

Former Dschinghis Khan member Leslie Mándoki contributed the Eastern-flavored R&B track "Be My Man (The Plan)" in which a woman asks her lover to let her know about his motives, as well as the "moody" mid-tempo song "Faith Can Move a Mountain" that talks about finding comfort in others. "You Could Be the First" was produced by Patrik Majer and duo Plate & Sommer. Lyrically, the guitar-led mid-tempo song is about a woman who asks her husband to stop playing games with her; otherwise he would make her cry. Most of the other half of ''Elle'ments'' was produced by Peter Ries. Ries co-penned the mid-tempo ballad "When the Angels Sing" that features a cascading piano arrangement and dominant drum pattern. Lyrically, it finds the group thinking deeply over their relationship with their love interests from whom they parted. Uptempo song "Promises Can Wait" has a woman looking for fun instead of a love at first sight, while on mid-tempo ballad "Couldn't Care Less", built upon a pulsating backbeat and a harp pattern, she assures that she has recovered from a painful heartbreak. Dance-pop track " Rivers of Joy", another anthemic song about self-empowerment, combines elements of gospel music and Eurodance with prominent usage of a piano sample. Ballad "Cry for You", co-written by Thomas Anders, is a gentle, breezy pop song that is set against an acoustic guitar-driven instrumentation and a prominent saxophone riff. Lyrically, it talks about a woman's desire to reconcile with her former lover, who has broken up with her because of her own mistakes, leaving her in a devastated state of mind.

Singles

After their formation, there was a period of indecision about what song would be released as No Angels' debut single. Cheyenne Records executives believed that the first single should be "Go Ahead and Take It", which had previously been promoted during the ''Popstars'' re-call sessions on Mallorca, while the group was adamant that their debut song should be "Daylight in Your Eyes". The executives at Cheyenne relented, and the song was chosen as their first single out of a total of ten songs that had been pre-selected to lead the parent album. Released on 5 February 2001, the song went gold within twenty-four hours in Germany and sold more than 500,000 copies within its first week of release. "Daylight in Your Eyes" peaked at number one on the German, Austrian and Swiss Singles and Airplay Charts. It became the second fastest-selling single ever in Germany up to then as well as one of the biggest-selling German singles of the 2000s.

" Rivers of Joy" was released as the album's second single on 30 April 2001. The gospel-tinged dance-pop track became the group's second top ten single in Germany and Switzerland but was significantly less successful than "Daylight in Your Eyes" and ended its chart run as ''Elle'ments''s lowest-selling single. "There Must Be an Angel", a cover version of the 1985 song by British musical duo Eurythmics, was released as the third single from ''Elle'ments'' which was reissued on 1 October 2001. An instant smash, it debuted at number one on the German Singles Chart and also went gold in Germany and Switzerland. "There Must Be an Angel" also reached the top in Austria and peaked at number two in Switzerland. The mid-tempo ballad "When the Angels Sing" was released as album's fourth and final single on a double A-side along with a duet with Scottish singer Donovan on a re-recording of his 1968 song "Atlantis", the theme song for Walt Disney's animated feature '' Atlantis: The Lost Empire'' (2001). Released on 19 November 2001, the single peaked at number five on the Austrian and German Singles Chart.

Critical reception

The album received generally mixed reviews from pop music critics. ''laut.de'' editor Eberhard Dobler felt that the four producers on the album "built No Angels a easily digestible dance-love-star-nest ..on an international pop level – the Eurodance track 'Rivers of Joy' proves it." He remarked that "while the thirteen songs are tailored to the market itha little bit of Spicy (the whole band concept), a little bit of Britney ('Be My Man (The Plan)'), a little bit of R&B ('Couldn't Care Less') and even guitar pop/rock ('Send Me Flowers') ..the laughing potential of the lyrics is hard to beat." Only the "inflationary use of the 'love' topic" could lead to "nonsense" like "Promises Can Wait".

Linus Volkmann from ''Intro'' found that ''Elle'ments'' lacked "recognition value", but admitted that it "sounds pretty good – despite the tight studio time". He complimented the album for its "varied" mix of elements, with "each song describing excursions into different pop genres: A few times R&B, a few times Katrina and the Waves uptempo, a few times disco in 1970s funk fashion."

''Der Spiegel'' called the songs "professionally arranged ready-made goods". In their review of the ''Special Winter'' reissue of the album, the editorial department of German television network ProSieben wrote: "Even the reissue of ''Elle'ments'' can't hide the fact that the rest of the girls' repertoire lacks the quality of their singles 'Daylight In Your Eyes', 'Rivers of Joy' and 'There Must Be an Angel'. Without a recognizable style of their own, without a recognizable line of their own, ''Elle'ments'' offers a collection of well-made pop songs, which unfortunately all too often fall back on tried, tested and well-known knitting patterns." As with Dobler, the staff compared the material to Britney Spears, the Spice Girls and Toni Braxton and concluded: "If you don't mind No Angels' lack of independence, ''Elle'ments'' undoubtedly offers a nice best-of-pop album ..But if you look for authenticity and uniqueness, you are knocking at the wrong door."

Chart performance

In March 2001, No Angels released ''Elle'ments'' in German-speaking Europe where it became an unprecedented success due to the sheer volume of interest in the group. The album debuted at number one on the Austrian, German, and Swiss Albums Charts, making the band the first act ever to simultaneously top the albums, singles, and airplay charts – along with "Daylight in Your Eyes" – in all three territories. In Germany, ''Elle'ments'' peaked at number one for three consecutive weeks in which it passed the sales mark of 500,000 units. By August 2001, it had reached double platinum status, indicating sales in excess of 600,000 copies. Following the release of its Special Winter Edition in October, ''Elle'ments'' re-entered the top ten at number seven. In total, the album spent 74 consecutive weeks within the top 100 of the German Albums Chart and was eventually certified triple platinum and 7× Gold by the Bundesverband Musikindustrie (BVMI) for domestic sales in excess of 1.05 million copies. It was the highest-selling album of 2001 in Germany.

In Austria, ''Elle'ments'' charted four non-consecutive weeks at the top of the Ö3 Austria Top 40 Longplay chart. It was certified platinum by IFPI Austria, indicating sales in excess of 40,000 units, and became the fifth highest-selling album that year. In Switzerland, the album sold further 40,000 copies and also was awarded a platinum certification by IFPI Switzerland. It spent four non-consecutive weeks at number-one on the Swiss Hitparade and was ranked ninth on the Swiss year-end albums chart. ''Elle'ments'' also debuted at number six on ''Billboard''s European Top 100 Albums chart, and peaked at number five in its third week of release. Altogether, the album became the 41st biggest-selling album of 2001 in Europe – the only entry for any international ''Popstars'' winner that year – and was certified platinum by the International Federation of the Phonographic Industry (IFPI) for shipments of one million copies. In total, the album sold 1.1 million copies worldwide, becoming the most successful girl group album in German music history as well as the biggest-selling product to emerge from the ''Popstars'' reality television franchise. In 2013, ''Elle'ments'' was ranked among the twenty best-selling German albums of all time.

Track listing

Credits adapted from the liner notes of ''Elle'ments''.

Credits and personnel

Credits adapted from the liner notes of ''Elle'ments''.

Performers and musicians

* Laszlo Bencker – various instruments
* Christoph Leis-Bendorff – vocal assistance
* Thorsten Brötzmann – keyboards
* Joan Faulkner – vocal assistance
* Nico Fintzen – keyboards
* Stefan Hansen – keyboards
* Tony Laketos – saxophone
* Ralf Lübke – guitar
* Anja Mähnken – vocal assistance
* Leslie Mándoki – various instruments
* Ossi Schaller – guitar
* Marion Schwaiger – vocal assistance
* Peter Weihe – guitar

Technical

* Thorsten Brötzmann – production
* Lines Hutter – engineer
* Jeo – mixing
* Stuart Jones – assistant engineer
* Söhnke Kirchner – mixing
* J. Quincy Kramer – mastering
* Bernhardt Kühmstedt – photography
* Patrik Majer – production
* Leslie Mándoki – production
* Plate & Sommer – production
* Ronald Reinsberg – art direction
* Peter Ries – production, mixing
* Mike Streefkerk – engineer
* Stefan Zeh – assistant engineer
* Martin Zehetbauer – engineer
* Ulf Zwerger – engineer

Leftover tracks

* "Don't Hesitate" (appeared on the 2001 ''Magix Video Maker'' DVD/ CD)
* "Let Me Be the One" (''Magix Video Maker'')
* "Nitelife" (''Magix Video Maker'')
* "So Wanna Be with You" (produced by Thorsten Brötzmann) (appeared on the 2004 compilation album ''History of Popstars'')
* "Wherever You Go" (''Magix Video Maker'')

Charts

Weekly charts

Year-end charts

Certifications

Release history

See also

*List of best-selling albums in Germany

References

External links

NoAngels-Music.de
— official site

{{DEFAULTSORT:Ellements
No Angels albums
2001 debut albums
Polydor Records albums