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In
music theory Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (ke ...
, a diminished triad (also known as the minor flatted fifth) is a triad consisting of two
minor third In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number). The minor third is one of two com ...
s above the
root In vascular plants, the roots are the organs of a plant that are modified to provide anchorage for the plant and take in water and nutrients into the plant body, which allows plants to grow taller and faster. They are most often below the su ...
. It is a
minor triad In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. When a chord comprises only these three notes, it is called a minor triad. For example, the minor triad built on C, called a C minor triad, has pitch ...
with a lowered ( flattened) fifth. When using chord symbols, it may be indicated by the symbols "dim", "", "m5", or "MI(5)". However, in most popular-music chord books, the symbol "dim" and "" represents a
diminished seventh chord The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, 3, 5, 7). For example, the diminished seventh ...
(a four-tone chord), which in some modern jazz books and music theory books is represented by the "dim7" or "7" symbols. For example, the diminished triad built on C, written as C, has pitches C–E–G: : The chord can be represented by the
integer notation In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart; for example, the pitch class C consists of the Cs in all octaves. "The pitch class C stands for all possible Cs, in whatever octave posit ...
. In the
common practice period In European art music, the common-practice period is the era of the tonal system. Most of its features persisted from the mid-Baroque period through the Classical and Romantic periods, roughly from 1650 to 1900. There was much stylistic evoluti ...
, the diminished triad is considered
dissonant In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness ...
because of the
diminished fifth Diminished may refer to: *Diminution In Western music and music theory, diminution (from Medieval Latin ''diminutio'', alteration of Latin ''deminutio'', decrease) has four distinct meanings. Diminution may be a form of embellishment in which ...
(or tritone).


Harmonic function

In
major scales Major (commandant in certain jurisdictions) is a military rank of commissioned officer status, with corresponding ranks existing in many military forces throughout the world. When used unhyphenated and in conjunction with no other indicator ...
, a diminished triad occurs only on the seventh scale degree. For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale degree, it is also called the ''
leading-tone triad In music theory, a leading-tone (also called a subsemitone, and a leading-note in the UK) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively. Typically, ''the' ...
''. This chord has a
dominant function In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So ...
. Unlike the
dominant triad In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So ...
or
dominant seventh In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord, usually built on the fifth degree of the major scale, and composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major triad t ...
, the leading-tone triad functions as a
prolongation In music theory, prolongation is the process in tonal music through which a pitch, interval, or consonant triad is considered to govern spans of music when not physically sounding. It is a central principle in the music-analytic methodology o ...
al chord rather than a structural chord since the strong root motion by fifth is absent. On the other hand, in natural minor scales, the diminished triad occurs on the second scale degree; in the key of C minor, this is the D diminished triad (D, F, A). This triad is consequently called the ''
supertonic In music, the supertonic is the second degree () of a diatonic scale, one whole step above the tonic. In the movable do solfège system, the supertonic note is sung as ''re''. The triad built on the supertonic note is called the supertonic ch ...
diminished triad''. Like the supertonic minor triad found in a major key, the supertonic diminished triad has a predominant function, almost always resolving to a dominant functioning chord. If the music is in a minor key, diminished triads can also be found on the raised seventh note, vii. This is because the
ascending melodic minor scale In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also ...
has a raised sixth and seventh degree. For example, the chord progression vii–i is common. The leading-tone diminished triad and supertonic diminished triad are usually found in
first inversion The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. Walter Piston, ''Harmony'', fifth edition, revised and expanded by Mark DeVo ...
(vii6 and ii6, respectively) since the spelling of the chord forms a diminished fifth with the bass. This differs from the
fully diminished seventh chord The diminished seventh chord is a four-note chord (a seventh chord) composed of a Root (chord), root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, 3, 5, 7). For example, the dimi ...
, which commonly occurs in
root position The root position of a chord is the voicing of a triad, seventh chord, or ninth chord in which the root of the chord is the bass note and the other chord factors are above it. In the root position, uninverted, of a C-major triad, the bass is ...
. In both cases, the bass resolves up and the upper voices move downwards in contrary motion.


In popular music

Walter Everett writes that "In
rock Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wales ...
and pop music, the diminished triad nearly always appears on the second scale degree, forming a generally maudlin and dejected ii with its members, 2–4–6." Songs that feature ii include
Santo & Johnny Santo & Johnny were an American rock and roll instrumental duo of Italian descent from Brooklyn, New York, composed of brothers Santo Farina (born October 24, 1937) and Johnny Farina (born April 30, 1941). They are known best for their instrum ...
's "
Sleep Walk Sleepwalking, also known as somnambulism or noctambulism, is a phenomenon of combined sleep and wakefulness. It is classified as a sleep disorder belonging to the parasomnia family. It occurs during slow wave stage of sleep, in a state of low ...
",
Jay and the Americans Jay and the Americans are an American rock group who formed in the late 1950s. Their initial line-up consisted of John "Jay" Traynor, Howard Kane (born Howard Kirschenbaum), Kenny Vance (born Kenneth Rosenberg) and Sandy Deanne (born Sandy Ya ...
' "
Cara Mia "Cara Mia" is a popular song published in 1954 that became a UK number 1, and US number 10 hit and Gold record for English singer David Whitfield in 1954, and a number 4 hit for the American rock group Jay and the Americans in 1965. The titl ...
", and
The Hollies The Hollies are a British pop rock band, formed in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style. Allan Clarke and Graham Nash founded the band ...
' "
The Air That I Breathe "The Air That I Breathe" is a ballad written by British-Gibraltarian singer-songwriter Albert Hammond and Mike Hazlewood, initially recorded by Hammond on his debut album, ''It Never Rains in Southern California'' (1972). It was a major hit for t ...
". Not so rare but rare enough so as to imply knowledge of and conscious avoidance on the part of rock musicians, examples of its use include Oasis' "
Don't Look Back in Anger "Don't Look Back in Anger" is a song by English rock band Oasis. It was written by the band's guitarist and main songwriter Noel Gallagher. The song was produced by Gallagher and Owen Morris. Released on 19 February 1996 as the fifth single fro ...
",
David Bowie David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the ...
's "
Space Oddity "Space Oddity" is a song by English singer-songwriter David Bowie. It was first released on 11 July 1969 by Philips Records as a 7-inch single, then as the opening track of his second studio album ''David Bowie''. After the commercial f ...
", and two in
Daryl Hall Daryl Franklin Hohl (born October 11, 1946), known professionally as Daryl Hall, is an American rock, R&B and soul singer and musician, best known as the co-founder and principal lead vocalist of Daryl Hall and John Oates (with guitarist and ...
's "
Everytime You Go Away "Everytime You Go Away" is a song written and composed by Daryl Hall. It was first recorded in 1980 by the American duo Hall & Oates but was not released as a single. A cover version of the song by Paul Young became an international hit in 1985, ...
". The vii in major keys is relatively less common than the ii, but still does happen. It is almost always used to tonicize the relative minor, in progressions such as vii–V7/vi–vi, which resembles ii–V7–i in the relative minor.


Tuning

In a
twelve-tone equal temperament Twelve-tone equal temperament (12-TET) is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 ( ≈ 1.05946). That resultin ...
, a diminished triad has three
semitone A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent no ...
s between the third and fifth, three semitones between the root and third, and six semitones between the root and fifth. In 5-limit
just intonation In music, just intonation or pure intonation is the tuning of musical intervals Interval may refer to: Mathematics and physics * Interval (mathematics), a range of numbers ** Partially ordered set#Intervals, its generalization from numbers to ...
, the diminished chord on VII (in C: B–D–F) is 15:8, 9:8, and 4:3, while on II (in C: D–F–A) it is 9:8, 4:3, and 8:5 (135:160:192). According to
Georg Andreas Sorge Georg Andreas Sorge (21 March 1703 in Mellenbach, Thuringia – 4 April 1778) was an organist, composer, and, most notably, theorist. His references to Johann Sebastian Bach show that they were friends, and he composed three fugues for organ on ...
, the
trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...
, in its overtone series on C, gives the diminished triad E–G–B = 5:6:7 ("perfect diminished chord"), but the 7 is too flat and 45:54:64 is preferred. Helmholtz describes the diminished triad as 1 − D ,  F, giving a just minor third and Pythagorean minor third (45:54:64) in the notation system used in '' On the Sensations of Tone as a Physiological Basis for the Theory of Music''. Play , (5-limit major), or on C. :


Diminished chord table

:


See also

*
Half-diminished seventh chord In music theory, the half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed of a root note, together with a minor third, a diminished fifth, and a minor seventh (1,  ...
*
Secondary leading-tone chord A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period: the use of diatonic functions for tonicization. Secondary chords are a typ ...
*
Augmented triad Augment or augmentation may refer to: Language * Augment (Indo-European), a syllable added to the beginning of the word in certain Indo-European languages *Augment (Bantu languages), a morpheme that is prefixed to the noun class prefix of nouns ...
*
Diminished seventh chord The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, 3, 5, 7). For example, the diminished seventh ...


References

Sources * {{DEFAULTSORT:Diminished Triad Chord Chords